2/94 MISC NEWSLETTER
Feb 5th, 1994 by Clark Humphrey

2/94 Misc. Newsletter

(incorporating four Stranger columns)

REMEMBER WHEN `HARDING SCANDAL’

MEANT WARREN G.?

Here at Misc., your laserdisc commentary track to life, we’ll be disappointed (but not shocked) if the Hollywood Hills get promptly rebuilt after the MLK Day Earthquake while South Central LA stays boarded up.

THE NEAR-START OF THE YEAR is a good time to reiterate some of the premises behind the column. Despite commonly-held beliefs to the contrary, I’m no cynic. The real cynics are the people who stopped caring: the old people ready to tell all their rad stories about the ’60s but haven’t done a thing since; the perpetrators of bland dull broadcasts like Hour Northwest and Evening Magazine. I have an undying enthusiasm for expressions of life and liveliness. I’m bored by “safe,” commercialized simulacra of real culture. I love a searing big-band classic, hot rod art, the Boat Show, a Weill song, a stunning haircut and a bright idea. I loathe easy-listening fusion, BMWs, Young Republican Harley meets, oldies radio, Nordstrom suits and all plug-and-play dogmatic systems.

CHIEF HOLIDAY MEMORY ’93: Working temp in a law office while all the regular workers exchanged gifts, listening to the firm’s Xmas carolers exult the season while the receptionist’s computer screen saver displayed MS Windows logos gently drifting thru a night sky.

EXPIRED TABS: The Times “Editors’ List” of ’93’s top news stories was chock full of those sleazy murder stories that increasingly dominate the local media. Its reader poll of top stories included none of that tabloid tedium. More evidence that what media consumers want is vastly different from what the industry thinks they want.

GOLDEN BLUNDERS DEPT.: The Posies show at Under the Rail was a mess: not so much because of the band (which did have its sloppy moments) but the audience, ruled by know-nothings who acted the way MTV told them rock audiences were supposed to act — as if the Posies were generic retro-boogie, not a harmony-driven combo delivering clever catharses. Frat types slam-danced and stage-dove even during the slowest, most lyrical songs. Co-leader Jon Auer taunted the tanked-up-on-costly-Buds crowd: “You know how they call those drinks without alcohol `smart drinks’? You must be on `dumb drinks.'” The not-getting-it guys cheered. Some guy pushed his drunk girlfriend onto the stage; she stood around not knowing what to do, and invoked a panic reaction in co-leader Ken Stringfellow — who spit on the front row during the last song. Auer smashed his guitar into the mic stand and broke the neck, then threw in on the stage and broke it in two, tore the bridge off and proceeded to swing it around by the strings when a fan took it. This was not a mark of triumph but of defeat. (The fan gave the guitar shard back later.) Auer ran to the door after the show shaking everyone’s hand and apologizing. There were no encores. I’ve since heard from the East Coast about clueless MTV viewers trying to slam dance at decidedly non-heavy Sebadoh and Velocity Girl gigs.

SIGN OF THE MONTH (from a flyer for a concert at Velvet Elvis): “No alcohol. No nihilists.” Gee, nihilists never get to have any fun!

SCARFING IT DOWN: Your obd’t correspondent isn’t upset that he wasn’t mentioned when Almost Live! and the P-I generously plugged The Stranger. But there’s gotta be way to stop mainstream media like the P-I from proclaiming everything by or for young adults as “The Voice of Generation X” — a name Vancouver novelist Douglas Coupland stole from Billy Idol‘s old band, which broke up when today’s 21-year-olds were nine. It’s even dumber than “twentysomething,” a name derived from a TV show about people who were in their 30s 10 years ago. Instead, MTV’s Tabitha Soren (that’s a great name — Kierkegaard meets the Bewitchedbaby!) wants us to call young adults “The Re-Generation.” Finally, something appropriate — a generation where sci-fi nerds rule, named with a term from Doctor Who!

CITY-O-DESTINY DEPT.: Pandemonium, that lovably Tacoma-centric rock zine, ran a big feature on the east coast band Machines of Loving Grace but neglected (probably out of ignorance) that the band’s name came from a poem by Tacoma’s own greatest literary scion, the late Richard Brautigan.

CORRECTION OF THE MONTH (XLR8R, 1/94): “In issue #7 the article on DJs by Courtney Reimer referred to DJ Quest‘s girlfriend as “fanatical.” This statement was not intended as an insult. The writer of the article and the staff of XLR8R have nothing but love and respect for Quest and his girlfriend.” The same ish of the techno-dance journal notes the arrival of “Rave brand cigarettes, `The Great American Blend.’ Cough.” Now that’s the opposite of a “smart drug.”

DUDS: In its endless drive to find old ideas to recycle, the fashion biz now plans to reissue a toned-down, commercialized version of classic punk clothes: just the look, shorn of any sociopolitical implications. Vogue dragged out the ol’ fart himself Malcolm McLarento assert that the time’s come for vinyl and dayglo hair again, to rebel against current styles that have people looking like “Seattle Oxfam girls in little flower dresses.” (Oxfam is a famine-relief group from Oxford that sells mismatched-pattern Central American cotton clothes at a chain of UK charity stores.)

MORE DUDS: One store where real Seattle apparel has interfaced with the faux-Seattle look, Basic, closed this month. But don’t fret for owner Linda Derschang. She’s abandoning the crushed-velvet dresses and Docs to start a tavern in the old Ali Baba restaurant on E. Pine, where freak-show performer Jim Rose gave his first local gigs. It’ll be a non-gender-preference-specific place with a “calm” atmosphere and no live performers.

CALIFORNICATION DEPT.: The most blatant piece of hip snobbery I’ve seen lately was a comic strip in the SF Weekly by “Derf” (syndicated from Cleveland) entitled “Things to Hate.” Its three panels: “Seattle Music” (an unkempt boy guitarist in flannel offered a sack of money by a “Record Company Suit” after said suit denounces said guitarist’s music as “derivative swill combining stolen riffs from Led Zeppelin and the Partridge Family”); “Seattle Fashion” (the same guitarist wearing underwear on his head, vowing it’s “the latest Seattle fashion”); and “Anything Seattle” (a bald guy in tattered clothes and boots drinking “the local Seattle beer favored by Soundgarden in their early, cool period” even though “I’d swear I was drinking my own urine”). The strip is part of a series entitledThe City — San Franciscans’ epithet for themselves, believing theirs to be the only real city in North America. The alleged Seattle things Derf vilifies are media stereotypes, but they have a vague basis in truth —the truth that in one American town people are making their own alternative culture without passively following the hip dictates from Frisco. And our beer’s damn good too.

REVOLTIN’ DEVELOPMENTS: We won’t know ’til May if they’ll move Nordstrom into the Frederick’s bldg. and cut up the current Nordy space for national chains. It wouldn’t be done ’til ’96 and nobody’s signed up for the Nordy bldg., but possibilities named include the Hard Rock Cafe. That’s the chain of gaudy eateries decorated with commodity fetishes of Music Industry music: Platinum Record plaques, silk jackets, gold-painted Harleys. Just the sort of money-grubbin’, idol-worshippin’, coke-snortin’, groupie-usin’, LA attitude to which Seattle rock was (at least officially) opposed. It’s nearly sacrilege to see stuff like that on the walls of the Improv comedy club — the ol’ Showbox where the local punk scene came of age. I wouldn’t wanna see local music memorabilia in some glitzy display case next to Elton John’s spectacles. A lot of local music people wouldn’t be associated with a Hard Rock anyway, ‘cuz it’ll serve meat.

YEAR-REELING-IN DEPT.: Playwright Terrence McNally spoke at a big opera convention in town. He advised opera promoters to seek (what he thinks is) the youth market: “We have to find potential bel canto lovers at the next Steely Dan concert.” Hate to tell ya, but SD broke up in 1980 and gave few live shows when they were together.

LOCAL PUBLICATION OF THE MONTH: Dick’s Drive-Ins 40th Anniversary Memory Book. One word describes it: Deluxe.

JUNK FOODS OF THE MONTH: Tootsie Surprise Pops have the standard inner Tootsie Roll wad and the standard pasty-tasting stem. What’s different is the outside, bearing such exotic artificial flavors as “Citrus Magic” and promising to “turn your mouth a surprise color!” Don’t worry — the label insists, “All colors used in Tootsie Roll Surprise Pops are listed as safe colors by the Food and Drug Administration”….Aunt Em’s Breakfast Cookies are baked, pressed-solid quarter-pound slabs of oatmeal, sugar, wheat germ, rice and either peanut butter or walnuts. $1.35 a pop, but more filling (and probably more nutritious) than a muffin or a $.99 Rice Krispie bar.

THE FINE PRINT (From a Kellogg’s Crispix box with Jay Leno‘s smug mug all over the back and three “Jay’s Jokes” on the side panel): “No Celebrity Endorsement Implied.”

THE NOT-SO-FINE PRINT: First the major record cos. turn former indie labels into indentured servants. Then they imitate that sacred institution of low-tech bombast, the indie zine. Ear to the Street is now at record stores. It’s got a crudely-drawn logo (with a lo-res scanned background); its type’s in that crudely-spaced Times Roman of early desktop publishing (complete with non-curly quotation marks). The first sign of betrayal is a tiny credit at the top: “Columbia Retail Marketing.” Then you see all the hype for Columbia artists, many of a less-than-alternative bent. The first item plugs Kate Bush, but the next endorses the Cool Runningssoundtrack (claiming the movie “captures the irresistible `Rocky’ spirit of the plucky team that stole the hearts of people around the world”). Even sillier, it claims street-cred for NKOTB (née New Kids on the Block), “five working class childhood friends who started singing rock and R&B a capella on the streets of South Boston.” It’s not the first time Columbia pathetically tried to be hip. Some historians date the Death of True Hippiedom at the label’s huge ad campaign for Moby Grape (a Frisco band with a couple of ex-Seattle musicians), under the slogan “Revolution Rock: The Man Can’t Bust Our Music.”

DEAD AIR: Last fall we noted the disappearance of new rock from local AM radio. Now we mark the passing of Top 40 radio in general. One of the last two pure-pop outlets in town, KPLZ, changed to soft-rock; the other, KXRX, reportedly will go to a “Young Country” format (even tho all the really cool country singers are old or deceased). That leaves local airplay fragmented into KUBE’s soft-soul, KISW’s hard-rock, KMTT’s boomer ballads, KNDD’s major-label “alternative,” et al. In its heyday, Top 40 was the wellspring for everything that rock developed into. On the old KJR or KOL you could hear Dylan, Stevie Wonder, Dolly Parton, the Carpenters and Sgt. Barry Sadler back-to-back, curated on the sole basis of popularity. Now everything has to fit one narrow format or another. Great songs that don’t fit a format just go unheard.

NEWER WAVES?: On a dare, I listened to the new KCMU again for a week. The year-old replacement DJs still sound over-scripted and under-rehearsed, but I can live with that. The alterna-rock selections seem more ambitious than they were a few months ago (more real-thing bands, fewer “adult acoustic” mellowheads). The world-beat rotation is still mismanaged: it interrupts high-energy sets with the American world-music industry’s tame product, curated as prosaic mood music for (yes) upscale boomers. It’s good to mix some non-rock into the regular format, but it oughta be the most vital, intruiging material of its type. What’s really missing is the station’s old sense of spontaneity, of DJs who knew and loved their work, who picked many of their own tunes. The pre-1992 KCMU thrived because it was (or was perceived as) a community service of direct communication, not something controlled by bureaucrats out to meet revenue growth rates. It’s got the latter reputation now, but I’ve heard from people there who are indignant at that reputation (a good sign). I criticize the station because I want it to be better, by reaffirming its past mission of great stuff without compromise.

PLAYING MONOPOLY: The planned Viacom/Blockbuster Video merger means the video chain that wouldn’t stock Henry and Junewill have the same owners as MTV, which wouldn’t play Madonna’s “Justify My Love.” It’d also create the planet’s biggest stockpile ofold TV reruns. In the ’70s, the Nixon guys (the only really anti-media administration) made the networks sell their syndication divisions. These units controlled many (though not all) of their parent networks’ old series, including hits like Bonanza and Perry Mason. (Clinton’s letting the nets back into that side of the business now.) CBS’s pre-1972 library became one of Viacom’s original assets. ABC’s syndie unit became Worldvision, which became Spelling Entertainment, which Blockbuster bought last year. NBC’s old shows were bought by NTA, which became the new Republic Pictures, which Blockbuster also absorbed. If Viacom succeeds in its bigger quest to buy Paramount, it’ll get Greg Brady and Capt. Picard in its trove alongside Lucy and the Cartwrights, ready (pending existing syndication contracts) to air on Viacom’s Nick at Nite and Comedy Central. Blockbuster’s original owner is a big donor to conservative politics, while certain Viacom divisions promote certain liberal causes that don’t inconvenience big business.

HEADLINE OF THE MONTH (Times, 1/13, on Tonya Harding): “She smokes, carries handguns, rebuilds car engines.”

DIXY LEE RAY, 1914-1994: Dr. Ray was a quintessential Northwest Strong Woman: individualistic and headstrong, refusing the rules society prescribed for her yet very willing to impose social rules on others, turning reactionary when confronted with ideas newer than hers. As a never-married female who climbed Mt. Rainier as a teenager and became a marine biologist, she didn’t reject the Boys’ Club as much as she fought her way into it. Her gruff schoolmarmish charm made her one of KCTS’s first stars, leading to her appointment to run the science exhibits at the 1962 World’s Fair. She championed the fair’s predictions of a “World of Tomorrow” to be fueled by cheap, safe atomic power (part of a giant federal hype campaign to bring civilian investment into Cold War technology).

A year after the Fair closed she became director of the exhibit’s permanent successor, the Pacific Science Center. There, she shooed hippies away from the reflecting pools with her self-described “bullhorn” voice, keeping the messy present from interfering with her pristine atomic future. In ’72 Nixon put her in charge of the Atomic Energy Commission, where she shilled for the nuke industry while snubbing the bureaucrats she worked beside.

She registered as a Democrat as a flag of convenience in the post-Watergate ’76 election, when her “outsider” image and insider connections helped her get elected governor. Like the Republicans in ’80 she ran as a valiant populist but became a suck-up to big business. During and after her single term (irate liberals blocked her re-nomination), she bashed environmentalists as know-nothing obstructionists meddling against the righteous path of growth.

Even in her final week, she scoffed at scandals over old US radiation tests on unknowing human subjects. She used her mastery of scientific jargon not toward “scientific method” but to advocate blind trust in authority. She was a true pioneer, stubbornly holding to the frontier mentality of relentless exploitation.

‘TIL NEXT TIME, order your valentine an anatomically correct chocolate heart from the PBS Signals catalog, and heed these words from the ’70s French film The Marvelous Visit: “America is always very distant from us. It’s the thing we dream about and cannot reach.”

PASSAGE

Camille Paglia in one of the few succinct (tho’ still obtuse) statements in her megatome Sexual Personae: “Narcissists receive callers without opening the door.”

REPORT

My book on the real history of the Seattle Scene is now drafted. Certain Eastern bigshots have it. If they reject it, I’ll form an entity to get it out. I’ll be asking for donations if that happens. Consider yourselves warned. Thinking also about a new expanded format for the newsletter, as a shameless excuse to raise the subscription price. If you’ve any content suggestions, let me know.

WORD-O-MONTH

“Amphistylar”

1/93 MISC NEWSLETTER
Jan 2nd, 1993 by Clark Humphrey

1/93 Misc. Newsletter

(incorporating four Stranger columns)

ST. PETER TO MARK GOODSON:

`WILL YOU ENTER AND SIGN IN PLEASE?’

It’s another year, another Misc., and another Xmas review. Again this year, the Hasbro cartel (comprising over a dozen once-independent brands) had the coolest new games. In Mall Madness (“the electronic shopping mall game”), players move pieces around a 3-D game board while buying merchandise, as directed by “specials” announced on a digital sound chip. In Dream Phone (“guess who likes you in this talking telephone game”), young females use a fake phone to “call 24 boys and listen to what they have to say.”

From other companies, the preschool set’s ruled by Barney the Dinosaur (a smarmy guy in a purple felt suit who hugs kids and sings “Caring Is Sharing” songs). The Ninja Turtles may be on the way out but still have a few tricks left, like the new Subterranean Sewer Hockey Game (gee, they could play against Victoria’s WHL team). Mattel’s Baby Rollerblade and Tyco’s California Roller Baby ought to settle their competition once and for all on a Roller Derby track.

In a throwback to the days of TV-based board games, PC users can play computer versions of Beverly Hills 90210 (set on “Rodeo Drive, where shopping fantasies come to life”), Wayne’s World (“join up with those infamous public-access TV stars on a hilarious quest to save their show from a most bogus cable executive”), and L.A. Law (“working your way to become a senior partner by trying an assortment of challenging cases”).

The PBS merchandising catalog hyped Free To Be Me, a short-haired, wider-waisted fashion doll that looks like Barbie’s square suburban cousin (she doesn’t offer a line of PBS-lifestyle accessories, so you can’t get her own Volvo or wine cellar). At least F.T.B.M. doesn’t do anything as silly as the new Rappin’ Rockin’ Barbie, who wears a black vest and miniskirt, a baseball cap on her blonde tresses, a gold chain, and a boom box with digitized “scratching” sounds. (At least she doesn’t wear the new Rap Musk spray perfume.)

Rappin’ Barbie’s pure blue-eyed whitebread, but there are black Barbie and Ken dolls (sold separately, so you can mix-n’-match), and a new Mattel line called Shani (“A world of beauty and success”) with her friends Nichelle and Asha. The independent Olmec (“An African American Owned Company”) has Imani (“An African American Princess”) with her pals Consuelo and Menelik. It’s also got some pre-teen characters, the Hip Hop Kids (“We’re into everything cool…like music, rap and school”). Local creator Tobias Allen received big-time scandal but only modest sales with his Serial Killer board game, where you get to slay old people across state lines.

SMELLS LIKE $$: I spoke too soon about a hypothetical “Grungeland” tourist attraction. Rumors claim that Disney World plans a “Northwest theme” resort hotel on its Fla. grounds. And the Boston Globe reports the opening of the Other Side Cosmic Cafe, a “Seattle style” espresso bar with soups, sandwiches, Tim’s Cascade potato chips, and wheatgrass juice. The paper calls the cafe’s owner “a Northwest native who recently migrated east to cash in on the Seattle craze.” The paper even ties the Celtics’ hiring of former Sonics basketballer and Singles bit player Xavier McDaniel into some Seattle-mania, “a loosely defined amalgam of guitar-heavy rock music, retro-hippie fashion, laid-back attitude and cafe culture”. On another front, investors are reputedly sought for a proposed syndicated TV show about the local music, to be titled Seattle Backstage and to be hosted by last summer’s Playboy centerfold from the UW Communications School. Cameron Crowe has, however, declined offers to turn Singles into a weekly sitcom.

