Started at the new Idea Odyssey Gallery, at the lovely address of 666 S. Jackson St. It’s one of the beneficiaries of the city’s Storefronts program, placing arts and culture related activities in vacant retail spaces. You can see this large painting by Laura Castellanos better at this link.

This “Ice Queen” was one of several (actual) ladies in extreme hoop skirts surrounding the Tashiro Kaplan Building, promoting an art auction at the 110 Gallery within.

A little bit of found art. What, I wondered, was this dog doing strapped to a mobile hand truck at a bus stop? I turned around and realized it was a doll, which did not answer my question but rather rendered it moot.

The Occidental Park art bazaar was decorated by some truly lovely yarn “tree muffs” (I’m sure there’s an actual term for them).

This gallery/boutique has some of Charles Krafft’s chinaware weaponry on display with the theme “Peace Is Fragile,” a slogan which may or may not reflect Krafft’s actual mindset behind his works.

• Local business promoters have prepared an “infographic” hawking Seattle as the best place to start a hi-tech company.
• First, Sonic Boom Records said it would close its recently moved Capitol Hill branch. Now Everyday Music says high rents are forcing it out of its own site on the Hill. The store says it will move, somewhere.
• Seattle Goodwill tried several times over the past 12 years to redevelop its Rainier Valley campus. One scheme would have razed its beautiful mega thrift store for a Target. With the collapse of that and other concepts, Goodwill is finally going ahead with a limited plan to build a new job training complex.
• Alex Carson explains why “Seattle Mariners baseball is like an Elvis Costello album.” An album Carson hasn’t actually heard.
• In more tragic baseball news, a fan at a Texas Rangers game leaned over a railing to catch a ball and fell over.
• State Attorney General and gubernatorial candidate Rob McKenna spoke to Young Republicans in Bellevue, and tried to have a Democratic Party operative kicked out of the room, even calling police.
• Meanwhile, a national “Christian Left” group bought ad space on Facebook for a quite inoffensive little message. Facebook pulled the ad after conservatives complained.
• A Portland judge approved a bankruptcy plan for the Northwest Jesuits. It sets aside more than $150 million for past victims of abusive priests.
• Meanwhile, a Centers for Disease Control report claims more than half of us had harrowing childhoods, “featuring abusive or troubled family members or parents who were absent due to separation or divorce.” In other news, Leave It to Beaver was never real.

The scandal at News of the World, one of Rupert Murdoch’s UK tabloid papers, got so damning that Murdoch killed the paper, in hopes of saving the rest of his British media empire (and its cozy relations to top politicians).

The Sunday-only NOTW harkens back to 1843. It was one of the English-speaking world’s first true mass-market papers. From the start, it was heavy on scandal, gossip, gory crime, sports, and as much sex as censorship laws of the time allowed.

When I first found it at out-of-town newspaper stands in the 1980s, NOTW was a tentacle of the Murdoch octopus (and had been since 1969). It was big at the time on fun sex stories, such as “Cheeky Memoirs of the Wedding Photographers.”

This was around the time of Joe Jackson’s song “Sunday Papers,” about NOTW and its tabloid brethren.

In recent years, NOTW’s circulation dropped, from almost 9 million in its pre-Murdoch 1950s to under 3 million. The paper’s editors were ever on the prowl for the latest and dirtiest dirt on public figures. With daily tabloids (such as Murdoch’s Sun) and websites after the same dirt, NOTW went to extremes to get its own, exclusive dirt.

That led to the hacking of cell phones.

First, they tapped the phones of actors and soccer players.

Then the phones of politicians.

Then the phones of violent-crime victims and their families.

That was the last straw. Even Murdoch’s pet politicians turned against him.

It could just be that Murdoch has other agendas behind closing the paper, besides saving PR face.

After dumping this separate Sunday paper with its separate staff, he could theoretically re-enter the market later with a Sunday edition of The Sun, which could be relatively cheaper to produce and would share a single “brand.”

But for now, the enemies of right-wing sleaze media throughout the world can consider this at least a momentary victory.

UPDATE #1: The Economist notes a larger possible reason behind Murdoch’s extreme UK damage control. He’s trying to expand his holdings in satellite TV over there, a move that requires governmental approval. That business is far more profitable than all his UK print businesses combined.

UPDATE #2: Commentator Alison Frankel has another potential underlying reason for the Murdoch machination. She thinks Murdoch could transfer all of NOTW’s assets to a liquidation agent, who could destroy incriminating evidence.

