It's here! It's here! All the local news headlines you need to know about, delivered straight to your e-mail box and from there to your little grey brain.
Learn more about it here.
Sign up at the handy link below.
CLICK HERE to get on board with your very own MISCmedia MAIL subscription!
Now the Great Gazoo will never get back to his home planet.
Broadstripe (formerly Millennium, formerly Summit, formerly Seacom), the “little” cable company with a big image problem, has finally added a bunch more hi-def channels. They’re all versions of brands you know and love—TNT, TBS, A&E, History Channel, National Geographic, Lifetime Movie Network, and (for a little extra) Showtime.
So far, so good. We get TNT’s NBA playoffs (including, alas, the Lucking Fakers) and TBS’s baseball games (no longer exclusively starring the Braves) in their full-res, widescreen glory. The same goes for some movies, recent off-network reruns (Lawn Order: Assorted Flavors), and “reality” faves such as Ax Men (northwest Oregon never looked so beautifully foreboding).
But, and this is something Broadstripe can do nothing about, sometimes these channels aren’t showing HD material. (This is usually when they’re simulcasting the same shows as their famous parent channels.) That would only be a minor annoyance, except these channels then ruin this material by altering it into that fake-widescreen stretch-O-vision. Sometimes, even movies that were originally made in widescreen will get cropped and then stretched into unviewability. And you can’t “squeeze” it back into its proper proportions; you can only search out these shows on the channels’ regular standard-def incarnations.
The worst offender: Lifetime Movie Network, whose shelves of moldering ’80s-’90s made-for-TV victimization-and-revenge tales are almost all stretched out like digital Silly Putty comics.
After last night’s televised debacle (the debacle part being mostly the doing of the televisors), one question remains (out of all the many questions left unasked): Were messers Gibson and Stephanopoulos playing devil’s advocate, or are they really sniveling GOP sycophants?
Saturday just happened to be the first warm day of the year; a perfect setting for the already much-documented Dalai Lama show in the pro football stadium, where he talked about compassion and coexistence for all people.
(No, I see absolutely no cynical irony in that. American football is a game of confrontation, but it’s also a game of cooperation.)
His message, and the other messages at the Seeds of Compassion confab, have been both simple and deep. I’ll probably have more to say about them later this week.
Later that evening, I found myself at the Georgetown Art Attack gallery crawl. Saw some lovely informal paintings at Georgetown Tile curated by my ol’ pal Anne Grgich; then caught some great buys at the Fantagraphics bookstore’s scratch-and-dent sale.
Sunday brought us the last day of the last bowling alley north of the Ship Canal, Ballard’s totally beloved Sunset Lanes.
It was also the day of what just might have been the last pro basketball game in Seattle. Maybe. If we don’t do something about it.
Even after a deliberately thrown season, the finale was sold out. Fans booed the home team’s owner Clay Bennett, and cheered the opposing team’s owner (Mark Cuban of the Dallas Mavericks, who opposes Bennett’s desired team move to Oklahoma City). You saw little to none of this on Fox Sports Net; under terms of its contract with the team, FSN’s announcers said almost nothing about Bennett’s threats or the real importance of Sunday’s game.
Also Sunday evening, and this takes the whole entry full circle, CNN held what it called a “Compassion Forum,” in which Barack Obama and Hillary Clinton (appearing separately) discussed their religious and/or spiritual foundations. Of course, because they are rival applicants for a really big job, some pundits just had to compare and contrast who’s really the most faith-based.
From episode one, he was juxtaposing New York export culture (TV shows and commercials) with New York local culture (particularly off-Broadway revues). For one of the world’s biggest media companies, Michaels simulated a small, funky, fringe-theater experience. Broadway theater set designer Eugene Lee divided the huge Studio 8H into a series of intimate, textured living rooms and offices; they looked like places where Gleason and Carney could have cavorted. Bob Pook’s cute sketch title cards and Edie Baskin’s hand-colored cast photos furthere the notion that this was no Sonny & Cher Comedy Hour. This would be a different type of TV, a show viewers could trust to speak their language, even when that language became a stream of catch phrases.
