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amidst-the-everyday.com
“Amidst the Everyday,” a project by photographers-artists Aaron Asis and Dan Hawkins, aims to reveal “elements of the unseen urban environment.” You go to places around town, scan QR codes (etched in wood!) at various buildings, and receive images of their hidden treasures. (Above, one of the unoccupied-for-decades upper floors of the Eitel Building at Second and Pike.)
shewalkssoftly.com
via interestingengineering.com
via kathrynrathke.blogspot.com
All good tidings and shout-outs to my fellow Stranger refugee and prominent commercial illustrator Kathryn Rathke. She’s created the new official logo for Wendy’s restaurants. The deceptively simple mascot caricature took three years of client approval and market testing.
from the book 'mail order mysteries' via laughingsquid.com
andraste.com via the smoking gun
the impossible project via engadget.com
chandler o'leary, tacomamakes.com
amnesty international via pickadolla.wordpress.com
By now you’ve heard and/or read about the Russian protest/music/performance-art collective Pussy Riot.
About the group’s carefully staged protest at a Russian Orthodox church against Vladmir Putin, the political boss of Russia’s current crony-driven, corrupt regime.
About the regime’s rote reaction against the protest.
About the two-year labor-camp sentences dutifully dished out to three Pussy Riot members; following five months of imprisonment and a farcical show trial tainted by allegations that the women were beaten, denied food, and weren’t allowed witnesses to speak in their defense.
About the protests throughout western Europe and elsewhere in support of the group.
I found it all to be an extremely well thought out piece of real-life theater.
The group’s English language name and song titles were clearly intended to generate a global support network.
Their act was inspired both by 1990s U.S. “riot grrrl” bands and the recent Ukranian activist group Femen (who’ve staged topless protests against “sex tourism” in their country).
The concept was to put human faces (albeit sometimes masked faces) on what had been a year of mass protests, in Moscow and elsewhere, against Russia’s increasingly oppressive and even neo-Stalinist system.
This face is young, dynamic, colorful, defiant, female, and (even when fully dressed and masked) openly sexual.
It was crafted as a deliberate contrast to a regime that willingly depicted itself as old, staid, grim, mechanical, humorless, and, yes, patriarchal. A machine as repressed as it is repressive; appealing to fear and bigotry to maintain support among older citizens nostalgic for the days of Soviet predictability.
Anti-Putin and anti-Putinism protests are not confined to Pussy Riot. Mass marches have been held in major cities for more than a year. Putin’s somber bureaucrats have issued increasingly suppressive laws to stop them.
Russia’s opposition is broad and deep, cutting across ethnic and class as well as gender lines.
Pussy Riot gives this opposition a face and a voice the outside world can see and hear.
craig hill, tacoma news tribune
maisonceleste.wordpress.com
A wealthy young white man who refuses to, for one second, consider what it must be like to be a woman, or a minority, or a member of the lower class, or old. A man whose words mean less than nothing.
seatacradio.com
So shortly after the death of Chris Wedes (J.P. Patches) comes the loss of another beloved local media icon. Taken too young, after too many years of stoically living through pain and surgeries and chemo.
Goertzen’s natural charm and adept on-air skills made her one of the longest running local news anchors in the nation.
She survived in a field that is often unkind toward formerly-young females. But she couldn’t survive the tumors that wouldn’t stay dead.
theatlantic.com
Brown was already 40, and settled down in marriage with the future co-producer of Jaws, when her breakthrough book Sex and the Single Girl came out. It took the Age of the Pill for Brown’s simple message (sex is fun, for both genders, with or without a wedding ring!) to be considered major-publishing-house material.
(Imagine: Women sleeping around, and not only not heading toward certain doom but having good, clean, healthy fun!)
That led to a stint of over 32 years helming Cosmopolitan magazine.
In those pages, behind the cleavaged “Cosmo Girl” cover models, Brown forged a solid formula of libido and materialism mixed in with traditional women’s-mag fashion and self-help fare.
Whole books have been written about the world of Brown’s Cosmo, its influence, and its contradictions (independence/man-pleasing, confidence/size-ism).
I’ll just say it’s hard to imagine the First Avenue bar scene, with its gaggles of high heeled, well heeled young ladies out for FUN, without Brown’s aesthetic and social vision showing the way.