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current tv via daily kos
It’s been pundit-firing season in Seattle area media, as cash-strapped station bosses seem to believe politics is a topic we don’t care or need to hear about.
After the November elections we’ve lost Robert Mak from KING, Bryan Johnson and Ken Schram from KOMO, Enrique Cerna from KCTS, and all the syndicated talkers who had been on Progressive Talk 1090. C.R. Douglas still covers local politics on KCPQ, but he’s on an increasingly lonely beat.
And nationally, Al Gore and megalawyer Joel Hyatt are now selling the little-watched cable channel Current TV to Al-Jazeera. The Qatar-based, pan-Arab news service is expected to rebrand Current to its own name, dropping all or most of its current lineup of pundit and documentary/reality shows.
The first incarnation of Current specialized in short-form documentary bits, often bought up cheap from aspiring filmmakers. Its second era began with the hiring of ex-MSNBC superstar Keith Olbermann, essentially the founding father of liberal talk TV. But Olbermann, as contentious a firebrand off-screen as on, repeatedly complained about the low budgets and sloppy production work, until Current fired him. After that, a post-Olbermann slate of talkers, including Eliot Spitzer, garnered as few as 40,000 viewers in prime time.
Hyatt, meanwhile, had signed deals with cable companies that restricted how much of the channel’s content could be posted online. That meant that even during the channel’s peak months with Olbermann, almost nothing from Current was on YouTube or iTunes, and was unviewable to households whose local cable companies didn’t receive the channel.
Daily Kos founder Markos Moulitsas claims Joel Hyatt was less interested in building audiences or even selling commercials than in finagling subscription fees from cable companies. Hyatt apparently told big cable operators that Current would get and keep viewers who might otherwise drop their cable (political liberals being notorious for claiming not to even own TV sets).
That, Moulitsas alleges, is why Hyatt signed those contracts that kept him from promoting the channel’s content online.
Also, as a one-channel indie operation, Current didn’t have a “family” of other channels to air its promos.
Without any efficient means to keep attracting viewers, cable companies openly questioned the value of keeping Current in their lineups. Hyatt knew it was time to cut his losses and sell out.
Eventually, someone besides MSNBC will figure how to do liberal talk properly, and will make a mint at it. It just wasn’t these guys.
via listal.com
Very vague online rumors suggest David Lynch and Mark Frost might, just might mind you, be engaged in the very earliest negotiations toward a Twin Peaks sequel series.
I’ll believe it when I see a real announcement.
However, it should be noted that the original series was set in the winter and spring of 1989, the year the pilot and first season were filmed. The last episode, in which Agent Cooper’s soul became trapped in the alternate dimension known as the Black Lodge, seemed to imply that he’d be in there for 25 years. That would be, hey, 2014! If that denouement were to make it to the screen that year, the deals to make it happen would start, well, now.
I’m just a fan (albeit a huge one) of the series and its spinoff works; but I’ve got my own ideas how a revival should be plotted.
<FAN FICTION MODE>
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easy street records
Easy Street Records on Lower Queen Anne is located in a former Safeway (built in the telltale first-generation “supermarket” architecture) that had been Seattle’s first Tower Records, and later the long-mourned Tower Books (perhaps the only chain that knew how to market grownup book-reading as something actually enjoyable). As Easy Street, it hosted innumerable in-store signings and performances and Free Record Days.
It lost its lease. It closes Jan. 18, after 12 years. UnChaste Bank will take over the space. Damn.
Easy Street’s West Seattle flagship will continue.
Remember, one and all: Our anual fantabulous MISCmedia In/Out List arrives later this week. Look for it.
…back in 1973.
(It’s a sequel to The 2,000 Year Old Man, one of the great comedy LPs of all time.)
At least, that’s what I hope and pray it will be, for myself and for all of you.
'he-man and she-ra: a christmas special,' part of the festivities at siff film center on xmas eve
And a dreadful sorry for not posting in the last 12 days.
What I’ve been up to: Not much. Just wallowing in the ol’ clinical depression again over my first mom-less Xmas, trying to figure out how the heck I’m gonna pay January’s rent.
(For those of you who came in late, I’m not independently wealthy despite the old rumors; a few little local photo books don’t earn anything near a decent living; and my eternal search for a little ol’ paying day job has gone nowhere slowly.)
But I have vowed to stay at it. And there will be new MISCmedia products in the new year.
And, as always, it’s the time of year for MISCmedia’s annual In/Out List, the only accurate guide to what will become hot and not-so-hot in the coming 12 months. Send in your suggestions now.
On with the accumulated random links:
capitolhillseattle.com
There was a spot on lower Fourth Avenue downtown on Sunday afternoon where the cheers from the gay marriage celebrants at City Hall and the cheers from the Seahawks fans in CenturyLink field were equally loud. And, with the Seahawks game a total rout, the cheers from both sources were about as frequent.
The City Hall scene was a big, one-time-only, spectacle of civic self-congratulation (the sort of thing Seattle does as often and as chest-thumpingly as possible).
But at the heart of this circus were the 137 couples who were legally wed, at five different chapels set up in the building, by a corps of judges working off the clock for free (including the aptly named Judge Mary Yu). Only the couples and their immediate guests were let inside the building.