AFTER THE GOLD RUSH: What’ll really mean something is if all the Seattle hype leaves, as World’s Fair promoters say, a “permanent legacy” — if we build an infrastructure of clubs, record labels, agents, producers, and players who stick around and keep their creative spirit. Consider this an open letter to everyone in the Seattle music scene who’s making it: Please don’t move to Los Angeles. For 70 years, the Hollywood cartel has controlled the world’s expressions and dreams. We don’t need that anymore. We need music that’s made everywhere. Heck, we even need movies that are made (not just location-filmed) everywhere.

SCENE STEALING: With the OK Hotel going 21-and-over and KCMU turning to soft alternative hits, the music scene is increasingly inaccessible to the next generation of would-be Iggys. This could potentially lead to the next wave. The “Seattle sound” bands had the time and space to make their own identities because they were shut out from most of the bar circuit; they had nothing to lose. Shutting 16-20-year-olds out from the current scene is bad for everyone in the short term, but may lead to a new scene that could kick the faded jeans off of what we’ve got now….

The Colour Box recently had a dress code on Saturday industrial-dance nights: “Leather, Vinyl or Lots of Black. No Exceptions.” The code, and the dance nights, are now replaced by an all-live format. I’ll leave it to you to decide whether an all-black requirement contradicts the “Colour” name, since technically black is the absorption of all colors.

WHAT’S YOUR SIGN?: The P-I‘s Art Thiel wants the city to rename a street near the Kingdome in honor of the late Seahawks radio announcer Pete Gross. There’s already S. Royal Brougham Way, a short side street south of the Dome named for a P-I sportswriter who died (in the press box!) in ’77 after 60 years on the job. I think the city also oughta turn one of the streets on the Dome’s 4th Ave. S. side into “S. Long St.,” so the Hawks could have an official street address at 4th and Long.

THE FINE PRINT (on the outer wrapper of Deja Vu Centerfold trading cards): “All models pictured are over 18 years old. Models’ stage names are used. Neither photos nor words used to describe them are meant to depict the actual conduct or personality of the models. All photography was completed before 5/11/92.”

AT THE HOP(S): The Black Star beer campaign is legendary Portland ad agency Weiden & Kennedy’s intricate, loving tribute to advertising art of the past 50 years. Each ad is like a mini-visit to Portland’s Museum of Advertising, which W&K helped instigate. Oh yeah, there’s also a product to go with it, in case anybody cares (the agency seems not to). The real history of Black Star is that Minott Wessinger was a descendant of Henry Weinhard and a marketing genius behind the Henry’s brand, until the family sold the Blitz-Weinhard Co. in ’80 to the Heilman combine (which also owns Rainier). The deal included a 10-year “non-compete” clause in the general beer market. Wessinger kept busy as an owner of St. Ides malt liquor, whose ads targeted inner-city African Americans using several rap stars (and one impersonator of Public Enemy’s Chuck D., who sued to stop the mimicry). Some critics charged that St. Ides promoted underage drinking among blacks (as opposed to the brands that promote underage drinking across ethnic lines). Now that Wessinger ‘s contractually free to market regular beer again, he’s made a product almost identical to Henry’s (taste differences are subtle at best). If you buy it you’re supporting an independent company and encouraging it to push fewer 40-oz. jugs of the strong stuff.

JUNK FOODS OF THE MONTH: I’ve finally found a place that sells the hot and sour candy mentioned on KIRO as the big new fad among grade-schoolers: the gift shop in Roosevelt Place, the ex-Sears store on 65th. The hot licorice by one “How Can It Be So Sour Co.” is really just sugar-gritty; the Heide Silly Sours are tame jelly bean-like creations. But the Canadian-made Mr. Sour candy rolls are the real thing: a burst of brash intensity that hits you like a bugle call. One of the all-time greats….

Quaker Oat Cups, a microwave oatmeal currently being test marketed, represent a classic American art form, the junkifying of classic “real” foods. In about the time that it takes to nuke the water for making regular oatmeal, you can heat up a pre-cooked cup of oats, sugar and fruit flavors. Not only is it hearty eating, but you can use the foil-sealed cups as aerobic weights.

ENRAPTURED: Faith healing has come to Moscow, with a twist. England’s Guardian newspaper reports that one Boris Zolotov, a “bulky blond family man” who “believes man’s role is to make women happy” draws hundreds of women at a time to 10-day healing seminars at former Communist Youth League discos and campgrounds, for about $40 (an average month’s pay). The scene at a Zolotov rally includes “a huge communal bed, a sea of sweaty tracksuits and pulsating American soul music.” In the midst of a rousing speech he calls out, “Who wants an orgasm?” Dozens of women scream back, “I do.” According to the paper, “He grimaces with concentration. The music stops. The lights go up….About 50 devotees [of a total attendance of 400] are found to be lying in a heap, moaning. About 30 appear to have had a sexual climax.” And we’re stuck with Oral Roberts.

IT’S NOT OVER OVER THERE: One of the “Ins” on last year’s Misc. In/Out list, the united Europe, is limping along. Countries still bicker and delay, playing for points of privilege in the new movement of people, money and things. I’d hoped for a dynamic, enlightened Euroland to bring prosperity to the rest of the western world and to lead the U.S. toward the benefits of the mixed-economy welfare state. Instead, we’ve come on our own path toward the detriments of such a state without the benefits. In the quasi-socialist countries of pre-Thatcher Europe, a profit-making enterprise would often be used to feed money up toward supporting other enterprises (armies, opera companies, public broadcasters, health care). In our post-capitalist economy, profit-making enterprises are now used to pump money back into their owners’ takeover debts.

WIRED: TCI vows to bring over 300 digitally-compressed cable channels within two years, at least to some customers. NPR did a typically-smug contest for ideas on filling those channels; most were puns on C-SPAN, the only cable channel NPR listeners admit to watching (“She-SPAN,” “Tree-SPAN,” “Ski-SPAN”). More practically, you’re likely to see every major league sports event. Music channels with all the genres (and probably all the stupidity) of mainstream radio. Specialized movie channels (all-romance, all-war). Umpteen immigrant languages. Here’s what I’d like to see: Channels for non-fundamentalist religions. National public access, with the best/worst of indie video from all over. A channel with every city’s local news, for folks who’ve moved around a lot. The entire BBC schedule, including all-day darts tourneys and other cheesy shows we never see. An abstract-art channel. Live sex channels of every preference. An All-Pearl-Jam Channel. Cameras permanently aimed on Times Square or the French Quarter. A channel of people in their underwear reading 19th Century poetry.

LOCAL PUBLICATION OF THE MONTH: Deran Ludd’s Sick Burn Cut (published by the art imprint Semiotext(e)) is something I’ve wanted for years: a serious Seattle-based novel with no “Emerald City” mawkishness. It’s the gritty-yet-empathetic tale of a white transvestite gangster (made more believable than it sounds here), shooting guns and drugs in a Belltown that Ludd’s fictionalized to the extent that its grimy pre-condo milieu still exists in the present day. I’ve worked on Ludd’s performance art projects in the early ’80s, but his “Clark” character (host to an S&M/house-music party at the late Savoy Hotel) is all fictional….

I’ve also longed for a book like The Way We Never Were: American Families and the Nostalgia Trap, by Evergreen prof Stephanie Coontz. At last, someone shows that the ’50s family fetish wasn’t the way things had always been. In fact, Ike-age America was a lot more like the Kramdens than the Cleavers.

‘TIL OUR FAB FEB. ISH, be sure to check out the Hot Circuits video game retrospective at Pacific Science Center and the exhibit of other classic toys at the Museum of History and Industry, and maybe also visit SAM’s exhibit from the collection of CBS founder William Paley (you’ve gotta perversely admire a guy who gave the world Jed Clampett and bought Cezannes for himself).

PASSAGE

Cyberpunk author John Shirley, quoted in the Mondo 2000 compilation book: “It’s a big world. It’s a swollen world. It’s a tumescent world. It’s an overburdened, overflowing, data-loaded, high-content, low-clarity world, soaked in media and opinion and, above all, lies. What’s important in all this input? Who decides? Which filters have you chosen? Have you mistaken the filters for the truth?”

REPORT

Those seeing this before 12/31 can see my Stranger colleague Dan Savage at the Crocodile Cafe’s New Years shindig. I’m looking for a scrupulous publisher for my next book concept, an extended essay on the Real Northwest as I see it (guaranteed: no slug or espresso jokes, no hiking trails).

WORD-O-MONTH

“Flocculent”

•

AMERICA’S ONLY TRUE AND ACCURATE IN/OUT LIST

For the seventh consecutive year, here’s our comprehensive guide,

not to what’s hot now, but what will become hot in the next 12 months.

 
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11/94 MISC NEWSLETTER
Nov 1st, 1994 by Clark Humphrey

11/94 Misc. Newsletter

(incorporating four Stranger columns)

BUSCH BUYS STAKE IN REDHOOK:

LOOK FOR THE ‘BALLARD BITTER GIRLS’

IN PIONEER SQUARE THIS FRIDAY

Welcome again to Misc., the pop-culture corner that has one question about the Varsity’s recent documentary Dream Girls: If an all-male Japanese theater is called Noh, is an all-female Japanese theater a Yesh?

AW, SHOOT: We begin with condolences to those who went to the Extrafest fiasco, billed as a free concert but more accurately a way for filmmakers to get crowd shots without paying people. The producers’ inexperience in live events showed throughout the evening. Some bands only got to play as few as three songs. There were long impatient waits during lighting setups. The director’s opening remarks treated the audience as idiots, asking them to be nice kids and not mosh. That only got audience members to mosh at their first opportunity; they were met by harsh security, who grabbed some folks by the neck, dragged them into the hallway, and made them stand for Polaroids for some reason. Three kids tackled a particularly nasty guard. Two-thirds of the audience walked out long before the end.

UPDATE: Looks like Nalley’s Fine Foods won’t be sold to archrival Hormel after all. The farmers’ co-op that holds a big stake in Nalley’s current parent company don’t want to lose the big processor-manufacturer as a captive market for their products.

GIMME A BRAKE: The Times recently reported that UW athletic director Barbara Hedges, since her appointment to the job, had been parking her Beemer in a campus space signed “Handicapped Parking/By Permit Only.” The UW Daily reported it, causing a temporary minor ruckus. The university administration resolved the matter by having the signs at Hedge’s space changed.

SPEAKING OF SPORTS: The Seahawks want to make the beleaguered Kingdome a truly beautiful place at last: Real exterior surfaces, bigger and better concourses, a slick green-glass entrance with shops and banquet rooms, a permanent exhibition pavilion on part of the current parking areas, landscaping around the remaining lots, even more bathrooms. The problem, natch, is the price tag: $120 million. The team doesn’t have that kind of dough and the county surely doesn’t, especially right after spending almost as much to fix the Dome than it originally spent to build it. The Mariners, meanwhile, say they don’t want to sign another long-term Dome lease no matter what’s done to the place–they want their own space, preferably with a mega-costly Toronto Skydome sunroof, for something in the $250 million range.

This has always been a town whose dreams far exceeded its pocket contents. For over 30 years we’ve planned and/ or built an array of “world class” structures on the limited wealth of a regional shipping and resources economy. The result: A handful of refitted older buildings, another handful of decaying newer buildings, and one truly world-class structure (the Space Needle, built with all private money). These days, we’re besieged with blueprints or ideas for one all-new stadium and one revamped one, a square mile of condos and token green space, a new concert hall, a big new library, an addition to the convention center, a new airport nobody except bureaucrats wants, a new city hall and/ or police HQ, and three or four different potential regional transit systems.

Just ‘cuz there’s some Microsoft millionaires out buying Benzos on the Eastside, it doesn’t mean Seattle’s become a town of unlimited fiscal resources. Of course, the politicians (most of whom never met a construction project they didn’t like) will support as many of these schemes as they think they can get away with, rather than bother with comparatively mundane initiatives like health care and low-income housing that don’t lead to campaign contributions from big contractors and construction unions.

However, let it be known that I like the Dome, for all its faults. It’s a great place for monster-truck rallies, boat shows, and the temporary neighborhood built each year for the Manufactured Housing Expo. No matter what happens to the sports teams, the Dome should be maintained at least for these uses.

GOTH-AM CITY: Saw a public-access tape made at the Weathered Wall’s Sun. nite “Sklave” gothic-fetish disco event. It accurately represented the spirit of the event, which I’ve been to and liked. But I took issue with one long segment where some young dancers in pale faces and black clothes whined that “Seattle is just SO behind the times.” This death-dance stuff’s almost as old as punk, and I can assure you it’s had local consumers all that time. But being new or hot isn’t the important thing anymore. What’s important is doing your own thing, which just might be the Bauhaus/ Nick Cave revival thing. Speaking of the beauty of death…

HOW I LEARNED TO LIKE HALLOWEEN: For a long time I was bummed out by the grownup Halloween. It was one of the three or four nights a year when people who never go out invaded my favorite spots, acting oh-so-precious in their identical trendy role-playing costumes and their stuck-up suburban attitudes. But this year I began to understand a bit about the need for people to let their dark sides out to play. I was reminded of this very indirectly by, of all things, Tower Books’ display of Northwest writers. There were all these guys who’d moved here and apparently couldn’t believe anybody here could have the kind of angst or conflicts needed for good storytelling. These writers seemed to think that just ‘cuz we might have some pretty scenery, nothing untoward could ever happen here. It’s horror writers and filmmakers (especially in recent years) who understand that some of the worst evils are dressed in alluring physical beauty. If a simple-minded drinking holiday can help people understand this principle, so be it.

THE ROAR OF THE GREASEPAINT, THE SMELL OF THE CROWD: A glowing Times story claimed there were approximately 1 million seats sold in each of the past two years to Seattle’s top 12 nonprofit theater companies and the for-profit touring shows at the 5th Ave. Theater. (The story waited till far inside the jump page to say that attendance at some of the biggies, especially the Rep, is actually down a bit.) Even then, more seats are sold each year to the major theater companies than to any local sports enterprise except (in a good year) the Mariners. If you add the smaller, often more creative drama and performance producers, the total might surpass the Mariners’ more popular years. (All the big sports teams together still draw more than all the big theaters together.)

Maybe Seattle really is the cultured community civic boosters sometimes claim it to be. Or maybe we’re a town of passive receivers who like to have stories shown to us, whether in person or on a screen, instead of creating more of our own (our big theaters aren’t big on local playwrights, even as some of them get into the business of developing scripts to be marketed to out-of-town producers).

THE FINE PRINT (inner-groove etchings on Monster Truck Driver’s new EP): “We don’t want to change your oil…”, “…We just want to drink your beer.”

BEAUTIFUL SONS: There’s still no real Cobain memorial in Seattle, but there’s one of sorts in Minneapolis. The paper City Pagessez Twin Cities Nirvana fan Bruce Blake (who’s also organizing Nirvana stuff for Cleveland’s Rock n’ Roll Hall of Fame) has started a Kurt Cobain Memorial Program at the Minneapolis Children’s Medical Center. It’s a fundraising campaign to provide art supplies and toys to hospitalized kids. Donations can be sent to Carol Jordan at the hospital, 2525 Chicago Ave. S., Minneapolis 55404.

BUTTING IN: The New York City government’s proposed laws against smoking in most public places, similar to Washington state’s tough new law. In response, Phillip Morris threatens to move its corporate HQ out of NYC, and also (in a move that would more directly affect politicians’ lifestyles), canceling its support for NYC arts groups. Some of these groups are lobbying the state to give in to PM’s demands. Think of it as a warning to anybody who still thinks artistic expression can stay independent of its Medicis. This might be what conservatives wanted when they slashed govt. arts support, driving producers into the influence of corporate patrons.

The issue of the arts and cancer-stick money is working out far differently in Canada. In that paternalistic land-without-a-First-Amendment, the government banned all cigarette advertising (even in print) five years ago. But they left a loophole: Cig makers could still sponsor arts and sports events, under their corporate names. The feeling at the time was that it might help a few museums and in any event, the Big Two Canuck cancer-stick makers, Imperial Tobacco and RJR MacDonald, didn’t put their corporate names on cig brands. Instead, the companies formed paper subsidiaries with the names of all their main brands (Craven A Ltd., Benson & Hedges Inc.) These false-front companies exist only to sponsor and advertise sports, entertainment and some arts events (the Players Ltd. IndyCar race, the Matinee Ltd. women’s tennis tourney), using the same logos as their parent firms’ no-longer-advertised cigs.

FOREIGN ADVENTURES: The non-invasion of Haiti just might signal a revised definition of “America’s Strategic Interests.” In the past, we warred and invaded over material resources like oil to feed US domestic industry. Now, we’re taking charge of a country whose main asset is cheap labor for multinational corporations. It’s certainly feasible to think of this as the first military occupation of the NAFTA/ GATT era.

TUBEHEADS: Seeing the KCTS “Then and Now” promos with those old kinescoped clips of live, local, studio-bound educational shows, I sure miss those things (I’m just old enough to remember old shows like Builder’s Showcase and Dixy Lee Ray‘s nature lessons). There is something special about live TV that you just can’t get in edited location videotape; the lack of commercials makes the discipline even tougher. Studio TV is the electronic incarnation of Aristotle’s rules of dramatic unity: one place, one time, one linear sequence of events. Now I love shows like Bill Nye, but there’s something to be said for the surviving studio-bound shows likeThe Magic of Oil Painting. And the sheer volume of local programs on KCTS in the pre-Sesame St. years made it the closest thing to community TV before cable access. To see such examples of Pure TV compared negatively to the likes of Ghost Writer is like those talk-show beauty makeovers that turn perfectly fine-looking individuals into selfless style clones.

PVC BVDS: The Times, 10/14, reports a New Hampshire co.’s making thermal underwear (available thru the Land’s End catalog) from recycled plastic items including pop bottles. Just the thing to wear under your vinyl outerwear when it’s too cold to wait in line outside on Fetish Night. Alas, they only come in navy blue or green, not black. (Other non-fetish plasticwear’s available at Patagoniain Belltown.)

MEAT THE PRESS: Green Giant’s moving in on that health-food-store staple, the meatless burger patty. Ordinarily, this would be just another case of a corporation muscling in on a product developed by little guys. What’s different is that Green Giant’s owned by the same Brit conglomerate that owns Burger King, causing a potential conflict-O-interest in its slogans for the veggieburger, promising, a la ice beer, “more of what you want in a burger, less of what you don’t.”

