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THE AGE OF UNIFORMS
Apr 1st, 2002 by Clark Humphrey

The Age of Uniforms

from the Winter 2002 print MISC
by Matt Briggs

MOM FIRST WORKED for Boeing in the late ’60s, in a long building with dirty windows overlooking the Duwamish River. She worked as a production illustrator, producing diagrams and signs. She didn’t keep the job for long, but she said this was her favorite job.

She wore blue jeans and black boots and an oxford shirt, or sometimes she wore a dark blue skirt and a sweater. Graphite always filled the space under her fingernails.

Always a boom and bust town, Seattle busted in the beginning of the ’70s. Boeing’s layoffs resulted in a company town without much of a company left. Mom found work waiting tables and wearing other people’s clothes. Washington State law stated at the time that if your employer required you to wear clothing of a particular color or style, he or she had to provide it.

SCOTTY WATTS OWNED the Copper Kitchen Restaurant, where Mom first met my father while she waited on tables. Scotty also owned the Peppermill and the Dutch Oven. Scotty Watts’s waitresses wore mustard colored dresses and mustard colored hats that looked like mushrooms. Because the top-heavy hats fell into people’s soup, none of the waitresses wore them.

“We girls rolled up our dresses because they came down over our knees,” Mom said. “The waist had an elastic strip and we folded the dresses and tucked them in and tied the apron string to keep everything up. The style then was to wear your skirt cut just below your crotch.”

After she married my father, Scotty moved Mom to the Peppermill. She wore the same uniform. Mom said the shoes were the most important article of clothing with a waitress uniform. She bought nurse shoes that only came in white and she shoe polished them brown to match her uniform. The heavy rubber soles looked like gigantic translucent erasers.

In the spring of that year, when Mom became pregnant, my father insisted that they get married. He had already been in enough trouble that they’d suspended his driver’s license; but he still drove his dented blue Buick. He’d sworn off alcohol. In the months she’d known him, my father seemed sober and even a little nerdy and not at all like a drunk. Mom said, “You don’t know about someone’s history until it becomes your own past.” That summer, she miscarried and spent three days in the University of Washington Medical Center.

In the beginning of September, Mom began work at the Alpine Cafeteria. The waitresses left the brown dresses with muttonchop sleeves at the restaurant. They wore white aprons and wedgies. They were supposed to wear hair nets. The hair nets would slip off into people’s food, so they took them off and kept their hair in ponytails, which fit the theme of the restaurant anyway.

Labor Day fell on her second or third day and, because she was new, she didn’t know to worry when the other waitresses didn’t come in. Few restaurants were open, so crowds of people sat in the restaurant. The food kept on coming. Mom didn’t know where the plates were supposed to go, so order after order piled up on the hot counter. Angry customers pointed out their food.

The busboy was a 35-year-old mute. He’d lost his voice from screaming in Alaska. He’d been in two airplane crashes working the salmon. The older waitresses treated him like shit. He wore blue jeans and a T-shirt. Mom and he formed a little team because she would give him tips and treat him well and so he’d bus her tables quickly; so she had a better turn-around on her tables and was able to make more money per table than the older waitress.

Many of the waitresses at the Alpine Cafeteria had worked there for years. Each had her own regular customers. They were stunted, hard women with gray legs and dyed black hair and faces like stale doughnuts. They took their time and nothing stopped them or sped them up. “It was a horrible job. I only lasted for four months there.”

Two weeks after she started at the Alpine Cafeteria, Scotty came and said my father was in the King County Jail. He’d been pulled over and put in jail because of his suspended license.

Finally, she went back to the Peppermill. The cooks wore black and white checkered slacks and double-breasted blouses. Scotty didn’t allow the waitresses to take their uniforms home. She worked there until she was pregnant with me.

After a couple of months off, she went to work at the Denny’s on Aurora Avenue North and worked there until she was pregnant with my brother. She had to buy an orange and brown uniform and had to wear it to work and home because there wasn’t any place to change. They wanted to upgrade the image of waitresses, to make them more like stewardesses. They wore very heavy A-line dresses (costing $12 to $15) and black turtlenecks. She didn’t like to wear the dress home on the bus, because the brown fabric smelled like the kitchen and the food and cigarette smoke.