Then the couples all got to descend the big exterior stairs and be congratulated with cheers, signs, and music.
Where there are mass weddings, there will be mass receptions. One was held at the Q bar on Broadway. Another was at the Paramount. The latter had its main floor all in flat seatless mode, with tables and tablecloths, and complimentary cupcakes and candies and wine and cider, all donated by local merchants.
Then the celebrity well wishers came on stage. Singer Mary Lambert, then Mayor McGinn, then State Sen. Ed Murray and fiancee (left).
A singer named Chocolate came on to sing a dutifully soulful rendition of “At Last,” leading the ceremonial “first dance” for all the couples.
At this time of year, when superficial wishes of love and joy are repeated to the point of meaninglessness, let us all heed the example of these couples, all all their gay and straight supporters who worked to make this happen, and to all before them who strove to have their love officially recognized in this way, and all who will marry (or simply know they can) in the days and years to come.
chris pirillo via google plus
In sociology, the controversial and oft-disputed “broken windows theory” claims that crime in an urban neighborhood can go up or down depending on how the locals perceive the place as a “nice” (orderly, civil) place or a “scary” (anything-goes) place.
This post is about an entirely different “broken Windows” theory.
It’s the perception, in some of the tech and business press, that Microsoft Windows is “broken.”
They’re not talking about the software itself being broken (as in inoperable), but the business model behind it.
Especially in regards to “upgrade” sales of the new Windows 8 for multi-desktop businesses.
The naysayers say Windows 8 does so many things so differently than previous versions that there’s a steep “learning curve,” and that businesses may not want that sort of disruption in their day to day operations if they don’t have to take it.
Another alleged issue: Windows 8 is supposed to provide one seamless operating environment among PCs, tablets, and smartphones. Only the tablets and the smartphones still aren’t selling all that well, compared with Apple and Android products.
What’s worse, PCs themselves (almost all of which still come with Windows preloaded) themselves aren’t selling like they used to, and might not ever do so again.
You sure don’t need me to tell you how important MS has become to the Wash. state economy, and that no number of XBox 360 Live subscriptions can make up for the value of all the new and upgraded Windows installations out there.
Oh well. There’s always the Plan B strategy of suing Android phone makers.
nanowrimo.org
I participated in National Novel Writing Month again this year. Came out of it with most of the first draft of something I’m tentatively calling Horizontal Hold: A Novel About Love & Television. More details as I come closer to making it presentable.
kirotv.com
spoon-tamago.com via buzzfeed.com
steven h. robinson, shorelineareanews.com
(NOTE: For reasons unknown to me, the first version of this post completely disappeared from the site. I’m rewriting it as best as I can remember.)
I have always called Seattle’s Dexter Avenue “Dextrose Avenue.”
That’s in honor of one of its major attractions, the Hostess Bakery.
Since some time in the 1930s, it has been a mainstay of the originally industrial, now posh-ified Cascade (now “South Lake Union”) neighborhood.
It had its logos built in to its concrete-block architecture.
Day and night, it enveloped the surrounding environs with the glorious smells of sugar, flour, egg whites, chocolate, etc. being poured, mixed, baked, and packaged.
At one time, they separated eggs and re-ground flour by hand; before the treats fully became the automated factory products they’d always appeared to be.
As a child during the early years of kids’ TV, I remember the live local kids’ hosts performing commercials, with the big cutaway props of Hostess Cup Cakes, Twinkies, Tiger Tails, etc.
(My favorites were always the Sno Balls. Even at a tender age, two side by side pink hemispheres meant something to me.)
Later on, after the FCC stopped local kids’ hosts from appearing in commercials (a move that essentially killed most of those shows), Hostess created animated talking versions of its goodies—Twinkie the Kid, Captain Cup Cake, Fruit Pie the Magician. (Unlike Will Vinton’s later M&M’s spots, these ads never addressed the implications of these “baked” toons inviting you to eat their relatives.)
Hostess treats will still be sold here (see below).
But they won’t be made here anymore.
The Seattle plant, and two others, will be closed.
Management blamed an ongoing bakers’ strike. (However, the mayor of St. Louis, whose Hostess branch is also closing, says he’d been informed of the closings months before the strike.)
The strikers refused the company’s demands for wage cuts and big layoffs; after the company already erased pension accounts.
That was as part of a bankruptcy procedure, the company’s second in a decade.
Hostess Brands has been slowly dying for longer than that, under three different owners.
Too many parents in recent years have demanded only “healthy” foods for their kids.
In response, Hostess re-targeted its advertising at adults, with little success.
And there are so many, many newer snack product brands, local, regional, and national.
Also, let’s not forget the impact imposed on all consumer-products companies by Walmart. It regularly sets ever smaller wholesale payments, which companies dare not challenge.
The Hostess site will surely be redeveloped, probably as a posh condo project.
A lot of these places are named after the things they’d replaced.
In this case, we should all demand the condo be christened “Twinkie Towers.”
UPDATE: Hostess Brands’ next bankruptcy move might be a staged “liquidation.” That could take several paths, but probably would involve Hostess Brands disappearing (and taking many obligations and all labor contracts away with it), then transferring assets to a shell company that would start a nonunion “new” Hostess.
Onetime P-I cartoonist Ramon "Ray" Collins, to be featured in the documentary Bezango, WA