esquire.com

Welcome to daylight savings time. Welcome to the “light” half of the year. Welcome to the little piece of manmade trickery that tells us the worst of the cold, dark time is over. Even though it sure didn’t look or feel like it today.

• Esquire’s “Eat Like a Man” department ran a survey asking readers’ “most life changing burger joint.” The winner: our own Dick’s, by a mile. (Also note the beautiful Dennis Hopper-esque photo topping the story.)
• Danny Westneat notes that the Republican state senate coup-mongers’ state budget cuts essential services even more brutally than the competing Democratic house budget. Westneat concludes that this totally destroys the longstanding Republican meme that all you need for a balanced budget is to get rid of some vaguely defined “waste.”
• KOMO headline: “Car slams into dentist office, driver extricated.” It may take you a second to realize that’s not “extracted.”
• The Huskies, despite their regular season prowess, are not in the NCAA men’s basketball tourney. The only NW team in it is Gonzaga.
• More and more advertisers desert right-wing hate radio. Not just Limbaugh but the whole bigoted, bullying gaggle. Will the whole genre collapse under the weight of its own need for continued extremeness? (And remember, this is the only audience today’s Republican Party gives a damn about.)
• The next time some techno-pundit tells you that every organization (from the news media to local government) must become more like whatever’s the social media darling of the week, just remember the example of Twitter. A very famous name. A very popular site. A very pathetic business.
• Jean “Mobius” Giraud R.I.P.: The king of “clear line” Euro comix art seamlessly blended slick, sophisticated senses of draftsmanship and composition with classic fanboy adventure genre subjects (Sergio Leone-esque cowboys, space opera, sword and sorcery, erotica, even proto-steampunk). He also cofounded Metal Hurlant, the way-influential magazine known here as Heavy Metal. Too bad most U.S. media obits of Giraud only wanted to discuss the Hollywood movies he’d consulted on or which were “inspired” by his work (typical myopia).

supervillain.wordpress.com

american institute of architects—seattle

• If we must get rid of High School Memorial Stadium at Seattle Center, it ought to be replaced by a municipal “back yard,” not yet another municipal “front lawn.” Consider this while perusing some architects’ proposal to turn the site into a “Seattle Jelly Bean.”
• Back from the dead like a James Bond villain, it’s the Wash. state film tax-break program! Resurrected by the Legislature, just before the end of the regular session. Will this mean at least a few “set in Seattle” movies might actually, you know, be made here?
• We’ve said that one possible fiscal end game for the Seattle Times could involve it becoming subsidized by local business bigwigs, either directly or via vanity ads. Here’s an example of the latter: Boeing’s in-house magazine Frontiers, which will now be a monthly ad insert in the Times.
• Couldn’t happen to a nicer guy #1: Mr. Bellevue Square just lost another anti-public-transit crusade.
• Couldn’t happen to a nicer guy #2: Professional faux-populist power monger Tim Eyman just lost another anti-common-sense crusade.
• “Tukwila now has the most diverse school district in the nation.”
• Here’s another tribute to art director extraordinaire Dale Yarger, by my fellow Fantagraphics refugee Robert Boyd.
• Elaine Blair at the NY Review of Books compares single-male characters in novels (deathly afraid of being spurned and belittled by women) to the male authors of these novels (deathly afraid of being spurned and belittled by women readers).
• Arts activist Scott Walters takes aim at the so-called “progressive” nonprofit arts community, in which a few big institutions grab most of the funding and expect the rest of us to wait for the wealth to “trickle down.”
• Here’s a wake-up call to all the defeatist lefties I know who still believe, as one friend once wrote, that “Fox News is the most popular TV channel.” In reality, “Jon Stewart Crushes Fox News in the 2011 Ratings.” (Yet still, this aging, shrinking audience is the only audience today’s Republican Party bothers with!)
• A long, cute infographic compares Apples® to apples.