THE CLAPPER: Spielberg, ex-Disney exec Jeff Katzenberg, and Courtney Love’s boss David Geffen want to start their own global movie/ music/ multimedia studio empire. What’s more, Bill Gates is rumored to be investing in it. I thought Gates had more sense. The last guy in his tax bracket with no media experience who tried to buy into the movies, John Kluge, is still pouring cash down the fiscal black hole of Orion Pictures.

KEEP ON YOU-KNOW-WHAT DEPT.: This year, it’s Seattle’s turn to get acknowledged on a nameplate with the Olds Aurora. Next year, according to automotive trade mags, there’ll be a light-duty pickup called the Toyota Tacoma! Besides falling trippingly off the tongue, the name implies a tuff, no-nonsense truck for a tuff, no-nonsense town. My suggested options: Super Big Gulp-size cupholders, Tasmanian Devil mudflaps, half-disconnected mufflers. My suggested color: Rust.

GETTING CRAFTY: Regular Misc. readers know I write lots about the aesthetic of community life, about how architecture, urban planning and the “everyday” arts affect life and health. These things have been thought about for a long time. One proof of this was the NW Arts & Crafts Expo, a collection of sales- and info-display booths earlier this month at the Scottish Rite Temple. This wasn’t street fair art, but work of the early-20th-century Arts & Crafts Movement. At its widest definition, this movement ranged from back-to-simplicity purists like Thoreau and UK philosopher William Morris to unabashed capitalists like author-entrepreneur Elbert Hubbardand furniture manufacturer Gustave Stickley. They believed an aesthetically pleasing environment enhanced life, and such an environment should be available to of all income brackets.

The movement’s influenced peaked between 1900 and 1930–the years of Seattle’s chief residential development. It’s no coincidence that the lo-density “single family neighborhoods” Seattle patricians strive to defend are largely built around the lo-rise bungalow, the A&C people’s favorite housing style. The movement died out with the postwar obsession for the cheap and/ or big–for the world of freeways, malls, office parks, domed stadia, subdivisions and condos. Our allegedly-feminist modern era disdained many traditionally feminine arts, including home design and furnishing. The beats and hippies knew the fabric of daily life had gone dreadfully wrong but couldn’t implement enough wide-ranging solutions. You don’t have to follow all the A&C movement’s specific styles to appreciate its sensibility. We haven’t just been killing the natural environment but also the human-made environment. As shown by the Kingdome and other collapsing new buildings (Seattle’s real-life Einzürzende Neubauten), many of these sprawling brutalities aren’t forever. The next generation of artistic people will have the task of replacing the sprawl with real abodes, real streets, real neighborhoods, and (yes) real ballparks.

ANOTHER YR. OLDER DEPT.: The Stranger, the local arts and whatever tabloid I do some writing for, recently finished its third year. (Misc. didn’t show up in the Stranger ’til Vol. 1 No. 9 in November ’91.)

I was reminded how far the local weekly of choice had come when the public access channel reran a Bongo Corral variety show from early ’92, featuring an interview with the paper’s first editor and future Bald Spokesmodel At Sea Matt Cook, talking of big plans for it to become the best real alternative rag this town’s seen. Big boasts for a paper that then was a raggedy 12-page collection of cartoons, entertainment listings, essays, satire and Savage Love. Now it’s a substantial assemblage of info, fun and ads with over 36,000 copies picked up each week (twice the highest figure of the local ’60s paper Helix, three times the peak of the ’70s Seattle Sun, and as of this month higher than the Weekly if you don’t count its Eastside edition).

The Stranger‘s still a tightly-budgeted operation, with an overworked/ underpaid staff and too few phone lines, but it’s paying its way. It’s become a forum for great cartooning, unabashed arts criticism, investigative reporting, and essays on matters great and small. And while never claiming to be anybody’s “voice,” it’s become a popular reading choice among post-boomers, the people the print-media business long ago wrote off as unworthy of anything but snide condescension.

It’s no big secret how the Stranger did it. It prints things it thinks curious members of the urban community would like to read. It doesn’t treat its readers as idiots or as market-research statistics. It’s been damned w/faint praise as “trendy” and superficial by publications that run cover stories about romantic getaways and Euro bistros. It’s slight on the fancy graphics and doesn’t do many clever white-space layouts. It runs long articles in small type with small headlines and small pictures. In an age of homogenized hype and celebrity fluff, it publishes interesting things about people who say and do interesting things whether they be bestselling authors or crumpet toasters. The closest it gets to consumer-oriented “service publishing” is the Quarterly Film Guide. In keeping with a generation desperate for a sense of historical continuity, its covers comprise a modern revival of the great humor-magazine cover art of the past. In a media universe saturated with shrill self-promotion, it’s a paper of content.

‘TIL NEXT TIME, look up Earl Emerson’s new thriller The Portland Laugher (probably the first novel ever titled after a regular crank caller on the old Larry King radio show), check out the McDonald’s Barbie play set (at last, she’s got a job most kids can expect to get in real life!), and note these words Mike Mailway found in the writings of Wm. Burroughs: “A functioning police state needs no police.”

PASSAGE

Computer visionary Ted Nelson (inventor of the term “hypertext”) in New Media magazine: “Power corrupts; obsolete power corrupts obsoletely.”

REPORT

You might like to look up some small excerpts of my collaborative fiction in the new book Invisible Rendezvous by Rob Wittig (Wesleyan U. Press), and a small excerpt from my forthcoming Seattle-music book in issue #2 of Mark Campos’s comic Places That Are Gone (Aeon/MU Press).

Copies of Misc. #92 (May) are sold out; as are proof copies of my Seattle music-history book. The trade paperback edition of the book will be out next spring (still looking for pictures and reminiscences).

With subs dwindling, I’m having to consider whether to discontinue the newsletter and concentrate on my Stranger writing and my book. Your advice would be most welcome. If I do end the newsletter (which wouldn’t happen until after issue #100), current subscribers will receive alternate collections of my work.

WORD-O-MONTH

“Oogonium”

8/94 MISC NEWSLETTER
Aug 2nd, 1994 by Clark Humphrey

8/94 Misc. Newsletter

(incorporating expanded versions of four Stranger columns

and one newsletter-only essay)

…AND THIS CEILING TILE WILL FLLLYYY AWAY!

Here at Misc., your most welcome piece of info since the news that Shannen Doherty will star in a TV movie about the author of Gone With the Wind, we think the just-released Flintstones TV soundtrack album is great and far superior to anything to do with the movie version, but it’d be greater if it had included Ann-Margarock.

UPDATES: Somebody called to report that there’s another salt-and-vinegar potato chip out there, made by the Kettle Chips brand and available at a few scattered outlets….

The family feud between Month magazine and Northwest Monthly, a rival formed by former Month staffers, ended with the Month publishers giving in and folding. The last Month art director has inherited the last Month office space and is using it to start yet another music/art/fashion tabloid, to be called Neo.

OUR “HOWCUM” FILE is puzzled that booze is sold on the car ferries, but prohibited on the passenger-only ferries. Lessee: It’s OK to drink if you’re gonna be driving, but not if you’re not.

THE NEW LITTER: The post-Dog House saga gets curiouser and curiouser. The legendary old roadhouse diner’s “Time to Eat” sign suddenly appeared in a longtime “restaurant graveyard” site at 5th & Denny. A window sign promises the mid-August opening of “The Puppy Club.” Yes, it’s run by the old Dog House people, and will have some of the old staff and some of the old amenities, but with no organ in the bar, some different menu items, and windows. It’ll be open all night weekends but (at least at first) will close at 11 during the week. Let’s hope it’s more of a Dog House revival than the joint now in the old Dog House building (a perfectly adequate restaurant but that’s all).

STAMPING OUT CRIME?: Misc. hasn’t said many nice things about the Seattle Police, but we do think it’s nice that new Chief NormStamper appeared in the Gay Pride parade. Odd name, tho: Down in P-Square, “stamper” is a term for guys wandering around with Joint Cover hand stamps, sometimes getting drunker and more unpleasant at each successive venue.

SERVING THE SERVANTS: An Aberdeen sculptor and ex-monster truck driver, Randi Hubbard, is making a 600-lb. concrete statue of Cobain. She wanted to give it to the City of Aberdeen, but city fathers were uneasy about putting it up in public. Those feelings were supported for other purposes by Novoselic, who wants his bandmate to be remembered according to what he’s called “the punk rock ethic” in which there are no monuments to superstars. Hubbard’s withdrawn her gift of the statue and will offer it to private buyers. Sounds like the futile attempt to make the Seattle Parks Dept. put up a Hendrix memorial, a drive that led only to a “hot rocks” monument in the African savannah exhibit of the zoo. Speaking of creativity and cultural independence…

DANCE FEVER: We now must say goodbye to XLR8R, the local rave-techno-disco-dance tabloid; its publishers are moving their whole operation to Frisco. The move highlights the chief problem with the local dance-music scene: its willingness to merely consume trends created in Calif. instead of growing its own talent and ideas. As XLR8R has reported, most every bigtime rave event in town gives its starring slots to Frisco DJs, with local spinners permanently relegated to opening slots. It’s a longstanding tradition that any creative endeavor in Seattle dies when it becomes just a market for Frisco artists. The original Northwest Rock bands (1958-66) created some all-time great sounds and filled the region’s ballrooms, but once acid rock hit big there was nothing for local bands to do but open for touring bands. To become something more than simple followers, the Northwest (not “West Coast”) dance scene will have to champion its own DJs, its own sounds, its own spectacles, and (yes) its own zines. Speaking of original artistry…

YA KILL ME: Of the current advocates of indie rock as a quasi-religion opposed to the orthodoxy of the major-label industry, few have a more adamant reputation than Kathleen Hanna, co-leader of Olympia’s Bikini Kill. Her band has gained a reputation as defiant tough women, even among mass-media people who’ve never heard its music. One person who has heard the band’s music is punk legend Joan Jett, who produced a 45 for the band. Now Hanna’s co-written three songs for Jett’s next album, Pure and Simple. What’s shocking is that one, “You Got a Problem,” was also co-credited to Desmond Child, corporate-rock producer for the likes of Kiss and singer in ’70s meathead band Desmond Child and Rouge (and a longtime Jett collaborator). Not only that but one of her Kill Rock Stars labelmates, Mary Lou Lord, has signed a publishing contract (but not a recording contract) with BMG Music (née RCA Records). You tell me: Selling out or buying in? Speaking of strong women of song…

A SHORT COOL WOMAN IN A BLACK DRESS: The tribute-album craze continues with a CD of modern stars covering Ms. Romantic Doom-n’-Gloom herself, the legendary Edith Piaf. Her signature tune, “La Vie en Rose,” will be covered by Donna Summer. If you think that’s an inappropriate stand-in for the late Little Sparrow, other non-waify, non-Euro voices on the CD will include country singer K.T. Oslin, Pat Benetar, Juice Newton, Corey Hart, and our own Ann Wilson. (What, no Morrissey?) It may only prove how great Piaf was, that no contemporary female artist can attempt her material without seeming like a bad joke. Even today’s “adult acoustic alternative” women singers are too level-headed to approach Piaf’s delicate combination of power and despair. What woman today would dare present herself as torn apart by romantic anguish, and as finding strength through such turmoil? (Maybe Diamanda Galas.) Speaking of modern women’s images…

DRAWING THE LINE: In a recent Stranger, comix artist/ editor Trina Robbins said a leading deterrent to women in comix (as creators and consumers) is the offputting ambience of comic-book shops. Now, comic-shop chain Dream Factory is opening six “Dream Factory for Her” shops at malls in Connecticut, Illinois and Ohio. A USA Today item quoted exec Lori Raub claiming the stores would have a “feminine look” with rose and purple colors. The article says the stores will sell clothes, art and jewelry in addition to comics, but doesn’t say how they’ll get enough appropriate comix product for their shelves. As Robbins noted, major comic book companies produce few titles with cross-gender appeal (notable exceptions include DC’s Sandman) and fewer specifically aimed at females (and those tend to be for younger readers, like Marvel’s Barbie titles).

Any store looking for comix product to sell to femmes will have to seek independent publishers of woman-made titles (like the locally-drawn Dirty Plotte, Bitchy Bitch, Tomato and Girlhero) and of general-interest titles that emphasize storytelling instead of shoot-’em-up action (like Jim, Deadface, Love & Rockets, and Eightball). A female-friendly store would be friendly toward comix outside the action-violence genre, and would be a great tool for developing the potential of the medium–something fans of any gender can cheer about. Still speaking of modern women’s images…

THE REAL SKINNY: The ultimate charm of the Fox summer serial Models Inc. is that it’s an anachronistic show set in an anachronistic world. One subplot involves a model whose creepy musician boyfriend is trying to raise $25,000 to make a professional demo tape to send to major labels. All he’d need to raise these days would be $2,000 to press an indie CD, get it in stores, and take control of his own career. Similarly, the models themselves are already-arrived faces of pouting perfection. A realistic show about would-be supermodels might have young naive image-obsessed walking skeletons trying to break themselves into a model’s lifestyle, maybe by trying out a new fruit-flavored Syrup of Ipecac. Some would indeed have schemer boyfriends who preyed on their low self-esteem, while others would be giving up on boyfriends who talk sincere enough but just don’t understand the emotional compulsion necessary to become a would-be model, to make the world love your body by relentlessly hating it yourself. (There are women whose figures I liked more than they did; they essentially told me that I was just a tourist while they had to live there.)

RAILING ON: Mass-transit planning is firmly controlled by an insider clique of hard-bitten bureaucrats and number-crunchers who don’t understand the aesthetic and cultural influences that would persuade people to take up non-car transport. That’s why I cheer tour-bus driver Dick Falkenbury and his Initiative 39. If it makes the ballot and passes, it’d create a public agency to build a 35-mile elevated light-rail system, and to find private financing for it if possible. It’d probably look and run like Vancouver’s SkyTrain, but it’d be sold to voters as an update/ extension of the Monorail. The county’s transit planners apparently never thought of this brilliant PR stroke. Nearly everybody loves the Monorail, even if few people have a regular use for its one-mile run. Just think: We won’t be sinking $700 million into some overpriced albatross that few people will use, we’ll be fulfilling one of the Seattle World’s Fair’s dreams for Century 21!

THE MUSIC OF YOUR LIFE DEPT.: ABC’s asking producers of its prime-time shows to not have opening theme songs this fall. The idea is to start out right away with credits flashing beneath actors trading their opening barbs, a la Seinfeld and Murphy Brown, to discourage remote-control zapping. Don’t they know they’re destroying one of the key rituals of the viewing experience? Without theme songs, what’ll nostalgic commercials use in the year 2010?

THE SOUND OF COLIC: Unemployed San Diego aerospace engineer Rick Jurmain and his wife Mary have invented “Baby Think It Over,” an anatomically-correct, battery-powered, squishy-faced baby doll that cries loudly and shrilly at what its makers call “random, but realistic intervals, simulating a baby’s sleeping and waking patterns to its demand for two.” The $200 dolls come in four ethnic varieties plus a special “crack baby” version. The inventors want the dolls to be used in schools to warn teens that having babies isn’t always cute and cuddly. To really do that, they’d need a whole line of dolls, like Baby Stinky Pants, Baby Barf-A-Lot, and Baby Climb-Into-The-Dryer.

THE INCREDIBLE BULK: Had some thoughts while wandering through the massive new Aurora Village Costco warehouse. There are four major national retail institutions from Seattle: Nordstrom, REI, Starbucks and Costco. The latter chain is the closest to the “Seattle scene” aesthetic. At first, punk rock and Costco might not seem to have much in common. Punk is an urban thang; most warehouse stores are located way out there. Punk is built around independent retailers filling highly specialized desires of cult audiences. A warehouse store offers only a few popular items in each department; Costco’s puny CD department doesn’t sell any alterna-rock more obscure than In Utero. But look further: We’re not a scene of debutantes spending Daddy’s money buying designer duds and snorting nose candy in discos. We’re a scene based on thrift, no-nonsense graphics, and the glorious excesses of the common capitalist American. We thrive on low-budget spectacles of glorious lowbrow pleasure. We believe in empowering small business (something Costco claims to also believe in), and in subcultural communal experiences (which Costco shopping certainly is). We like to gather at obscure sites away from the glare of malls. And we much prefer to shop among Laotian immigrant families and self-employed cab drivers than among the Bellevue Squares. And Costco’s got great beer and coffee prices. Speaking of which…

JUNK FOODS OF THE MONTH: One item found in some warehouse stores is Tongue Splashers Bubble Gum, a Canadian-made product that promises to “paint your mouth in a splash of color.” These colors include Bleeding Red, Color Me Blue, Orange Crunch, Slime Green and Slurpin’ Purple. Even cooler is the package: a real paint can, with 240 pieces inside! …

The official Seattle Seahawks chewing gum is a lot like the team. It seems tough for the first couple of seconds, but very quickly proves just how soft and pliable it really is. Speaking of odd consumptible concepts…

HOW DRY I AM DEPT.: Powdered beer has been announced by a Czech brewery, intended at first for export to Russia. “All you need is a pot and a spoon, and you can have your own beer in about 10 days,” brewery spokesperson Jan Oliva told the AP. It contains active yeast cultures that quickly form alcohol once you put the powder in water and let it mature to taste. It costs about 25 cents a quart. “It looks like beer, it tastes like beer, and it has a head too,” Oliva said. “It is beer, and a good one at that.” Maybe it’ll become a fad item over here; heck, anything’d be better than the ice-beer and clear-beer campaigns…

Except, perhaps, for the rumored new product of the St. Ides/Black Star people, an item as yet unnamed but said to be “a malt liquor for white people.” Speaking of beverage products aimed at young markets…

PR LINE OF THE WEEK (postcard to a band’s mailing list): “This is a postcard to promote `Running With Scissors‘ and to tell you things are going to be okie dokie. … The Scissors Manifesto: 1. Attending our shows and buying our CDs are the keys to `okie dokie-ness.’ 2. People who request our songs on the radio are okie dokie. 3. Actually, sex is much better than `okie dokie-ness’ but no one will pay us for sex. 4. It would be really great if young people had a reason to feel better than just okie dokie. 5. Foul tasting, over-hyped beverages do not make you feel okie dokie…. Not affiliated with any patronizing multinational beverage company.” Speaking of which…

WATCH THIS SPACE: The OK Hotel (a great music venue, no relation to any lousy soft drink) almost finally went all 21-and-over last month, a year and a half after its owners first threatened to. The owners were looking for a way to make the ol’ music-n’-art cafe more financially stable, and decided to add a tavern in an unused storefront area of the building. This would’ve made the whole space officially a bar, and hence verboten to minors during entertainment hours; but (for once!) the Liquor Board agreed to an arrangement wherein the music room will still be open to all, but over-21s can access the new bar area. The loss of Seattle’s only full-time all-ages music space would have been an incalculable blow to the development of new bands and new audiences, and would have hindered the continued growth of the local scene. The occasional Velvet Elvis, Penny University and King Theater all-ages shows help a little, but what we really need is a way for a commercial venue to meet its expenses while letting both under- and over-21s in. Let’s hope the new OK layout proves to be one such way. Speaking of kids-n’-culture…

THE YOUNG AND THE CLUELESS: I saw a horrendous CNN interview session at the KNDD studios (don’t blame the station for any of this). Twenty-three people in their mid-20s (a CNN publicist insisted on calling this age group “kids”) took turns in a conference room, where a camera crew taped them in three-quarter profile on the left side of the screen, before a speckled-blue backdrop, while a producer asked them such probing questions as “Is there such a thing as Generation X,” “Is there a generational conflict with baby boomers?”, and “The media generally says Gen X is defined by divorce, AIDS, poor economy and a distrust of politics. What do you feel about each issue?” Not attending was ex-MTV guy Adam Curry, who’ll narrate the finished show, Boom or Bust?–airing (natch) on Woodstock ’94 weekend. Aargh!

