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The law, in its majestic equality, forbids the rich as well as the poor to sleep under bridges.
Without any further ado, the big new product announcement promised here on Tuesday.
Actually, it’s an old product.
But a new way to buy and enjoy it!
It’s The Myrtle of Venus, my short, funny novel of “Sex, Art, and Real Estate.”
It’s now out in ultra handy e-book form, for the insanely low price of merely $2.99.
Yes, that link goes to the “Kindle Store.” But you don’t need a genuine Kindle machine to read it. They’ve got free apps for Macs, PCs, iPads, and lots of mobile platforms.
Why should all of this site’s loyal friends and true download it?
Because it’s alternately sexy, hilarious, and poignant.
Because it takes you back to those heady days of the real estate bubble.
Because it’s a rollicking tale of eleven lively characters who combine, clash, and re-combine.
The action all occurs amid the dying days of an artists’ studio cooperative. The artists’ new landlady, the World’s Blandest Woman, wants them out. But the artists have a plan. They’ll seduce her into becoming one of them.
But their best laid plans don’t get her laid the way they plan.
What happens next is as wild as it is unpredictable.
To find out, you’ll just have to get the thing and read it already.
revel body, via geekwire.com
smith tower construction, from seattle municipal archive
Here’s one way to get a large audience for a literary reading. Invite so many readers that they, and their individual dates and/or entourages, will fill the room by themselves.
That’s what happened at Town Hall last Saturday night with “60 Readers.”
The event’s organizers scheduled it to tie in with the Modern Language Association’s convention in town that week. But the reading was not officially connected with the MLA. This meant the general public could get in.
Town Hall’s 300-capacity lower room was nearly filled for the free event. Readers were limited to three minutes max. The whole thing came in on time, at just under three hours.
The readers picked included both locals and MLA attendees. They ranged from the wild and the experimental down to that squarest of all literary sub-genres ever created, ’70s style nature poetry.
They read in alphabetical order. They opened with Greg Bem, whose “piece” was a listing of all the readers’ names.
As it happened, most of my favorite bits came in hour three:
iloveyoubluesky.blogspot.com
…had an otherworldly timbral and expressive range with both guitar and voice, ranging from beautifully sweet to guttural monster-from-Hell.
The Modern Language Association, those ol’ guardians of the university English department as the supposed nexus of all thought and creativity in America, are meeting in town this week.
Besides the members-only conferences and seminars on surviving campus budget cuts and why doesn’t America appreciate the greatness of English profs, there are a couple of major peripheral events open to the general public.
On Saturday (1/7/12), Town Hall hosts mini-readings (three minutes max) by “60 Writers,” including “upstart, altertative” scribes. Some are local; some are in town for the conference. It’s free and starts at 7:30.
And Washington State University’s Creative Media and Digital Culture Program is organizing a display of “Electronic Literature.” Its curators describe the exhibit as featuring:
…over 160 works by artists who create literary works involving various forms and combinations of digital media, such as video, animation, sound, virtual environments, and multimedia installations, for desktop computers, mobile devices, and live performance.
The works in the exhibit were all “born digital.” That is, they were designed to be experienced as digital media spectacles, not merely adapted from straight-text products.
The exhibit is open Thurs.-Sat. (1/5-7/12) in the Wash. State Convention Center Room 609. There’s also a free tie-in reading event, 8 p.m. Friday (1/6/12) at Richard Hugo House, 1634 11th Ave. on Capitol Hill.
(UPDATE: Even though the Electronic Literature exhibit’s web page says it’s free, it’s really only open to ticketed MLA convention goers. Locals can attend the Hugo House reading, however.)
It’s only appropriate that all this is happening this year in Seattle, ground zero for the big transition from dead-tree lit product to the brave new digi-future.
Be there or be pulp.
Still awaiting all your nominations for our 2012 MISCmedia In/Out list. Reply in the comments area below, you trendspotters you.
My full time (with overtime some weeks) contract position with Amazon.com is now ended. A gig that was originally set to have lasted 7.5 weeks instead got stretched to 13, so I’m more than grateful.
I was not stationed at the massive new Amazon campus at south Lake Union. Rather, I was in the company’s highly obscure back office in back of the Rainier Valley Lowe’s.
(For local old timers or baseball nerds, my desk was where the left field bleachers had been at the old Sick’s Seattle Stadium, home of the old Rainiers and Pilots.)