kirkland reporter

• Hendrix fetish art objects are, by definition, creepy. Here’s one that’s even creepier than most. It’s a sculpture of the musician shaking hands with former local DJ (and current rehab-center spokesman) Pat O’Day. It’s being auctioned off, having been seized from O’Day’s son to help settle a lawsuit involving the son’s onetime Kirkland jewelry store. That store closed suddenly in ’03. Several customers then claimed they’d consigned jewelry to Jerry O’Day that was neither returned nor paid for.
• The Kalakala’s current would-be rescuer says the drive to restore the streamlined ferry has busted him and rendered him homeless.
• The Husky men’s basketball squad’s predestined appointment w/destiny was done in by the First Brother-in-Law.
• One pundit’s prediction for the ’12 Mariners? Not as dreadful as last year.
• Facebook: Bringing people together. Including one local man’s two (simultaneous, unknowing) wives.
• One fifth of the Port of Seattle’s container traffic is moving to Tacoma.
• George Monbiot describes Ayn Rand’s worldview (i.e., what the Ron Paulies and even many Tea Partiers aspire toward) as “the philosophy of the psychopath, a misanthropic fantasy of cruelty, revenge and greed.” Speaking of which….
• Yes, there really is a Republican war against birth control. And yes, there really is no floor of utter sleaze beneath which today’s Republicans will not descend. (They’d advocate the return of slavery and poll taxes if they thought it would “test well among the base.”)
• Could one of America’s worst housing markets really be roaring back to life?
• The battle over e-book pricing heads (potentially) to the courts, as the Feds prepare to sue Apple and five of the Big Six U.S. publishers. The allegation: by letting publishers set retail e-book prices, Apple and the publishers conspired to keep said prices up.
• A Facebook zillionaire named Chris Hughes has bought The New Republic. Result: the usual inaccurate media descriptions of the opinion magazine as a “liberal bastion” and “influential in progressive circles.” TNR ceased to be liberal before Hughes was born. In recent decades it has (heart)ed Joe Leiberman, the Iraq War, and just about everything Reagan and the Bushes ever did. Hughes, who’s worked on Obama’s ’08 campaign, just might bring TNR back to what people who’ve never read it think it still is.
• For Intl. Women’s Day, the Guardian profiled a new addition to Forbes‘ list of world billionaires—a woman who’d earned her fortune (she didn’t just inherit it). She’s the inventor of Spanx undies.
• Said billionaires’ list includes eight (male) Washingtonians. You already know about Gates, Allen, Ballmer, Schultz, Bezos, and McCaw. The other two are the founders of Oakley sunglasses (who moved to the San Juans from Calif.) and video-game maker Valve Corp. In total, Forbes counts 1,226 billionaires, up from 140 in ’87. The 1% just keep getting 1%-er.

inventorspot.com

• Whatever happened to GAK and Floam?
• Here’s a potential first: a headline starting with the word “Shit,” on a KOMO-owned website! (The article in question is by a woman, questioning the marketing strategy of a vodka “for women.”)
• The liquor privatization initiative’s supporters vowed that the cheesy storefront liquor stores seen in other states won’t come here. Actually they might, depending on who bids to take over the current state Liquor Stores, which will each be auctioned off separately.
• Sorry, local lefties: Dennis Kucinich isn’t moving here.
• Before the Republicans hijacked the state Senate, they claimed to be in favor of fully funding K-12 education. Now, not so much.
• A Ph.D tackles the issue of “Why Anti-Authoritarians are Diagnosed as Mentally Ill.”
• An Internet meme has been going around this week, a video pleading for donations to a campaign against a notorious African warlord. Now it’s turning out the video’s makers aren’t all that morally pure themselves.
• “Respectable” DC pundits (you know, the kind who promote “bipartisan cooperation,” defined as caving to every Republican ploy) try to defend Limbaugh, very awkwardly.
• It isn’t just movie and music file sharing that’s caught the ire of the global copyright police. They’re also cracking down on folks sharing expensive textbooks and research journals.

• It’s not just for writers anymore. Now fashion models, even those doing runway work at high profile industry events, are being expected to work for free.
• Does anyone even know how many listeners Limbaugh really has?
• “Modern technology can save languages as well as destroy them.”
• Construction on the First Hill (and Capitol Hill and I.D.) Streetcar starts next month. Still no decision about extending the line up Broadway.
• Oil tankers just keep getting huger and huger. And they’re coming here, or dangerously close.

stranger cover, 8/30/95, art direction by dale yarger, illo by neilwaukee

I haven’t gotten all the details yet, but it appears Dale Yarger, a mammoth force in Seattle publication design, passed away over the weekend.

He’d been living in California for at least the past four years. But his local work is still a huge influence around here.

Yarger was one of the Rocket’s several rotating art directors in the 1980s. He created many memorable covers there and also made an early iteration of the Sub Pop logo, back when that was the title of Bruce Pavitt’s indie-music review column.

