It's here! It's here! All the local news headlines you need to know about, delivered straight to your e-mail box and from there to your little grey brain.
Learn more about it here.
Sign up at the handy link below.
CLICK HERE to get on board with your very own MISCmedia MAIL subscription!
Aw shucks, guys n’ gals.
You gave me most of what I wanted for Election Day.
Obama won both the Electoral College and pop-vote. He won the EC by a margin that was both Ohio- and Florida-proof. He won every so-called “battleground” state except North Carolina, some by substantial margins.
The Dems kept the Senate, and added some nice new faces to it (hi, Elizabeth Warren!).
The House stayed Republican, alas; ensuring a continuing forum for obstruction by John Boehner and the other galley slaves to the One Percent.
Here at home, same-sex marriage and recreational pot are both leading, as is Jay Inslee’s bid for governor.
They ought to be leading bigger. Â The “Cascade curtain” needs some shoring up. Dems need to strengthen their traditional labor-based holds in Pierce and Clark counties.
And, alas, Tim Eyman’s latest “initiative that sounds hot on talk radio but is disastrous in real life,” to prevent any real reform of the state’s regressive tax system, is also ahead.
All the hard work continues tomorrow.
But for the most part, life on the day after is cool.
Keep up the good work.
ward sutton
‘Tis election day. The most infuriatingly nervous day of the year, or in this case of the quadrennium. (I believe that’s a word.)
The polls, even the progressive leaning polls, predict a tighter race than I want. I want Obama across the board over Mr. Lying One-Percenter Tax Cheat Hypocrite in previously “red” states, and all victorious long before the Pacific Time Zone results show up. If I can’t get that, I at least want an Obama victory big enough that even the partisan-hack dirty tricks in Ohio and Florida (and even here) can’t threaten it.
Back to randomosity:
priscilla long, via the american scholar
aaron tung, via digitalbookworld.com
There are many differences between the book world and the music world.
For one thing, music-world people have long held a healthy disrespect for the weasels, hucksters, and corporate wolves running their industry.
Book-world people, in contrast, are often willfully supplicant toward their industry, its masters, and its most crippling business-as-usual tactics.
Until, perhaps, now.
Germany’s Bertelsmann and Britain’s Pearson Group announced they’re merging their respective English-language book publishing units, Random House and Penguin. Those firms, two of the Big Six in the U.S. book biz, have each absorbed other imprints over the years—Viking, Putnam, Bantam, Doubleday, Knopf, Pantheon, and many others.
Bertelsmann will control the merged entity, once the Feds approve (perhaps one year from now).
The official excuse, this time, is that big publishers need to become even bigger so they can “stand up to Amazon.”
But we know the real reason. Monopolistic greed and dreams of global conquest, as always.
Now, the publishing biz is too consolidated for its own good already. It has been since at least the mid-1990s.
But “people of the book” (authors, reviewers, editors, etc.) said or did little to challenge the takeovers.
They’d often complain about book selling falling into fewer hands, especially in the heyday of the Borders/Barnes & Noble duopoly. But these folks didn’t complain as much about publishers becoming ever fewer and ever bigger.
Book fans cold have used some of the music fans’ cynicism about the companies who claim to have their interests at heart.
And now, they might finally be developing some of that wise-assery.
Publishers don’t, and never really have, acted in the best interests of either authors or readers. They, like other businesses, are in it for themselves.
And in this case, their actions may lead (as an LA Times business writer puts it) to “higher prices and less diversity of book titles.”
Yet that piece, and other commentaries summarized by UK trade blog TheBookseller, repeat the seldom questioned presumption of a “diminished interest in books.”
Even though total print and e-book sales are rising, even soaring in some categories.
And even though print book sales have held their own in this economy, better than a lot of other media sectors.
Instead of ever mega-er mega publishers saving the book biz, perhaps the biz is renewing itself in spite of them.
amidst-the-everyday.com
“Amidst the Everyday,” a project by photographers-artists Aaron Asis and Dan Hawkins, aims to reveal “elements of the unseen urban environment.” You go to places around town, scan QR codes (etched in wood!) at various buildings, and receive images of their hidden treasures. (Above, one of the unoccupied-for-decades upper floors of the Eitel Building at Second and Pike.)
shewalkssoftly.com
via fuckyeahrollingstonemagazine at tumblr
The last great liberal atop a Presidential ticket (yes, including Nader) might have saved the nation, and the world, from Nixonism (a disease which still afflicts us yet).