I was in an office area previously occupied by Amazon’s accounts payable department, for which we occasionally got phone calls, to which we had no forwarding info.
The building also houses:
I got to eat lunch at the fine fast-food outlets of the Rainier Valley; as well as two local indie treasures, The Original Philly’s and Remo Borracchini’s bakery-deli.
I worked as part of a team that varied between 12 and 32 people; at least two-thirds female. Some were otherwise stay-home moms. Some were recent college grads. Some were middle-age cranks like myself. All were damn smart and able to think their way through sometimes obtuse situations.
•
What we did all this time is a bit harder to explain.
On the Wednesday of our first week at the task, Amazon announced a line of new Kindle e-book machines.
At the same time, it announced a new, exclusive feature in its e-book files, “Xray.”
Reviewers have called Xray “an index on steroids.” It’s a hyperlinked list of a book’s references to people (real and fictional), places, ideas, topics, etc. It gives Amazon something other sellers of the same e-book titles don’t have.
The company’s crack coders created a software algorithm to generate the Xray files. But it had trouble parsing the infinite possibilities of what is and isn’t a person’s name (it regularly believed “Jesus H. Christ” and “Jack Daniel’s” to be characters in a story), and what is and isn’t a relevant phrase (publishers’ addresses don’t really belong in an index).
So every Xray file needed human tweaking.
That’s what we did, on the “Xray Quality Assurance Team.”
We used specially-programmed data tools to delete and add names and phrases in the Xray files. (To explain the process any further would risk violating my non-disclosure agreement.)
Our goal was to have 6,500 titles ready by the time the new Kindle models came out or shortly thereafter. By this past midweek, we’d exceeded 8,000. I worked, in whole or in part, on almost 1,500 of those.
Since “books” are a widely diverse lot, each Xray editing job was different.
Some titles (self-help guides or tech instructionals) contained lots of phrases but few to no names. Others (short stories sold as stand-alone products) had names but no significant phrases.
Some had compact casts of characters and limited place names. Others, such as epic historical tomes, contained literal “casts of thousands.”
The absolute toughest e-books to figure out were the umpteen-volume fantasy sagas, such as The Wheel of Time and the Game of Thrones sequels. They’ve got hundreds of made-up people names, plus hundreds of equally made-up names for places, tribes, deities, swords, etc.
But no matter how tricky any particular job was, our goal was accuracy above speed.
We picked the titles to work on from a database of Amazon’s most popular e-books, both “paid” and “free.” The latter include sample chapters of forthcoming books as well as public-domain classics. (I helped edit the Xray for The Idiot, and sure felt like one afterwards.)
I’ve long ranted in this space and elsewhere that, despite four decades’ worth of pseudo-intellectual hype about “The Death of The Book,” the written word remains a vital medium, commercially as well as in other aspects.
My thirteen weeks with Xray helped to confirm this belief.
The job also gave me an insight into what’s selling in the e-book sphere.
You’ve got all your regular NY Times and USA Today bestsellers, present and past.
You’ve got your expected genre items:
And there’s one genre that I, and the rest of the Xray Quality team, were surprised to find so prevalent among the top selling e-books.
Sometimes, it’s euphemistically billed as “erotic romance.”
What is is, is women’s smut.
You might already know that your regular formula romance novels, the Harlequins and the Silhouettes and such, include explicit sex scenes these days. (Only “Christian” romances don’t.)
But lately—and specifically in the e-book realm, where no one else can see what you’re reading—stories primarily or totally about sex, written for and by women (or at least under women’s pseudonyms), have become a major cottage industry.
I’d say they made up a good 5 percent of the database of Kindle bestsellers, at least.
They range in length from full size novels to short-short stories.
Some are self-published. Others come under the logos of established romance imprints, or their subsidiary lines. Still others are issued by professional, e-book-only companies. The latter have authors’ guidelines as strictly detailed as those of print romance publishers.
And formulaic they are.
For one thing, the traditional romance happy ending is a must. No matter how wild the sexual adventures, the heroines have to end up in committed relationships by the end.
The prose styling is also strictly regulated. No Anias Nin poetic flourishes; just simple declarative sentences and an established vocabulary of descriptions. Breasts are never fondled or groped but always “cupped.”
The plots are equally formulaic.