She worked there until she was five months pregnant. She made her own dress using matching fabric because their dresses wouldn’t accommodate a pregnant figure. Finally the manager fired Mom for her pregnancy. “You can’t even wear the uniform,” he said. “My customers are complaining that you are working too hard for a pregnant woman.”

She didn’t work for nine months or so. In that time, she had my brother and the family moved to Fall City in the Snoqualmie Valley.

At the Gateway Cafe in North Bend, a roadhouse on Sunset Highway and then the original interstate, Mom wore a black skirt and white shirt. They supplied the apron. She kept a pot of coffee in one hand and a plate of the special in the other.

The lumberjacks wore corkboots and blue jeans cut just above the boots. Red suspenders held up their loose pants. They came in directly from the logging camp where they weren’t allowed to drink. They came in covered in mud and sawdust.

“Just like an old time saloon, at first they would accidentally brush up against your breasts or you’d feel a cold hand on the back of your thigh; and as the night wore on, they moved into the Moriritz Room where they’d all try to grab you and you’d have to dance and squirm past them.”

Only women bartenders worked at the Gateway. They called the owner, Edna, “The One Armed Bandit.” She lost the arm in a washing machine as a little girl. It was one of those old-fashioned ones with belts. She was a very good-looking woman. She ran the place like a drill sergeant. She encouraged the girls to make the men happy. Her husband was named Bear and he kept to the back room doing accounting. In the summer, the girls wore halter tops and brief shorts. At the end of the night, they served the lumberjacks breakfast and coffee.

At the Summit House at Snoqualmie Pass, an ancient structure of raw logs with plywood and drywall and insulation tacked to the interior, Mom wore black skirts and a white blouse and red paisley vests with pockets. The homeless bartender slept in the storeroom. He let a cigarette go and it burned the place down. With no running water at the Pass, there wasn’t enough water to put out the fire.

The next place, Ken’s Truck Town, required her to wear a white polyester nurse-style uniform. They supplied these; but the waitresses had to change into them in the break room. Mom caught pneumonia from the walk-in freezer and was sick for a long time. The customers started to complain. Her boss told her, “Tomorrow you come back well.” She went to the doctor, took penicillin, and started to look for another job.

“I had interviewed with Scott Adams before. I went down looking for a job. I remembered the interview from before being really long and like he was grilling a potential chief financial officer of a bank. I told him I could wait a rush with 250 customers on the floor, and I was looking for a job. He told me I must be a real crackerjack waitress. He hired me right on the spot.”

He owned the Denny’s on 4th Avenue South, in the franchise’s original diamond-shaped building. Mom had to buy another single piece orange and brown uniform with black stockings and dark shoes, the same uniform she hadn’t been able to wear four years before.

He eventually fired her for being too volatile. Mom says it was because she was getting a ride to work sometimes from Harold Johnson, a black guy. Everyone thought she was sleeping with him. Specifically, Scott Adams fired her because she refused to take a personal check. Mom obeyed the policy that Denny’s would not accept personal checks. A guy came in and Mom didn’t accept his check even though he was a regular. She was fired a couple of days later.

When she went back to pick up her last paycheck from Scott Adams, he hunched down to ask me how I was holding up. I asked him, “Why did you fire my mom?” He wore a blue suit and kept his two individual clumps of hair on either side of his head neatly stacked and the clean bald expanse of skin between them oiled like a highly polished linoleum floor. He had an expansive black mustache and slightly damp, red lips. He held my arms and started to cry. “Tiger, your Mom will always have a job here.”

“It became clear to me I would be one of those old nasty Seattle waitresses. Clear to me I wouldn’t be able to stay married to your father. The job I had that made me the happiest was when I had been a production assistant at Boeing.”

MOM WORE POLYESTER slacks and shirts when she went to Bellevue Community College to study drafting. After her second year at BCC, she found a job at the Ambrose Co. at an Overlake office park. She wore slacks and shirts.

