'every driver every time it ever rains ever'

• I’m still trying to decide how I feel about When You Live In Seattle, a site of original GIF-animation “memes.”
• What follows the XBox 360? “XBox One.” This is not to be considered a comment on the gaming platform’s market share.
• Our ol’ pal Sean Nelson’s got his first solo CD out at long last. And, as you can here at the hereby-linked stream, it’s very much worth the wait.
• May Day protesters say they’re not spoiled children of privilege having a lark, but people with serious grievances against the government, particularly an increasingly militarized police.
• Amazon’s letting people sell fan-fiction ebooks for money on the Kindle platform. Just as long as the fan fictions take place in the “universes” for which Amazon’s got official licenses. And they can’t have any porn in ’em.
• In a rare victory for neighborhoods and small businesses, lower Queen Anne’s Tup Tim Thai restaurant won’t be rent-hiked out of existence after all.
• Threats against reproductive rights aren’t just for red states anymore.
• Pot: Good for pigs, bad for dogs?
• Apple has not “cheated” on its federal taxes. It simply took advantage of every legal tax dodge its lawyers could discover (or advocate for), just like so many other corporate titans.
• Despite what you might have read on inflammatory websites, PBS did not “kill” a documentary critical of the Koch brothers, the billionaire backers of many extreme-right-wing political endeavors (and of some major PBS affiliate stations). It was ITVS, a separate nonprofit program supplier, that declined to include Citizen Koch among the indie films it packages to the PBS network feed and to local public-TV stations. Citizen Koch still exists, and is still playing the festival circuit.
• Actually, there are real reasons why the IRS should investigate the Kochs’ “Tea Party Patriots” and similar nonpartisan-in-name-only outfits.
• When the Executive Branch started stalking Fox News and the AP (allegedly for those outfits’ investigations of CIA documents about North Korea), was it just a continuation of the sort of tactics played against WikiLeaks?
• Google boss Larry Page has a plan to fix what’s wrong with the world—more anti-government, corporate Libertarianism. Exactly the direction that got the world into these (economic, ecological) messes.
• Australian writer Elmo Keep believes free and cheap downloads are killing just about all professional media/arts endeavors.
• Henry Grabar at the Atlantic calls the anti-flouridation movement (recently victorious in Portland and several other cities) “history’s weirdest alliance of paranoiacs.”
• Meanwhile, NY Times essayist Maggie Koerth-Baker claims to know “why rational people buy into conspiracy theories.” Or so the Germans would have you believe….
• A famous author’s Wikipedia page got “edit trolled” by a rival author.
• In the countdown toward Arrested Development’s revival on Netflix streaming, NPR.org’s got a thorough chart chronicling the recurrence of more than 150 running gags through the original series.
• Some guy on YouTube edited together Hamlet quotations and references from 198 different movies and TV shows. Not included: Chewbacca’s “Alas, poor Yorick” pantomime with C3PO’s temporarily disconnected head.
• Yes, at one time people really wrote by hand, and did it this well. It took a lot of intense practice.