UPDATE #3: Several U.S.-based commentators, including Will Bunch and John Nichols, insist (rightly, I believe) that Murdoch’s Fox “News” Channel is just as harmful to politics and society here as Murdoch’s papers are to politics and society across the pond. But neither Bunch nor Nichols seems to know what to do about it.

• The bad news: The old Heidelberg brewery in Tacoma burned down. The worse news: It was scheduled for demolition anyway.
• Hey you: Got an idea to bring back the Intiman Theatre?
• Your chance to speak out against Metro Transit’s proposed brutal service cuts: 6 p.m. Tuesday at the King County Council chambers, 516 3rd Ave. Be there or be stuck in traffic, forever.

Back to the old grind. The lovely old grind.

• The former Wash. state prison boss admitted he’d quit because he’d been caught in a Tumwater motel with a female subordinate. Insert your own “subordinate” (or “Tumwater”) jokes here.
• The advocacy group Transportation for Washington explains just why public transit financing in this state is in such a mess. (Hint: It’s the dependence on sales taxes.) The group’s also got a handy list of public hearings in King County where you can support a one-time car tab surtax, so Metro can avoid draconian service cuts.
• Ex-NYT columnist Frank Rich debuts in New York mag bemoaning “Obama’s Original Sin,” which, in Rich’s eyes, was to accept big campaign bucks from the Wall St. fat cats.
• Meanwhile, some Columbia U. politics-as-horse-race wonk wonders “What If the Republicans Lose in 2012?” I suspect they will lose, and resume shrinking into regional status, with the “centrist” Democrats becoming the new Party of Business (and perhaps the only party capable of fielding an Electoral College-winnable Presidential campaign for some time).
• A Daily Kos diarist sends along word of a breakthrough in fuel cell technology for motor vehicles. Fuel cells, as you recall from the hype two or three oil crises ago, turn simple hydrogen gas (refineable from many cheap sources)  and oxygen into energy. But they need “catalysts” to undertake this transformation. Up ’til now, those had to be made from costly platinum. But earlier this year, researchers at the (more recently fire-threatened) Los Alamos labs said they’d figured out a system using a far cheaper combo of carbon, iron, and cobalt. Of course, cheaper-running, zero-emissions cars would still be cars, promoting land-killing sprawl and long lonely commutes.

What I did this holiday weekend:

Walked half way around Lake Union. (Fun fact: Lake Union Park is a great space when there’s an event in it; otherwise, it’s a big empty spot.)

Briefly attended an alley party with live bands (some good) and the usual snacks and beverages. Neglected to drink any alcohol.

Saw the fireworks in person, which I hadn’t done last year. Attempted to shoot pictures; none really turned out.

Only spent an hour on the bus during the post-fireworks traffic. Got home. Crashed.

Was up promptly this morning to witness Seattle’s “the biggest parade ever,” part of the huge Lions Club convention in town. The event was officially titled The International Parade of Nations. (What other kind of parade of nations could there be?)

This event, I did get decent pictures of.

Caught part of the parade from Top Pot Doughnuts, which was an especially fun place from which to see the following float.

This holiday, as I do on this holiday every year, I sing our nation’s song the way it was originally meant to be sung.

Which is to say, as an ode to the eternal, worldwide, ‪joys of drinking and screwing‬‏.

And if you like your poetic homages to the grape mixed in with a little faux-Terry Gilliam animation, try this version.

(Slow news day edition.)

• In case you wanted another reason to cuss Boeing’s current management (besides paying no taxes whilst living off the Pentagon teat), Glenn Hurowitz at the local eco-zine Grist chides ’em for falling behind Airbus in the race to make more eco-friendly aircraft. Then he cites this as just one more example of Boeing’s corporate ball-dropping:

Boeing is still paying for abandoning its once-successful strategy of long-term investments in innovative, groundbreaking products like the 747 jumbo jet in service of short-term profits meant to goose its quarterly earnings.

• Longtime readers know I almost never quote NPR here. (Heck, I almost never listen to that marathon snoozefest of self absorption.) But here’s a neat little item by them about “how much does it cost to make a hit song?” The song in question is a producer-driven Rihanna track. As one web-page commenter to the story noted, nowhere in the entire piece is the word “musician” uttered. Indeed, nowhere is it mentioned how any non-vocal sounds on the recording are created.
• If there were still going to be daytime soaps, here’s a new potential plot chiché for them: frozen fertilized embryos. Siblings conceived at the same time but born years apart.
• David Swanson thinks he knows how we actually could get Clarence Thomas off the Supreme Court…
• …while Ezra Klein’s got a handy rhetorical device for following the federal debt-ceiling debate hoohah. Whenever a Republican is quoted blathering about “taxes,” replace the phrase with “blowing up the moon.”