Ambrose created a line of machines designed to fill paint containers. Mom did manual drafting on boards. Mom produced complicated blueprints for the company; her mechanical drafting block letters filled the margins. In the front office, the company paid for the women’s hair to be done. “They were dressed to the nines,” Mom said. “But I was in the back office and just kept my hair short.”

The summer she finished college she bought two suits, a wool herringbone jacket and skirt and a gabardine jacket and skirt. Before she left my father and moved to Renton, she walked hurriedly through the house wearing thin high heels and her work uniform. On the soft wood floors she left a trail of heel impressions like someone pressing the tip of a pencil into a sheet of clay.

SHE FOUND A JOB right away at Boeing where she became a tech-aid, a drafter, on the 737-200. When she came home late after driving along the stop and go traffic on 405 and then the long drive from Eastlake to North Bend on I-90, she still wore her Boeing Security badge over one pocket. When someone got a job at Boeing, they always said, “I got on at Boeing’s.”

Every fourth person in the area had a job making airplanes. The other seventy-five percent of the population called Boeing “the Lazy B;” when they asked someone to explain their job there, they couldn’t make sense of the explanation.

For seven years, Mom wore professional clothes. In 1987, casual Fridays started. “On Friday you wore whatever you wanted to wear,” Mom said. “The guys wore polo shirts and jeans. After a while it was like that every day. Now, I don’t wear uniforms anymore.”

"OURS IS THE MOST VIBRANT NATION on Earth…
Mar 7th, 2002 by Clark Humphrey

…because it is the most childish, and therefore the most creative and daring.”

THIS PAST TUESDAY EVENING…
Mar 1st, 2002 by Clark Humphrey

…yr. humble editor was invited to an intimate brewpub gathering of Seattle “weblog” authors. Somebody brought around a sock monkey that’s apparently being shipped coast-to-coast among a succession of web writers. Zannah of usr/bin/grl made tiny origami cranes for everyone. Here are some of the sites whose creators showed up:

LOCAL TECH EXPERT ADAM ENGST…
Feb 27th, 2002 by Clark Humphrey

…on the intellectual property cartel and efforts to fight back against its brazen encroachments on our lives and cultural progress.

REQUIRED READING for all self-styled "political" readers…
Feb 11th, 2002 by Clark Humphrey

…writers, and speakers: A systematic examination of logical fallacies. (Found by Fark.)

COMPLETELY FORGOTTEN…
Feb 10th, 2002 by Clark Humphrey

…in the decade-since-grunge hype of last fall was the 10th anniversary of another, sad, occasion, the death of that great local bard of brutal honesty Jesse Bernstein. Here’s a site with links to some of his best pieces.

KMART LOVE
Jan 29th, 2002 by Clark Humphrey

LISA SUCKDOG CARVER wrote the finest-ever ode to the faded glory that is Kmart, in her old zine Rollerderby. Here’s an excerpt:

“Kmart is great. All that stuff strewn around aisle after air-conditioned

aisle, and the easy listening makes you really feel like you’re shopping.

Don’t be daunted by the piles of voluminous clothing in ugly colors. Have

some patience and the prizes–like ban dana halter tops–will be yours…for

$1.99 each!!! The problem most people have with Kmart clothes is they’re

cheaply-made and behind-the-times. But that’s no problem for me! Some of

my best friends are cheaply-made and behind-the-times…oh, ho, ho, I crack

me up! Actually, that’s true about my friends. Anyway, what do I care if

my clothes fall apart after 20 wear ings? I don’ t want to wear the same

thing a million times anyway. And if I really love something, I’ll buy three

of it– that way I can be seen in it 60 times. And I’ve still paid only

six dollars! As for not being fashionable: I think it’s cute to be six months

to two years–or more!–behind everybody else. So some gal might look at

you in your tight K-mart jumpsuit (pink, with match ing pink bubblegum popping

in and out of your pink glossy lips) and think, “God, that outfit is

so 1982! And there’s a thread unraveling–can’t she afford anything better?!”

But that mean gal’s boyfriend is thinking, “That looks good!””

Carver’s whole Kmart essay is apparently not available online, but this similarly-flavored essay is.