slate

factmag.com

• Somebody thought it would be cool to try to laser-etch a phonograph record onto wood. The result sounds a bit like the early, dial-up-connection versions of RealAudio.
• Item: Indoor pot growing uses lotsa electricity. Comment: You mean stoners aren’t the purest-O-the-pure eco-saints? Next thing, you’ll be saying electric cars and wood stoves aren’t pure-green either.
• Oh, Those Kids Today! #1: Monica Guzman insists today’s under-30 folks aren’t entitlement-obsessed narcissists, but rather are “people waking up to their own power and not being willing to compromise it.”
• Oh, Those Kids Today! #2: Young adults are even driving less than prior generations. How un-American can ya get?
• The Legislature’s special session could see a Dem-controlled State Senate again. Maybe.
• Seattle teachers who refused to administer standardized tests have achieved a partial victory.
• Just last week, we bemoaned the idiotic prose and strained “corporate hip” attitude of KOMO’s “young skewing” local website Seattle Pulp. Now the whole site’s dead, without even leaving its old posts alive.
• Are the Sonics Back Yet? (Day 126): No. But we should have the final, final answer (for this year at least) on Wednesday. Don’t get your hopes back up. But hold on to the love.
• Meanwhile, the Oklahoma Plunder thought it would just be keen n’ dandy to play tracks by Sonics-purist and Seattle’s-honor-defender Macklemore in their arena. Nope, no way, uh-uh, no siree bub.
• Might Microsoft buy Barnes & Noble’s Nook ebook hardware operation just to kill it?
• Amazon’s fledgling in-house book publishing operations might expand to include “literary fiction,” whatever the heck that means anymore.
• Disappeared local institution we neglected to mention earlier: the Green Lake Baskin-Robbins.
• Weird crime story of the week: “Woman who killed ex with insecticide-laced JÃ¥germeister pleads guilty.”
• It’s illegal but it happens anyway: denying employment to people for the sin of being in debt due to being unemployed.
• Katy Evans at the Tacoma group blog Post Defiance notes how indie live music has become a more complicated, bureaucratic, and problematic biz, especially in towns like hers in the shadow of bigger towns.
• Seattle Times Shrinkage Watch: The paper’s own reporters have to pay for website subscriptions to their own work. Except they can “opt out” of it if they insist.
• You remember how the New Orleans Times-Picayune went to only three print issues a week? No more. They’re now putting out newsstand-only editions on the four non-home-delivery days, just like the Detroit papers are.
• Talking into computers and expecting them to understand you has always been, and apparently will continue to be, little more than a screenwriters’ conceit.
• Anthony Galluzzo at Salon wants you to stop the hipster-bashing already. He says it’s old, tired, and becoming classist.
• Jim Tews, who describes himself as “a decent white male comic,” insists that most white guys performing standup are not sexist boors.
• No, Rolling Stone readers, Nirvana is not the fifth worst band of the ’90s. That would actually be Sugar Ray.

tom banse via kplu

• Could fewer pesticides mean more bees in Wash. state’s future?
• You know I love old Seattle, and old postcards, and old Seattle postcards.
• “Second-hand pot smoke” exists, and can potentially be grounds for getting fired.
• Against stereotype, Washington ranks among the “most stressed-out states.”
• Affordable housing in these parts is like the weather, as per the old phrase “everybody talks about it but….”
• The decimation of Metro Transit can only be averted in the special session of the Legislature. Which, as you recall, is controlled by turncoat ex-Democrat Rodney Tom (who doesn’t seem to give a damn about anything but appeasing right-wing Big Money, which is anti-transit as a matter of principle).
• Local economics pundit John Burbank says Washington should, and more importantly can, prepare for a post-Boeing future.
• George Jones, 1932-2013: He stopped loving her today.
• Okay, we’re getting a full component of air traffic controllers again. Now can we please work out sequester repeals that would benefit, you know, non-rich people?
• A bestselling author wants the federal government (which, as you recall, can’t even support public broadcasting or arts education sufficiently) to subsidize the big book publishers.
• Anybody remember Blockbuster Video? This will stoke your memories. (Incidentally, there’s supposed to be two still-extant Blockbusters in Kent and one in Edmonds.)
• Let’s close up for today with some video documentaries about women in punk.