COLD AS ICE: Penthouse may soon run stills from home sex videos of Tonya Harding, supplied by ex-hubby Jeff Gillooly. Haven’t seen ’em, but can probably assure you that the pix will reveal that Harding (1) is a woman, and (2) used to have relations with someone to whom she was married. BFD.

SIGN OF THE MONTH (outside Megan Mary Olander Flowers on 1st Ave. S.): “Clues That You’re In the Wrong Age Group: You walk into the party and everyone hides their beer. Your bell bottoms and platform shoes are originals. No one knows who Marlo Thomas is. Rad is not a unit of radiation. They talk Star Trek and you drop the name William Shatner. All your friends are taking Retin A and Alpha Hydrox (isn’t that a cookie?). You were around when martinis and Tony Bennett were cool the first time.”

OTHER VOICES (Fintan O’Toole in a recent issue of The Irish Times): “We have now reached the point where every goon with a grievance, every bitter bigot, merely has to place the prefix, `I know this is not politically correct, but…’ in order to be not just safe from criticism, but actually a card, a lad, even a hero. Conversely, to talk about poverty and inequality, to draw attention to the reality that discrimination and injustice are still facts of life, is to commit the new sin of political correctness…. Anti-PC has become the latest cover for creeps. It is a godsend for every curmudgeon and crank, from the fascists to the merely smug.”

CLIPPED: Northwest Rock, one of the only two regularly-scheduled outlets on Seattle TV for regional acts (especially indie and unsigned acts), has been canceled by KTZZ. It can be argued that the station’s sales staff didn’t know how to market the show, and that it was hurt by its 1 a.m. Saturday time slot (when people who liked these bands would be out seeing them). Producer Frank Harlan, a.k.a. Bill Bored, isn’t giving up; he’s got plans for occasional specials, and may try to relaunch the show under some other financial setup, on KTZZ or some other outlet. It might help if you write KTZZ, 945 Dexter Ave. N., 98109, tell ’em you want to keep seeing “Northwest music history in the making” and would watch it in a better time slot.

‘TIL WE BAKE SLIGHTLY LESS in Sept., check out the Thursday night “Rock n’ Bowl” at Imperial Lanes on Rainier (the real-life equivalent to the “Soul Bowl” depicted on a recent Stranger cover), be sure to catch TV Nation, Fox’s great reruns of Thunderbirds Sat. morns and Lifetime’s great reruns of Mary Hartman, Mary Hartman Sat. nights, and recall the sage advice of the immortal James Thurber: “Early to rise and early to bed makes a male healthy, wealthy and dead.”

PASSAGE

Bucky Fuller’s classic definition of a human being: “A self-balancing, 28-jointed adapter-base biped…the whole complex mechanism guided with exquisite precision from a turret in which are located telescopic and microscopic self-registering and recording range-finders, a spectrascope, etc., the turret control being closely allied with an air conditioning intake-and-exhaust, and a main fuel intake.”

REPORT

Still looking for pix (photos, posters, record art) for my book on the real local music history.

If you’ve any comments on what ought to be in the new bigger newsletter (i.e., if you think the fiction’s cool or sucks), lemme know.

WORD-O-MONTH

“Sedulous”

THE MEDIA SEATTLE

There are many Seattles more or less co-existing in the same real estate, but practically the only one you hear about in the local mainstream media is what we might call the Media Seattle. The Media Seattle is the only Seattle you see on Evening Magazine, in the Weekly, in Pacific Northwest magazine, in commercials, and in Nordy’s ads. It’s the only Seattle you see when Good Morn. America or Tom Snyder’s cable show come here: Pike Place Fish, houseboats, Starbucks, microbrews (but never any drunks), Bill Gates, the Museum of Flight, and maybe Boeing. You see Westlake but not Eastlake, Green Lake but not the Duwamish. The Media Seattle myth tries to condescendingly explain away “the grunge explosion” without acknowledging that the Punk Seattle is diametrically opposed to the obsessive smarminess and blandness of the Media Seattle.The Media Seattle often brags about its “commitment to diversity” or “multiculturalism,” but it’s a sham. The Media Seattle only gives a damn about you if you’re an affluent member of the baby-boom generation (or a pre-teen child of one), and only if you’re either a non-Catholic white or an assimilationist minority trying to be a white boomer. A few Japanese-Americans are allowed in the Media Seattle, but no Koreans or Vietnamese and certainly no Samoans.

Representatives of the traditional news media sometimes try to scare you that the Info Hi-Way will make information accessible only to the affluent, but that’s what those traditional news media themselves have been doing for the past 20 years. When was the last time you saw minority or working-class people depicted as non-buffoons in the local dailies, as non-criminals on local TV news, or at all in the Weekly? When was the last time you saw our “Seattle” mainstream media treat city residents with respect, instead of aiming only at some mythical average family out in the higher-priced subdivisions? There’s this one very narrow class of people that the media want to reach. If you don’t belong to it, you won’t be shown in the media (and that includes “alternative” media that try to be “progressive” but still all-upscale) unless you get arrested for something bad.

When I see images of the Media Seattle, I think what a dull, utterly bourgeois place that would be if it existed. The Commons and the Urban Villages are attempts to make that smarmy fantasy a reality. Thank God we still have some other Seattles in our midst, at least for now.

6/94 MISC NEWSLETTER
Jun 1st, 1994 by Clark Humphrey

6/94 Misc. Newsletter

(incorporating four Stranger columns)

THIS WAS TO BE THE YEAR

THE SONICS WENT ALL THE WAY.

INSTEAD, THE FANS GOT A HEADACHE

Welcome back to Misc., your friendly roadside diner along the Info Hi-Way, the kind with the big neon sign facing the road that just says EAT. This edition is dedicated to Jim Althoff, one of the last local talk-radio hosts to dare to be smart instead of sleazy. He and wife Andee Beck (formerly the region’s smartest TV critic) are off to do a show in Milwaukee. We’ll miss ’em. (More on Althoff’s ex-station later.)

DEPT. OF CLARIFICATION: I don’t normally write about my personal life, but half the stuff written about me in the 5/11 Weekly isn’t true. If you need to know which half, send a SASE.

UPDATES: The pirate radio station Free Radio Seattle has had equipment problems and isn’t on the air yet, but now plans a 90-minute inaugural broadcast for midnight June 4, somewhere near 88 FM…. The people who left Month magazine and tried to start a copycat free mag called Monthly have subtly changed their name to Northwest Monthly to avoid confusion with what a Monthly editorial called “a junior high rag.” They’re also putting out Bean: An Idea Cafe, a literary/poetry zine with reviews of only old-hippie-acceptable music (folk, jazz, blues). (One corec: Month and Monthly‘s common ancestor, Face II Face, was originally sold for $2 a copy; it later became a freebie.)

REMINDER TO THE MEDIA: When Bob Hardwick, Seattle’s leading middle-of-the-road radio personality for 30 years, tragically shot himself a year or two back, you didn’t see any dorky commentators claiming the suicide proved that all middle-aged Sinatra fans were pathetic losers.

FADE AWAY NOT: In the first weeks after the Cobain tragedy, I heard several locals privately refer to it as the closing chapter in the “Seattle scene” mania. Does it really mean “the party’s over” locally? Ever since Mudhoney first appeared on the cover of Melody Maker almost six years ago, some people here have expected (and even hoped) that the bigtime music-biz would quickly tire of Seattle and everyone could go back to playing just for one another. It hasn’t happened yet, despite the concerted efforts of the media to shoehorn all Seattle bands into one stereotyped fad, and then to declare that fad over. Face it: The corporate entertainment establishment’s scared of people outside NY/LA making their own culture, refusing to be good passive consumers.

Seattle rock isn’t one singular sound, but it does represent an attitude of DIY production and distribution, of creating things you really like that communicate directly with audiences because they really like it. Just how well this formula worked was proved by the immensity with which Cobain’s death shocked and saddened people. The tragic loss of a singular artist and the end of Seattle’s premier band threw everybody for a big harsh wallop and made everything seem a whole hell of a lot less fun, but it doesn’t change the fact that the NW has two dozen other major-label bands at last count. There are as many as 50 other world-class indie acts in Washington and Oregon, playing a wide variety of sounds, plus hundreds of fascinating/fun/dull/bombastic club acts.

I’ve found that California people used to like Seattle when it was thought of as little more than a good market for Calif.-made culture product (LA films and fashions, SF rock bands and authors), a friendly rival to the LA aerospace-defense industry, and a middle-aged-hippie retirement home with good pot and lotsa magic ‘shrooms ripe for the pickin’. But somewhere along the line, us Nordic hicks started getting uppity; some of us thought we could create some of our own culture for a change. Maybe it was these Seattle rock bands and theater troupes that got the southwesterners to notice our new attitude; maybe it was when the pivot point of the PC biz moved from Palo Alto to Redmond.

In any event, I’ve seen a lot of attempts by Calif. writers and commentators to put us northern yahoos back in our place. The corporate culture industry of LA and the bohemian culture industry of SF both have a vested stake in preventing the movement of DIY empowerment that Seattle represents. All the rock-journalism hype about “Looking for the Next Seattle” was based on trying to promote the image that Seattle had just been a place where a few good bands were ready to be absorbed into the media machine, and that any other town might have similarly-exploitable talent. They’re not willing to admit out loud that Seattle and the other local scenes represent a threat to corporate rock’s very existence, that we want to replace the media machine with what that NY-centrist Patti Smith called “the age when everybody creates.”

PHILM PHACTS: Movies based on TV series have one basic flaw: A TV series isn’t a story. It’s a concept, a set of characters, running shticks and situations; more like a role-playing game manual than a story. A movie script is a sequence of events with a set beginning and end. Once a TV-based movie has established the characters and running gags or dramatic elements of the series, it finds itself with nothing to do and an hour of screen time to fill. The Fugitive avoided this problem by stringing together the initial premise and conclusion of the original series with some Steadicam chase scenes, avoiding the plot elements that made up most of the series episodes. Maverick, The Flintstones, Car 54 Where Are You?, The Beverly Hillbillies, et al. haven’t solved this.

THEIR MONEY: Let’s set the story straight about that ubiquitous right-wing bogeyperson, the infamous “added costs” that prevent businesses from pricing products and services at the cheapest price. Anything beyond the cheapest possible cost of making and shipping a product is “added cost.” Yes, that includes the standard old talk-radio nemeses of taxes and environmental regulations, plus the new talk-radio nemeses of employee health insurance; but it also included mob payoffs, excessive executive salaries and perks, advertising, lawyers, bank fees, lobbying, donations to the symphony, losses on bad real-estate investments, etc. Any Gucci-clad executive who whines that health care for his workers would be an excessive “added cost” oughta be willing to give up half his salary. If the conservatives had their way, we’d all be dying of TB caused by unsafe living conditions so the privileged could have even more privileges.

HARD BARGAINS: The Nordstrom family apparently learned a lot from its former ownership of the Seahawks about wringing forth public subsidies for private business. Nordstrom now allegedly won’t move its downtown store into the old Frederick’s building unless the city gives it big tax breaks, the state builds a bigger convention center, and the feds change rules to encourage cruise ships to dock here. (Store officials don’t call this a list of absolute “demands,” just suggested steps to improve the “business climate.”) If all this doesn’t happen, according to a meeting between corporate and government officials leaked to the P-I, the Nordies hint at threatening to diminish their current downtown store and to move their corporate offices to Oregon or California. Not quite the image of selfless customer service, eh? Speaking of businesses that demand your support…

EVERY BREATH YOU TAKE DEPT.: I’ve already harped about the self-serving hypocrisy of vegetarians who smoke, but this is a life-n’-death issue so I’ll continue with another argument: If you’re such a rebel bohemian, why do you give up your money and your body to the tobacco industry, one of the most reactionary and anti-humanistic forces on the planet today? And don’t think you’re avoiding the campaign coffers of Jesse Helms if you buy that brand that’s falsely billed as Native American-made (it really isn’t; it only advertises to be “true to the Native American tradition,” whatever that means). That’s just a smaller company within the same huge legal drug cartel that’s gotten federal subsidies to keep making products that kill when properly used. Now the US cig industry’s responding to declining domestic sales by seeking new people overseas to enslave, like women in China. Speaking of legal drugs…

THE FINE PRINT: The Rainier Ice bottle prominently displays the product’s bountiful alcohol content twice, but you have to look to find out that you only get 10 oz. of the stuff, instead of the standard 12. Speaking of questionable beverage marketing…

THE EDGE OF WETNESS: In a desperate attempt to rebuild its still scandal-damaged US market, Perrier‘s launching four designer bottles with pseudo-art-deco designs by what its PR calls four “artists of the future” — really professional ad artists. This attempt to start a collectible craze ruins what had been the finest bottle design in its market segment, and doesn’t disguise the fact that what’s inside is still filtered H2O plus CO2, just like the cheaper domestic stuff. Still speaking of questionable beverage marketing…

LIKE A VELVET GLOVE CAST IN RECYCLABLE ALUMINUM: The Coca-Cola Co. has made the most brazen attempt yet at reaching the young PoMo sensibility. OK (billed as “A Carbonated ‘Beverage’ “) is an orange-lemon-lime-cola melange with caffeine and a dark-pinkish color, test-marketed here and in eight other towns. It tastes and looks like that stuff you made as a kid by squirting a little from every 7-11 Big Gulp nozzle into the same cup. It’s got a set of package designs by ex-Seattle cartoon legend Charles Burns and another with the monochrome ennui of Eightball cartoonist Dan Clowes, who got $7,000 for the rights to existing panels of his art. According to Time, the brand is the product of two years of research into youthful attitudes, including data from MIT’s “Global Teenager” project, and is meant to sell to skeptical kids here and worldwide (one possible reason for the non-sequitur texts on the packages, which read like Japanese English ad copy.) The whole marketing campaign’s the work of Weiden & Kennedy, the infamous Portland ad agency that gave us Nike, Black Star beer, and the Subaru commercial with the line “It’s like punk rock, only it’s a car.” Speaking of Rose City media products…

PUTTING THE X IN PDX: Several parties have tried to create a heterosex mag for the now generation. But Bikini is too steeped in snowboarding graphics, and Future Sex is too slopped in the anti-human dispassion of cybersex (masturbating with robots being the fantasy of male computer nerds who grew up with too few girls and too many issues of Heavy Metal; if traditional porn is fantasizing for purposes of masturbation, cybersex is fantasizing about masturbation).

It took a low-budget effort from Portland, the double-entendre-titled X Magazine, to come at least close to doing it right. It’s nicely printed on non-slick paper, with type you can actually read. The 42 photos (most in that “arty” black and white) include visual and verbal depictions of young women and men who like one another and themselves–the “alternative” press’s only current sexual taboo, the taboo against inter-gender friendship. The most erotic pic, for me, is on the contents page, with a friendly female face glancing playfully-knowingly toward the staff list. There’s also a spread of a passionate couple stripping out of grunge fashions (you don’t see whether the guy’s hair is his longest feature), some not-too-dumb poetry, an actually-funny spoof of the Tonya Harding media feeding frenzy, and a nice profile of Miss Red Flowers, Portland co-ed rock band that (like Seattle’s Sick and Wrong) has sometimes gone naked on stage. The only downsides: a dumb woman-in-bondage photo (illustrating a man-in-bondage fiction piece) and a puff piece on this moment’s worst corporate “alternative” band, Paw. Available at Bulldog News and Fantasy (Un)ltd. Speaking of sexy printed matter…

NEW MONEY: The feds are talking about redesigning our paper currency, starting with the smugglers’-favorite $100 bill. About time. We’ve got some of the least inviting-looking money in the world. Why should the Canadian buck be worth less but look so much more colorful? Hey, let’s have commemorative bills, just like stamps — money with a thin and fat Elvis, a thin and fat Jim Morrison, or a fat and thin Oprah.

DEAD AIR REVISITED: Irv Pollack is the kind of feisty senior citizen you might hear calling talk radio, unafraid to call the host on a grievously wrong point. When KING-AM was put up for sale, Pollack wanted to buy it, to make it America’s first for-profit community station. He had no experience in broadcast management (tho’ he was a former KCMU news volunteer) and no capital to invest, but he hoped the Bullitt sisters, who were selling the station to endow their environmental foundation, would give him the time to assemble a deal by raising funds from the likes of Robert Redford, Ben & Jerry’s, the Working Assets long-distance service, and author Paul Hawken. But neither time nor money were on the side of Pollack’s quixotic quest. Within weeks, KIRO agreed to pay $2.5 million for the station, which has lost money as long as anyone can remember. This kind of artificial price is only possible because the Feds now let big station groups to own up to four stations in a town. This policy reduces competition, stifles a diversity of voices, and helps nobody but the owners. Speaking of lost opportunities…

SPACES IN THE HEART: Tugs Belmont is now a non-gay bar called Beatnix, with a pool table and jazz and spoken-word shows. Thus ends a tradition that goes back to the original Tugs Belltown (1979-89), a less exclusively-gay disco than Tugs Belmont was. It was also, on weeknights, the first above-ground punk/new wave dance club in town. When Tugs #1 was evicted by its landlord for redevelopment, the Tugs people took over the space that had been Squid Row (1986-90), a gloriously stinky and dank live-music club that hosted a variety of sounds but was best known as one of the chief sites where a few people developed the beer-sodden growls that the outside world still mistakenly thinks all Seattle bands sound like. Both Tugs incarnations had their troubles with a Liquor Board that couldn’t appreciate gay erotic images or queer-positive performance art. Tugs #2 was slapped with a week’s suspension due to a recent underwear party. The owner, who according to inside reports was getting tired of keeping the joint afloat, decided to close it instead….