During that time he also co-founded a gay paper called Lights, art-directed The Oregon Horse magazine, and collaborated with artist Carl Smool on a memorable anti-Reagan bus sign.

Yarger became one of Fantagraphics Books’ first Seattle hires after the comix publisher came here from L.A. He redesigned the company’s Comics Journal magazine (where I first knew him), and essentially did every visual thing on its comics and books that wasn’t done by the artists themselves. He instilled the appreciation for top-notch design, typography, and production that now marks the company’s admired graphic novels and comic-strip collections.

By 1995 he transferred over to that other hip bastion, The Stranger. In his three-year stint there, Yarger took the alt-weekly from the look of “a zine on steroids” into the slick product it’s been ever since.

He also had a hand in the visuals of Seattle Weekly, the University Book Store, and Dana Countryman’s Cool and Strange Music magazine.

I will always remember him as a cool head even when surrounded by hot heads, a perfectionist who still understood schedules and budgets, a man with a knack for making even the most mundane assignment sparkle.

UPDATE: Now I’m told Yarger had stomach cancer, for which he’d had surgery some time last year.

crosscut.com

• Ex Seattle First Brother Bob Royer looks back at one of the city’s first prominent newspaperwomen. Fun fact: In the late 1930s, the Seattle Times had six people working in the “society” section; an expense more than made up by the amount of “women’s” oriented advertising in the section. Speaking of which….
• The P-I globe will remain standing, somewhere. That’s nice. But it’s not just the globe that I’d wanted preserved. Speaking of which….
• Newspapers are losing $7 in print ad revenue for every $1 they gain in online ad revenue. This is from a Pew Research study. The study’s authors claim papers “need to prioritize digital ad revenues” in order to survive. But what if that’s still not nearly enough? The study cites a “success story” of a small paper (20,000 print circ.) that’s now making $670,000 a year online, compared to $8 million from print ads. That doesn’t look like a bright future to me.
• The new Miss Seattle used to be a Miss Phoenix. Last December she Tweeted® how she “Ugh can’t stand cold rainy Seattle and the annoying people.” She has since apologized.
• Could liquor privatization in Wash. state really get derailed by a court challenge on techinical issues in the original initiative?
• Repercussions continue from Friday night’s Republican coup in the state Senate. The all-cuts budget they rushed through, with the help of three turncoat conserva-Dems but with no public hearings, turns out to hurt K-12 education and devastate services for the neediest.
• Also, the GOP’s parliamentary trickery doomed about 20 non-budget bills from the state House, which died because the Senate didn’t take action on them by midnight Friday.
• Meanwhile, the national Republicans, becoming shriller and stupider every week, have firmly (and probably fatally) tied their fate to the aging, non-college-educated, white male demographic. And they’re “appealing” to this last remaining constituency by treating them like idiots.
• Oh, and the even more batshit-n’-bigoted than ever Limbaugh? He’s lost a third of his ratings in the last few years. (However, some of that loss can be attributed to more accurate means of measuring radio listenership.) But in any event, the right wing “outrage machine,” which includes Limbaugh and his many imitators, may have finally become too petty and brutal for its own good.
• Besides, there’s a problem with trying to bring sexuality and women’s lives back to what they were in the 1950s. It wasn’t working then either. As local author Stephanie Coontz points out, “Teenage childbearing peaked in the fabulous family-oriented 1950s.”
• The GOP-controlled U.S. House is pushing through a bill that would crack down on protests anywhere a federal official might be present. At least, that’s what a worst-case interpretation of its “imprecise language” might infer.
• We know the 9/11 bombers came from Saudi Arabia. But did the Saudi regime itself collude in the attack? Two former U.S. Senators say maybe.
• A megarich hedge fund manager write lucidly about the failures of capitalism in regard to preserving a sustainable society.
• What if crossword puzzle editors wrote poetry?
• Finally, here is a handy pie chart of “excuses conservatives make when facts prove them wrong“:

I just watched (much of) the beginning-to-end Monkees marathon on Antenna TV (one of those digital broadcast sub-channels).

All 58 series episodes plus the feature-film epilogue Head were aired over 31 consecutive hours, in memory of the recently deceased co-star Davy Jones.

Things I discovered (or rather rediscovered) during this:

The series was both wholesome and subversive. It incoroprated both Three Stooges slapstick (shot on the same studio lot and occasionally using leftover Stooge props) and Bunuel surrealism. It’s no coincidence that the show’s makers went on to make some of the most groundbreaking feature films of the late ’60s-early ’70s.

If only the derogatory “prefab four” meme (the idea that, as primarily a comedy team playing scripted roles, they weren’t a “real” rock band) had not gotten around to denigrate both the show and the group, the show would have been seen at the time as what it was—a leap several steps beyond the standard Screen Gems sitcom, a bright and life-affirming piece of informed nonsense.

The four actor-singers had distinct comic personalities. No one of them was allowed to overshine the others. They played off of one another very well, especially when they weren’t in reactive mode against the guest characters.

They also had distinct singing voices, and they were all skilled musicians, even though the show’s shooting schedule (much more elaborate than that of your basic living-room sitcom) didn’t allow them to play on most of the backing tracks.

The Monkees series is a work of perfection. And thanks to the growing rancor between the stars, the producers, and the network, the show ended at its peak. It didn’t fall into a slow decline, like so many other series.

The group’s lightweight pop sound was already becoming rear guard by the time the show premiered. By the spring of 1968, when the show ended, that music was even more passe among the emerging rock snobs, and would soon fall under the damning label of “bubblegum.”

And the four co-stars were anxious to make more of their own music, which would inevitably lead them in different directions.

But the Monkees, and their producers Bob Rafelson and Bert Schneider, would not leave without a proper goodbye.

•

Some reviewers have called Head a destruction of the Monkees’ image. Actually, it expanded the series’ absurdist premise to its natural extreme.

In the series, the Monkees always saved the day because they were even crazier than the villains, and because they knew that as the heroes they could bend the show’s fictional “reality” to their will.

But in Head, they’re trapped in a world that’s more complicated, even more surreal. No matter how many times our heroes break the proverbial “fourth wall” to escape a scene, they’re herded back into another. The Monkees could no longer save the day, or even themselves; much as the youthful idealism of the Camelot early ’60s was descending into foreign and domestic turmoil.

•

I was nine when The Monkees series began its original network run.

It made perfect (non)sense to me then.

And it still does.

The show’s music epitomized commercial pop at its best.

And it still does.

uw archives via businessinsider.com

All of you who are going to be outside in Seattle tomorrow (Sat. 3/3) should attend my nice little chat about Vanishing Seattle. It starts at 2 p.m. at the Klondike Gold Rush National Historic Park, 319 2nd Ave. S. Be there or be fool’s gold.

• Here’s a lovely interview with my fellow Stranger refugee S.P. Miskowski. Her play Emerald City, about (among other things) Seattle’s love/hate relationship with itself, opens next Friday (3/9) at the West of Lenin space in Fremont. In the interview, she mentions that the Stranger was, indeed, a totally commercial operation from the start:

The owners were business smart. Very smart. You will never go broke in Seattle making people think they’re in a special, exclusive club that is cooler than everyone else. That is money in the bank. The fear of being provincial and dull is so powerful, there.

• Republican legislative dirty tricks: they’re not just for other states anymore.
• Norm Dicks, a stalwart of Wash. state’s Congressional delegation, is retiring.
• It’s one thing for Amazon to coax favorable pricing terms from the mega corporate publishers. But when it got into an ebook pricing impasse with a small indie distributor, it attracted the ire of the Science Fiction & Fantasy Writers of America, an outfit with which one shouldn’t mess if one knows what’s good for one.
• Who else is refusing links to Amazon ebook sales pages? Apple iBooks, that’s who.
• Meanwhile, is Amazon ridiculously inflating the “before” prices of on-sale food products?
• As we’ve mentioned before, Shepard Fairey steals from street-level artists as well as corporate art. Here’s one artist who sued Fairey and won.
• Matt Taibbi notes that the late right-wing sleazeblogger Andrew Breitbart used to post private info about his ideological opponents online and threaten violence against them. In response for mentioning this, Breitbart fans posted private info about Taibbi online and threatened violence against him.
• Meanwhile, Jen Doll proclaims, “If Rush Limbaugh slut-shames you, you’re doing something right.”
• Truthout pundit Henry A. Giroux and Nation writer Dana Goldstein claim the “religious” right is against public education because it’s against people thinking for themselves.
• Robert Reich would like to remind you that increased “productivity,” per se, doesn’t necessarily add jobs. It often means cutting jobs.
• “More U.S. soldiers killed themselves than died in combat in 2010.”
• I just found out last year that there are serious grownup My Little Pony fans. I’m not sure if the Amazon customer-reviewers of this spinoff DVD are among them.

storebrandsdecisions.com

• The Capitol Hill Seattle blog has a handy dandy map showing the retailers who’ve applied to sell hard liquor as soon as the state liquor stores close. They include Safeway, Kroger’s QFC and Fred Meyer, Walgreens, Target, Albertsons, and of course Costco. Indie stores that have applied include Pete’s Wines on Fairview, Full Throttle Bottles in Georgetown, Ralph’s in Belltown, Pioneer Square Market, Madison Market Co-op, Wine World in Wallingford, and Viet Wah in the International District. Bartell’s, PCC, Whole Foods, Rite Aid, and Trader Joe’s have not applied, at least not yet.
• We must say goodbye to David Ishii, who owned a leading Pioneer Square bookstore for some 30 years.
• Finally! Some Dems in the state Legislature are suing to overturn the “supermajority” requirement for any tax reform bills.
• Higher parking rates in greater downtown: could they actually be increasing business at local merchants?
• A wholesale donut bakery in Georgetown was found with flies, rat poop, and snail near the food products. (Doubles the nutritional value.)
• Andrew Breitbart RIP: The far-right blogger, speaker, and all around bully died of an apparent sudden heart attack. How does one humanely grieve a man who did the exact opposite to others?
• Playboy wants to run a nightclub on Richard Branson’s proposed private tourist space station. Because nothing says gentlemanly posh quite like being stuck in a steel tube which may or may not feature artificial gravity.

shorpy.com

The Seattle Times is working on tablet and smartphone apps, which will feature paid access.

The paper’s also considering adding a partial “paywall” to its regular website.

This post is not really about that.

That’s because these moves coincide with something I’ve been feeling for a few weeks now.

Hear me out on this:

I believe what we now know as web ads, by themselves, will never earn enough money to support professional local journalism. No matter how hard you game the search engines or hustle for page views.

The “Future of News” pundits (Clay Shirky, Dan Gillmor, Jeff Jarvis, et al.) not only don’t know how to fund journalism, but I’m convinced they don’t care.

Or rather, they care foremost about preserving an “open web,” in which everything is free for the taking, the slicing, the dicing, the aggregating, the sampling, and the reblogging.

Even if nobody gets paid for making the original content all these other ventures use.

Aggregation sites, and indeed much of the “Web 2.0” model, are like an ever expanding variety of beautiful packages, all of which contain identical globs of dryer lint.

No matter how pretty the box, it’s worthless unless you can put something good in it.

Something worthwhile. Something useful or entertaining.

And in most cases, the really good things cost time and money to make.

So: Unless there’s a massive retro newsprint revival similar to the vinyl record revival, news will need to be distributed in the form of “bits” instead of “atoms.”

But your typical ugly, cheap-ad laden, one-text-per-page websites can’t pay for it.

Some online-news entrepreneurs are soliciting donations, sometimes through nonprofit and “low profit” organizations.

But that’s not for everybody.

An outspokenly “free enterprise” outfit like the Times needs to make money the old fashioned way, by selling something.

In the past, that “something” was print advertising. (The cover price usually paid just for the printing and distro.)

Print ads are way down these days and might not come back.

Web ads earn much, much less per reader.

That leaves either shrinking to the size of SeattlePI.com or worse, soliciting local business leaders to help subsidize the operation somehow, or finding new revenue streams.

A tablet app adds value to the news “product.”

It brings back graphic design.

It brings back a sense of a newspaper as a “whole” document, not just individual text and directory pages.

And perhaps most importantly, it brings advertisers back in eyeball contact with a publication’s entire readership, not just with an individual page’s “hits.”

So yes, let’s have tablet newspapers.

And make them worth paying for.

•

Papers that already have design-rich, paid-access tablet and/or web app versions include the Financial Times, the Guardian, the Vancouver Sun, the NY Daily News, and, of course, the NY Times.

They’re noble attempts.

And who knows, they just might succeed.

As promised, here are the pix of my Sunday Amtrak-trek to the not so naughty border town of Bellingham.

The journey is beautiful. You should take it early and often. WiFi, a snack car, legroom, scenery galore, and all with no driving.

The trestle over Chuckanut Bay just might be one of the great rail experiences of this continent. It really looks like as if train is running straight across the water’s surface.

The Bellingham Amtrak/Greyhound station is just a brief stroll from Fairhaven, the famous town-within-a-town of stately old commercial buildings, and a few new buildings made to sort of look like the old ones.

My destination was in one of the pseudo-vintage buildings. It’s Village Books, a three-story repository of all things bookish.

Why I was there: to give a slide presentation about my book Walking Seattle.

Why people 80 miles away wanted to hear somebody talk about the street views down here? I did not ask. I simply gave ’em what they wanted.

Some two dozen Bellinghamsters braved the sunbreaks punctuated with snow showers to attend.

Afterwards, some kind audience members showed me some of B’ham’s best walking routes. Among these is the Taylor Dock, a historic pedestrian trestle along the waterfront.

Yes, there had been an Occupy Bellingham protest. Some of the protesters made and donated this statue on a rock near Taylor Dock.

Apparently there had been windy weather the previous day.

After that I took a shuttle bus downtown, where I was promptly greeted by a feed and seed store with this lovely signage.

The Horseshoe Cafe comes as close as any place I’ve been to my platonic ideal of a restaurant. Good honest grub at honest prices. Great signage. Great well-kept original interior decor.

(Of course, I had to take advantage of sitting in a cafe in Bellingham to trot out the ol’ iPod and play the Young Fresh Fellows’ “Searchin’ USA.”)

Used the remaining daylight to wander the downtown of the ex-mill town. (Its local economy is now heavily reliant on Western Washington U., another victim of year after year of state higher-ed cuts.)

But I stopped at one place that was so perfect, inside and out. It proudly shouted its all-American American-ness.

Alas, 20th Century Bowling/Cafe/Pub will not last long into the 21st century.

twenty-flight-rock.co.uk

Remember, we’ve got a free Vanishing Seattle presentation at 2 p.m. Saturday in the Klondike Gold Rush National Historic Park, 319 2nd Ave. S. in Pioneer Square.

• MISCmedia is dedicated today to the memory of Davy Jones, one Tiger Beat heartthrob who aged gracefully and remained true to the spirit of life-affirming pop music. Until today, the Monkees were among the few ’60s bands whose original members were all still alive. And despite their reputation as a prefab creation of little depth and less staying power, their music and comedy have remained vibrant. A goodly number of the tracks they churned out between filming TV episodes, over tracks laid down by the L.A. “Wrecking Crew” session musicians, are acknowledged classics.
• Sadly, we must also say goodbye to Daniel “Eric” Slocum, a familiar news face/voice on KOMO-TV and radio for some 16 years, and a sometime amateur poet. In recent years, he’d come out as both gay and a chronic depressive. He apparently died by his own hand.
• Bill Lyne, a member of a college teachers’ union, speaks out on behalf of K-12 teachers’ unions. Lyne calls out corporate-sponsored “school reform” measures as union busting drives, part of a larger strategy to put K-12 firmly under corporate control.
• Seattle rides transit more than Portland.
• We previously mentioned Amazon has guidelines for erotic ebooks, including a few verboten fetish topics. Now, independent e-book distributors are refusing to handle a wider range of sex books. The censorious force putting on the pressure to silence these voices? PayPal.
• The first African American director to win a feature-film Oscar is a Seattleite. His parents were in the punk band Bam Bam.
• The Thunderbird Motel, once one of Aurora Avenue’s many affordable hostelries before it became one of Aurora’s most notorious drug and crime zones, is being demolished this week, to be replaced by a Catholic low-income housing project.
• This one’s several months old but still haunting—Seattle Met’s story about the last Aurora Bridge jumper.
• Three Republican staff members in the state legislature claim they were fired for not working on GOP campaigns and fundraisers. There are no allegations that the staffers were asked to do campaign work on state time.
• NPR now says it will urge news reporters and producers to seek out “the truth” on any given topic, rather than merely repeating two sides of a dispute as having equal merit. Or something like that.
• Wanna help fund the next Jim Woodring graphic novel?
• The next incarnation of clueless marketers trying to be cyber-hip: QR codes where they shouldn’t be.
• Rediscovered (though still out of print): It’s highbrow Brit novelist Martin Amis’s 1982 user guide to early arcade video games!

wallyhood.org

My adventure in Bellingham this past Sunday was cold but lovely. Will post a complete post about it a little later on.

And I’ve got another presentation coming up this Saturday, right here in Seattle! It’s at 2 p.m. at the Klondike Gold Rush National Historic Park, 319 2nd Ave. S. in pontificous Pioneer Square. (That’s right across from Zeitgeist Coffee.) This one concerns my ’06 book Vanishing Seattle, and perhaps all the things that have vanished around here since then. Be there or be frostbitten.

Now, to catch up with a little randomness:

• Writer Jonathan Shipley would like to hear from anyone who lived or worked at or was involved in the Home of the Good Shepherd (1906-70), the former Catholic “wayward girls” institution, whose building is now a community and arts center.
• One of my current projects is an essay about the “future of news.” It will start with the proclamation that web ads, by themselves, will almost never pay enough to support original, professional journalism. No matter how hard you pander to the advertisers.
• The admirable local-politics site Publicola has faced this fact, and has begun appealing for donations.
• Facebook: Soon to have more ads in your “news feed” from companies you don’t even “Like®”.
• Under current legislation, city authorities would have more authority to kick people out of Westlake Park (including protesters?).
• Ron Sims says it better than I can: We’ve cut too much from higher-ed in this state already.
• Gubernatorial candidate Rob McKenna won’t endorse a GOP presidential candidate. This is smart strategy for the current state attorney general. If he wants to win even a single moderate crossover vote, he’ll need to stay as far away as he cam from the “I’m a bigger bigot than you!”/”No, I am!” Republican presidential field.
• The Seattle Times, now mostly ensconced in its new smaller digs, has put up a retro Times Square-esque news ticker sign, where people stuck in traffic halfway up Denny Way can learn all that’s going on.
• The construction bust (at least in greater downtown): Wasn’t it wonderful? Now there’s gonna be 40 stories of apartments next to the Paramount.
• I’ve been a skeptic of Bill Gates’s education-reform schemes (i.e., bust the teachers’ unions, and spend on fancy tech even if it means firing teachers). But today he makes a good point, that you can’t get employees to work better if you treat them as objects of incessant ridicule.
• The Koch brothers: Not only big anti-Obama Super PAC donors/organizers, but also leading oil price speculators. I’m not alleging any dot-connecting, but you might.
• Jonathan Chiat at New York magazine has a theory for why the far right wing (and its corporate puppet masters) are tripling down on the hate- and fear-mongering this year. It’s because the far right’s traditional chief audience (non-college-educated whites, particularly white males) is aging and dwindling, both in number and as a part of the total electorate. This may be the last Presidential election in which this audience can be effectively exploited.
• Did Ralph Nader really endorse Ron Paul, or is the hereby-linked rant a gross exaggeration?
• Ex-Seattle monologuist Mike Daisey talked a bit about sweatshop labor in his Apple-themed piece last year. Now he’s bashing the defenders of the Chinese factory system.
• It’s the fourth anniversary of the last Leap Day. That was when the soap opera Guiding Light (then the longest-running dramatic production in the world) introduced a new reality-show-like production technique. (Even the studio scenes were shot with hand-held minicams.) The new look failed to save that show, or the three other soaps (which held to their standard styles) that got canceled after GL was.

A self-described “white gay male” guest writer at a feminist site re-introduces the allegation, made previously by others, that Dan Savage is an implicit racist, and that Savage cares more about homophobia than about racism or any other form of injustice.

The writer, Kirk Grisham, points out that Savage’s “It Gets Better” campaign gives several examples of horribly bullied white gay kids, but hasn’t said much about bullied black or brown or working-class gay kids.

(The campaign also neglects kids who are bullied for any reason other than being gay, but that’s not part of Grisham’s argument.)

Grisham goes on to cite two things Savage has written, but which he’s since rescinded.

One was a rant against African Americans in California who voted for the first time in 2008 to support Obama. Savage originally, partly blamed these voters for the success of the anti-gay-marriage initiative that was also on that state’s 2008 ballot.

The other was Savage’s endorsing Christopher Hitchens’ Iraq War defense, along the line that U.S.-forced regime change would propel social progress and freedom in the Middle East.

He’s since gone on the record contradicting both previous opinions.

I’m not in the business of defending or decrying any ex-boss of mine.

But I will say that “It Gets Better” is built on top of standard, unquestioned liberal notions of “identity politics.”

And that “identity politics” is the continuation of demographic marketing by other means.

It divides, when we should be uniting.

We need to make a better world for everybody. Not just for people in “our” category.