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costco store-brand whiskey, from rebelbartender.com
Some 50 people attended our fantabulous Walking Seattle event Saturday at the Elliott Bay Book Company.
At least half of those followed along as we took a short stroll through upper Pike/Pine during a lovely equinox early evening.
Thank you all.
from smelllikedirt.wordpress.com
(NOTE: Due to time constraints of an employment-related variety, these might not appear as frequently during the next few weeks.)
There’s one thing I sure don’t want you to miss. It’s at 5 p.m. today at the new Elliott Bay Book Co., on 10th Avenue between Pike and Pine on Capitol Hill. Be there or be trapezoidal.
nordstrom photo, via shine.yahoo.com
luna park, west seattle; deran ludd collection via vintageseattle.org
The Alaskan Way Viaduct is going away.
In its place on and near Seattle’s central waterfront, some big ideas have been proposed. Ideas for wide expanses of concrete and sod, creating more of the same tasteful boredom that plagues many of our new or redesigned public spaces.
I prefer a human-scale vision for the waterfront’s future. The People’s Waterfront Coalition offered such a vision in 2006.
But I’d add something to it.
Something that builds on the waterfront assets we’ve already got. Ye Olde Curiosity Shop, Ivar’s, the Miners Landing carousel.
In other words, the kitsch.
Lots of people who aren’t politicians or landscape architects like kitsch.
It’s fun. It adds life. It replenishes the spirit.
My idea of a “people’s waterfront” would include an active entertainment area. My inspirations are pre-Trump Atlantic City, England’s Blackpool, West Seattle’s old Luna Park, and, yes, Coney Island.
Pier 62-63 has to be rebuilt anyway. Let’s rebuild it as a great old-fashioned amusement pier. Call it the Puget Pleasure Pier, or “P Cubed.”
A big one, perhaps twice as large as the current 62/63. It would extend south to the Seattle Aquarium and north to the Bell Harbor marina.
At its end would be a big, brightly lit Ferris wheel, shining out toward the bay.
On its north side, as spectacular a roller coaster as can fit in the space.
On its south side, smaller rides and attractions including kid-sized ones.
In the center, under a colorful roof, carny and arcade games and concessions.
Everywhere, laughter and shrieks and enthralled folk of all ages. It would not just replace the mourned Fun Forest but outshine it.
It would all be publicly owned, but leased to private operators as a profit center for the Seattle parks system and/or the overall waterfront rebuild.
You ask, but what about the rainy season?
Outdoor amusement parks in New Jersey and Wisconsin operate profitably on a seasonal basis. And their winters are far more extreme than ours. Wild Waves is open weekends until Halloween. The Fun Forest’s rides opened for spring break; its indoor arcade operated year round. Our P Cubed could have a similar mix of warm-weather and all-weather activities.
The P Cubed would not be upscale. It would not be laid back. It would not be world class.
It would just be fun.
And it would make money, and generate foot traffic to the Aquarium and the rest of the area. But mostly it would be fun.
Don’t we all deserve some fun these days?
(Cross-posted at Citytank.org.)
from 62worldsfair.com
Igor Kellor is a multimedia whiz and a very clever person. He’s the creator of the musical Mackris v. O’Reilly and the blog Hideous Belltown.
Now he’s got a CD out (also available online), Greater Seattle.
While billed under the band name Longboat, Keller provides almost all the instrumental sounds (mostly synths) and all the lead vocals.
Don’t expect any perky paeans to tourist vistas and real estate opportunities here. Kellor has more ambitious agendas.
He offers snappy, snarky cabaret ditties about 10 Seattle neighborhoods (including Harbor Island!) and five outlying communities. Each tune is influenced by a different musical genre. Some of the melodies and arrangements match the tone of the lyric tales; others starkly contrast with them.
“Belltown” is a dirge, befitting the chorus of “downtown’s afterthought.”
“Ballard” is a sad sea shanty, about the upscaling away of its entire heritage.
“Fremont” is an uptempo hoedown, even though Keller sings that “To me Fremont will always be/The gateway to Ballard.”
“Downtown” is a brisk calypso-beat tale about the police shooting of John T. Williams.
Some of the songs are more up to date than others. The opening track, “Bellevue,” features the standard stereotype of the Eastside’s largest city as a whitebread conformist nightmare. In real life, it’s becoming more ethnically diverse than Seattle.
Kellor also doesn’t care much for Mercer Island (“It’s clear that money can’t buy taste”), Buren (“Visiting here makes your mind go numb/It’s much like a bug in your cranium”), and Federal Way (depicted as an ideal home for “a violent modern man”).
And he absolutely loathes Edmonds (“A police state/Bad cops rule this town”), recounting a story of “teenage drivers against police cruisers.”
Kellor wraps up all this sharp civic commentary with a sharp change of pace and attitude, a pleasant rendition of “Seattle” (the old Here Come the Brides theme) joined in by a trumpet, trombone and tuba.
Greater Seattle is an ambitious, brusque love letter to the city, warts n’ all.
by marlow harris, http://seattletwist.com
Tuesday’s Nirvana Nevermind 20th anniversary concert at EMP was a total blast.
Even if you weren’t there, thanks to the live stream from, er, Livestream.com.
You can still view it. Though you might want to fast forward some parts. Thanks to band set-up breaks, it took three and a half hours to get through the original CD’s 13 tracks and 10 other Nirvana songs. Each tune was re-created by a different combo. (The exception: the Presidents with Krist Novoselic; they got to perform two, nonconsecutive songs.)
The evening started off with a total sonic blast, as the reunited Fastbacks (above) completely nailed “Smells Like Teen Spirit.” Singer Kim Warnick, like many of the night’s performers, had known Kurt Cobain.
Warnick’s also an ex-roommate of Susie Tennant, the longtime local music scene promoter and publicist. (Tennant had staged the original Nevermind release party at Re-bar.) Tennant has gone through a cancer scare (thankfully apparently over); the concert was a benefit for her treatment and recovery.
The Livestream page had a chat-room corner. Some chatters made snide insults about Warnick’s middle aged appearance. (Just the sort of “fans” Cobain had vocally denounced.)
All the performances were loose, spirited, and enthralling, true to Nirvana’s own rough and tumble gigging.
My own faves included, in no particular order:
defunct connecticut strip mall, from backsideofamerica.com
no, not *that* ziggy.
The downtown Seattle Borders Books closed earlier this week after 17 years. (The Redmond store closes Sunday, among the busted chain’s final outlets to close.)
(Remember, my big book shindig is one week from today (Sept. 24). See the top of this page for all pertinent details.)
from inmagine.com
There seems to be a growing book genre, about Seattle white women telling their life stories via their yoga experiences.
First was Presidential sister Claire Dederer’s Poser: My Life in Twenty-Three Yoga Poses.
Now we’ve got Suzanne Morrison’s Yoga Bitch: One Woman’s Quest to Conquer Skepticism, Cynicism, and Cigarettes on the Path to Enlightenment.
In which, I presume, Morrison attempts to conquer skepticism, cynicism, and cigarettes, and achieve some form of enlightenment.
Is there room for more than one self-reflective yoga queen in this town?
And if not, how will they duke it out?
Perhaps they could stage a stand-off (or pose-off) on the stage at Hugo House. A series of increasingly difficult poses, to be maintained for at least two minutes each.
By the time they get to the upward-facing two-foot staff pose, we should have our winner.