networkawesome.com

seattle dept. of transportation

• King Street Station, one of Seattle’s two historic railway passenger terminals (and the one still in use by Amtrak) has looked so drab and awful for so long. In the pre-Amtrak desperate last years of private passenger rail, the Great Northern had “modernized” the main lobby with an acoustic-tile drop ceiling and other ill-informed touches. Now, after a half-decade of planning and reconstruction, the city and private partners have finally restored the room to its full grandeur. You can read all about it here. There’s a grand opening on Wed. 4/24, 11 a.m.
• In other grand-opening news, the “Old School Pinups” photo studio has one this Fri. 4/19, 5 p.m.-on, at 1922 Post Alley.
• Something I’ve learned first hand lately: Seattle’s current boom (glut?) of apartment construction hasn’t led to lower rents, but to ever-higher rents.
• In addition to the dilemmas of cabs. vs. “for hire” vehicles and Zipcar vs. Car2Go, now a new alternative appears in town. It’s semi-pro “ride sharing.”
• No, Seattle Times guest commenter Grace Gedye, online sexist trolls existed long before Facebook. But can the rising force of “Geek Girls” conquer and defeat ’em once n’ for all?
• Another classic bowling alley bites the dust. It’s Robin Hood Lanes, in Edmonds since 1960.
• Are the Sonics Back Yet (Day 100)?: No. And we were supposed to have found out this weekend whether they’re coming back, at the NBA team owners’ annual hobnob session. But that vote’s been indefinitely delayed.
• We do know that any neo-Sonics would have to negotiate cable-TV carriage of their games with the Mariners, who just bought a controlling interest in Root Sports Northwest.
• The Oregon Ducks, aka “Nike U.,” have been slapped with NCAA penalties for football recruiting violations.
• Some Net-pundits are crowing about the simple but apparently devastating “spreadsheet error” at the heart of a 2010 think-tank study promoting “austerity economics” to attack government debt. If not for the faulty math, the study’s critics claim, the study’s claims would be seen as the nonsense they are. Yeah, but facts have seldom gotten in the way of “shock doctrine” partisans, before or since.
• Eco-Scare of the Week (non-fertilizer edition): Even before rising sea levels submerge many small Pacific islands, they’ll fatally disrupt those places’ fresh-water tables, making them uninhabitable.
• Scott Miller, R.I.P.: The Loud Family/Game Theory musician was a leading light in the ’80s power pop revival, as well as a top scholar/historian about the pop/rock sphere. For a limited time, his heirs are making six of his out-of-print albums available as free downloads.
• Blogger Nadine Friedman hates, hates, hates the latest Dove “real beauty” ad campaign. She claims it actually reinforces the standard corporate standards of female ideals.
• Aaron Steven Miller at Medium.com wants book publishers to take the lead in tech-ifying and social-media-ifying their operations, before Amazon completely crushes them. Of course, that would require book publishers to cease being, as Miller puts it…

…historically the stingiest, most fiscally conservative, most technologically resistant and investment-averse people ever, with the highest percentage of luddites per capita.

seatacmedia.org

Earlier this year, KUOW and MOHAI came up with a list of 25 “objects that tell Seattle’s story.”

They range from the obvious (a Boeing B-17, a poster announcing the Japanese-American internment, a Starbucks coffee cup) to the more obscure (an ancient, giant ground sloth).

A little more recently, SeattlePI.com ran a list of “25 things we miss in Seattle.”

These also ranged from the truly famous (the Lusty Lady sign, Frederick & Nelson’s window displays) to the lesser known (the Woodland Park Zoo’s nocturnal-creatures exhibit).

I’ve got my own list of Seattle pop culture icons. All of them are things I’ve personally seen or owned.

And yes, there are 25 of them. (Why break a routine that works?)

In no particular order, they are:

1. A Frederick & Nelson shopping bag.
2. A Dog House place mat.
3. A J.P. Patches plush doll.
4. A floppy disc of MS-DOS 1.0.
5. A P-I vending box.
6. Dr. Belding Scribner’s first artificial kidney machine.
7. The Kalakala.
8. Bud Tutmarc’s pioneering electrified pedal-steel guitar.
9. A Neptune repertory-cinema calendar.
10. A KJR “Fab 50” newsletter/record chart.
11. A mascot costume for “Nordy,” the old Nordstrom children’s shoe department spokescritter.
12. A first pressing of Nirvana’s Bleach on vinyl.
13. A work of Northwest Coast native art; or, one of artist Preston Singletary‘s upscale “tributes” to Northwest Coast native art.
14. A Space Needle ball-point pen.
15. A set of Peter Bagge-designed “grunge rock pencils.”
16. A first-edition hardcover of Sophie Frye Bass’s book Pig-Tail Days in Old Seattle.
17. A Seattle Pilots pennant.
18. The Pike Place Market mural honoring pre-WWII Japanese-American farmers.
19. An Amazon.com shipping box with one of the company’s five early logos.
20. A piece of Kingdome debris.
21. An Ivar’s Acres of Clams kids’ menu.
22. A Smith Tower elevator car.
23. A Washington Mutual savings passbook.
24. The prototype 747.
25. A wooden miniature hydroplane.