• There’s a new theatre troupe in town. And it’s dedicated to works by local writers!
• Vancouver authorities continue in their methodical drive to track down and identify cell phone pix of Stanley Cup rioters.
• In today’s bring-back-the-Sonics blather watch, the owner of a Chicago minor league hockey team might (just might, mind you) be scouting sites for a new suburban arena. If this effort actually gets anywhere, know Seattle politicians will fight it.

• City Council president Richard Conlin claims “Seattle’s Legislative Strategy Worked.” This essentially means urban planning and human services agencies were decimated a lot less than they could have been.
• Meanwhile in Minnesota, Rep. legislators and the Dem. governor just couldn’t get it done. Or rather, the legislators demanded big giveaways for the rich and big cutbacks for everybody else, and the governor refused to cave.
• Speaking of enforced austerity, the Int. Monetary Fund leader whose career has involved imposing such shock treatments onto whole countries? His sexual assault defense team is doing a swell job at discrediting the victim.
• Margaret Kimberly reminds us that proudly backing (upscale white) gay civil rights is not the same thing as building a fairer society for the non-upscale and the non-white.

Back in the alleged good old days of American journalism, chain-owned newspapers would often be ordered by corporate HQ to run the same chainwide stories. (The Hearst papers were particularly notorious for this.)

Now, the Arizona-born company calling itself Village Voice Media has just done this at its papers, including Seattle Weekly.

They’re running the same expose piece, entitled “Real Men Get Their Facts Straight.” It’s an attack on Ashton Kutcher’s “Real Men Don’t Buy Girls” PR campaign, which claims “100,000 to 300,000” underage girls are trapped in street prostitution in the U.S. every year.

In contrast, the article claims the real number, while unknowable, is probably much, much smaller. The big number, says the story, comes from a highly flawed academic research piece about kids “at risk” for becoming hookers, a figure that pretty much includes the entire teen populations of U.S./Mexico border towns.

A sidebar item acknowledges a VVM corporate interest in combating anti-sex-work scare campaigns. The fear mongers pressured Craigslist to stop running (unpaid) online sex-work ads, and are now setting their rhetorical gunsights on providers of (paid) sex-work ads, including VVM and its Backpage.com site.

To summarize, the article’s “good news” is: A lot fewer girls (and boys) are underage hookers than you might think. If you hire an escort, you and she/he are breaking some laws, but most likely statutory rape isn’t one of them.

The bad news remains: There still are some minors trapped in underage hooking, even if they’re a lot rarer than Kutcher and co. claim. In Seattle we had our own highly publicized pimping scandal last year, involving a few young-adult males and perhaps a dozen underage females.

(I happen to believe escorting and other sex work should be legal, and regulated. When it is, it will be much easier for law enforcement and social workers to find underage participants, divert them into other lives (perhaps in supervised group homes), and to prosecute any madames or pimps employing them.)

•

UPDATE #1: As if right on cue, Mayor McGinn and police Lt. Eric Sano held a press briefing on Friday denouncing VVM’s Backpage.com and supporting Kutcher’s PR drive against it. Sano claimed “there have been four documented cases of child prostitution openly advertised on Backpage.com.” Seattle Weekly editor Mike Seely, while not directly involved with Backpage’s operations, insists the site’s staff does all it can to reject and/or remove ads offering erotic services by under-18s.

UPDATE #2: Elsewhere in that company, the Village Voice itself has cut 60 percent of its staff in recent years. The New York weekly’s remaining employees threatened to go on strike this past week over wage and benefit cuts. Now comes word the strike may have been averted.

UPDATE #3: John Spangenthal-Lee at SeattleCrime.com said on July 5 that the VVM article was wrong about Seattle Police records concerning juvenile prostitution arrests. Spangenthal-Lee claims there were about twice as many such arrests in 2007-2009 than the article counted. Seattle Weekly managing editor Caleb Hannan, whose staff supplied research for the chainwide VVM article, told Publicola they got their numbers from the SPD.

UPDATE #4: The Sex Workers Outreach Project, an organization supporting legal and civil rights for sex workers, issued a statement “responding” to the VVM story. The statement approves of the article’s reality-checking regarding the extent of the situation. But SWOP goes on to state the real issue here isn’t Kutcher vs. VVM and Backpage.com:

…There are three overlapping issues here: the trafficking of youth into the sex industry, the service needs of youth with experience trading sex for survival and the rights of consenting adult sex workers.