Also now closed is Belltown’s last lowbrow watering hole: the notorious tavern on 2nd, north of the Crocodile, that hadn’t had an outside sign for several years but was officially known as Hawaii West (I know we’re east of Hawaii; the name referred to a previous Hawaii Tavern in another part of town). As the last place of its type in the area to not get upscaled (besides the Rendezvous), it was a refuge of barflies who’d been 86’d or made unwelcome everywhere else….

And while nobody was looking (or rather, because nobody was showing), the Vogue quietly dropped its last live-music nights in favor of an all-DJ format. Now, nobody’s new band will be able to play the little stage where Nirvana made one of its first Seattle shows, that had hosted Seattle’s best & brightest since 1980 (as WREX). It now seems like a lifetime ago, but before 1990 the Vogue’s Tues. and Wed. night shows were some of the most important showcases a local band could get, back when the only other places to play were the Central and the Ditto (which were only open weekends) and the Rainbow (which had “new music nights” early in the week). Speaking of musical memories…

YESTERDAY ONCE MORE, PART 1: During most of my adult life, “Classic Rock” meant 1956-71 hits only. Then came the ’70s Preservation Society, Rhino Records’ Have A Nice Day CD compilations, the movie Dazed and Confused, ’70s dance parties in some cities, revival bands like the Gin Blossoms, and (most importantly, biz-wise) the aging of ’70s teens into the advertiser-preferred demographic brackets. ’70s-nostalgia radio formats have hit the airwaves in over 20 cities. Barry Ackerly’s turned the old K-Lite into KJR-FM, playing some of the hits heard on KJR-AM during that station’s Emporer Smith/Norm Gergory silver age (which followed its Lan Roberts/Pat O’Day golden age). The emphasis is on whitebread corporate-rockers (Eagles, Springsteen, Jackson Browne), not on the era’s wacky AM hits (as chronicled in Barry Scott‘s new book We Had Joy, We Had Fun), certainly not on late-decade punk, and not even on the decade’s great R&B-pop (much of it recorded by ex-Philly soul producer Thom Bell at what’s now Heart’s Bad Animals studio, then owned by KJR’s parent company). For that you’ll have to catch this season’s two ’70s-soul nostalgia movies or catch Spike Lee’s current Nike ads. The ’70s-nostalgia format just regurgitates the stupidity that the early punks rebelled against. What’s scarier is that it means corporate ’80s nostalgia will eventually appear. I can guess how horrid that’s gonna be: They’ll claim we all really were in love with Reagan and Rambo, just like corporate ’60s nostalgia claims that everybody alive back then was a white liberal-arts student.

YESTERDAY ONCE MORE, PART 2: A quarter-century ago, self-styled “visionaries” among the downtown business elite proposed radical solutions to two “blighted” areas of Seattle. They wanted to turn Pioneer Square into one big parking area, and to replace either all or most of the Pike Place Market with offices and condo towers. The pro-development forces (which included the local dailies and the mayor’s office) dismissed the people who lived or worked in those districts as bums, marginal types and hippie-dippies who were impeding the way of sacred Progress. Fortunately, the hippie-dippies et al. prevailed. Watch for similar arguments to be made against Commons opponents.

SIGN OF THE MONTH (meticulously painted on the facade of Sam’s Super Burger, 26th & Union): “No trespassing. No loitering. I don’t come to your place and sell my burgers, so don’t you come to my place and sell your drugs.”

COMMODORE BUSINESS MACHINES, RIP: Jack Tramiel was an Auschwitz survivor turned hard-headed entrepreneur, who took over a calculator company in the mid-’70s and brought out one of the very first PCs, the Commodore PET. Clever low-cost engineering and lowball pricing helped make the PET’s successors, the Vic-20 and Commodore 64, the first computers of many an early-’80s hacker-dude. In ’85, as the industry was consolidating (and just before Tramiel was ousted from his own company), the firm brought out the Amiga, a mid-level home machine with a proprietary operating system and one unique component — standard NTSC video input/output. The Amiga failed as a home machine but found a niche market among audio and video mavens, especially after the NewTek company brought out the Video Toaster add-on circuit board in 1990, which enabled budding TV-hackers to perform pro-level video editing and effects for less than the price of a big-screen monitor. The Amiga finally had a “killer app,” a third-party application that drove hardware sales. But it wasn’t enough, and now Commodore is being liquidated. No word yet what’ll happen to the Amiga or its loyal users.

JUNK FOODS OF THE MONTH: Don’t be mistaken, newcomers: Eggheads are not larger versions of Cadbury Creme Eggs. They’re really miniaturized Mountain Bars (have a Northwest native tell you what those are). Just remember for now, “Brown & Haley Makes ‘Em Daily!”… Orville Reddenbacher’s microwave popcorn now comes in “Artificial Movie Theater Butter Flavor.” Actually, it tastes better than the popcorn you get in artificial movie theaters…. Ginseng-flavored chewing gum, a staple of Asian groceries, has been hyped in the new-age press as an alleged aphrodisiac. Something called Gum Tech International has responded with Love Gum (for “the woman with a healthy attitude” and “the man who wants peak performance”), Chiclets-like nuggets with just a touch of ginseng powder. The primary flavor? What else: cherry…. And be sure to attend our junk food film festival and Misc. 8th Anniversary party, 8pm Wednesday 6/8 at the Pike St. Cinema (all ages this time), 1108 Pike St. at Boren Ave., just east of the freeway.

WHERE THEY BE NOW: I finally tracked down ex-local performing artist Tomata du Plenty in Miami, where he makes paintings at a studio in Little Haiti and tends bar in the Design District. He looked back fondly at his wild days in Ze Whiz Kidz (Seattle’s first gay theater troupe, and font of the homespun-camp-cabaret influence in local theater to this day) and the Tupperwares/Screamers (one of Seattle’s first punk bands). He was saddened to hear that fellow ex-Screamer Dave Gulbransen (aka Rio de Janeiro) had closed his family’s business, the Dog House.

‘TIL NEXT TIME, be the first on your block to get FutureTech’s new disposable 3-D still camera, root for the Vancouver Canucksin the NHL hockey finals, and heed these words from Calvin Trillin‘s classic tome Alice, Let’s Eat: “Never eat in a restaurant that’s over a hundred feet off the ground and won’t stand still.”

PASSAGE

Some more words-O-wit from that “self published aphorist” (zine publisher) of ’20s Vienna, Karl Kraus: “I hear noises which others don’t hear and which disturb for me the music of the spheres, which other people don’t hear either.”

SPECIAL EVENT!

Celebrate the 8th anniversary of this little literary serial and the launch of my next endeavor (see next item) with the MISC@8 party and Junk Food Film Fest, Wednesday, 6/8, 8 pm, at the cozy Pike St. Cinema (1108 Pike & Boren, just east of I-5 and the Convention Center).

My book on the history of the Seattle punk scene, Here We Are Now: The Real Seattle Music Story, will be published early next year by Feral House, the Portland cult-faves who brought you the anthology Apocalypse Culture and the Ed. Wood Jr. bio Nightmare of Ecstasy. I’m selling off my remaining stock of photocopy rough drafts. Get yours now, or wait for the real book.

WORD-O-MONTH

“Myxoedema”

5/94 MISC NEWSLETTER
May 2nd, 1994 by Clark Humphrey

5/94 Misc. Newsletter

(incorporating five Stranger columns)

Here at Misc. we can’t wait for the longtime local label K Records to start a joint venture with the new local label Y Records. The connection between the two would undoubtedly go very smoothly.

THE MAILBAG: Thanx to all the Aldus people who E-mailed words of reassurance after the piece here about the software giant last time. One guy said not to worry about Aldus’s future, that the firm’s forthcoming merger with Adobe Systems would be more like a “marriage” than a corporate takeover. (I think we’ve all seen marriages that were like corporate takeovers, but that’s beside the point…)

FOR LOVE OR $$ DEPT.: For shameless audience manipulation, nothing could compare to KCTS‘s weekend marathon of Getting The Love You Want, a home-video marriage counseling series. The facilitator picks a couple from the audience, has them reveal their issues and conflicts, then leads them in working out their differences. He closes the segment by getting the couple to hug and avow their continued empathy. This moment of tenderness and generosity closes, and then we see another pledge break.

THE NEW LITTER: The P-I reports that the much-hyped closure of the legendary Dog House restaurant was just a ploy by its owners to get out from its lease and its union contract. But it backfired; the eatery’s landlord decided not to sign a new lease with the Dog House people, but instead to let the owners of that other legendary 24-hour hash house, Beth’s Cafe, take over the space. The newly-christened Hurricane Cafe doesn’t have a bar, organ player, murals (its walls are newly painted in the same plum color as Linda’s Tavern on E. Pine), or such old-time menu items as liver and onions, but it does have big food at reasonable prices at all hours. The Dog House folks are reportedly looking for a new downtown site to open a non-union cafe, which may or may not have any of the old Dog House iconography.

FOUL TIP: The Mariners opened another season amidst new hype about the team actually maybe winning a division this year (a new mini-Western Division shorn of the powerhouse White Sox). And as usual, a new season brings out the usual media hype of “Whither Baseball?” Here’s what I think’s wrong with the game: 1) a new TV contract worse than hockey’s, with half the national cable games, no network games until July, and regional-only playoff telecasts — a setup that won’t help promote the game to new fans; and 2) its reputation as the sport of writers and other dullards, who blather on about such esoterica as the dimensions of the field (I’ve never seen ponderous essays on how a basketball court’s 96 feet long, a multiple of the sacred numbers 8 and 12). When they’re not doing that, writers use baseball to conjure up images of that Bygone Innocent America, that nice all-white-middle-class wonderland that never was. Face it: a game marketed to exploit grandpa’s selective memories isn’t gonna attract enough kids to maintain a decent supply of players, let alone a decent supply of fans.

PUFF PIECES: The King County Council may vote this month on a plan, drafted by the county health department, to ban smoking in restaurants. If approved, the ban would first take effect in the suburbs, then spread to Seattle in ’95 when the county takes over Seattle’s restaurant regulation. You could still smoke in taverns, lounges, and in restaurants that were willing to serve adults only, at least until they pass a broader ban. I think smoking is a wretched habit; but everybody I meet these days smokes, especially the vegetarians. This is Big Brother-ism at its most persnickity.

INK STAINS: Fourteen months ago, some dudes in Lynnwood started Face II Face, a free monthly newsprint magazine with equal emphasis on fashion, art, music and fiction. The Face II Face team split up un-amicably last November, with several members relocating to Seattle and re-starting under the name Month (though the cover flag said “November,” “December,” etc.). That crew just had another falling out. Jim and Jodi Madigan continued to publish Month, unveiling a slightly revised graphic design in their April issue, while their ex-colleagues Bill Maner, Tom Schmitt and Roger LeBlanc just put out something called Monthly, whose premiere April issue is billed as “Vol. 1 No. 6” and looks just like the first five issues of Month except it’s not stapled. To add to the confusion, neither publication mentions the family feud in its pages. We’ll see if they start up fistfights over press credentials to runway shows.

WANKING ON PARADE: That professional egotist and artistic has-been John Lydon, in town on a book tour, was scheduled to appear on The Spud Goodman Show. Goodman had outlined half an episode to the Lydon interview, the most he’d ever alloted to a single guest. KNDD’s Norman Batley, who’d took on a volunteer producer position on the Goodman show, was in charge of bringing Lydon from his hotel room to the studio. But somebody, either on the local PR team handling the tour stop or one of the print-media reporters keeping him busy, dissuaded him from going, charging “that’s not even a real TV station.” Goodman and his normally scripted cast had to improvise a new show on the spot, shuffling in segments written for other episodes and making introductions for location segments that don’t exist yet, that will have to be shot and edited into the episode before it airs.

THE MARGINAL WAY: There’s been a big media blitz over the county’s plan to revive the beautifully rusty Industrial District between the Kingdome and Tukwila. The stories quoted officials claiming that unless We Act Now, the zone could become a “rust belt” a la the abandoned factories of Michigan and Ohio. The top paragraphs of the stories mentioned all-well-n’-good stuff like fixing roads and cleaning up toxic waste. But if you read further you find out that there really aren’t many vacant sites in the area, that it’s well-occupied by small and medium businesses. Most of the horror stories cited in the articles about companies leaving the ID turn out to be about firms that wanted bigger tracts than they could get.

It doesn’t take much between-line reading to wonder whether the politicians are really seeking an excuse to condemn and consolidate tracts down there, evict some of the little guys, and turn the area over to bigger operations by bigger companies — the sort of companies that employ proportionately fewer people, but make bigger campaign contributions.

MISC.’S LOOPY LEXICON defines “race-blind casting” as the courageous risk of daring theatrical directors to award all major roles, no matter what ethnicity the characters may be, to white actors.

THE LAST WORD ON GANGSTA RAP: When hiphop was ruled from NY, it was an explosion of creativity with a social conscience. Then the Hollywood showbiz weasels took charge and, as usual, ruined everything. If I believed power, money, intimidation, sexism and egotism were the answers to everything, I would’ve become a Republican.

LITERAMA: Clever people across the country are discovering a real use for the Apple Newton Messagepad, that overpriced electronic Rolodex that’s supposed to read your handwriting but usually can’t. It may not be able to make an exact digital version of what you write on it, but it can turn it into computer-assisted cut-up poetry! Yes, you can make your own faux-Burroughs without having to shoot anybody or get addicted to anything. In my own experimental-fiction days, I used to be in a group that played the “writing games” devised by the French Oulipo group (Raymond Quaneau, Georges Perec, Harry Mathews, et al.). One of them was “n + 7”: take an existing passage and replace each common noun with the noun seven dictionary entries past it. Similar discoveries await when you Newtonize a familiar saying. Here’s some vintage “Abe Newton” as posted on the Net: “Foyer scrota and severe heavers ago our flashovers brought force on thy cosmetician a new notion conceives in lubricate and deducted to the prosecution that all men are crated quail.”

JUNK FOODS OF THE MONTH: Thomas Kemper Weizen-Berry might be America’s first raspberry-flavored beer. I wouldn’t say it was particularly good, but it might qualify as an experience in learning just how bizarre foreign-inspired food-and-drink recipes can really be…. Wheaties Dunk-A-Balls is the first basketball-shaped cereal! They’re wheat/corn puffs, sorta like oversize Kix with alternating pink and brown basketball seams dyed onto them and an odd brown-sugar taste. Better still is the hype on the side: “Hey Mom & Dad! Tired of putting on the full-court press to get your kids to eat a wholesome breakfast? Introducing new Dunk-A-Balls, the one-of-a-kind breakfast cereal that will have your kids fast breaking for the breakfast bowl. Dunk-A-Balls is the perfect tip-off to the whole day…. Score a slam dunk with your kids, sky-hook them a bowl of Wheaties Dunk-A-Balls now, before the buzzer sounds on this limited time offering!”

LOCAL PUBLICATIONS OF THE MONTH: My Spokane is Evergreen student Jon Snyder‘s oversize photo-essay book on the sights, sounds and dreams of his beloved Inland Empire hometown (though he does complain in an insert that he couldn’t find an Eastern Washington printer willing to run it, due to a chapter on adolescent sex fantasies). Of special interest to west-side readers is his ode to the Spokane Dick’s Drive-In, a completely separate enterprise from the Seattle Dick’s chain (and servers of superior flesh-n’-grease products, or so he claims). $7.50 at Fallout Records or from 214 S. Coeur D’Alene St., Spokane 99204….

Sell Yourself to Science is, at first glance, just another Loompanics Unlimited tome of quasi-demimonde self-help access; in this case, about how to make small sums of money by participating in medical experiments or by selling your blood, semen or other bodily products. What sets it above the Loompanics norm is the oft-hilarious writing, by local kid Jim Hogshire; especially when he asserts that you should be allowed to sell post-death rights to your organs to the highest bidder. Even better is the collected set of Hogshire’s zine Pills A-Go-Go, which studies pharmaceuticals (legal and otherwise) the way Spin studies music (available at Pistil Books on E. Pike, that handy place to go mag-shopping on a Fri. night while avoiding an opening act at Moe).

THAT’S ENTERTAINMENT?: You don’t have to be in Ulster to get harsh treatment at an Irish cultural event. A couple of bouncers at the Moore were overheard vowing to “get” some kids at the Pogues show a few weeks back. And they did, grabbing people (particularly the small and/or female) from the pit, forcibly removing them. One frustrated attendee tried to leave voluntarily, only to get grabbed and tossed outside herself; she reports still having sore limbs and muscles. The bouncers in question are reportedly no longer at the theater; its new owners were already planning to hire new security.

BOOZE NOOZE: Dewar’s Scotch, whose youth-appeal magazine ads we’ve discussed, isn’t the only distilled liquor trying to capture a younger generation weaned on cheap beer. The trade mag Market Watch: Market Intelligence on the Wine, Spirits and Beer Business just had a special issue about it. The opening note from the publisher, pictured as a plump moustached old guy, declared, “They’re diverse. They’re young. And they have decidedly different attitudes about alcoholic beverages than do baby boomers. Just who are these new consumers, you asked? Generation X, that’s who.” Inside, we learn the market strategies aimed at pushing spirits, extra-sweet chardonnays, ice beer, and mass-produced pseudo-microbrews to under-30s. But the most telling parts of the issue are the ads, boasting to retailers of the youth-market atrategies of Southern Comfort (“One small age group buys enough spirits to empty your store every hour”) and Black & White Scotch (“They’re passive-aggressive vidiots who grew up too fast and have no faith in the system and think holes in jeans are cool and that party is a verb and will never buy anything in your store anyway. Congratulations. They’re your new Scotch customers”)….

Meanwhile, that new desperate-to-be-hip malt beverage Zima has reportedly been casting locally for commercials, seeking out models who are 25 or older but look younger. Encouraging underage drinking, you say? Heavens no! Just looking hip and urbane! Speaking of which…

SNOWED UNDER: I’d hoped that springtime would bring a seasonal end to articles about snowboarding, full of all the requisite MTV Sports-style hyperbole, neon-drenched graphics, “unfocused” typefaces, and Prince-esque spellings (“D Place 4 U 2 B”). But instead there are now at least six year-round snowboard magazines, all more or less drenched in “grafique XS.” The art aside, there’s a bigger issue at work: the case of a countryside athletic activity attracting an urbane-hip mystique. I’m meeting intelligent, club-going, artistically-minded young adults who play the sport, who either don’t mind the hype about it or like it.