Several of them star mousy, modern-day women who travel back in time and into the arms of shirtless Scottish Highlanders.
In other formula plots, the male lust objects are equally studly—young corporate tycoons, Navy SEALs, cowboys, police detectives, firefighters, zombie hunters.
Or they’re vampires. Or shape-shifters of assorted types. There are werewolves, were-leopards, were-foxes, were-rats, and were-ravens.
And, quite often, the heroine has simultaneous sex with two, three, or four men. Sometimes these men are brothers. Other times they have sex with one another as well as with the heroine. But they always end up in permanent polyandrous households.
The self-published smut stories often have more traditionally “smutty” formulae. Amazon won’t deal in sex stories involving underage characters or blood relatives (except for the aforementioned groups of brothers sharing the same woman). But there are plenty of just-over-18 tarts seducing stepdads and stepbrothers.
E-books don’t really have covers, only promotional images on their respective Web pages. For many low-budget e-book-only smut titles, these images are amateurishly Photoshopped from licensed stock photos, or from unlicensed “found” online pictures. The effect is, of course, extra cheesy goodness!
An anonymous member of our team (not me, I swear) collected some of these images, along with blurbs and excerpts from the cheesiest of these smut stories, and put them on a blog called Wet & Wilde.
This, my friends, is what massive technological investments by companies here and overseas have led up to.
And even if most of it doesn’t arouse me, I’m glad it’s out there.
This weekend, three major figures from world affairs left us.
I’m still on the highly time-consuming contract job I’ve been at for a while. This Monday starts week 11 of what was to have been a 7.5-week gig. But it looks like it’s finally on the closing stretch. I’ll have a full report when it’s done.
Meanwhile, I’ve continued to collect wacky n’ weird links fer y’all. They include the following:
Horror author and Seattle music-scene legend Wilum Hopfrog Pugmire is out of the hospital and back home, tired but apparently on the mend.
a teenage pugmire as 'count pugsley'
Before he gained national cult fame as “the world’s greatest living Lovecraftian writer,” Wilum Hopfrog Pugmire already had several other claims to fame.
He’d played the costumed mad scientist “Count Pugsly” at the Jones Fantastic Museum in Seattle Center.
He’d published Punk Lust, a literate and intimately personal zine chronicling his life as a queer Mormon, doing restaurant work to support his obsessions with punk rock, horror fiction, and Barbra Streisand.
He’d been a constant figure on the local music scene, sometimes appearing at events in goth-white face paint with ruby red lipstick.
Finally, in recent years Pugmire’s horror fiction has risen in stature, from a few short stories in scattered anthologies to full-length, limited edition books.
He hasn’t been very visible lately. He was stuck at home, taking care of a dying mother.
Now he’s the patient. He’s reportedly now in a Seattle hospital, dealing with a worsening heart condition.
Several days ago he wrote a blog post announcing his retirement from writing. In it, he described his condition as follows:
I have been extremely ill for over a month, and it doesn’t seem like I’m gonna get better any time soon. Tonight has been one of the worst nights. I think my ailments are a combination of heart disease and lingering bronchitis. One of my ailments is coranary arterial spasms, which happens usually when I recline in bed and try to sleep–they jerk my body and produce a little yelp, making sleep impossible so that I am a zombie moft of ye time.
I know no more about Pugmire’s condition at this time. Will Hart, at the horror blog CthuluWho1, is keeping track.
Before Thomas Frank became a renowned author of geekily-researched anti-conservative sermon books, he co-ran a tart, biting, yet beautifully designed journal of essays called The Baffler.
It was based in Chicago for most of its existence. Its original focus was the intersecting worlds of corporate culture (including corporate “counterculture”), entertainment, and marketing. (It’s where Steve Albini’s 1994 screed against the music industry’s treatment of bands, “Some Of Your Friends Are Already This Fucked,” first appeared.) As Frank’s concerns steered toward the political, so did The Baffler‘s.
Its one consistent aspect was its irregular schedule. Though it was sometimes advertised as a “quarterly,” only 18 issues appeared from 1988 to 2009.
This will now change.
The title was bought in May by essayist/historian John Summers. Last week, Summers announced he’s attained backing from the MIT Press. MIT and Summers promise to put out three Bafflers a year for the next five years.
This is good news, because we need its uncompromising voice more than ever.