via seattle bike blog

• Enterprising citizens calling themselves “Reasonably Polite Seattleites” took it upon themselves to install unauthorized “bicycle lane protectors” (reflective plastic pylons) along Cherry Street uphill from downtown. The city vows to remove them.
• Seattle police chief John Diaz will retire, allowing Mike McGinn (or perhaps a successor mayor next year) to put in another figurehead for uncontrolled street-cop brutality.
• In a Belltown where anything non-one-percenty is increasingly out of place (more about that in a day or so), Roq La Rue has been kicked out of its longtime space in the old Film Row RKO distribution offices. Fortunately, Seattle’s premier “pop surrealist” art gallery has found new quarters in Pioneer Square, effective some time this summer.
• Meanwhile, a Crosscut contributor named Andy Fife asks whether there is a “Seattle arts aesthetic.” Actually, there are several. There’s the “world class or bust” desperate slickness of most of SAM’s big permanent displays. There’s the “rich ex-hippie” mellow slickness of Chihuly and company. There’s the “modern monumentalist” big stuff seen at the G. Gibson and William Traver galleries. There are the house styles of Cornish and Gage and their recent alums. And there’s the “let’s put on a show” urban folk/pop styling of most of my personal faves.
• New Orleans city bosses apparently want to simultaneously (1) shut down music venues, and (2) promote their city as a live-music tourist destination.
• NBCNews.com blogger Wilson Rothman claims Apple’s iTunes is “out of date and out of touch.” Specifically, Rothman dislikes the whole idea of having to pay for song recordings. He seems to prefer the Spotify model, in which artists make fractions of fractions of pennies. That’s supposed to be the modern way?
• Here’s one author who hates the new economics of the book biz—Scott Turow, one of the few writers who’d thrived under the old system.
• Joshua Macht at the Atlantic claims Time magazine has perhaps three years to live.
• Hacked computer data shows the global one-percenters are hoarding trillions in secret overseas tax-haven accounts. Leaders of nations other than ours claim to be aghast.
• The newspaper industry has started measuring revenue from online paywalls and ancillary products/services. The resulting figures show papers are now losing a little less money than previously thought.
• The death last week of Spanish exploitation-film giant Jess Franco has been followed by the loss of another of that country’s great directors of sex and/or violence, Bigas Luna.
• Annette Funicello, 1943-2013: The only original Mickey Mouse Club cast member to have a real adult showbiz career was the wholesome sex symbol in the Beach Party movies, and a pop singer of unusual clarity and panache. During her cameo in the Monkees’ film Head, she proved not afraid to parody (without breaking) her squeaky-clean image. She remained gracious and classy, even during her long slow illness.
• We’ve also lost Les Blank, who directed 42 documentaries of varying lengths and topics (all shot on film). He’s probably best known for Burden of Dreams, the “making-of” film about Werner Herzog’s Fitzcarraldo. Many critics considered Blank’s behind-the-scenes story to be more compelling than Herzog’s feature.
• And another goodbye, this one to Hilly Krystal, influential owner of NYC punk club CBGB. While he opened it as a hippie spot dedicated to “country, blue grass, and blues,” he quickly adjusted to welcome the burgeoning Bowery underground scene. The result was what the New Yorker called “the ultimate garage—the place garage bands everywhere want to play.” (Update: This hereby-linked story is from 2007. Krystal’s still worth remembering nowadays, though.)
• Femen and associated groups held an “international topless jihad day” across European capitals, though the slogans painted upon themselves seemed to almost all be in English.
• Ending the drug war was never one of Obama’s top priorities. I suspect it’s because the whole bohemian-relaxation vibe clashed with the striving-for-progress zeitgeist that informed Obama’s worldview. But, as with gay marriage, he may be soon forced to act by a groundswell of popular opinion.
• The Nielsen ratings now claim there are 5 million “zero television” households in the U.S., up from a mere 2 million in ’07. (The “kill your television” “radicals” will, naturally, completely ignore this information.)
• Meanwhile, Rupert Murdoch’s minions threaten to pull the Fox broadcast network off of over-the-air stations (including affiliates tied up in long-term contracts) and go cable-only, unless the courts outlaw a service to stream local over-the-air stations to local viewers via Internet connections.