To many old-line punkers and wavers like myself, athleticism was the suspect domain of the Evil Jock Mentality, or of anti-intellectual adults (cf. “Get High On Sports Not Drugs” programs in school, which posited that the only alternative to being a mindless junkie was to be a hopeless jock). Artistically-aware people weren’t into sports; they were more likely to be beaten up by the guys who were into sports. But in recent years, some free-thinking youths have begun to accept that the human body might be useful for activities besides dancing, fighting, fucking, and dressing (cf. Vedder‘s surfer-dude acrobatics). Speaking of sports…

FROZEN IN TIME?: The New Times, that monthly new-age broadsheet, offers a specialist perspective on recent events: “Tonya and Nancy: An ECKist’s View.” That’s Eckankar, “The Ancient Science of Soul Travel.” Author Robin Adams McBride claims Harding’s misdeeds and/or lapses in judgment resulted from her personal development over successive reincarnations over the centuries, “as the soul sets up its scenarios for learning and then forgets that it had anything to do with planning her experiences….Tonya Harding can experience the ultimate transformation of an evolved Scorpio personality if she responds to this wake-up call positively. The phoenix arising from the ashes of personal humiliation and defeat can replace the scorpion which stings its enemies to gain advantage.”

THE FINE PRINT (from promo copies of the Sister Psychic CD Surrender, You Freak!): “Advance CD — Instore-airplay promo only. Will explode if sold.”

MISC.’S LOOPY LEXICON defines “classic rock” as the work of radio station managers wistfully looking back to a more innocent age, before the radio was controlled by people like them. Speaking of which…

LIVE AIR: Here’s all I know about Free Radio Seattle, the new pirate station advertised on flyers around Capitol Hill this past month. It was scheduled to go on the air at midnight 4/30 for a 90-minute broadcast, transmitting somewhere in the vicinity of 88 on the FM dial. Further broadcasts are tentatively scheduled on a weekly basis. Content will include community news and commentary, club listings, and freeform music (“like what KCMU used to be,” according to an anonymous communique sent to me). Because this whole thing’s somewhat illegal, the broadcasts will be recorded at one undisclosed site and transmitted from another; to avoid (or at least delay) FCC detection, the portable transmitter will be set up at a different place each time. If these guys are putting their butts on the line to do this (and there’s a strong chance they’ll get caught before long), they’d better have a good reason, like having something important to say.

CATHODE CORNER: A recent wire service item placed Married… With Children as one of the top 10 TV shows among African American audiences. (The only white-cast show with more black viewers is Blossom, which until recently shared a time block with the black-starring Fresh Prince of Bel Air.) My theory: Married‘s black co-creator, Michael Moye, clearly set out to devise a family that would affirm the stereotypes some hard-striving black middle-class families have about lazy, privileged white trash. It’s either that, or the utter failure of Bud Bundy’s attempt to play-act as “Street Rapper Grandmaster B.”

BAN, ROLL ON: Yes, the Washington legislature tried again to revive the Erotic Music Bill, a misguided attempt to shore up the morals of Those Kids Today by restricting selected rock records (Gov. Lowry vetoed the “anti-porn” package of proposals that included the music bill). In the short term, control-freak schemes like this can be dangerous to free expression and personal privacy, and must be fought vigorously. But in the long term, the tide is starting to turn against the forces of cultural suppression, because it’s bad for capitalism.

In the pre-industrial age, censorship was a tool of economic as well as social control. When only the upper classes were taught to read, the number of potential rivals for prestige positions was kept within means. The class system was kept in place by restricted information.

In the industrial age, supporting censorship was a convenient way for big business interests to forge convenient political alliances with more populist right-wing elements (note Michael Milkin, Jesse Helmes, et al.). The Republicans of the rural west proved particularly adept at using the religious right to help elect politicians whose real loyalty wasn’t to churches but to big ranchers, miners and real estate developers. Censorship was also a convenient way for the corporate power structure to deny responsibility for some of the social upheavals its own machinations had caused. Corporate America could say: “We’re losing our technological edge to Japan? Don’t blame us; all we did was encourage slashes in education spending so the government could reduce business taxes. Blame the decadent liberals — yeah, that’s the ticket! Sexual permissiveness did it! That, and the devil’s rock music, and those naughty TV shows!” Or: “Urban crime? We didn’t cause it; all we did was move all our jobs to the suburbs! Blame the homosexuals, or the immigrants, or the lack of family values!” Or: “Child abuse? Don’t look at us; we merely promoted a culture where selfish aggression was treated as a virtue. No, just get rid of those magazines with the pictures of bad women in them. That’ll solve everything!”

But in the Information Age (which spread into the realm of politics about 18 to 24 months ago), censorship is a threat to what is becoming big business’s most prized asset — intellectual property. Free expression is the new frontier of post-industrial capitalism. The Viacom-Paramounts and the Time-Warners will begin to fight against the principle of censorship in the same way the timber industry has fought designated wilderness areas, or the way GM has fought pollution controls. A key connection of the old Reagan coalition has been severed, perhaps for keeps. The religious right, having outlived its usefulness to much of the business community, just might find itself sent back into the shadows due to a slow drying up of big-money support, destined to become just another of the many isolated subcultures in today’s fragmented society.

But it won’t go away quietly. There will be more kooky drives like the Erotic Music Bill and that initiative to legalize anti-gay discrimination. These campaigns will become blunter, shriller and more divisive, as their instigators strive to hold on to their own core support base.

UNTIL NEXT TIME, root for the Sonics and for single-payer health care, and ponder this sign outside Catholic Community Services on 2nd: “Depression Support Group, 8:30 a.m. Wednesdays.” If you can get up that early, do you really need to go there?

PASSAGE

Words of love from the animated, syndicated, underrated 2 Stupid Dogs: “The world is our pancake house, and you’re my flapjack stack with a scoop of butter and maple syrup and a side of hash browns and some toast and a large orange juice.”

REPORT

A small publisher of cult-appeal books has expressed serious interest in my book, The Real Seattle Music Story. Once I sign a contract, I probably won’t be able to sell any more printout copies of the text. So if you want a Preview Edition, you’d better order it now.

WORD-O-MONTH

“Phylloxera”

LET YOUR KIDS SEE ANY MOVIE THEY WANT. JUST DON’T LET `EM NEAR THE POPCORN

4/94 MISC NEWSLETTER
Apr 3rd, 1994 by Clark Humphrey

4/94 Misc. Newsletter

(incorporating four Stranger columns)

ATTENTION HAWKEYE: GRAB YOUR STETHOSCOPE.

THE WAR RESUMES IN 0800 HOURS

Dunno ’bout you, but here at Misc. we were excited as heck at the P-I teaser headline, “Seahawks Sign Pro Bowler,” then disappointed when the article said he wasn’t a bowling pro, just a football player who’d been in the Pro Bowl. We’re still excited that a Lynnwood company’s gonna start importing Norton motorcycles, a venerable UK brand that hasn’t been sold over here in 20 years. Some analysts claim the company’s just selling the bikes as a loss leader, and the only real profits will come from merchandising the logo. The P-I says the company’s committed to selling the bikes as well as the T-shirts and caps, and has plans to start building the things here in a few years. It’d be the first US cycle plant besides Harley since the Indian company folded in the ’50s. Imagine — being able to buy a US-built two-wheeler without buying into the Young Republican “rebel” image that now surrounds Harleys (more on that later).

ONE LAST OLYMPIC MOMENT: It’s almost too bad the ’98 winter games won’t happen in Salt Lake City, whose bid was topped by the Japanese. I’d have loved to have seen Charles Kuralt & co. give their patented human-interest feature stories on the quaint customs and folklore of those cute lovable li’l Mormons.

ICE DREAM: If you saw the Good Morning America segment with the woman from the Tonya Harding Fan Club, expressing the group’s continued support for the skater at the enforced end of her amateur career, here’s its address: 4632 SE Oxbow Parkway, Gresham, OR 97080-8967. You can join at several levels (adult $10, senior/fixed income $5, children’s “Tots for Tonya” memberships $1). You’ll get a newsletter, bumper sticker, photo button, and a chance to buy autographed pix, “Team Tonya” T-shirts with the logo of an ice skate with a Portland Rose on it, “No Comment” sweatshirts, “IUPG” (Innocent Until Proven Guilty) buttons, and two cassette singles: “It’s Tonya’s Turn” (described in the club catalog as a “dreamy melodic ballad”) and “Fire On Ice” (“Peppy, upbeat lyrics and melody proclaiming Tonya’s skating abilities”). Hey — ya gotta support a figure skater whose name sounds the same as Patty Hearst‘s alias!

FOR BETTER OR VERSE: The Seattle Small Press Poetry Review has been running a reader poll. Among the questions, “Do you think poetry readings have an effect on the audiences’ writing? Good or bad?” Replies include this from Dan Raphael: “Yes, people are influenced by what they hear. Unfortunately a lot of what they hear is personal, un-crafted and indulgent. Hey, we all need places to unload but I don’t want to burden poetry with my sad songs.”

LIVE AIR: So KING-FM’s gonna be donated to the symphony, the opera and the Corporate Council for the Arts. That may remove one of the main complaints about it — that, as one of the world’s few commercial classical stations, it stuck to orchestral favorites and seldom explored the wider range of highbrow tunes. Now, it’ll be part of the nonprofit arts community’s promotional work, and presumably will be used to expose audiences to a full range of serious stuff — or at least the full range of what the symphony and opera are staging this year. The move will also aid KUOW in its plans to phase out its remaining classical hours, toward a more ratings-oriented talk format. The Bullitt sisters are still pondering what to do with the less financially-successful KING-AM. My $.02 worth: Turn it into a community station. Or if not that one, get a community-radio group together, persuade one of the multi-station groups in town to donate another underutilized 1000-1600 AM frequency, and let it rip with unbridled free speech, ungentrified music, ethnic shows, etc.

ALDUS CORP., R.I.P.: There will still be software under the Aldus name, and its code might be written in Seattle, but it’ll be conceived, guided and controlled by Adobe in California. This is more than the potential loss of a few hundred jobs. Aldus was a rule-breaker in the software biz. It was born in Pioneer Square and stayed there, rejecting developers’ offers to move it off to a sterile suburban fort like all the other software giants. Its flagship product, PageMaker, wasn’t some yuppie number-cruncher but a tool of empowerment that brought professional typography and layout into the hands of any civilian with $5 to $8 for an hour at the copy center.

As PageMaker and its sister products gathered more and more professional features, they became almost as expensive as some of the computers they ran on; but Aldus remembered its DIY roots and acquired the popular-priced program Personal Press. When the history of the street-level media revolution is written, the Aldus name will be up there proudly, in 32-point bold condensed.

CATHODE CORNER: NW colleges have never been sources of Florida migrations, but in recent years we’ve seen what we’ve missed with MTV’s Spring Break Weekend, showcasing that annual rite of thousands of East Coast rich kids getting drunk and stupid together. The “highlight” of each year’s coverage was a coed beauty contest that skipped talent or poise segments and went straight to the skin. But this year, a new (female) producer imposed a new dress code: no more undersized trunks and thong bikinis, just baggy surfer shorts and modest two-pieces. Between this and Beavis and Butt-head, the channel is definitely moving its exploitation recipe toward less sex and more violence (just the formula the Reagan-Bush guys would have approved of).

UNDER THE COVERS: As a fervent lover of bookstores, both big-n’-diverse and small-n’-specific (I don’t mess with Mr. In Between), I anxiously await the opening of Borders Books and Music on 4th Ave. downtown, right near Waldenbooks on 5th and Brentano’s in Westlake Center. Just don’t expect any big neighborhood rivalries among them. All three chains are owned by K mart.

LOCAL PUBLICATIONS OF THE MONTH: Controlled Divisiveness: The Rise and Fault of the Compact Disc is Alex Kostelnik’s self-published tract commemorating the 11th anniversary of the CD’s introduction, packaged in a CD jewel box. Kostelnik uses the CD as a symbol for everything that’s wrong with the music biz — corporate consolidation, bland overproduced product, repressive tactics like anti-home taping campaigns. (He includes a sticker, amending the anti-taping logo to read “Sony Corporation Is Killing Music — And It’s Legal.” Available for $3 at the New Store…. Splice is a new local movie-review zine run by Tacoma’s Michelle McDaniel and Rich Bowen, operating under a simple slogan: “Movies Suck.” Bowen invokes a line popularly attributed to sci-fi guy Theodore Sturgeonthat “90 percent of everything is crap,” then goes on to differentiate between non-crap (Psycho, Casablanca, 2001), good crap (Godzilla vs. the Smog Monster), and bad crap (Calendar Girl). It offers subscriptions, but since the first issue just came out a few weeks ago and has a crossed-out October cover date, you might not want to trust ’em with cash in advance… The first months of newWeekly editor Knute Berger‘s regime have shown a significant turnaround for a paper that seemed doomed to follow its cherished upscale-boomer generation into the grave (or the suburbs, whichever comes first). It’s doing things it’s never done before — publishing significant stories by nonwhite writers, running more serious cover stories, cutting back on the psychobabble and the advertiser-oriented lifestyle fluff. Last week’s piece on City Attorney Mark Sidrin astutely noted that his various harassment campaigns against nightlife, minorities, and the poor, in lieu of a real anti-crime program, might be less effective at making the city safer than at appeasing the prejudices of the “Emerald City” boomers, whose worldview the old Weekly would have never questioned. Speaking of which…

KARMA CORN: If the new age people are right when they claim that your fate in life is primarily determined by how positive or negative your attitude is, then perhaps the state’s latest welfare reform craze is doomed from the get-go. The current public-assistance system is a network of embarrassment, frustrating procedures and cumbersome eligibility requirements, a surefire way to get people to feel dejected and hopeless about their futures. So of course, some of our legislators want to make the requirements even more picayune, the bureaucracy even harsher, to deliberately turn the system into a kind of psychic punishment for the sin of being poor. By the theory of karma, that’s no way to turn depressed, hounded paupers into confident, assertive citizens.

Of course, the conspiracy theorists among you might claim that that’s just what politicians want — to keep poor people feeling helpless, so they won’t think about rising up to challenge the status quo. The same conspiracy arguers might claim that the current cry for a “War on Crime” throws money into an ever-bigger prison system expressly to turn amateur criminals into professional criminals, thus keeping the crime rate up, thus maintaining the perceived need for a police state that would gnaw away against personal rights. I wouldn’t go that far. I’ve been around long enough to see social systems (legal, bureaucratic, corporate, et al.) get sidetracked by traditional procedures and end up working against their ostensible original goals. It should be clear by now that we need an assistance system that encourages self-respect and initiative, and a justice system that teaches and encourages non-violent behavior. That is, it might be clear if we weren’t living under government-by-talk-radio. The real goal of our welfare system is to let politicians and affluent voters feel like they’re getting tough on those bad ol’ good-for-nothings. In this sense, we’re already spending our tax money to make people feel good about themselves, but we’re doing it in the wrong way for the wrong beneficiaries.

JUNK FOODS OF THE MONTH: Food and beverage producers have vastly multiplied their assortments of brands in recent years, trying to exploit the subcultural fragmentation of American society (more about that next week maybe). In one clever example, a small brewery deep in the Iowa grain belt proudly offers Pink Triangle Beer, sold exclusively in gay bars and marketed as the gay-friendly brew gays should choose to show their support for their scene. I don’t know if the active yeast cultures used to make it have that special “gay gene” some speculative researchers think might exist; nor do I know if it has what professional beverage critics sometimes call a “fruity quality”…. Tim Zagat, regional stringer for the foodservice trade mag Restaurants & Institutions, claims the Next Big Thing in Northwest restaurants will be Tofu Chateaubriand! I can’t even imagine what that would be. Whatever it is it sounds disgusting, so of course I want to try it. If anybody’s really serving this, please let me know.

DEPT. OF AMPLIFICATION: The city should support punk culture, instead of continuing to harass it. Seattle’s government and mainstream media still believe in the sentiments uttered by KIRO’s Lou Guzzo back in 1986, supporting the infamous Teen Dance Ordinance. In one of the most reactionary utterances ever made on local airwaves, Guzzo essentially called punks worthless losers; if teenagers were bored, he said they ought to take up hiking or skiing — in other words, consumer leisure pursuits that wouldn’t lead to questioning the established sociopolitical order.

Punks believe in living in big cities. They believe in creativity. They believe in making their own world, in making up their own minds. Punks believe in downtown shopping, public transportation, and public gathering places. Punks seem like nihilists to many outsiders, but really believe in actively working for a better world. In the developing information age, they’re pioneers in info-entrepreneurism. They make their own records, they book their own gigs, they paint their own posters, they publish their own zines — a collection of skills that seem like marginal pursuits to most people over 40, but which will be vital to the key industries of the 21st century. Punks aren’t hopeless dropout ne’er-do-wells. They’ve created one of the Seattle area’s four or five top export industries. They’ve helped make us a world-class arts center, with a reputation as a focal point for aspiring enthusiastic creative types from all over. Speaking of which…

OVER-THE-COUNTERCULTURE: You sometimes hear about old radical groups that got infiltrated by FBI informers. In some accounts, the plants prodded the groups into illegal acts or spurring internal dissentions. But I wonder if they ever got subliminal messages into those old light shows, implanting time-release instructions to the freaks: “By 1971 you will get hooked on pot, move to the country, and care only about yourselves.”

When I was in college in the early ’80s, some of the most personally complacent and artistically reactionary people were the ones who also wouldn’t stop bragging about how open-minded they were in The Sixties. When I was on KCMU I closed my DJ shift with the tagline, “Rock on — never mellow out.” I didn’t want my listeners to turn into self-obsessed fogeys intolerant of anything that didn’t conform to their increasingly narrow worldview.

Now, hardly a week goes by that I don’t meet somebody 10 years younger than me emulating everything that frustrated me about the people 10 years older than me. Here in the Geraldo era I meet young adults who still find something “rebellious” about Hunter Thompson, that professional self-aggrandizer who presaged today’s reporter-as-celebrity hype. I’ve read Terence McKenna essays that criticize “linear Western Civilization” as if it still existed. And it’s not just 40-year-olds anymore who mistake “What a long strange trip it’s been” for a profound statement.

I’m even getting young people treating me with the same stereotypes old people used on me — like the stereotype that anybody who doesn’t adhere to a “leftist lifestyle” must be a political conservative. I’ve heard food co-op purists condemn all supermarket shoppers or all TV viewers as fascist rednecks; the argument reminds me of the Fundamentalists of my hometown who avowed that the Mormons would go to Hell because of their incorrect doctrine.

That’s a perfect attitude for moralistic posturing, but a lousy way to build a progressive political movement. To see why, let’s examine some unexamined presumptions going back to the Beat Generation.