And he might have had a chance if he’d only had enough procedural control over his own convention. He wound up not giving his acceptance speech until the wee hours; not a good selling point when you’re trying to show you’ve got the chops to be Commander in Chief.
Still, he remained a champion of the common folk and of a more just society to the end of his days. A populist, a humble crusader, a role model.
via movieline.com
The queen of Euro-softcore was no sexual “swinger” in real life. Instead, she preferred other earthly pleasures, such as the pleasures of cocaine, alcohol, and tobacco. The first destroyed her finances; the latter contributed to her final physical decline.
She appeared in dozens of films (including The Concorde: Airport ’79, Private Lessons, Madame Claude, Mata Hari, the 1981 Lady Chatterley’s Lover, and particulalry Claude Charbol’s underrated Alice or the Last Escapade).
But she’ll be forever known for Emmanuelle. It played in Paris for 13 years. It still “inspires” in-name-only sequels and ripoffs.
There’s a key scene nobody remembers toward that film’s start. It’s when Emmanuelle is left alone in an idling car on the streets of Bangkok. Screaming child panhandlers surround the car and pound on the windows. Kristel looks like she wants to implode.
In this wordless throwaway scene, Kristel communicates that Emmanuelle is a creature of delicate tastes, with no patience for the harsh realities of the romantic places she visits.
first newsweek cover, 1933, via taylormarsh.com
So after 80 years, umpteen awards, hundreds of little insights and major scoops, and (particularly lately) a lot of dross, Newsweek magazine will fold in December. The name will live on as a section within the DailyBeast.com website; but we all know this is an ending, not a “transition.”
It’s a shame. But it’s been a while in coming.
The Washington Post Co. unloaded Newsweek a few years back, just to have one fewer money-losing journalistic enterprise on its books. It was propped up for a little while by audio-equipment tycoon Sidney Harman; but he died last year, and his family stopped subsidizing the mag.
That left Newsweek at the mercy of DailyBeast, the punditry and gossip site run by media mogul Barry Diller and serial failed magazine editor Tina Brown.
Circulation, at 3 million a decade ago, dropped by more than half. Brown imposed several sleaze cover stories this summer and autumn; these only led some former fans to wish it put out of its misery.
No one, except laid off employees and their kin, will mourn what Newsweek had become.
But many of us will mourn what it had been.
When News-Week: The Magazine of News Significance began in 1933, Henry Luce’s Time had been publishing for a decade. Many readers, particularly at the dawn of FDR’s New Deal era, had grown weary of Luce’s unabashed conservative slant. News-Week gave these readers a similar formula of digests and analysis, but with a nonpartisan, sometimes even pro-Dem POV.
The Washington Post Co. bought Newsweek in the 1950s, and beefed up its original reporting. It never overtook Time in circulation or revenue, but frequently outshone its rival in getting the biggest stories and the most insightful angles on the same stories.
These days, there are any dozens of websites and blogs and aggregator algorithms serving up customized, bubble-ized, non-threatening headlines and punditry and spin about the national political/economic sphere.
But there’s less and less original reporting for these sites to slice, dice, and interpret.
And there are fewer big places that serve a variety of points of view, challenging readers to think outside of their respective ideological boxes.
We need more of what Newsweek, at its peak, served up every seven days.
via interestingengineering.com
via dailymail.co.uk
via kathrynrathke.blogspot.com
All good tidings and shout-outs to my fellow Stranger refugee and prominent commercial illustrator Kathryn Rathke. She’s created the new official logo for Wendy’s restaurants. The deceptively simple mascot caricature took three years of client approval and market testing.
It’s 10/11/12! The sort of date-progression that only happens 11 times in a century and is utterly, completely meaningless!
Elsewhere in randomness:
kurzweilai.net
via imdb
It’s 10/4, good buddy!