MICHAEL MOORE LOVE?
Jan 9th, 2002 by Clark Humphrey

RUPERT MURDOCH’S PUBLISHING HOUSE tried to get Michael Moore not to say bad things about George W. Bush in his new book. The question is therefore begged: What was Michael Moore doing at Rupert Murdoch’s publishing house in the first place?

OUR OL’ PAL Kathleen Wilson has written the greatest single piece of writing the Stranger’s ever published.

FIGHT THE RIGHT, KILL THE MEDIA?
Jan 4th, 2002 by Clark Humphrey

OUR OL’ PAL BOB MCCHESNEY writes about how reactions against a monopolistic, right-wing-biased news media might (just might, mind you) be a cornerstone of the next great progressive movement.

REAL PATRIOTS
Jan 4th, 2002 by Clark Humphrey

NAT HENTOFF WRITES about why there’s nothing truly patriotic about unquestioning rote obedience.

EVEN MISC-ER
Dec 26th, 2001 by Clark Humphrey

FROM SRI LANKA (“a world where suicide bombings are so routine they don’t make a ripple in the international news”), ten lessons in how not to fight terrorism.

THE GOOD NEWS OF THE DAY: The corporate record labels are reeling in major losses, due mainly to the collapse of their longstanding business plans (the incessant hyping of a few bland superstars).

DESPITE THE TALIBAN’S FALL, there are still places on Earth where the simple enjoyment of pop music and nightlife is met with stern rebuke.

THOMAS FRIEDMAN, the NY Times’s second-most-anointed right-winger, facetiously proposes an all-nude airline, “Naked Air,” as a potential security solution.

If Friedman had been more of a journalist and less of a think-tank ideologue, he might have remembered that during the ’70s first wave of skyjackings, the unjustly forgotten humor columnist Arthur Hoppe wrote a much more entertaining piece based on the same premise. Hoppe proposed a Jaybird Airlines, in which not only would all passengers board the plane naked as a jaybird, but the male passengers would be assigned comely Seatmates to “entertain” them whilst in-flight. (Female passengers, in Hoppe’s piece, were expected to merely sit back and listen to the stewardesses (dressed in designer shoes and smartly-fashioned hats) explain the procedures for the unlikely event of a water landing.) The piece ends, of course, with a passenger attempting to take control of the plane–to prevent it from landing.

A NEW GUEST COLUMNIST…
Nov 11th, 2001 by Clark Humphrey

…ponders and compares some of the events of this past Halloween season.

THANX AND A HAT TIP to all who attended…
Oct 29th, 2001 by Clark Humphrey

…our little Son of MISCsalon kaffeeklatsch on Sunday. Many items were discussed, many of which may make it into the print MISC or onto this site.

Later that same day, many of us were also at Titlewave Books on Lower Queen Anne for the store’s monthly reading series. Above, print MISC contributor Doug Nufer warms up the crowd with a short story written in the jargon of circus workers. Below, fellow print MISC contributor Matt Briggs offers highlights from his forthcoming short-story collection.

COMING SOON to this site: You’ll get to buy lovely, durable prints of some of the great photos which have appeared on this site and/or which will appear in forthcoming MISCmedia-published books.

RICHARD TODD WRITES on the future of America’s diffuse culture: “Already in the post-Sept. 11 society we have seen a marked shrinkage in socially acceptable political discourse.”

METROPOLIST 150
Oct 16th, 2001 by Clark Humphrey

YR. HUMBLE EDITOR was recently awarded the honor of being one of the 18 jurors who selected the “MetropoList 150,” the Museum of History and Industry/Seattle Times list of the 150 most influential people in the 150-year history of Seattle and King County.

I’m quite satisfied with the final list, available at this link. There’s almost nobody on it I wouldn’t have wanted on it.