washington dept. of natural resources via kxly-tv spokane

• Here’s the big Whidbey Island landslide from Wednesday.
• “Apartments are expensive, hard to find in Seattle area.” Damn. I need one and soon.
• Update #1: The Elvis statue that got stolen from Mama’s Mexican Kitchen in Belltown was found and returned.
• Update #2: Canterbury Ale & Eats, the legendary Capitol Hill dive bar, is still scheduled to close later this year. But its landlord, the nonprofit Capitol Hill Housing, wants to replace it with another “affordable” eatery-drinkery.
• Update #3: The sudden controversy over artist Charles Krafft’s longstanding ultra-right-wing beliefs has made the New Yorker.
• My ol’ acquaintance, painter Billy King, would like a “1 percent for the arts” program for commercial real-estate developments, particularly the ever-enlarging Amazon campus.
• And local sci-fi legend Neal Stephenson would like his fellow fantasists to get back to the old SF game of imagining practical, possible utopias, instead of the escapist cyberspaces and grim nightmare futures they’re mostly imagining these days.
• Michelle Shocked shows up at clubs that canceled her gigs after her anti-gay rant, claiming to be a free-speech martyr.
• “Shoppers tired of Walmart’s empty shelves and long lines are bolting to Costco and Target.” The empty-shelves part is only partly due to Walmart’s notoriously lousy labor policies that drive potential workers away. It’s also due to suppliers getting sick n’ tired of Walmart’s notorious “my way or the highway” stance toward them.
• Salon asks, “Is there anything 3-D printing can’t do?” Actually, there’s a heckuva lot it can’t do. Yet.
• Many (white female) porn stars still refuse to perform interracial sex scenes on camera. Comment #1: Yes, women (including sex workers) should be able to turn down anything they want to turn down. Comment #2: It’s still a sad sign that some performers (and, presumably, viewers), in a genre once thought to be the cutting edge of “free speech” progress, can’t get beyond one of society’s most tired old prejudices.
• Micheal Schuman at Time sees a new relevance for that ol’ policy nerd Karl Marx, as the global one-percenters wage “class struggle” against all the rest of us. But Schuman doesn’t see, or recommend, any serious counter response.

• I was at the last day of the Alki Tavern, that venerable unrepentant dive bar. So was videographer Nick Adams.
• “Pot tourism” still has a few snags before it can become big business here.
• The Boeing engineers’ union approved the contract proposal they’d previously rejected.
• Post-dam Elwha River: I’m getting sedimental over you.
• Providence’s drive toward near-monopoly status in the hospital biz of much of Wash. state hits a snag, as Olympia hospital employees go on strike. Among the issues: cuts to the employees’ own health benefits, while the CEO rakes in millions.
• The Rev. Rich Lang, writing for Real Change, compares modern society to that once bemoaned by the Bible’s “apocalyptic” writers.
• Apparently, indie-folk oldie act Michelle Shocked (who’d once sort-of claimed to be lesbian 22 years ago) now says she was just kidding when she made virulently anti-gay remarks on stage in San Francisco.
• In brighter women-in-music news, meet “Laura the Luthier,” the collective name for the women who kept Gibson Guitars in production during WWII.
• By now you’ve heard about the Steubenville OH teen-rape verdict, and about certain cable-news commentators who went all over in sympathy with the young convicted criminals while downplaying or making excuses for their crime. Mia McKenzie at the blog Black Girl Dangerous has a slightly different view. McKenzie acknowledges it’s sad that the convicts will go into the “prison industrial complex” like so many kids who aren’t white or football stars. But she still expresses more sympathy to the rape victim.
• That widely disseminated “meme graphic” of a Swedish department store with “realistic” mannequins? The picture’s real. But it wasn’t taken in an H&M but in another store, and it was photographed three years ago.

With the recent and forthcoming disappearances of so many, many unsnobbily cool places on Capitol Hill, it was perhaps only a matter of time before Canterbury Ale & Eats on 15th Avenue East went away.

Unlike many other closures, though, this is not predicated on the end of its building. The Canterbury’s on the ground floor of an “affordable” apartment building run by Capitol Hill Housing. The building’s staying put. It’s just the Canterbury that’s going, when its lease expires at the end of this year.

It’s a long story that apparently has to do with a long-running dispute between CHH and Stefanie Roberge, who’s owned the Canterbury for the past 13 years.

There’s already a “Save Our Canterbury” website.

And, yes, the place is indeed worth saving.

It dates back to the mid-1970s, but was designed in that “Olde English” kitsch style popular among college-student dive bars at least a decade before that. There’s even a full suit of armor in the entryway.

The space wends its way through several adjoining rooms. These contain shuffleboard, foosball, and pool tables, and a classic arcade video game or two and a real fireplace.

The bar food is bar food, not “pub grub” or “cuisine.” The drinks are good n’ stiff. It has microbrews these days, but they’re not the focal point.

Moreover, it’s a place without airs or pretensions. Artists, students, construction workers, jocks, office clerks, nurses from nearby Group Health—all these and more can be found there on any given evening.

Let’s keep it that way.

roadfood.com

For sale: One herd of cows (ceramic, plywood, fabric, paint, etc.). Comes with a supply of warm, gooey cinnamon rolls and a classic cafe.

After 25 years, Jeanne Mae Barwick is retiring from Mae’s Phinney Ridge Cafe in Seattle’s Greenwood neighborhood. She’s put the place up for sale, and threatens to close it in March or April if an appropriate buyer isn’t found.

There’s been a cafe at this location since the 1920s. But when Barwick took it over in 1988, she transformed it from a neighborhood destination into a city institution.

phinneywood.com

Michael Stern at Roadfood.com describes it as “a multi-room cafe decorated everywhere with pictures, statues, blow-up dolls and every sort of nick-nack imaginable, all depicting cows (an ode to the proprietor’s Wisconsin roots).”

On weekend mornings, it can take as long as an hour to get seated. Besides the cinnamon rolls (baked in-house), it offers large portions of your basic American breakfast and lunch fare, plus such specialties as trout and eggs.

It closes at 3 p.m. daily; in offering the business for sale, Barwick notes a new owner could make more money by opening for dinner and offering alcohol.

In an email sent to customers, Barwick says she may hold an “open house and garage sale” at the cafe in March. Depending on what items a new owner may want to keep, the sale could include the cafe’s cow-shaped salt and pepper shakers “and other miscellaneous moo-morabilia.”

Barwick also says she’ll continue to host her popular “Karaoke Bingo” once a month at the Greenwood Senior Center.

roadfood.com

(Cross-posted with Unusual Life.)

These Streets, the musical revue/play at ACT (running through March 10) about four women in the ’90s Seattle rock scene and two (mostly) supportive boyfriends, was constructed as a series of non-linear “moments.”

Scenes bounced between the past and present; the “past” storyline covers five years in the characters’ lives. Many of these short scenes and mini-monologues depicted single ideas or emotions.

In the show’s spirit, this piece is also a sequence of moments.

•

I mentioned in my 1995 book Loser how the national media’s false “grunge” stereotype included “no women in sight, not even as video models.”

But in the real Seattle scene, women were involved in leading roles from the start. Women were singers, instrumentalists, managers, promoters, venue owners, zine publishers, photographers, DJs, and record-label owners.

In keeping with the scene’s ethos, most of these women weren’t vying for fame and fortune. (The exception, Courtney Love, already had a record deal before she came here.)

But then a scene that, to many of its members, was an alternative to the major-label machine, became re-defined as fodder FOR the major-label machine.

The global music industry, at what turned out to be its peak of money and power, trawled Seattle fishing for superstars. The Gits were negotiating with a label when singer Mia Zapata was killed. Seven Year Bitch released one album on Atlantic, then broke up. But most of the scene’s women were ignored.

Over the years, “grunge nostalgia” books and documentaries (most made by out-of-towners) continued to ignore artists from the scene who hadn’t become big stars, including the women.

One of Harley and Rudinoff’s goals with the play was to remember this forgotten history.

These Streets, along with its concurrent poster-art and oral-history exhibit at the Project Room gallery on Capitol Hill, received massive coverage in local and national media.

The show includes parts of 18 vintage songs, originally recorded by 14 different female-fronted Seattle acts. Having four different characters singing the songs allowed the show’s makers to feature diverse musical material, from ballads (“power” and other) to straight-out punk blasts.

If any of those bands at the time had received a fraction of the publicity These Streets received, who knows what could have happened?

•

In keeping with the do-it-yourself spirit, These Streets was staged and produced by Gretta Harley and Sarah Rudinoff, who’d also written it (with Elizabeth Kenny).

Kenny and Rudinoff played the older versions of two of the characters. Harley sang and played guitar in the show’s tight backup band. Harley had been in the ’90s rock scene with the bands Maxi Badd, Danger Gens, and Eyefulls. She and Rudinoff currently perform as the duo We Are Golden.

ACT Theatre provided the auditorium space and various production services, under its “Central Heating Lab” program. (Carlo Scandiuzzi, ACT’s executive director, had promoted punk and new-wave gigs at the Showbox in the early 1980s.)

Harley, Rudinoff, and Kenny spent two years developing the script and score, based in part on interviews with some 40 Seattle-scene veterans. Twenty-three of these women were featured in historical graphics installed in the ACT lobby.

•

The show’s present-day storyline involves five of the six characters (yes, that’s a plot spoiler) reminiscing about their days of non-stardom, while surveying their later lives of houses, kids, divorces, and stints in rehab.

And they still have the urge to make music and art, to be on stage, to be loud and passionate in front of a crowd.

The world of their youth, the pre-dot-com Seattle of 1989-94,  has largely vanished. The city isn’t the same and neither are they.

According to Harley, the present-day scenes refer to a time when “you’re in this stage of life and you look back and take ownership of it. But then you’re also looking forward for first time in a very particular way. I hope the show helps to illuminate that ownership of this time in our lives, and also look back and say, ‘Hey kid, you had a lot of guts to get up and do that.'”

Harley says the making of These Streets was “a great experience. People who lived it seem to really love it; they feel that it’s very authentic. A couple of people said it inspired them to pick up music again.”

While no further performances have been scheduled past its three-week run, “we’re taking it one step at a time at this point.”

(Cross-posted with City Living.)

via vintageseattle.org and capitolhillseattle.com

• The old Club Broadway disco on Capitol Hill, previously a Masonic Scottish Rite Cathedral, was torn down ages ago, leaving only a “stairway to nowhere.” Surprisingly, given all the other re-development activity nearby, the lot’s going to stay vacant for the foreseeable future.
• How do you honestly talk about the humanities in high school, when one parent’s complaint means you can’t say anything about “racism and social justice”?
• Meanwhile, Knute Berger has a great piece at Seattle magazine about our fair city’s unfair past; specifically, explicit racial discrimination in housing. It existed openly and legally (with contractual “covenants” binding home buyers to never resell to blacks, Hispanics, Asians, or even Jews) as late as 1968. Berger notes that…

In 1964, Seattle voters soundly defeated an “open housing” ordinance that would have let anyone live anywhere. It lost by more than 2-to-1.

• You know how Amazon’s now building three 50-story towers on the Toyota of Seattle, King Theater, and Sixth Avenue Motor Inn blocks. But word just got out that the e-tail giant has options to buy three nearby blocks from the Clise family, who’ve owned the lots since the 1930s. One of these houses the Hurricane Cafe, which for 19 years has carried on the 24-hour dining tradition of the legendary Dog House that preceded it (without, alas, the previous joint’s class).
• Jon Talton wishes Boeing execs would go on an “apology tour” to their workers, the Puget Sound area, and their shareholders, expressing their sorriness over pretty much everything they’ve done this past decade.
• In where-are-they-now? news, ex-Nirvana drummer Chad Channing is back with a new band, Before Cars.
• Gonzaga men’s basketball: #1 in the nation. UW men’s basketball: don’t ask.
• A Republican apologizes for something! It’s for claiming that bicycles pollute just like cars.
• Pot as a business model goes over well in Yakima.
• There are two pending death-penalty cases in King County. They’re both now on hold.
• Mary Elizabeth Williams at Salon asks, “Did the Internet kill Girls Gone Wild?” The answer, for good or ill, is no. Joe Francis, founder of the public-nudity video label, is simply going into bankruptcy protection to weasel out of money he owes to a Vegas casino magnate. It’s a personal matter, not directly related to the company.
• Morrissey is still a self-righteous egomaniac, but at least he’s a morally consistent self-righteous egomaniac.
• An LA record-store chain is selling its own digitized versions of out-of-print LPs for download. The company claims it’s legal (it sets aside a portion of each sale into an escrow account, to be sent to copyright claimants if they ask). But is it right?