This affect spread to the musical guests. In the show’s launch, they were almost always mellow singer-songwriters and aging R&B legends. Michaels clearly didn’t know what to do with ABBA (who were cast over his dead body by network bosses) and Elvis Costello. He preferred nice music by people with genuine Sixties-generation cred.
Even the Muppets’ ongoing “Dregs and Vestiges” skits were really about the decline of the previous decade’s dreams. Ugly monster characters exchanged shticks about sex, drugs, and decay, on a planet whose good years were long past.
This was the setting, the picture frame for SNL’s comedy, a brand of comedy that was simultaneously brutal and gentle, experimental and commercial.
In time, of course, the commercial side would become ascendant. When Michaels returned to the show in 1986 after six seasons away, he re-created it as an “Industry” show, one where celebrities would be worshipped even as they were mocked.
…another 7 daze since I last posted. Excuses: Got none. (Except that a startup entrepreneurial venture I’d been involved with this past year seems to have gone “on hold.”)
In the nooze recently:
…couple-O-daze for yr. o’b’d’n’t web-scribe. I did a marathon temp gig in exotic Renton. (It’s now ended.) I was there, methodically shoving pieces of paper through a machine, when my Evening Magazine segment aired. (They’d promised they’d tell me when it would run; damn.) You may be able to see it at this link.
Other things have happened as well.
…I’m skipping the morning-headlines thang on days when there’s not much interesting to pass on. Today, we’ve got a few items:
…rolls along, even into primary states. Elsewhere:
…there’s gonna be a segment about folks trying to save the Ballard Denny’s/Manning’s building, and why it should be saved.
…in Saudi Arabia arrested an American woman for sitting with a man at a Starbucks. (One of the news items about the incident included a pic of the chain’s Arab-world logo, in which the mascot mermaid is completely missing.)
NOW WE KNOW why David Letterman rattled off so many Mitt Romney jokes this past week—he wasn’t gonna get to tell ’em much longer.
One Shai Sachs has written several pieces on MyDD.com pondering what a progressive cable-TV channel might look like, and how it might be funded.
It’s an intriguing idea, pregnant with possibilities.
Let’s imagine one now.
Not just a little volunteer show on an access channel, but a whole 24/7 venture with a professional staff and everything.
There’s no shortage of potential material to fill such a channel. There are plenty of writers, pundits, and documentary filmmakers available to be tapped. There are plenty of national and international stories that could provide compelling viewing/listening, but are mostly or wholly ignored in today’s mainstream media.
ProgTV could also have arts/culture/entertainment segments, emphasizing “our” priorities in those realms (indie films, non-double-platinum musicians, live theater, literature, etc.)
There could be oral-history interviews, viewer-submitted video shorts (a la Current TV), unedited speeches (a la C-SPAN), funny fake news (a la Jon Stewart), funny real news (a la Keith Olbermann), historical docs, educational shows for all age groups, etc. etc. etc.
Ms. Sachs warns, rightly in my opinion, that any ProgTV shouldn’t try to replicate PBS, or adhere to outmoded institutional “objective journalism.” That, she says, is what got the “liberal” media so suckered into becoming BushCo’s mouthpieces in 2002-03.
I may have more ideas about this later on.
…Rudy Giuliani to kick around anymore. In other nooze:
The TV this morn has lots of lovely snow footage from Tacoma, Lynnwood, and Issaquah. But here in the heart-O-Seattle, we’ve got some white-dusted rooftops and icy roads but little more. Alas.
…for Evening Magazine went lovely yesterday morning. We shot at a variety of locations, including the freshly re-closed (alas) Andy’s Diner and the under-destruction Rainier Cold Storage building.
Elsewhere in recent days: