4/90 Misc. Newsletter

IN MEMORY OF BOB & RAY

(THE BRAND YOU’VE GRADUALLY GROWN TO TRUSTOVER THE COURSE OF THREE GENERATIONS)

Damn. I was so looking forward to a baseball lockout. But at least we get to have an April edition of Misc., the pop-culture report that can hardly wait the five years it’ll take to build the proposed bullet train to Moses Lake. The concept is to have international air travelers to Seattle stop there, at an abandoned Air Force base. If we’re lucky, we’ll have a lot more surplus military and military-industrial plant to recycle, so we’d better start thinking of such inventive re-uses for them now. Besides, they could carry the rail line further east, for romantic getaways in Spokane (or even Wallace, Idaho).

GREAT STUFF: We in Seattle may have seen, thanks to the UW, the launching of women’s basketball as the hot new sport of the early ’90s. It’s competitive but not violent (so far), wholesomely sexy, and more down to earth than the men’s game (by about a foot). It’s also a frontier sport, not yet smothered under commercial endorsements and TV time-outs (again, so far). But will interviewers ever ask coaches of men’s teams how they juggle coaching with raising a family.

THE TRUTH ABOUT NICARAGUA: So, after 10 years, some folks got tired of Ortega, his teenage military draft, his Castro-inspired corporate culture, and his rhetoric (not to mention the contras and the US economic blockade). Ortega has proven his commitment to democracy by allowing himself to lose, something you don’t see in some of those anti-Communist dictatorships the US government loves. The Sandinistas remain the single largest party in the parliament, and might one day make an informal coalition with the non-Sandinista leftist parties that campaigned as part of the diffuse UNO coalition. And we must still remember that before Ortega, there was no democracy in that poor, tiny (fewer-people than Washington state), dictator-brutalized land.

FISH OR FOUL: UW art student Horace Luke made a sculpture incorporating 75 goldfish in a plexiglass tube, surrounded by neon lights. The fish were supplied with oxygen from an air pump, fresh water every three to four hours, and regular meals; but they still began to die, on full display in the Art Building. Then somebody, perhaps one of the piece’s several critics, stole the whole contraption on 3/7, except for the air pump. Without that, Luke told the Daily, any “rescued” fish probably died within 15 minutes.

LOCAL PUBLICATION OF THE MONTH: Seattle Radio Guide, an ambitious effort to provide free weekly listings of everything on every station. Publisher Bruce Buckner (“Having never worked on a magazine before…”) is apparently appealing to the few of us who cruise the dial on futile searches for something that’s not bland, old, or excessively market-segmented; but it’s no threat yet to Soundings Northwest….

The local black community could use a more professional, dignified newspaper. The Skanner (new branch of a Portland-based chain) isn’t it. It does, however, have a boxing column by Geek Love author Katherine Dunn.

TATTLE TALES: Mark Goodson and his late partner Bill Todman are famous for producing TV game shows. But, it turns out in the Malcom-memorial issue of Forbes, they made the bulk of their fortune owning a string of suburban papers in Pennsylvania (subcontracting the papers’ management to another chain). I don’t know if the reporters ever vowed to tell the truth, or whether they were stopped by the sound of a bell after asking a few questions (or if they had to stop if they got a no answer).

UNFAVORABLE IMPRESSIONS: The Nov. issue of American Printer carries the sad tale of printers stuck with worthless inventories of fad products whose times passed or never came: Michael Jackson posters, Trivial Pursuit game boards, books on Agnew, Dukakis, Gerald Ford and Oliver North. In the weirdest story, a small print shop invested in costly hardware to stamp photo-engravings of Elvis onto chocolate bars. (Thanx to Fred Woodworth of The Match, a Tucson political journal, for the tip.)

JUNK FOOD OF THE MONTH: Power Burst, an “advanced performance beverage” that vows to “beat Gatorade 7 ways.” All I know is you can prove your toughness by finishing an entire serving of the stuff….

A new line of oat bran English muffins is offered by a local outfit called Broadmoor Bakery. To the English, of course, Broadmoor is not known as an exclusive Seattle neighborhood but as a London psychiatric hospital.

SLOGAN OF THE MONTH: B.F. Goodrich T/A Tires, “The Athletic Shoes for Your Car.”

STAGES OF LIFE: The Coliseum Theater, last of the downtown single-screens, finally went RIP. Possible future uses for the historic building include yet another tacky upscale mall. Its death is directly due to 15 years of physical neglect by the misnamed Luxury Theaters, but can be related to the Reaganomics of the multiplex age, giving us (as noted in a recent Atlantic article) just long commercials, exercises in heavy emotional manipulation with little interest in storytelling or acting, let alone the “glamour” of the old Hollywood….

In happier news, Seattle promoters are trying to start an arts center in Concrete, Skagit County. They hope to set up shop in an old moviehouse this year or next, pending the success of a corporate fund drive.

NOSE FOR NEWS: I’m always defending USA Today from my fellow pseudo-intellectuals. One reason I like it: its recent national survey of urban smells. It printed a letter from Cedar Rapids, Iowa complaining about the local Quaker Oats plant (though “Thursdays aren’t too smelly because they make Cap’n Crunch”), from Wichita (where “the putrid smell of gas from the gas wells and crude oil from the oil wells was bad enough I wanted to brush my teeth”), and one from Milwaukee about the brewery and slaughterhouse smells (the mayor responds, “Milwaukee smells like a thriving city”).

BELLEVUE RICH KID DEAD IN C.D. CRACK SALE (3/20): Perhaps the only lesson from this tragedy is a reminder of the affluent who have abandoned the cities, their schools and industry, for a “quality” (euphemism for all-white) life in the suburbs, while serving as the customers who make the drug scourge possible. People are dying in the Rainier Valley and in Latin America so Eastside power-dressers can have their alleged fun.

SINGER FOR MOTHER LOVE BONE DEAD FROM HEROIN: Perhaps the only lesson from this tragedy is not to take ’60s revisionism too far. Back then, heroin was used by the Mafia/CIA to keep undesirable groups (first blacks, then radicals) under control. Besides, intense artificial “highs” are not the making of true cutting-edge art (especially in the age of Spielberg).

SWEET NOTHING: You know I don’t care for most commercial sentimentality, but I am wistful at Bartell Drugs’ centennial commercials showing an old drugstore soda fountain. The Northgate and old Westlake Bartells were just about the last drugstore soda fountains in town, but they were out by the late ’70s. (The last Seattle soda fountain was in an independent pharmacy on Broadway, replaced by a fancy restaurant that didn’t last five years.) I know they need room to stock all those high-tech prescription drugs and all those different shampoos containing “organic and other ingredients,” but they oughta find room in their bigger stores to bring the fountain treats back. Just don’t make it cutesy-wootsey, OK?

CATHODE CORNER: KIRO’s Aaron Brown has established himself as the nudge-nudge irony of modern TV adapted to local news. You know, the Lettermanian “We both know this is stupid but watch anyway” attitude that lets viewers think they’re too smart to be manipulated while continuing to be manipulated….

CBS has become an industrial dinosaur. Like GM and the Democrats, its attempts to revive itself fall back on the faulty practices that got it into its mess. Every “new look” show is over-researched, over-compromised and over-acted. When Moon Unit Zappa becomes a spouter of non-gag likes, you know something’s wrong.

PHILM PHACTS: The Great Rock n’ Roll Swindle was cool and quite the nostalgia trip, especially for the kids in the audience who were still in grade school when the Sex Pistols happened. It was fun to look back at England before Thatcher (the next European dictator to fall?), when it still had a veneer of respectability to rebel against. But punk was more grass-roots than Malcom McLaren still will admit. None of the hundreds of other bands were mentioned in the film. For example, the women of punk were not a wife/mistress auxiliary whose own works waited for discovery by historians (as in surrealism or the beats), nor the later second wave of an established genre (as in stand-up comedy or even rap). Punk’s women were out front from the start with X-Ray Spex, Siouxsie Sioux, Deborah Harry, Deborah Iyall, Au Pairs, the Slits, and dozens of others. Their legacy is to credit for the recent dominance of women on the pop charts (six of a recent Billboard Top 10).

‘TIL THE MERRY MONTH OF MAY, don’t wear a leather jacket to anti-fur rallies, enjoy the handmade Word of the Week signboard on Corliss Ave. N. heading north from 44th to 45th (a recent display: “Piscatorial”), read The Quayle Quarterly, consider private chess lessons from our own world champ Elena Donaldson-Akhmiloskaya ($25/hr.), try to figure out Lee Iacocca’s statement that “it’s time to peel off the Teflon Kimono,” and visit the Cap. Hill antique store with the simple name “OLD!” See ya.

THE MISC. LIST

Some still think I’m “just kidding,” that beneath the facade of an Angry Young Man there’s a carefree, apathetic party boy. There isn’t. I’m really like this.

Things that make other people laugh but just make me puke

Christian TV, professional wrestling, supermarket tabloids (especially the Weekly World News, made expressly to be laughed at), spoof movies, any movie with an ex-Saturday Night Live or SCTV star (except Strange Brew).

Things that make other people puke but just make me laugh

The flag nonsense, Nintendo, Milli Vanilli, Channel One, Smurfs.

Things people expect me to adore but I don’t

Science fiction, sword-and-sorcery (especially sword-and-sorcery disguised as science fiction), speed metal.

Things people expect me to just loathe but I don’t

Idaho Spud candy bars, designer sneakers, working-class people.

OFFER

No new Misc. subscribers signed up last month, so everyone who signs on this month will get a special bonus: A special frameable essay and two random pages from my forthcoming novel.

PASSAGE

Francois Campoin in the short story “Things That Made It Possible”: “I lost control of the video portion of my life. I kept fading in and out.”

WORD OF THE MONTH

“Aborescence”

5/89 ArtsFocus Misc.

PENTAGON BRASS PREDICT

GLASNOST WILL FAIL

(THEY CAN ONLY HOPE)

Here at Misc., where we’ve always brought disparate elements together, we don’t understand this “cold fusion” fuss. As a scientific discovery, it’s far less important than the new technique to remove old tattoos with lasers.

With this installment, Misc. has graced Seattle’s more open-minded restaurants, theatres and retailers for three years. That’s longer than the Ford Administration or the original run of Star Trek! Alice Savage, who ran what was then the PR paper for the Lincoln Arts Association, said I could write anything I wanted to. As ArtsFocus has grown under Cydney Gillis into this fiercely-independent sheet, that policy’s stayed. Another policy iterated in the first edition still holds: This column does not settle wagers (not that we’ve been asked to).

Eat Your Heart Out, Updike: The Brasil restaurant on 1st showed scenes from the latest Rio samba parades as part of its Sunday-night film series. Among the 18 “schools” (each with at least 3,000 amateur performers) were several save-the-rainforest parades and one in honor of Brazilian author Jorge Amado (Dona Flor and her Two Husbands, et al.). Can you imagine giant floats, musicians, singers, children, feather-headdressed men and topless women parading for a living American writer? Brazil has serious problems, but at least it has people who actively participate in their own culture.

This participation is largely what Abbie Hoffman fought for. During his heyday and on his death, the media’ve depicted him as an ego freak, no more sincerely subversive than John Belushi. (The radicals who really were ego freaks became Republicans.) Hoffman’s `68 Demo Convention protest and his square-people-bashing at the subsequent trial might have set back support of the anti-war movement, letting Nixon and Reagan vow to protect “real Americans” from “those kooks.” Still, especially in his books, he had much to say on real democracy vs. money-power whoring and how folks must stop being easily led.

Dead Air: KJR’s resident reactionary Gary Lockwood became Millstone Billboard Man #2, standing in a giant “coffee cup” downtown for an airshift (if I only had some tomatos to throw, some ripe, young tomatos). Lockwood’s “those kids today” commercials, denouncing anything recorded since 1970 and anybody born since 1950, are just like the Mitch Miller/Lawrence Welk defenders during the so-called “classic rock” era. To think KJR was once co-owned by Danny Kaye, who worked to bring attention and respect to youth. Also on the retro beat, the speculating Floridians who bought into Seattle radio promptly sold KZOK (to KOMO) and KQUL, née KJET (to Viacom’s KBSG). I’m heartened, though, by the formation of an anti-nostalgia lobby, the National Association for the Advancement of Time. Corporate America’s obsession with 1956-69 resembles the religious “Age of Miracles” doctrine, in which great things are said to have really happened but cannot happen anymore. The only way to really preserve the spirit of the ’60s is to stay fresh, to live in what Flip Wilson called “what’s happenin’ NOW.”

Update: New Cannon Film owner Giancarlo Parretti’s bids for the New World and DeLaurentiis studios collapsed. Maybe he should’ve sent Chuck Norris to see some dissident shareholders.

Local Publications of the Month: Twistor is a “hard science fiction” book by UW prof John Cramer, in which a machine in the UW Physics Bldg. becomes the portal to a parallel universe…. Lawrence Paros’s The Erotic Tongue is back in print. The area’s foremost expert on word origins (and briefly the best columnist in the P-I) gives fascinating histories on our terms for sex and/or love.

Cathode Corner: Rude Dog, the T-shirt mascot owned by Frederick & Nelson’s David Sabey, will have his own Sat. morn cartoon on CBS this fall (produced by Marvel)…. Bombshelter Videos resurfaced on KTZZ, where even Soundgarden’s an improvement over get-rich-quick and save-your-hair “shows.”

Ad of the Month (on a 76 banner): “Our three unleaded gasolines: Cleans fuel injectors best.” Runner-up (in the N. Seattle Press): “Since 1984, Gibraltar Savings: Serving families for over 100 years.” Then there was the Ross Dress for Less clearance ad with the “Men’s” listings printed between the jumping female model’s legs.

News Item of the Month (Times, 4/22): “A letter writer suggests that car-pool lanes should be open to cars with two drivers.” Let’s hope they’re driving in the same direction.

Politix: Veteran ad man David Stern, whose mom’s on the county council, is running for mayor. His best qualification is having invented the Happy Face, the quintessential politician’s stance. (It’s also become a symbol of neo-psychedelia, ironically since he made it to give Univ. Fed. Savings a wholesome family image in contrast to the image of the U-District in `69)…. Let’s try to get this straight: Our state’s Tom Foley’ll be House Speaker if Jim Wright has to quit over moneymaking schemes, including his wife’s unspecified work for our state’s Pacific Institute (the success-seminar outfit whose payroll also includes Emmett Watson and legend-in-his-own-mind DJ Bob Hardwick). It’s almost as juicy as the discovery of a real Texas oilman named J.R. Ewing, implicated in the Iran-Contra cash flow. After involving so many guys with cartoon names (Casper, Poindexter, Felix), it’s fitting the scandal include other parts of the American mythos.

Junk Food of the Month: White Castle Frozen Burgers. After following the elaborate heating instructions (involving foil and paper towels), you get something that looks and vaguely tastes like the food at an East Coast restaurant chain of undeserved reputation…. WSU’s launching a “distinguished professorship in fast food management,” underwritten by Taco Bell.

‘Til June, wear lotsa Parfum Bic, visit the Speakeasy café on Roosevelt (latter-day note: No relation to the later Speakeasy Cafe in Belltown), and try to be patient during the remaining 14 months ’til the Goodwill Games.

12/88 ArtsFocus Misc.

WE’LL SUPPORT UNITED KEEPING THE TOKYO ROUTEONLY IF THEY’LL CUT THE “DISCO GERSHWIN” ADS

Look: I’m not “just kidding folks.” When I say something here in Misc., I MEAN IT. (OK, the call for a crackdown on violent opera music was a bluff, but nothing else.) The louder I state that these are my sincere opinions, the more some people brush me off with a smug wink. If I were the uncaring, insincere cynic I’ve been cracked up to be, I’d be a Republican, or at least the Good Company producer who put a Gamblers Anonymous show on election day.

Anyhow, this month’s column is dedicated to Seattle’s newest grocery chain, Shop-Rite. Shopping, of course, IS a rite, especially in December. Hot Xmas gifts this year include the new plastic teen makeup kit (for plastic teens?) that looks just like a fishing-tackle box (“date bait” indeed). Those going east can get that special gift at NYC’s new Soap Opera Furniture Store, selling surplus room settings from daytime dramas. Sign up now for a bar stool from Ryan’s Hope. The 13-year-old show, which launched the career of sometime Seattle actress Kate Mulgrew, is being axed to give more time to local legend Sandy Hill’s Home show.

Unlisted: Washington mag’s list of “100 Washingtonians Who’ve Changed the World” left out Ray Charles, Judy Collins, David Lynch, Mary Livingstone, Dyan Cannon, Carol Channing, Lynda Barry, Martha Graham, John Cage, Quincy Jones, Steve Miller, Willie Nelson (once a Vancouver, Wash. DJ), the Sonics rock group, Robert Culp, Dawn Wells, Patrick Duffy, Mark Tobey, Mark Morris, Larry Coryell, Robert Cray, Chet Huntley, John Saul, etc. My biggest beef is leaving out Spokane-born Chuck Jones, perhaps the greatest maker of animated films ever. Any list to leave him out must have been edited by Elmer Fudd.

Towering Achievement?: In a rare show of minor courage, the City Council voted a temporary, slight restriction on new highrises (with exceptions for some well-connected projects). In all other recent cases save one, the city’s succumbed like a lapdog to the developers. Will it really serve the public interest at last? (Personally, I like the Wash. Mutual Tower and some of the others, and realize that office-building is inevitable in an economy gone from making stuff to pushing paper. But that’s no excuse to do it as poorly and inconsiderately as it’s too often been.)

Space Exploration: You may know that the name of the new AFLN gallery-cafe on E. Madison stands for “A Frilly Lace Nightie.” You may not know that the bldg. was the shrink’s office in House of Games (one of the few sites in the film still standing, just two years later). The nearby Bagel Deli on 15th now has keen art shows of its own.

Faulty Femmes: I submit that Robin Givens IS NOT the “most hated woman in America,” as charged by some paper. But who is? Imelda Marcos, the likeliest prospect, is just a resident alien here. Others frequently disliked, often undeservedly, include Phyllis George, Tammy Bakker, Tipper Gore, Yoko Ono, Linda Ronstadt, Phyllis Schlafley, Andrea Dworkin, Anne Burford, and Springsteen’s new girlfriend. Pretty slim pickings, but once more women achieve positions of real power, more will emerge who truly deserve our loathing.

Music Notes: Sir Mix-A-Lot’s Posse on Broadway, with great shots of Dick’s and Taco Bell, made the MTV rap show, but became “Stir Mix-A-Lot” in the credit…. Yuban Coffee is sponsoring this year’s performances of The Nutcracker. If the girl had had the coffee, she wouldn’t have slept and there’d be no show.

Local Publication of the Month: Cambodia: A Book for People Who Find Television Too Slow. To Vancouver, B.C.’s Brian Fawcett, Pol Pot’s crimes are just an extreme form of what the media/corporate culture’s doing to us: fostering passive obedience by destroying history, memory, community and individuality. I don’t buy all of it, but admire his passion and technique, cross-referencing St. Paul, Marshall McLuhan, Joseph Conrad, Malcom Lowry, Homer, satellite dishes, Expo 86 and Reggie Jackson…. On the Bus,Metro’s newest newsletter, gives driving but not bus directions to a bus-base open house.

Graphic Details: Fantagraphics Books, America’s premier publisher of alternative comics (including Seattleite Peter Bagge’s Neat Stuff ), is moving here from LA. It’s not a big boost to the local economy (its prestige title, Love and Rockets, sells under 20,000 copies), but is a clear sign of our emergence as a graphic-arts mecca. In another positive move, the UW’ll now require arts credits by incoming frosh. Maybe that’ll stop state school districts from killing arts classes.

Disappearing Ink: As you know, we believe in reading everything. Now, that “everything” may shrink. Two vital news sources, theChristian Science Monitor and Mother Jones magazine, are reportedly switching to yuppified formats with less political and foreign news, and in MJ even “upscale” lifestyle features. MJ, which prides itself as the biggest left-leaning rag since WWI, ought to know that the Yuppie media aesthetic, selecting a rich minority as the only people worthy of attention, is inherently reactionary.

The REAL Skinhead Story: After a tragic murder in Portland, the media have branded every kid with a shaved head a racist thug. Not true. The few who are thugs specifically follow 10-year-old UK grooming fads and the “ethnic-purity” policies of the British and French “National Front” movements (and the most virulently pro-apartheid groups in South Africa). Purity, of course, is for geeks. Anybody who goes killing or bashing people to prove how superior he is obviously isn’t.

Until we next meet in the new year, with our annual In/Out list (your suggestions still solicited), help fight to save the Music Hall and the Hat n’ Boots gas station, and heed the words of VH-1 VJ Ben Sidran: “War is never as much fun as a good piece of music.”

8/88 ArtsFocus Misc.

‘ANY CITY THAT CARES MORE FOR

ITS ART MUSEUMS THAN ITS BALLPARK

CAN’T BE ALL BAD’ – JIM BOUTON

Welcome back to Misc., the column that always knew that column writing is a fine art, long before a Seattle actor proved it by forging a one-man show out of old Mike Royko columns. What’s next, you ask? A performance-art piece of collected personal ads? A choral chant based on TV listings?

News Item of the Month (NY Times “Correction,” 7/21): “Because of a mechanical error, an article on the Business Technology page yesterday about quality control appeared in some editions with a paragraph misplaced.” In a similar event, many copies of the 6/28 Time magazine bound the same eight pages twice — including a feature story on poor industrial design.

Junk Food of the Month: Health Valley Blue Corn Flakes. Proof that not all health-food-store junk foods are heavy exercises in carob masochism, they make the dinner-spoiling afternoon cereal a more colorful tradition. No word on whether they’re the breakfast of George Carlin, who once claimed there were no blue foods.

The B.A.T. Channel: BATUS, the UK-based tobacco company that formerly owned (and nearly killed) Frederick & Nelson, is placing newspaper ads to support its hostile takeover attempt against Farmers Insurance. They don’t mention BATUS’ plan to destroy explicit anti-smoking brochures made by Farmers’ Mercer Island office, firing anyone up to the board of directors who refuses.

Yes, But Is It Crime?: By now you’ve heard the legend of Lawrence McCormick, the commercially unsuccessful artist who entered the Linda Farris Gallery on 7/7 and poured red paint on four large glass works. You may not have seen his written statement, posted at Broadway’s Espresso Roma: “I enacted my Art Action: Iranian Blood Deposited on American Art Commodities because of the cold abstract middle-class elitist art establishment mentality of American commercial art galleries and the Linda Farris Gallery as the Seattle `avant garde’ example of degenerative decoration.” Farris, by the way, did not see the act, being in Moscow at the time. I was there, and will remember the large, stern visage of McCormick, waiting outside to be arrested, while the petite gallery ladies stood in near-shellshock.

(Latter-day note: McCormick committed suicide after this column was written but before it hit the streets.)

Demo Tapes: The Democratic Convention was a fascinating attempt to “clean up” the ritual aspect of American politics. It was like a funky old store or building trying for a trendier image. The good news is that much of the old spirit survived, between the major speeches and conductor John Williams’ heavy use of Sousa (including the “Liberty Bell March,” known to younger viewers as theMonty Python theme). The United Auto Workers ran ads with Y-word dads talking trade policy while playing with their sons (and with Danish Lego toys). The GOP responded to the whole tasteful love-in by launching a campaign of attack against Jackson, Carter, Mondale, Ted Kennedy and just about every other Democrat who isn’t actually running. At the same time, the Vancouver Sun sent a reporter out for a week to cover an event as important to Canada as the convention was to us: Wayne Gretzky’s wedding.

Local Publications of the Month: Aperture Northwest is the bible of regional film, TV and stage production. Like its national counterpart, Variety (America’s greatest newspaper), it goes beyond the raw data to be as lively as the business it covers….The same cannot, sadly, be said for Exposé, which purports to cover local fashion and style but whose only apparent idea of editorial content is to plug its advertisers.

Star Trysts: Bruce Springsteen hires a young woman for his band, gives her a prominent spot, then is rumored to be leaving his wife for her. Is he trying to live out Willie Nelson’s movie Honeysuckle Rose or what?…When Lionel Richie’s girlfriend was confronted by his wife, did she just quietly ask, “Hello? Is it me you’re looking for?”

Le Nyuk, Le Nyuk: The Frisco Chronicle claims the following is from a respected French journal, Cinema et Mort: “The lack of respect in America for the high art of The Three Stooges, and the unfortunate consignment of their masterworks to the vulgar medium of television, is perplexing to the French critical community. The impressive body of film work left by Les Trois Imbeciles resounds with the Jungian notion of the male’s painful struggle to come to grips with his own unconscious, specifically with the deeply repressed feminine side of his nature…. In short, Moe must become Curly, by way of Larry, to achieve his full human potentiality.”

Cathode Corner: Residential areas are being innundated by extra-large junk mail in the form of independent Yellow Pages. The latest twist is “The Yellow Pages That Talk.” It just means that the front cover plugs a phone number where you can get KING’s program highlights. Now you don’t have to buy a paper to learn that next Saturday’s ball game will be yet another Dodgers snooze…. The same station had our ol’ pal John Keister promoting caution with home fireworks this past July 4. Back in ’79, Keister wrote aUW Daily editorial condemning “Safe and Sane” fireworks as wimpy, proclaiming, “I regret that I have only ten fingers to give for my country.”

Update: The Beef Marketing Board, already beleaguered with poor publicity by spokesperson James Garner’s health troubles, learned that its poster of a beef-eating yuppie looked like an old Hitler Youth banner. Given the ad business’s recent obsession with young, white, blond, cheekboned visages in smug, aggressive poses, it’s a wonder such a mix-up didn’t happen sooner.

Let Us Make a Pledge to meet in September, and ’til then contemplate the aluminum roof on the Son of Heaven exhibit, beat the heat, and recall the words of playwright George C. Wolfe at the Group Theatre: “America is a continent composed completely of mongrels, and the only way someone can prove that they are pure is by pointing out someone else who’s a mongrel.”

4/88 ArtsFocus Misc.

Despite All Attempts to Preserve the War,

Peace Still Threatens to Break Out

At Misc., the column that says what it means and means what it says, we’re getting awfully bored by America’s glut of lame parody. It’s in movies (Dan Aykroyd’s Dragnet), TV (Moonlighting, public-access cable), music (Buster Poindexter), and now billboards. The car-dealer sign telling us to “Surrender to the Germans” treats WWII as a mere cliché taken from old movies (as did Aykroyd’s 1941). If we’re offended by the sign we’re dismissed as old fogeys, not the cool young dudes of the dealer’s target audience.

LOCAL PUBLICATION OF THE MONTH: The Washington Volunteer Lawyers for the Arts newsletter. With the oversupply of parodic works mentioned above has come a complementary supply of lawsuits. Craig C. Beles’s piece on “Parody as Fair Use; or When Can Minnie and Mickey Be Placed in a Compromising Situation?” drolly covers the cases of Disney v. Air Pirates Comics, Pillsbury v. Screw Magazine, and Dr Pepper v. Sambo’s. For your copy send a small donation to WVLA, 600 1st Ave., #203, Seattle 98104.

FINDING MR. WRIGHT: A major exhibit of architect Frank Lloyd Wright’s work is coming to the Bellevue Art Museum. Talk about going where you’re needed most. Sure, Bellevue could use the inspiration of someone who believed in spaces to enhance human life. But these days, so could Seattle. To call the Disney Co. plan fir Seattle Center “Mickey Mouse” isn’t enough. Our chief public gathering place is not a theme park and should not be controlled by theme-park people. It should not be a sterile, slick monument, but a living world for living people. It should embody the joy and hope of the World’s Fair that created it — just as the waterfront, also targeted for what a citizen-advocate calls “tacky yuppification,” should stay a working dockside, not a Friscoid tourist trap.

CLARIFICATION: You may have been misinformed about the recent flap at UW Women Studies. Activists there aren’t trying to get rid of a guy student because he’s a guy, but because they believe he’s a right-wing troublemaker, out to disrupt the class via heckling. If true, then he’s simply following the Jerry Rubin school of politics, wherein anyone who felt righteous enough was free to act like a jerk, since he was above the behavioral rules of square people. It’s the same method by which egotistical liberals become admired by (or become) egotistical conservatives.

BOOZE NOOZE: The Big Restaurant Protection Committee, a.k.a. the Washington State Liquor Control Board, is lowering the food-to-drink sales ratio that an eatery needs to keep a drink license. Think it’ll lead to saner liquor laws overall? Ha! This unelected body never works for increased competition or live entertainment except grudgingly, years too late.

THOSE PHUNNY PHOREIGNERS: The lights on Vancouver’s Lion’s Gate Bridge suddenly started flashing on and off on the night of 3/11. A resident detected that the lights were going off in Morse code, which he translated as “UBC Engineers Do It Again.”

SEZ WHO?: Will someone please tell me where these “reports of a Nicaraguan incursion” that led to the latest Reagan pro-war charade came from? How do we know the CIA didn’t just make it up? None of the interminable analyses on the affair mention this, or if they did I fell asleep before I found it.

SHAME: Masters & Johnson almost seem to want the hetero AIDS epidemic that still hasn’t happened but which they promise any time now. (Masters holds experimental-vaccine patents, and might profit if lower-risk groups thought they were more vulnerable.) If so, they join the soaps and other media trying to exploit it while ignoring anything really controversial like the existence of gay people. It’s worse in Europe, where magazines use AIDS as an excuse to put forlorn, nude straight women on their covers. All this does is heighten fear about the disease without raising sympathy or help for those who do have it.

CATHODE CORNER: Ed Beckley, the self-titled “Millionaire Maker,” is in bankruptcy. Victims of Beckley, who promised viewers they could get rich buying real estate for no money down, are working with other creditors to keep his show on the air. It’s the only way he can pay off everyone demanding refunds from his expensive courses…. Merv Griffin wants to buy Resorts International in Atlantic City. I know I’d pay $20 for a spectacular floor show starring Charo, Prof. Irwin Corey and Helen Gurley Brown.

UPDATES: The Wonder Years is just as awful as I’d feared. The ’68 junior-high clothes are accurate, though…. The plan to re-color Metro buses seems to have been just a stunt, with a phony-looking “groundswell of support” for keeping the blecchy browns.

THE BYTE BIZ: Apple Computer’s suing Redmond’s Microsoft, claiming MS Windows (a key program in the next generation of IBM software) rips off the Macintosh’s “look and feel.” Can Apple, which has always avoided fighting MS, expect to beat what the Wall St. Journal calls “the real controlling firm in computing”?… The hype over an Aldus program being inadvertently “infected” with a hidden world-peace message bears the marks of an orchestrated rabble-rousing by those who’d use “data integrity” to deny public access to major data bases.

HAPPINESS IS A BIGGER SPACE: Peanuts has suddenly switched from four small panels a day to three larger ones. It’s the first major structural change ever to Charles Schulz’s comic. Four square panels every day, six days a week, was a perfect metaphor for the chilling purgatory of characters stuck at the same presexual age for 38 years. (To see Schulz on adolescence, look for his rare ’60s paperback “Teen-Ager” Is Not A Disease. All the kitsch of Peanuts, none of the charm.)

CLOSE: ‘Til May, see the Seattle Filmhouse’s French New Wave series at MOHAI, catch the Weekly piece on local cartoonists, take lotsa pix of the Pine St. hole while you can, and remember the words of Sydney Smith: “I have no relish for the country; it is a kind of healthy grave.”

12/87 ArtsFocus Misc.
Cheer Our UW in the
Mediocre-Team-From-Big-TV-Market Bowl

INTRO: Welcome to a special condensed version of Misc., the column that hated yuppies long before USA Today said it was in to hate them. Yes, it’s now officially OK to say there must be something more to life than greed, smugness, defiant immaturity, emphatic bad taste, and all those other model behaviors modern society’s been encouraging us to aspire to. More on this as we go along.

FASHION: Don’t let your friends think you foolishly paid $30 for that new shirt or top (especially if you did). A common office paper punch will turn you from a fashion victim to a wise consumer by adding that “cut-out look” seen in the best clearance stores…. Themini-skirt look, spawned by designers determined to rip-off teen street fashion into a product for older (richer) women, shows a generation finally coming of age in terms of attention from the marketing culture, the dreaded Yups finally getting their comeuppance. O how great this spring will be, with all these self-proclaimed “grownup children” embarrassingly walking around trying to look like real kids.

UPDATES: Have heard the PiL song “Seattle” a few more times and like it much more…. I said The Bon would never revert back to “Bon Marche” (meaning “cheap” in modern French) under its new French-Canadian owner. It is. It’s also replacing Seattle’s last bargain basement with a floor of gaudy boutiques as part of a massive remodel, set to be done by the 1990 centennial of its first store at 1st and Cedar — a building slated to be razed for Yup apartments.

LOCAL PUBLICATION OF THE MONTH: The Tunnel Times is Metro’s weekly newsletter of tunnel-construction progress, tunnel trivia and advance word of the next street closures. Free at the tunnel info stands outside the Courthouse and Frederick’s. Note that I used no puns about “underground newspapers.”… Emmett Watson’s Lesser Seattle Calendar goes beyond the one-joke concept of Watson’s old anti-tourist columns into a nifty little collection of Seattle history and folklore, ranking alongside the works of Murray Morgan and Paul Dorpat in helping establish a common mythology for this, the world’s youngest real city. Only complaint: he doesn’t go far enough in his barbs against developers, now that some of their most diabolical plots are coming true. (The calendar exists because Watson, as a Times freelance contributor, isn’t prey to the paper’s rule against outside work by its regular staffers.)

ECOLOGY: Puget Sound Bank’s promising to donate part of each bank machine fee toward “cleaning up Puget Sound.” The ads don’t say that the money’s really all going to a documentary film about the Sound — a film in which the bank’s bound to get a big plug.

CRIME: At press time it’s too early to tell who set fire to the Strand Belltown Cafe, but activist Bob Willmott has made a lot of enemies, some in very high places. Alternately, could there be any connection with the officially non-arson fire at the Trade Winds?… Kudos to Bill’s Off Broadway restaurant, set to reopen 7 months after a robbery-fire.

ART is certainly not the object of the anonymous (natch) buyer of the Van Gogh for $53 million — many times more than Van Gogh made in his life, even more than it cost to make Ishtar. It’s the ultimate example of the “big boy’s toy” syndrome that’s turned conspicuous consumption into a mass neurosis. In a saner world, at least a portion of any art sale over $10,000 would go into a trust fund for living artists.

MUSIC: CBS sold Columbia Records, the world’s oldest and largest label (founded on patent licenses granted by Edison himself) to Sony. Michael Jackson will not honor his new bosses by having plastic surgery on his eyebrows…. Bono Vox, caught spray-painting on a Frisco fountain, might have had to do public-service work cleaning city buses. If U2 had played here, where they’re saving water by keeping buses dirty, he’d have gotten off.

CLOSE: While you put down your deposit on a home in Japan’s proposed new underwater city, be sure to use John Stamets’sGravity 1, U.W. 0 for all your Xmas cards, read Umberto Eco’s Travels in Hyperreality (now at the U Book Store remainder tables), and join us again in the year of piano keys and Oldsmobiles for our second annual alternative Ins/Outs list (send your suggestions in early).

4/87 ArtsFocus Misc.

Greetings, pop-culture followers, to the 10th edition of Misc., the column that knows how to solve two of the city’s architectural dilemmas in one bold stroke: Simply move the twisted remains of the Husky Stadium project to Westlake Mall. Instead of yet another unfillable office/retail complex, we’ll have the world’s largest piece of found art at our core. It’ll be a beautiful, shimmering amalgam of bent steel, creating a fascinating pattern of lights and shadows throughout the day. With the proper supports, it can become a popular spot for climbing, eating lunch, watching musicians and performance artists, and (in the more obscure alcoves) developing new romances. Alternatively, the wreckage could go atop the Convention Center, in place of the planned rose garden dropped several budget cuts ago.

JUNK FOOD OF THE MONTH: Sourdough Chips. Each tiny piece contains a powerful dose of flavors and seasonings, nearly enough to produce a profound centering experience. Habit forming; not for the wheat-sensitive.

LOCAL PUBLICATION OF THE MONTH: Reflex, from the 911 Contemporary Arts Center (now desperately needing a new space). At last: A paper that treats the Seattle visual-art scene as worthy of serious criticism. By resoundingly eschewing the “It’s Not New York So Who Cares” attitude toward Seattle artists, it challenges artists and the art bureaucracy, leaving no excuse for mediocrity. Issue 2 has a long, good piece on the new Seattle Art Museum (the dawn of a new artistic consciousness or the same old snuff bottles in tourist trappings?) and a pack-page collage by one of this column’s favorite illustrators, who signs her work only with a logo of a triangle with a line through it. (She’s not related to the local band whose printed name was two diamonds with wings and whose spoken name was a growling scream.)

You already know I usually hate pro wrestling, but Britain’s The Face has a great section on Japan this month, highlighted by pix of top female wrestlers Dump Matsumoto and Bull Nakano, in punk kneepads and punk/samurai/KISS makeup, engaged in a typical real bodyslam, having finished their pre-match set of pop songs. The audience is mainly teenage girls; this is the refreshing overdue reaction of a generation raised on Hello Kitty kitsch. (In the same issue: an account of the Sankai Juku tragedy in Seattle.)

In other violent mythological spectacles, the end of the annual Ring Cycle could be a great blessing for local performing arts. Now we can put some of that money and effort into something fresher, something with more contemporary relevance than an interminable succession of tired ol’ proto-Fascist imageries. (The Ring was begun here as the centerpiece of a scheme to move the Seattle Opera out to Federal Way, something we can all be glad didn’t happen.)

Anyhow, there’s a second Richard Wagner leaving Seattle. This Wagner, he of the Anglicized pronunciation, opened the CBS NewsSeattle bureau less than two years ago. Now the network’s closing the bureau, as part of massive cutbacks orchestrated as an excuse for union busting, and Wagner has been reassigned overseas. Ex-KING anchor Bob Faw, meanwhile, is more prominent than ever at CBS as a national affairs reporter.

CATHODE CORNER: Could anyone have imagined the Beach Boys special with Brian Wilson, everybody’s favorite obese burnout case, resurfacing as slim, energetic and even cheekboned? It’s as if he totally regenerated, a la Doctor Who….

The “news” segments on the UHF Fundamentalist channel are really just more evangelism, with Reagan portrayed as God and the “liberal media” (even the aforementioned CBS) as Satan. The political agenda of Fundamentalism, to foster fear and mindless loyalty, is nowhere else as nakedly shown.

The local Sanctuary movement might be helped by a Supreme Court ruling making it far easier for candidates for asylum to prove they can’t safely return to their homelands. Ironically, it was a Nicaraguan’s case which may help the refugees of “friendly” genocidal governments.

Five members of the Jazz Section, a Czech underground music society, have been convicted of cultural treason for performing unauthorized types of music. It can’t happen here, though perhaps the politicians fighting Michael Spafford’s state Capitol mural and trying to keep all under-21 Seattlelites with no live entertainment would like it to happen here.

Merger mania, totally manufactured by Federal “regulators,” marches on. Now we must say goodbye to American Motors, the last little guys in the car biz and the inspiration to people in many other fields struggling to stay independent. Maybe if they’d brought back the Nash Metropolitan….

Kudos from here to KCMU, the volunteer-run new music station, on its powerful new 90.3 signal. Now people from Duvall to Bainbridge Island can get Ground Zero Radio — or at least hear it….

Further congrats to the Center on Contemporary Arts. Just as its ’87 season was starting (with the California Natural Foods gazebo on First Ave.), it found a new office space in the building where Trouble in Mind was filmed. May COCA keep troubling area minds for many years to come.

One side effect of the film Platoon’s success is in sportswear. Last year, area designers tooled up for the War-Is-Fun Look, inspired by the success of Rambo and Top Gun. Now that the candy-colored camouflage has arrived from the Asian factories, the attitudes that were supposed to have made it a hit have changed. Look for it all at your local close-out store real soon.

‘Til next month, remember this quote from A.M. Maslow: “A first-rate soup is more creative than a second-rate painting.” Ta ta.