Nevertheless, there are several names I wrote in which didn’t make the final selection. In alphabetical order, they include:

  • LYNDA BARRY: South Seattle native and acclaimed cartoonist and author. Her novel Cruddy was set in a fictionalized Rainier Valley.
  • STEVEN J. “JESSE” BERNSTEIN: Poet and short-story writer of urban decay and dystopian fantasy.
  • TED BUNDY: Clean-cut law student and serial killer.
  • DYAN CANNON: West Seattle native who became a movie sex symbol at age 32.
  • RAY CHARLES: R&B legend whose career started in Seattle’s old Jackson Street jazz scene.
  • FRANCES FARMER: West Seattle-born actress with an ill-fated Hollywood career.
  • CHET HUNTLEY: UW grad and pioneering network TV news anchorman.
  • MARY KAY LETOURNEAU: Middle-school teacher who bore two children by a student, causing much public hand-wringing and analysis.
  • MIKE LUKOVICH: Pulitzer Prize-winning editorial cartoonist and UW Daily grad.
  • FLOYD SCHMOE (1895-2000): Seattle Quaker leader, mountaineer, and tireless peace activist.
  • LESTER SMITH & DANNY KAYE: Seattle businessman Smith, first on his own and later in partnership with movie star Kaye, ran a string of radio stations (including KJR); they also were the Mariners’ original owners.
  • DEWEY SORIANO: Was awarded ownership of the 1969 Seattle baseball franchise on the basis of his skill in managing the Pacific Coast League. He didn’t have the financial resources to keep the Pilots going, and the team was sold and moved to Milwaukee after one season.
  • ICHIRO SUZUKI: Mariners sensation; first Japanese-born “position player” (non-pitcher) in the U.S. Major Leagues.
  • EDDIE VEDDER: Singer for the rock band Pearl Jam. The group’s dispute with TicketMaster in 1993 presaged many later disputes by artists and fans against the bigtime music industry.
  • ANN & NANCY WILSON: Leaders since 1973 of Heart, the first Seattle rock band to attain international prominence. Proved you could be all woman AND all rock.
  • TOBIAS WOLFF: Acclaimed author and memoirist (This Boy’s Life).

IN ADDITION, here are some names nominated by other people (with the descriptions these anonymous nominators wrote) for whom I voted, but who also failed to make the final cut:

  • DICK BALCH: Local Chevrolet dealer and irreverent pitchman for cars (smashed cars with sledgehammer on TV ads).
  • OLE BARDAHL: Proprietor of Bardahl, the Ballard-based engine additive company known for its hydroplanes (the Miss. Bardahl) and its giant neon sign.
  • SIR THOMAS BEECHAM: A renowned English conductor, Beecham became the director of the tiny Seattle Symphony in 1941. He is remembered most for his quote, “If I were a member of this community, really I should get weary of being looked on as a sort of aesthetic dust-bin.”
  • PETER BEVIS: Founder and director of the Fremont School of Fine Arts and the Fremont Foundry, established in 1986. An artist who makes molds of road kill, Bevis’s work illustrates the recklessness of people in nature. He bought the Kalakala back to Seattle.
  • BOB BLACKBURN: Longtime voice of the Seattle Supersonics, from their first season in 1967 until the early 1990s.
  • BOBO THE GORILLA: Bobo introduced Seattleites to the great apes and to “exotic” wildlife in general; he taught a whole generation to abandon diabolical “King Kong” images of gorillas. He inspired better zoo husbandry and perhaps paved the way for primate preservation attempts. In his current taxidermied form, his legacy lives on.
  • STAN BORESON: Scandinavian musician, comedian, and host of the long-running children’s program KING Clubhouse.
  • BERKLEY BREATHED: Cartoonist, Bloom Country.
  • FRED BROWN: The former Sonic star, who help lead them to their only title in 1979, influenced a generation of ballplayers locally and nationally through his long-distance gunning which inspired the term “From downtown…” now heard in broadcasts everywhere, but is as Seattle–and omnipresent–as “Skid Road.”
  • HIRAM CHITTENDEN: An officer in the Army Corps of Engineers and one of Seattle’s first port commissioners, Chittenden worked to develop the Port of Seattle. He oversaw the construction of the Lake Washington Canal and locks, which now bear his name.
  • JOHN CONSIDINE: Considine’s “People’s Theater” was a Seattle success, which led to his preeminent career as an impresario. He helped pioneer early Edison films and established the famous vaudeville circuit. Considine and his brother Tom were involved in the notorious killing of Seattle’s police chief, William L. Meredith.
  • LLOYD COONEY: Former KIRO-TV station manager and editorial commentator.
  • D.B. COOPER: Infamous airline hijacker (flight from Portland to Seattle) who may or may not have gotten away.
  • JACK ENDINO: Recording engineer/producer who made early studio recordings of Nirvana, Soundgarden, the U-Men and other proto-grunge acts.
  • JEAN ENERSEN: Television news anchor for KING-TV.
  • RANDY FINLEY: Founder of the Seven Gables Theatre chain, which, along with the Seattle International Film Festival, fostered and bolstered Seattle’s appetite for fine cinema.
  • CHARLES FRYE: Frye was a partner in Frye and Bruhn, Meatpackers. He founded the Frye Museum atop Seattle’s First Hill, an institution that is one of Seattle’s leading museums today.
  • BOB HARDWICK: KVI disc jockey in the 1960s and 1970s, known for wacky on-air antics.
  • DENIS HAYS: Director of the Bullitt Foundation; created Earth Day in 1970.
  • SAM ISRAEL: A hermit who lived in Eastern Washington, amassed over 500 properties, worth between $100-$200 million at the time of his death (1994). He owned over 30 downtown properties, 14 of which were located in Pioneer Square. Due to his negligence many of his properties were vacated and fell into disrepair. However, the low rent helped spawn a lively artists’ scene in Pioneer Square.
  • QUINCY JONES: Garfield High School’s musical prodigy has more Grammy nominations than anyone else in history. Jones has written film scores, sonatas, and popular music, done arrangements for other artists and performed throughout the world with his own band and orchestra.
  • RICK “PEANUT MAN” KAMINSKI: If you attended an event at the Kingdome from the 1970s to the 1990s, you saw Kaminski throwing bags of peanuts to his customers, along with a tennis ball sliced open enough for the patron to place his money inside for the return toss.
  • JOHN KEISTER: The quintessential bittersweet Seattleite who remembers how it used to be before so many people moved here, Keister used his position as host of KING -TV’s Almost Live! weekly comedy program to poke fun at Kent, Bellevue, Ballard and other Seattle suburbs and neighborhoods.
  • NORM LANGILL: Founder of One Reel, producer of Bumbershoot and other cultural events.
  • GARY LARSON: creator of The Far Side, a hugely popular cartoon panel. Prior to Larson’s retirement in 1995, the cartoon strip appeared in 1,900 daily newspapers in 40 countries, and was translated into 17 languages.
  • GYPSY ROSE LEE: West Seattle’s Lee, with her sister June Havoc, performed in a kiddy vaudeville act that toured the nation. She parlayed her experience into a famous striptease that was a hit at the Zeigfeld Follies. Her life was portrayed in the musical Gypsy.
  • LOGGERS: When white men first came to the Seattle area travel was long and difficult between Seattle and Tacoma. With the arrival of the loggers travel became significantly easier.
  • DARRLY MACDONALD: Co-founder of the Seattle International Film Festival and purveyor of Seattle’s now firmly-established reputation as a city of cinematic connoisseurs.