The button-down conformity of the ’50s was not the way society had always been. Some WWII-generation intellectuals saw ’50s culture being created, and rebelled against it. Their central premise, as watered down and reinterpreted over the years, was that all of America could be neatly divided into two groups: Hipsters (enlightened intellectuals and artists, plus those whom the intellectuals and artists chose to romanticize) and Squares (everybody else). Tom Lehrer lampooned these pretensions in his song “The Folk Song Army” (“We’re the Folk Song Army, and every one of us cares. We hate repression, injustice and war — unlike the rest of you squares!”).

The hippies took this premise to its logical extreme, and in doing so tore the American left apart from the working class it once claimed to champion. By stereotyping all non-hippies as fascists and rednecks, they wrote off the potential support base for any real populist uprising. They sometimes claimed to be the voice of The People, but their definition of The People got narrower every year. Spiro Agnew got away with calling leftists “effete snobs” because leftists allowed themselves to be perceived as a self-serving elite.

By the early ’70s, black activists started charging that the counterculture didn’t even care about minorities anymore, only about white middle-class women and white middle-class gays. More recently, minority leaders have questioned the environmental movement’s priorities, asserting that toxic waste sites in ethnic neighborhoods are at least as important as hiking trails.

Today, BMW drivers call themselves “rebels” and beer commercials promise to make you “Different From The Rest.” There is no “mass culture” to rebel against anymore. Society’s been fragmented into demographic and subcultural mini-states, influenced by specialty advertising concepts and demographic target marketing. The “counterculture” is now just another market niche; organic foods in this store, ethnic foods in the next. If you tout yourself as somehow “apart” from Big Bad America on the basis of what you eat or what you wear or what age group you are, you’re still letting the segmented-consumer metaphor define you.

To be truly “political” would be to forge alliances with people beyond your own subculture, to reach out across our fragmented society, to build coalitions and exert influence to help make a better world. We don’t need to tear the fabric of society apart; big business already did it. We need to figure how to sew it back together.

QUESTIONABLE PR TACTIC OF THE MONTH: Marshall at YNOT Magazines wants people to “help” City Councilmember Jane Noland’s drive against street posters: “Go take a flier off your local pole, any one you find visually stimulating is fine. Then fax it to her so she knows the effort you have exerted to her cause. Then do it again. Do it til the cows come home. Do it ’til they leave on spring break and come home again but whatever you do just keep faxing her updates of your efforts. Maybe even make a flier about this and tack ’em up all over. Boy wouldn’t that be swell!” I can’t endorse this; I thought we were trying to prove we can be responsible people who don’t deserve to be treated as non-citizens in the name of that official state religion of Seattle, Mandatory Mellowness.

‘TIL THE NEXT TIME your fingers pick up our ink, and call for your copy of the complete Hanna-Barbera sound effects library, on four CDs from somewhere in Canada (800-387-3030).

PASSAGE

Stanford “industrial psychologist” Dr. James Keenan, in a 1967 speech to Muzak executives quoted in Joseph Lanza’s book Elevator Music: “Muzak helps human communities because it is a non-verbal symbolism for the common stuff of everyday living in the global village…. Muzak promotes the sharing of meaning because it massifies symbolism in which not few, but all, can participate.”

REPORT

Printout copies of the rough draft to my book, Here We Are Now: The Real Seattle Music Story, are still available for a limited time for $10 plus $2 postage. Be among the first to learn what really happened to make Seatown the capital of rock revivalism.

As you can tell, this is the first issue of the new, expanded, larger-than-it-once-was Misc. newsletter thang. It’s a vehicle for some non-Stranger material, for some of my unpublished short fiction and humor pieces, and for some future experiments in form and design. The price also increases with this issue, to $12. Current subscribers will receive two issues for every three they’re still owed at the old price, rounded up in their favor.

Ads are again being accepted for this letter of fun: $25 for a business card-sized spot on the back, $20 for the same-sized spot inside. Show your support for Seattle’s original home of fast-food-for-thought.

WORD-O-MONTH

“Querulous”

INSVILLE OUTSKI
Arrested Development Marky Mark
Short-short fiction Techno thrillers
Erotica Erotic thrillers
The year 2000 The year 1968
Neo-neo-dandyism for men Menswear for women
Maroon Purple
Contraceptive implants (or cosmetic imitations) Fertility drugs
Lesbian cowgirl camp Ralph Lauren ‘s “Western gentry”
Alberta Montana
Internet Prodigy
Looking well-fed Looking emaciated
Cleveland Atlanta
Martha Plimpton Sharon Stone
Urban contemporary music Suburban “country” music
Aberdeen Whidbey Island
Martin Heidegger Robert Fulghum
Women doctors Anchorwomen
Multimedia software Digital cassette tapes
Discovery Channel’s science shows A&E’s war shows
Dark Horse Comics Marvel
Group safe sex parties Phone sex
Art from rusted iron Pilchuck Glass
Drinking Smoking
Hard news Analysis
The power of beauty The beauty of power
Release Submission
Bizmart Costco
What you know Who you know
Indoor/outdoor pajamas Sweats
KING’s Joyce Taylor KSTW’s Al Owens
Electric cars Luxury minivans
Edith Piaf Jim Morrison
Knowledge Guns
Computer cartoons “Morphing”
Smart people Smart drugs
Blue blues Macho blues
Antiheroes “Heroes” who kill
Judy Tenuta Jerry Seinfeld
Calvin and Hobbes Ren & Stimpy without fired creator John K.
Hockey Basketball
Trolls Teddy bears
Light rail Seattle Commons
Saving jobs Cutting costs
Dancing Jogging
Snapple Crystal Pepsi
Letterman on CBS Arsenio Hall
The Afrocentric look The Seattle look
12/90 MISC NEWSLETTER
Dec 1st, 1990 by Clark Humphrey

12/90 Misc. Newsletter

MILLI VANILLA FRAUDS?

NEXT THEY’LL CLAIM ARCHIE AND JUGHEAD

DIDN’T SING THEIR SONGS!

Here at Misc., we’re holding a public wake for the 50-year-old Lacey V. Murrow Floating Bridge (known henceforth as Galloping Gertie II), which reached the end of its life “span” with a bang, not a whimper. Before the sinking, it had become a mile-long, 40-foot-wide construction/demolition project, strewn with a few scattered cars and Honey Buckets. It already looked like it was about to sink (something Boris S. Wart threatened but never accomplished on the J.P. Patches show). (Event info on other side.)

OUT WITH THE OLD, PLEASE!: Nostalgia is going to be the death of America. Every previous fad added something to the national heritage, for good or ill. Nostalgia only subtracts. It boils the flavor and texture away from our past, leaving a gooey syrup of vague memories. It’s getting harder and harder to find a restaurant, store, or beauty salon where the sound system plays any recent music. “Square” places play top 40 hits of 1956-69. “Hip” places play hipper music from that same era (Muddy Waters instead of the Beatles). Only in designer-jean stores can you hear songs by groups whose members are all still alive. And many of them take pride in never playing a single riff that isn’t reorganized Led Zeppelin.

ADDITIONALLY, I’m finding it harder and harder to explain to people that I’m neither (1) a nostalgist for the hippie era nor (2) a conservative. I regard hippie-era politics as a well-intentioned failure. The progressive, populist side of American leftist tradition got smothered by what we might as well call a bohemian aesthetic. There will never be a real left in this country until it stops depicting all working-class people as “the unwashed masses,” as hicks and flaming fascists. The world is not the few enlightened “Us” vs. all the ignorant “Them.” It’s all of “Us.”

NORTHERN REVOLT: The Canadian subsidiary of Popsicle Brands is under vocal attack from children from Victoria, BC (Mile 0 of the Trans-Canada Highway) to St. John’s, Newfoundland (the other Mile 0). According to the Vancouver Sun, the company promised free Nintendo cartridges to kids sending in 15,000 points’ worth of Popsicle sticks; instead, 10,000 kids got only letters of apology claiming that the company’s stock of 6,000 cartridges had been depleted and that substitute prizes would be given to everybody else sometime next year. Still, maybe the kiddie Canucks ought to be grateful to get even that; in a famous mid-’80s essay, Ontario’s ownMargaret Atwood wrote of growing up with Popsicle labels offering wonderful prizes but bearing the fine-print disclaimer, “Offer Good Only in U.S.”

NO FREUDIAN COMMENTS, PLEASE: A staffer at King County Juvenile Hall reports that teenage boys inside there are signifying their gang membership by affixing Dole or Chiquita banana stickers onto their belts.

JUNK FOOD OF THE MONTH: Manna Raisins & Oat Bran Flakes cereal, made in Delta, B.C. and “sprouted for life.” It’s “Certified Organic,” but (oddly, considering the name) isn’t certified kosher.

IS NOBODY INCORRUPT?: The Wall St. Journal (10/29) reports that the Doris Day Animal Fund Inc. spends 90 percent of its income on direct-mail fundraising (billed in official budget statements as “public education”).

AD VERBS: Rainier Light’s “It’s R Light” commercials are much better than the previous ad agency’s work, but they’re still hollow compared to the classic Heckler Associates spots, and for the same reason. While the Heckler ads had real fun in promoting the beer as a beverage for enjoyment, both of its successor agencies fell into the trap of selling a target audience on an image of itself, with the product merely a supporting player in the drama.

NO MORE FUR AT NORDSTROM: This is how an industry dies, when the first PR-conscious retailer proudly capitulates to public furor (and flat market shares). But fur is more than an inefficient source of outerwear; it’s one reason we’re here. The trapping of wild fur animals was the first white industry in the Northwest. The Hudson’s Bay Co. and others subsidized many of the first non-military settlements in Washington Territory. They were supported by sales to the society ladies of Europe, whose essential financial contribution was totally ignored in last year’s books on women in Northwest history.

SAY IT AIN’T SO RUMOR OF THE MONTH: Is the Comet Tavern going to be upscaled?

(latter-day note: It wasn’t.)

HEADLINE OF THE MONTH (Times, 11/14): “A story of 4 kids and how they died/`Anybody who has a teen-ager will related to this’ tale of tragedy.” Now that’s headline writing in the classic manner, almost Victorian in its cadence.

LOCAL PUBLICATIONS OF THE MONTH: It’s a shame that The Facts has such ugly design and typography, because some truly eloquent African-American voices may be found there. For example, hear the bitter “Life Among the Thorns” edition of F. Justina Nubay’s column “Say It With Flowers”: “I wholeheartedly believe that Thanksgiving should continue to be the only day when public spirited people ply the hungry with turkeys, pies, and other filling foods, enough to last them the entire year. Like the howling hyena, the hungry and the homeless, for the time remaining, should continue to gorge themselves on carrion and roam their jungles in wild anguish.”…At Cause is a Christian paper with a difference: A Reubenesque nude drawing on the front page, an essay titled “Party On!” saying it’s OK for Christians to “have exhilaration, ecstasy, bliss” — including being gay and/or transvestite if they wish to be so. (Editor M.F. Whealen seems to be an ex-Scientologist, from the use of certain catch phrases.)…The Oregon-based Sinsemilla Tipsmagazine folds after 10 years. Publishers blame the War on Drugs, which they claim has made people scared to sell or advertise in the mag.

CATHODE CORNER: Does the rash of inside jokes on The Simpsons (Marge’s surprise at “a Simpson on a T-shirt,” the on-air homage to Bart’s Macy parade balloon, his chalkboard message “I am not a 32-year-old woman”) mean the show has passed its peak?…A producer has paid millions for all rights to The Ed Sullivan Show; plans to release several video compilations, including the censored TV debuts by famous rockers and a tape of 50 different people doing the Twist. But will they ever include the peg-legged tap dancer, or the National Model Race Car Championship? (A licensed version of Sullivan’s most popular feature, the puppet mouse Topo Gigio, now appears in Spanish on cable’s Univision.)

KRIME KORNER: A Seattle man was fatally shot by an unlicensed Safeway security guard for allegedly pocketing a pack of cigarettes. Now will you listen to me about the dangers of smoking?… The Martinsburg, W.Va. city council plans to require panhandlers to buy $25 licenses or face jail terms. But how do you get the money to tell people you don’t have any money?

MALLED DOWN: The National Endowment for the Arts gave a $50,000 grant (with a 2/1 matching requirement) to the Rouse Co. to sponsor non-threatening art programs in shopping centers (including Westlake Center). Now we know the true priorities of new NEA head John Frohnmayer. He’s using “bringing art to the people” and corporate matching-fund requirements as ways of rewarding works acceptable to business/marketing interests.

PRESSED: Our news media, presuming us all to be beer-swilling xenophobes, devoted their attention on 11/22-23 to how nothing had really happened in the Persian Gulf lately, and only cursorily mentioned that the last major European dictator fell from power. The beginning of the end might have been foretold in an item from USA Today (11/12): “Richard Needham, British minister for Northern Ireland, apologized for calling Prime Minister Margaret Thatcher a “cow” during a car-phone call to his wife. A paramilitary group in Northern Ireland picked up the call on a radio monitor and sent a recording of it to a news agency.”…What they didn’t tell you about the female, Socialist, pro-contraception Irish president is that the position is largely ceremonial, a sort of elected king. She will be less able to take political stances than when she was in the Irish senate.

SECTION BEE: The Killer Bees may finally be on our way! (Times, 11/3) It turns out that they’re not really that much more vicious to humans, but they are less tameable and they do drive out domesticated breeds.

XMAS GIFT OF THE YEAR: The Dance Aerobics game cartridge by our Redmond neighbors at Nintendo. You can vicariously experience the self-punishment and body-consciousness of aerobics without having to actually do the exercises. It’s one of only two games I’ve seen with a female lead character…. The Trivial Pursuit ’80s Edition is historically inaccurate. It’s got a question about Saturday Night Live’s Mr. Bill, who was on from ’77 to ’80….Lynnwood’s Pacific Trading Cards is drawing national attention for itsAndy Griffith Show card set….Trump: The Game (“It’s Whether You Win”) was marked down from $39.95 to $19.90….Seattle’sGenerra has a “Men’s Collective” shirt line, for junior execs old enough to remember their student-Maoist pasts (they’re even made in the PRC!).

MORE VEGETARIANS IN LEATHER: The Vancouver rockmag Discorder sez the next big thing’s “straight-edge rock,” punk-like bands (including Seattle’s Undertow) who belong to the Hare Krishna movement. Their premise: Just as punk stripped rock of impurities and distractions, so should we do with our lives.

PHILM PHIRE: Remains from the blaze at Universal Studios (soon to be owned by Panasonic) soon became a major attraction on the Universal Tour; the simulated “burning building” attraction was temporarily closed. The sale of Universal/MCA leaves Time Warner as the last major US-owned record company. It also brings Japanese money into US publishing (MCA owns Putnam, Berkley and Ace).

NOT IN STORE: You won’t get to shop this Xmas at B.N. Genius, that land of expensive electronic playthings that you’d never buy but always loved to play with in the store. Meanwhile, the end of the Northgate Woolworth leaves only the downtown store as an inexpensive source for hats, socks, and hobby supplies, not to mention the long shelf of cheesy crossword magazines. (It’s also one of the last places still selling Clark candy bars.)

PICK A PEC: The 11/24 Newsweek (the same issue with the essay that claimed that “Cynicism is alien to America”) reported that trendy LA men are now getting silicone implants to make their upper bodies look more muscular. Look dudes, this recent interest in “men reclaiming the feminine side of their natures” ought to mean taking up the smart things about womanhood; just as women’s assertiveness training generally excludes lessons in beer-swilling or sexual harassment.

WE’LL TALK AGAIN in the palindromic year of 1991 (that year which picky purists insist is the real start of the decade), when I’ll count exactly how many times you could have seen It’s A Wonderful Life this holiday season. Until then, watch the astounding South Africa Now 12:30 p.m. Saturdays on KCTS, try to avoid calling the NY Times crossword-help 900 line, appreciate the appropriateness of the big Marilyn Monroe mural inside the Broadway Pay ‘n Save (shouldn’t all drugstores bear the images of people who died from prescription overdoses?), read The Encyclopedia of Bad Taste, pray for snow, work for peace, and consider the words of Frank Zappa on unauthorized musical sampling: “It’s just so cheese-oid.”

NOTICE

Sign at the Wood Shop, Pioneer Square: “Authentic East German nutcrackers. Last chance. Buy now or you’ll regret it the rest of your life.”

REPORT

It’s been threatened before, but now it’s really gonna happen. I’m holding two live readings this month: Sun., 12/16, at the Two Bells Tavern (10 p.m.) and Wed., 12/19, at the Rendezvous (7 and 9 p.m., with vintage educational films). Each show contains at least some different material; each is a partial benefit for my Perfect Couple novel publication fund. (The novel is still available only on Mac disks, for $6.)

Subscribers may notice a new mailing-label design. My old label program crashed (thank God and Apple I could retrieve the data with the ResEdit program).

WORD-O-MONTH

“Vituperative”

7/90 MISC NEWSLETTER
Jul 1st, 1990 by Clark Humphrey

7/90 Misc. Newsletter

LITHUANIA, LATVIA, NOW QUEBEC.

WHO SAYS THE DIVORCE RATE’S DOWN?

Welcome to the July edition of Misc., not the official cultural newsletter of anything, where we’re still trying to figure out why the pay-TV channels save all their worst movies for the free-preview weekends.

LOCAL PUBLICATION OF THE MONTH: Subtext, a handsomely-made tabloid collecting syndicated articles about third world issues not widely seen in other media. Fresh, new info, not pre-digested “analysis” of the same information base in the regular papers and on TV.

OFFENSIVE RUSH: First, Ken Behring buys the Seahawks and becomes an instant “community leader.” Now he shows his true colors, quickly buying up much of the last big tracts of rural (or, as he mistakenly calls them, “underdeveloped”) land left in King County for massive-scale development. Block this.… Am also reminded of a horror-movie fan writer, Forrest J Ackerman, who often called himself “the Ackermonster.” Could there be somebody here in town who deserves the name more? Could there?

IN THE BUY AND BUY: A discount “supermall” is planned for Auburn (known to local ’60s TV viewers as Little Detroit of the West), with 175 stores, an entertainment complex, a day-care center, and four entrances with different “Northwest themes” (just to let people imagine there’s a real place left after all the paving and malling is done). Also planned: a kiddie miniature train ride past miniature Northwest landmarks, including an erupting Mt. St. Helens replica.

ONLY 177 SHOPPING DAYS LEFT: We used to report the date of each year’s first Xmas displays in stores. This Misc. tradition has been rendered useless by the opening of the Christmas Shop in the Market, open year-round for your own Xmas in July party. (No live trees.)

THE FINE PRINT (sign on a cigarette machine at an International House of Pancakes): “No refunds. Use at your own risk.”