via silver platters and queenanneview.com

• First went Borders; then Swerve at First and Pine; then Easy Street Records on Mercer and Queen Anne Avenue. Now, the Silver Platters music superstore in the east lower Queen Anne district is going away. This leaves the shrunken CD selection at Barnes & Noble as the last music store in greater downtown. Silver Platters will move in June to 2930 1st Ave. S., across from Sears and near the future basketball arena.
• It’s the end of another no-nonsense neighborhood eatery, Claire’s Pantry in Lake City.
• Erica Barnett at Publicola believes Mercer Islanders don’t deserve endless privilege, such as the privilege of not paying future I-90 tolls.
• Downtown merchants believe adding a kiddie play area to Westlake Park will make the retail core seem friendlier to (white upscale) families.
• Dikla Tuchman at local site Jew-Ish offers a loving tribute to the pioneer comics artist Will Eisner, best known as the creator of The Spirit (he wasn’t responsible for the lousy movie version).
• MOHAI has many boxes of Sonics memorabilia, including championship banners, just waiting to be transferred to a new Seattle NBA team.
• There are huge cost overruns and design flaws on the new 520 bridge’s pontoons. Yes, I included that because I love to say the word “pontoons.”
• There’s a newly revised waterfront park scheme. It’s better than the one originally devised by the hi-priced NYC architects. But to me it’s still too devoted to world-classness, not enough to being useful to people who live here.
• Matt Hale, beaten a year ago by still-unidentified thugs after his shift as a Belltown condo doorman, is “still struggling.”
• Hanford nuke-waste leaks could be as high as 1,000 gallons a year.
• Could the making of new pinball game machines finally be on the rise?
• Lost among all the gripes about host Seth McFarlane’s rude unfunniness, there was another controversy at the Oscars (née the Academy Awards, a name totally unuttered at this last ceremony). Rhythm & Hues, which produced the computer animation seen in the multi-award-winning Life of Pi, is bankrupt and laid off  over 200 staffers. It couldn’t compete against subsidized overseas studios. When Pi visual-effects director Bill Westenhofer gave his acceptance speech he tried to mention this, but his mic was promptly cut off when he did.
• In less prestigious protest campaigns, some people are really upset that McDonald’s has phased out Chicken Selects, perhaps the only truly food-like thing on its regular menu.
• James Howard Kuntsler says the “era of the giant chain stores” is over. He thinks it will lead to a resurgence of mom n’ pop retail. I see it as more like the ultimate triumph of Internet “e-tail.”

via messynesychic.com

• “Quite possibly the most important street photographer of the 20th century was a 1950s children’s nanny who kept herself to herself and never showed a single one of her photographs to anyone.”
• Jay Jacobs, 1912-2013: Yes, there really was a Jay Jacobs behind the local teen clothing chain of the same name, which operated from 1941 to 1999. At its peak, his company had more than 300 outlets around the country, mostly in malls. But, like Lamonts and the Squire Shops and Bernie’s/Bottom’s, Jacobs’ chain couldn’t make it in the age of the Big Box store (which, in turn, is being succeeded by the age of e-tail).
• Another local institution, Mae’s Phinney Ridge Cafe, is for sale, and will close if a buyer isn’t found soon.
• A UW English prof decries grad-student applicants who can’t name-drop a single modern female author.
• Joan Walsh (correctly, I believe) blames the attempted “sick humor” at the Oscars not on host Seth McFarlane but on the Academy bosses, who apparently wanted to latch onto that Farrelley Bros./American Pie “edgy” thang.
• The William Shatner bit at that show’s top was a textbook example of “framing” a piece of sick/sexist humor (the “We Saw Your Boobs” song) via fake distanced “irony,” to make it seem like just a “parody” of sick/sexist humor.
• The “In Memoriam” Oscars segment has its own selection committee, and “is a focus of campaigning.” That’s one reason why a few famous actors get left out every year and a few obscure behind-the-scenes figures always get put in.
• Elisabeth Parker at Addicting Info wants progressives to stop using right-wing catch phrases.
• For fans of old time radio (and of latter-day revivals of same), here’s a site that appears to have .mp3s of every CBS Radio Mystery Theater episode (all 1,339 of ’em)!

• Phil Smart Sr., 1920-2013: Whatever qualms he might have originally had about being a WWII vet selling German cars, Seattle’s premier import-car dealer long since got over them. Not that he didn’t have heart. He proved that by donating not just money but time and personal attention to Children’s Hospital and other area charities. I learned through intermediaries that he was a great fan of my book Vanishing Seattle, and ordered copies to give to friends.
• Seattle was named America’s sixth “most walkable big city.”
• There’s a new techno record label in town called “KRecordings.” Are they aware there’s another recording outfit in Western Washington with a similar name, and has been for some 30 years?
• That Wash. Post story linked-to here earlier this week? The one predicting free “super wifi” nationwide, merely pending the allocation of bandwidth? Forget it. Just an urban legend. Darn.
• Remember the inventor of the touch-tone phone by playing some keypad songs.
• Three of the Big Six book publishers are collaborating (don’t dare call it “conspiring”) to start up their own online bookselling site, Bookish.
• And for now, please enjoy French director Patrick Bokanowski’s surrealist short masterpiece The Woman Who Powders Herself.