UPDATE #5: Ryan Hodgson pointed me in the direction of a Seattle Weekly item from last October. It seems that before the Kutcher Krusade or the chainwide VVM counterattack, SW editors publicized the FBI’s claim that Seattle was “Ranked Worst City in U.S. for Child Prostitution.”

• Microsoft boss Steve Ballmer said he’d like to be involved in an effort to bring men’s pro basketball back to Seattle. But, he claims, there’s a “real estate problem.” This problem can only be solved with a new arena, which would cost $300-500 million. KeyArena, Ballmer asserts, is too small; though it’s actually well in the range of NBA arena capacities. What it lacks are more luxury boxes and an NHL-friendly hockey configuration. Ballmer also apparently didn’t mention that as long as the City of Seattle owns KeyArena, it won’t subsidize a new building that would compete for concerts and other bookings. Even if the city had the money, which it doesn’t. (Question: Could KeyArena be expanded again without knocking down the nearby Northwest Court complex?)
• For decades, University of Washington administrators have chafed at the presence of all those pesky college students walking around, diverting time and attention away from the world-class-research-institution stuff the administrators would much rather focus on. Now, the current UW bigwigs have come across a solution, in the form of a whoppin’ 20 percent in-state tuition hike. Students plan to protest.
• The federal government has indeed sold the former Rick’s strip club building. And yes, the new owner will probably open another strip club there.
• Howard S. Wright, the construction giant that built the Space Needle and Columbia Center, was sold off to a Texas company.
• Could it really rain more at airports?

• You’ve got your Fremont parade. You’ve got your gay parade. You’ve got your Seafair parade. Now get ready for a one time only “largest-ever parade” on Tuesday morning (right downtown, right at morning rush hour!). It’s part of a huge Lions Club convention.
• If the county’s proposed $20 car surtax doesn’t pass, get ready for draconian Metro bus cuts.
• Everybody loves those Lake Union houseboats, except them pesky bureaucrats, who could just regulate them away.
• While we wait to see if some new owner will reopen Rick’s strip club, another skin-spectacle joint on Lake City Way is about to open. Its name: Pandora’s. You’ll get no “box” jokes (or Avatar references) from this website, at least not today.

Seattle loses a major community institution this week, quietly.

SCAN TV (Seattle Community Access Network), the nonprofit that’s operated the city’s public access cable channel for more than a decade, closes up shop. SCAN declined to bid on another contract to run the channel, after penny pinching city bureaucrats slashed the funding for its operation.

The Seattle Community College District’s SCCtv agreed to take over the channel at the vastly reduced funding level. The new iteration of the access channel, renamed Seattle Community Media, starts Friday. For the first few weeks, as SCM gets its technical infrastructure together, programming will be limited to rerun episodes of shows supplied by existing SCAN citizen producers.

With the change comes the closing of the access studio on N. 98th Street east of Aurora. Starting in 1983 (when Group W Cable opened it as a condition of its city cable contract), the Northwest Access and Production Center’s modest 30-by-40-foot main studio hosted an astounding array of artisanal TV. Citizens signed up for time slots, took training classes on the gear, and created all-volunteer productions, some quite elaborate.

That room was known as the “big studio.” There was also the “small studio,” a walk-in closet with one camera and a control console; producers strove to stretch that room’s capabilities, even producing musical variety shows (albeit starring very small combos).

SCM will reinstall the SCAN equipment on the North Seattle Community College campus, just a few blocks east of the old site. This means producers will still be able to make multi-camera, studio-based TV shows, as well as single camcorder, field-based video footage.

But nothing on the new SCM channel will be cablecast live.

That means (1) no call-in segments, and (2) no in-studio surprises. In-studio mistakes, yes, but no surprises.

•

At the access channel’s peak of popularity in the mid 1990s, a Seattle Times feature story described its panoply of programming.

There was music of every conceivable genre, including some of the earliest footage of Soundgarden and other future “Seattle scene” stars (and should-have-been stars).

There were ethnic cultural programs ranging from Chinese to Somali.

There were single-issue discussion and monologue shows advocating everything from gun rights to alternative medicine.

There were preachers of every theological stripe, including UFO religions and atheism.

There was the Rev. Bruce Howard, a music teacher who created (and successively re-created) his own spiritual discipline, evolving from fire and brimstone to (relatively) happy folk singing. (No, I don’t know whatever happened to him.)

There was Philip Craft’s Political Playhouse, in which the sometimes naked host offered up interviews and comedy skits expressing his flavor of radicalism (politicians = bad, marijuana = good). Craft later moved to L.A. and helped make a low budget film based on his experiences, Anarchy TV.

Another lefty political show, Deface the Nation, had a vegan cooking spinoff series called All You Can Stomach.