  • HELENE MADISON: When 19-year-old Madison returned to Seattle with three gold medals in swimming from the 1932 Olympic games, the city raised a celebration, including a ticker tape parade. Two pools in Seattle are named after Madison.
  • VIC MEYERS: Seattle jazz-band leader who ran for mayor in 1930 on the whim of some practical jokesters at the Seattle Times. He was eager to lend himself to the joke, and Times reporters wrote him up throughout the “campaign.” After losing the election, he won the election for the lieutenant governor of the state.
  • LORENZO MILAM: Founder of KRAB radio in 1962. KRAB was among the earliest community radio stations in the country. It was one of the voices and centers of the counterculture in the 1960s and 1970s.
  • SIR MIX-A-LOT (Anthony Ray): Seattle’s first national rap star, who hit it big with his “Posse on Broadway” single.
  • DAVE NIEHAUS: He has been delivering colorful descriptions of Mariner baseball since the team was established in 1977. His enormous contribution to Mariner baseball was recognized when he was asked to throw out the ceremonial first pitch in the inaugural game in Safeco Field.
  • MARNI NIXON: Broadway singer. Among her famous roles was singing for Audrey Hepburn in [the film version of] My Fair Lady.
  • BILL NYE: Seattle star (and former Almost Live! character) on PBS’s Bill Nye The Science Guy, seen by millions of kids nationwide.
  • PAT O’DAY: High profile disc jockey on KJR radio through the ’60s. The first disc jockey in Seattle to really start playing rock ‘n roll, an action for which he earned 37 percent of the radio audience.
  • JOHN OKADA (1923-1971): Author of No-No Boy, winner of the National Book Award, a novel that explores the return home to Seattle of an interned Nisei Japanese, who refused to forswear allegiance to the emperor of Japan and to fight in uniform for the United States when those questions were posed in the internment camp.
  • JIM OWENS: UW football coach. Took team to three Rose Bowls
  • MARTIN PANG: Started the 1995 fire in the Mary Pang qarehouse downtown. Four firemen died while subduing the blaze. In his confession, Pang said he started the fire to relieve his parents the burden of running the facility.
  • BRUCE PAVITT & JONATHAN PONEMAN: Co-founders of Sub Pop, Seattle record label that originally signed Nirvana, Soundgarden and other grunge acts.
  • ANGELO PELLEGRINI: Italian immigrant who settled with his family in Southwest Washington; made his mark as a UW English professor and food and wine expert. He wrote many books and gave talks on Italian culture.
  • GEORGE POCOCK: Designer and builder of racing shells, including those used by 1936 gold medal US Olympic Team. Also designed the hull of Boeing’s first commercial plane.
  • THE PROSTITUTES OF THE 1800s: The main reason many men originally came to the Seattle area.
  • DIXY LEE RAY: Washington’s first female governor. The idiosyncratic Ray was at the helm when Mt. St. Helens erupted.
  • LARRY REID: Early director of COCA (Center on Contemporary Art).
  • ROSIE THE RIVETER: Popular symbol during WWII of women entering the blue-collar work force in order to keep up industrial production to support the war effort; believed to be based on women in Boeing’s work force.
  • BILL “THE BEERMAN” SCOTT: Kingdome concession employee who became the defacto yell king for the Mariners, Sonics, Sounders and Seahawks (when all played under the same concrete roof).
  • RUBEN SIERRA: Founder of the “multi-cultural-before-its-time” Group Theatre.
  • JEFF SMITH (FRUGAL GOURMET): Author and chef who popularized good cooking for a mass audience.
  • DICK SPADY: Founder, with two partners, of Dick’s Drive In, which opened in Wallingford in 1954.
  • ELBRIDGE A. STUART: Created the Carnation Co., which initially focused on evaporated milk. Stuart developed a dairy farm near Tolt, which was renamed Carnation. In 1926 Carnation entered the fresh milk and ice cream business. The firm [now merged into Nestle] was known for its slogan “Milk from Contented Cows.”
  • CONRAD UNO: Egg Studios owner/producer who recorded and/or released records by up and coming Seattle acts in the 1980s and 1990s, including the Young Fresh Fellows, Posies, and Presidents of the United States of America.
  • GORDON VICKERY: Driving force in getting Medic One in the Fire Department. Many thousands of lives have been saved because of this.
  • BURKE WALKER: Founder of the Empty Space Theatre.
  • BOB WALSH: Seattle entrepreneur behind the Goodwill Games (1990) and attempts to bring the Olympic Games to Seattle.
  • ROB WELLER: Former UW Husky yell king and Entertainment Tonight host credited with creation of the circular, undulating group cheer known as “The Wave.”
  • BILL YEEND: Longtime host (25 years) of KIRO radio’s number-one rated morning news program.
  • MARION ANTHONY ZIONCHECK: Born in Austria, Zioncheck attended the UW. After passing the state bar exam he won a seat in Congress. His mental deterioration and suicide (leaping from the Arctic Building in Seattle) were national stories.

(This article’s permanent link.)

CULTURE OF LAW
Oct 16th, 2001 by Clark Humphrey

JAMES CARROLL WRITES: ” What if the catastrophe of Sept. 11 resulted, over the long term, in recognitions and initiatives that made America–and the world–a far better place… A turning point at which the main mode of resolving world conflict shifted away from the culture of war and toward the culture of law.”

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