There was the drag queen cooking show Queen’s Kitchen and its sequel Love, Laverne (a live sitcom).

There were other home brewed comedy ventures such as Bend My Ear Seattle (with hosts Chardmo and Johnny 99 and house band Hot Dog Water), The Make Josh Famous Half-Hour of Garbage, and Gavin’s Hawse (with Gavin Guss, later of the neo-pop band Tube Top and now a solo singer-songwriter).

There was Richard Lee’s Kurt Cobain Was Murdered, in which the steadily crazier looking and sounding Lee reiterated, week after week for years, his specious conspiracy theories. Lee eventually ran for mayor in 2001, showing up at a debate with a beard and in a dress.

There was deadpan comic MC Spud Goodman, one of the two access stars who graduated to “real” TV, hosting bizarre skits and local bands for four years on channels 22 and 13.

There was the other later-made-it-big guy, serious public affairs interviewer C.R. Douglas, who took his insightful chats with local political leaders to the city-owned Seattle Channel (retiring earlier this year).

And there was the call-in show Bong Hit Championships (did what it said on the tin).

•

In 1999, the access channel had already begun to fade from public awareness. That’s when the city engineered the creation of SCAN, and put the new nonprofit group charge of the channel.

One reason was to remove Comcast AT&T (which, through mergers, wound up with most of Seattle’s cable subscriptions, which would soon after be sold to Comcast) from the responsibility to enforce limits on the channel’s “free speech” policies.

Producers were forbidden from airing commercials or soliciting money on the air. Otherwise, pretty much any content was permitted. Officially, programming wasn’t supposed to violate federal “obscenity” guidelines.

But with a no-prescreening policy in effect, some producers dared to sneak stuff past. Michael Aviaz’s Mike Hunt TV and T.J. Williamson’s Fulfilling Your Fantasies included uncensored excerpts from hardcore porn videos. Aviaz’s show ran off and on for nine years, getting kicked off for good in 2006. Williamson stopped submitting X-rated shows, but continued to program non-controversial travelogue videos under the name Adventure TV.

•

One of the ’90s access stars, monologuist-painter Shannon (Goddess Kring) Kringen, is still on the channel today (though no longer prancing naked on camera).

So are a trio of long-running musical shows, Music Inner City, D’Maurice & Armageddon, and Blues To Dos.

This week’s final SCAN schedule includes much the same range of fare the access channel had in its heyday, albeit without some of the edgier fare.

There’s even a madcap comedy-variety show, The VonHummer Hour.

It’s imported from Portland.

•

The ultimate question should not be, “How could the city defund SCAN?”

It should rather be, “Why was so little done to defend it?”

One reason: In a 200-channel cable TV landscape, this one little unadvertised analog channel lost what local prominence it had.

Another reason: With YouTube and podcasts and video blog posts, a scheduled cable channel is a relatively inconvenient way to distribute and view indie video. And the ol’ WWW in general is a handier way to disseminate niche-audience messages and entertainments (albeit a harder place to find them).

Still, there’s something very invigorating, even democratizing, about people making their own TV and making it available to the whole community to view in real time.

With the right support, SCM could bring that spirit back.

•

UPDATE: Seattle Community Media has now taken over the channel. The schedule of programs is the same as the final SCAN schedule. The only difference so far is the promos between programs. One of them is a sped-up video of a short drive from the old SCAN building to the NSCC campus, where a small staff stands in wait to proclaim “Welcome to Seattle Community Media.”

• Washington state has cut all tourism marketing from the state govt. budget. Mind you, the “SAY WA” campaign raised more jeers than cheers, but this is an important industry. In the next legislative session this should be brought back, perhaps paid by a tiny addition onto hotel and rental-car taxes. (Now if we can figure out how to bring back film-industry incentives and restore Basic Health….)
• Georgetown’s Hat n’ Boots: now officially Seattle’s funnest historic landmark.
• Was Seattle ethnic/folk/punk ensemble Kurtur Shock ripped off by Turkish recording artists?
• A UW mental-illness researcher has come out with her own harrowing account of teenage psych-ward imprisonment. Her message, and her Rx for today’s borderline patients: “acceptance of life as it is, not as it is supposed to be; and the need to change, despite that reality and because of it.”
• Michael Lind at Salon only half facetiously suggests a kind of reverse “going Galt”: All the Americans who are no longer of use to the super rich (i.e., most of us) could move en masse to countries that still make things.
• South Lake Union: New hot spot for restaurants, boutiques, and hookers. (The linked story’s headline misleadingly talks about “prostitution near Seattle Center.”)