SIGN AT LAST EXIT: “Effective Monday, under 17 please go elsewhere.” I’ve seen a lot of aging ’60s hippie-radical types grow increasingly intolerant of other people’s lifestyles, but I always had this image of the Last Exit coffeehouse as a haven for diversity, where the only unthinkable attitude was that of blanket discrimination. With this new bigoted policy, I apparently was wrong.

UPDATES: There are still more official Goodwill Games services than we mentioned last time. Diamond Parking, for example, is the official parking consultant; Pay Less, the official drugstore….The real-life Tina Chopp really was a Bellingham student who broke the heart of a graffiti-crazed musician. Or so report three separate sources, all of whom heard it from that urban-legend staple, a “friend of a friend.”

AD OF THE MONTH (slogan on a banner for a beer sale at Plaid Pantry): “When you need it bad, get it at Plaid”…Don’t blame John Fogerty for the Olympic Stain ad with a Creedence song (retitled “We’ll Stop the Rain”). The band lost all rights to its old songs in an investment scam run by its label, Fantasy Records. When Fogerty finally re-entered the music biz, Fantasy sued him for allegedly basing one of his new songs on one of his old ones.

O NO CANADA!: As the world’s third largest nation (in area) threatens to break up, it also disappears from our TV screens. The CBC, a model for public-service broadcasting with popular appeal, has been on local cable systems long before today’s fancy cable networks existed. But no more, at least on TCI. No more Coronation Street, the UK soap with those ingratiating Manchester accents. No more of the unique CBC perspective on the news (you mean there are things to say about countries besides how they affect U.S. business interests?). No more Canadian sports (hockey, five-pin bowling, 110-yard football, and my personal #1 all-time fave,curling). No more David Suzuki nature shows. No more Switchback, the (still superior) model for Nickelodeon’s live-audience kids’ shows. B.C. cable systems will still carry all Seattle-Tacoma channels (KCPQ was the “hometown station” for the Vancouver crews of21 Jump Street and Booker). The cable people can go ahead and take off KVOS, which went totally downhill after a Seattle basketball owner took it over.

CATHODE CORNER: KIRO is finally airing CBS’ Rude Dog and the Dweebs, the first Saturday-morning cartoon series based on locally-created characters (owned by David Sabey’s T-shirt company). It began nationally last fall, and has already been cancelled. One look and you can see why….Gloria Monty, best known as producer of General Hospital, promises to build a world-class video studio in the suburbs of Portland, if she can get a zoning waiver and other “incentives.” She vows to make all her non-GH productions there (including three as-yet unsold series pilots).

NEWS ITEM OF THE MONTH (from the Oregonian, 6/17): “Most new jobs will pay better than average.”

ORGAN-IC DECAY: We must say goodbye this season to the Pizza and Pipes chain. The Bellevue restaurant is closing; the Greenwood location has already become a Blockbuster Video store, where children now sit quietly in the Children’s Video Lounge instead of dancing around the bubble machine. I don’t know what will become of the mighty Wurlitzer organs.

WOODSY OWL DIED FOR YOUR SINS: The Feds take their halfway-courageous environmental stance in a decade and take more heat than a forest fire. I’m amazed at how successfully timber-company management, whose automated logging and robotized mills are responsible for most industry layoffs, have gotten workers to blame “enviro-snobs” for tough times in mill towns.

GONE FISSION: With the potential collapse of the nuclear-weapons business, the electricity side of the atom biz tries to restore past momentum with a hilariously ironic PR push — that nukes somehow are the most environmentally benign energy source. It started with “Every day is Earth Day with nuclear energy” newspaper ads, followed by a hype-laden article in Forbes that claimed “It is hypocritical to claim to be in favor of clean air and water but against nuclear power.” Nuclear power uses radioactive materials (strip-mined and expensively processed) to boil water to turn turbines. The only “clean” aspect of nuclear power is that its waste products aren’t pumped out of smokestacks; they’re stored for future burial someplace where, it’s hoped, the radiation won’t leak out for the next few centuries. There are much better ways to spin some turbines around, including the wind. There are other ways to generate electricity, including solar cells (yes, work continues on those things, though research capital has been slow during the current temporary oil glut).

SPEAKING OF FORBES, its Egg magazine just did a two-page puff piece on what to see in Seattle (Ballard, Uwajimaya, the Dog House). It follows a similar piece in a Coke-sponsored ad section within Rolling Stone (publicizing the Two Bells Tavern and the OK Hotel, among other spots). Both were written by Weekly staffers. The Hollywood Reporter quoted Elizabeth Perkins on her treat at attending the Seattle Intl. Film Festival and being delighted to shower with “Seattle’s fresh, clean water” instead of the substandard, scarce LA H2O.

ANY PURPLE ONES YET?: Genetically engineered cows are now here, designed to lactate as no cow has ever lactated before. Maybe soon we’ll really get the brown cow that gives chocolate milk, or the cow that grazes on Astro-Turf and gives non-dairy creamer….Naturally fermented milk with 2 percent alcohol is planned for the Australian market. The idea is to appeal to the legendary “Australian macho men” who disdain anything widely considered to be 1) for children and 2) healthy.

HOT, WELL, YOU KNOW: CNN told of an Electric Incinerator Toilet, invented for US long-range bomber crews, now adapted for use on Japanese high-rise construction sites. Plug it in and it burns its deposits, preferably after the user has stood up from it.

DRAMATIC LICENSING: The Marriott Corp. is starting a chain of Cheers bars. Planned for 46 cities, the first is to open in November at the Minn./St. Paul Airport. “We’ll try to hire people who look like Woody and Sam Malone and the different characters,” says Marriott spokesman Richard Sneed. The company is also working on robotic replicas of Norm and Cliff to sit at the end of the bar and chat with customers. It’s the biggest TV-themed hospitality chain since the Johnny Carson-licensed Here’s Johnny’s restaurants folded. A Chicago chain has eateries with the licensed names of Oprah Winfrey and Cubs TV announcer Harry Carey. The New York City Opera, meanwhile, is tentatively planning a Star Trek opera. Can they compose music that re-creates the off-rhythm cadence of Wm. Shatner’s speech patterns?

SCHOOL DOZE: The Province of Ontario, home of Marshall McLuhan, requires media literacy as part of all high-school English curricula. Somebody should do that here. But first, they’ll have to sell the need for this to school administrators and especially teachers. If the schools are like they were when I worked for them in ’83, there are too many ex-hippie teachers out there who sneer in class at students who admit to watching TV or to liking any recent music.

KULTURE KORNER: The NY Times ran a piece on artworks stolen by Nazis, kept in E. Germany, and maybe finally getting returned to their previous owners. The paper illustrated it with a reproduction of a Baroque male nude, the sort of image King County didn’t want gallery patrons to see. I think a lot of the macho attitudes and fear/loathing of such would be reduced if we were all reminded a little more often of just how silly looking most men’s bodies really are.

OMMM, SWEET OMMM: A “TM City of Immortals” is tentatively planned for somewhere in Pierce County (as if having TV’s two most famous male chefs living there isn’t enough of a claim to fame). The Maharishi Heaven on Earth Development Corp. wants to start building in ’94, according to KSTW; Transcendental Meditation devotees would probably get first crack at home ownership. What many don’t know is that the TM university in Iowa has been host to several real-estate schemes, including the now-disgraced Ed Beckley, who sold his Millionaire Maker cassette tapes (on how to get rich in real estate for no money down) via a corps of young, clean-cut, fiercely loyal, TM-practicing salespeople.

CHARLES “UPCHUCK” GARRISH, R.I.P.: He was in one of Seattle’s very first true punk bands (the Fags); but he was no black-clad nihilist. He was inspired by the glitter of Bowie, the glamour of Roxy Music. He believed that lighthearted pop music didn’t have to be mindless, that it could celebrate pride and personal liberation. He made a pass at me, at a time when I was falsely rumored to be gay; I turned him down as politely as I could. I couldn’t help him then, and I couldn’t help him when he came back from New York to spend his last months among friends.

‘TIL NEXT TIME, read Doug Nufer’s 1990 Guide to Northwest Minor League Baseball, avoid the “Velvet Ghetto” (a phrase used inUSA Today to describe career women sidetracked into such “feminine” departments as community relations or personnel), and visit a Portland art group’s 24-Hour Church of Elvis (coin-op weddings just $1).

PASSAGE

Gore Vidal, quoted in the underground newspaper East Village Other (10/68): “Novels, except as aids to masturbation, play no part in contemporary life.”

REPORT

Changing my day job has gotten me to thinking about how to make this a more potentially solvent venture. Later this year, you might start seeing ads in the giveaway copies of Misc. (subscribers’ copies would still be ad-free). I’d love to hear your suggestions.

WORD OF THE MONTH

“Plectrum”

JUNK FOOD OF THE MONTH SPECIAL EDITION

The new Cost Plus Imports on Western Ave.

features a fascinating array of regional “gourmet” products

(junk food for people with too much money).

Some highlights:

* Chocolate relief moldings of downtown Seattle and Mt. Rainier (with a white-chocolate icecap) by the Topographic Chocolate Co. of Edmonds

* Paradigm golden orange and oatmeal-currant scone mix (Lake Oswego, Ore.)

* Pasta Mama’s flavored fettucine, in chocolate, café Irish cream, blueberry, and cinnamon-nutmeg (Richland)

* Heidi’s Original cottage cheese pancake mix (Spokane)

* Chukar dried bing cherries, with the disclaimer “An occasional pit may be found” (Prosser)

* Walla Walla brand jarred, pickled green beans and asparagus spears (a brand once known for value-priced canned veggies)

6/90 MISC NEWSLETTER
Jun 1st, 1990 by Clark Humphrey

6/90 Misc. Newsletter

Look Out, Tuna Boats!

The Incredible Mr. Limpet’s Got A Gun!

Welcome back one and all to the fourth anniversary (and still ungraduated) edition of Misc., the essential news source for all local“Posties” (a term used in a silly KING report about all of us who are postmodern, posthippie, postpunk, etc.).

UPDATE: The Blue Moon Tavern lives; while the shell of the old Rainbow Tavern next door will be sacrificed to luxury condos. In the midst of all the fuss, developer Scott Soules (a bystander in the dispute) said about the western U-District, “The area is prime for redevelopment.” Tell that to the folks who lost affordable housing to massive apartments supported by steel posts over ugly street-level parking, or to anyone driving on NE 45th during Safeco rush hour.

AXL ROSE MARRIES DON EVERLY’S DAUGHTER: “How we gonna tell your pa?”

LOCAL BOOM #1: The 10th anniversary of Mt. St. Helens was a lot of fun. I know full well that the eruption killed 57 and could have killed hundreds more. Still, seeing the old blast footage on the endless TV retrospectives brought back fond memories of a spectacular, exciting event that affected most everybody here. My memories are also all tied up with general memories of 1980, a year when it began to look like things were getting hopeful in music, in fashion, in world affairs (the start of Solidarity, the fall of Somoza) — until the end of the year brought the rise of Reagan, the fall of Lennon, and all the stupidity that followed. Now it’s another “zero year,” and things are again looking cautiously hopeful in most areas of the world culture (except, for now, in U.S. partisan politics). This time, let’s hope it sticks. (Also loved a Spokane candy firm’s chocolate mountain with a powdered-sugar middle that you can “erupt” with a tiny plastic air pump.)

LOCAL BOOM #2: In 1980, Seattle was still (mistakenly) perceived by many people here and elsewhere as some backwater burg, an overgrown town instead of a city. Some loved the image, some hated it, but few disbelieved it. But in 1990 I’m preparing myself for the expected onslaught of Northwest Chic. Twin Peaks has turned a tiny cafe seen in two minutes of the first show (re-created in an LA studio for later episodes) into a tourist/reporter mecca. It’s going to get worse when the show appears in Europe (at last word, UK documentary crews were still prowling the streets of Dallas for anything reminiscent of J.R.). After that, throw in all the national hype over the local coffee, those flashy local sportswear companies like Generra and Nike, the Nordstrom labor flap that still helps publicize Nordy’s “uniqueness,” the increasing sight of local landmarks in national car commercials, the acclaim over local cartoonists, rappers and thrash-rock bands, and a certain upcoming cable-TV sports event. Responding to this and other activity, Newsweek almost opened a Seattle bureau this past winter, but then decided to save its money. Can such a sparsely-peopled region (only 10 million including B.C.) deserve or survive much more limelight? Well, that’s more people than N.Y.C. and much more than other places that get far more attention in the U.S. as a whole, places like Nicaragua and Israel, so why not let it be our turn (preferably without warfare).

CATHODE CORNER: While the eruption footage on the St. Helens TV specials still looked spectacular, some of the news tape from the weeks before the blast was washed out and bereft of many “scan lines”. Will current video footage last? When high-definition TV comes along, will current video images look so bad in comparison that they’ll be retired from common viewing? If so, that’d make filmed shows and news footage from the ’50s and ’60s eternal but leave taped stuff from the ’70s and ’80s to rot. The Beverly Hillbillies would live forever, while Married With Children becomes a trivia question. Many shows now shot on film are still edited on tape, and would also look decidedly low-definition on HDTV…. Graham Kerr is taping a new syndicated series at KING. The ex-Gallopping Gourmet still lives in Tacoma, across town from the Frugal Gourmet’s house.

AD VERBS: Those spots touting Puget Sound Bank as the last home-owned big bank also display an anti-city bias. The outside-owned banks are represented by urban scenes of LA, SF, Portland and NYC (for Key Bank, actually based in Albany), while the narration about the good home boys accompanies country and suburban scenes….The Home Club hardware warehouse stores are running commercials with The Addams Family theme song (“Yes!, I wish they said, “your house can look just like theirs!”)….Those cable commercials for Mace for women, in tasteful pocketbook-size applicator cans, exploit fear of the opposite-sex, opposite-race stranger in the parking garage (while most violent crimes against women are actually done by acquaintances).

THE FINE PRINT (small sign posted in downtown library): “Title Change: Switch Fund Advisory has become Mutual Fund Investing.

LOCAL PUBLICATION OF THE MONTH: Tina is the typewritten/photocopied journal of the Church of Tina Chopp in Bellingham. It’s a variant on the Church of the SubGenius fun and games, built around the “Tina Chopp is God” graffiti that was everywhere in B’ham and Seattle in the early ’80s. Like real churches, it has a detailed philosophy and an us-vs.-them demarcation (in the “Tinite” worldview, to “go Safeway” is to become that most unforgivable of sinners, a suburbanite). Don’t expect any facts about who Tina Chopp is or was (various rumors peg her as a male WWU student’s unsuccessful love pursuit or as a Seattle rock groupie). If you’re really out there, please write and tell us the true story.

Latter-Day Note: On 9/28/99, I received the following email:

the little blurb about The Church finished with the request “If you’re really out there, please write and tell us the true story.”

now i realize that this article was originally written in 1990, and someone may have directed you towards our web site since then (it has been online since 1995), but if not, you can read “the true story” for yourself at http://www.aa.net/cotc/

if you would like any further information about the church, please feel free to write.

Praise Tina Chopp!

Rev. Guido S. DeLuxe, DD, LDD, OGG, OHS, ST, MSU

High Priest – The Church of Tina Chopp

deluxe@marijuana.com — http://www.aa.net/cotc/

CUCKOO’S NEST CUISINE: Officers at the Oregon Correctional Center in Salem can now resume their experiment in disciplining inmates while reducing waste. A state appeals court ruled that Nutra Loaf, baked ground leftovers served to disobedient prisoners, was not cruel or unusual punishment.

JUNK FOOD OF THE MONTH: Envir-O-Mints are little chocolate mint wafers from Seattle’s Environmental Candy Co. Each mint is stamped with the image of a different endangered species; each wrapper also holds a tiny photo-card of another threatened animal, plus an address on the back for your own Wildlife Action Kit (free) or Endangered Species T-shirt ($3 and 20 wrappers).

IN A JAM: Like most tots in the (then) farm and sawmill town of Marysville, I served my penance as a summer strawberry picker at Biringer Farms, a large operation that sold fresh fruit to traditional wholesale markets. It also had a U-Pick operation and shortcake stands at county fairs. Now my past has risen, in the form of a Biringer store and shortcake stand in the Pike Place Market. Besides breakfasts and desserts (with local fruit when in season), it sells its own new line of gourmet jams, fruit taffy, honey, tea, cocoa, dessert pasta, rum cake, and “Ecstasy” ice cream toppings. They package many of the items in gift sets; they take mail, phone, and fax orders. I know they had to do something like this or lose the farm to tract houses. Still, there’s an ol’ loss-O-innocence about it all, like a nice homely old building “restored” with gaudy paint.

PHILM PHACTS: The most belovedly odd hit of this year’s Seattle Int’l Film Festival could be The Documentator, a 3.5-hour Hungarian orgy of re-cut video (action and sleaze films, TV commercials, socialist economic speeches), interspersed with the story of three people illegally amassing western currency by selling pirated videocassettes. This decidedly peculiar attraction sold out (though several dozen left the Harvard Exit at the start of hour 3).

SONIC DOOM?: It’s quite appropriate that Barry Ackerly’s proposed basketball arena, for which city taxpayers would directly and indirectly bribe him not to move the Sonics, is on the site of a former railroad yard, near the old terminus of the Great Northern and Northern Pacific. These and other lines received massive tracts of free land by the U.S. government and decades of virtual land-transportation monopoly in their operating regions, in return for “opening” the American west to white settlement.

BORN TO HUSTLE: Convicted swindler Ivan Boesky has deducted his fines from his income tax, and even bribed fellow prisoners to do his laundry. Did he ever see the last scene ofThe Producers ?

CENSORY OVERLOAD: Dennis Miller got to perform at the White House, but all his jokes were pre-screened for questionable content (can’t have any obscenities in earshot while you’re working on strengthening our friendship with the Chinese government). Locally, the King County Arts Commission put part of an exhibit in its upstairs Smith Tower gallery behind black butcher paper, later replacing that with a partition. The hazardous image? A male nude.

O NO CANADA!: My favorite foreign country may be irreversibly headed toward dissolution, yet the U.S. media virtually ignore it. If the confederation fails, will it be considered a sign of the inherent weakness of the North American capitalist system?…In lighter news, the new Toronto Skydome has hotel rooms overlooking the stadium, where one guest couple made their own show with the curtains wide open during a Blue Jays/M’s game.

UNTIL OUR NEXT EXCITING CHAPTER, get all the plastic postage from cash machines that you can (bound to be a collector’s item), avoid the espresso bar at University Ford (inferior lattes fail to protect against thermal breakdown of viscosity), get those neato Graffiti Gear jackets that you can decorated with marking pens then wash clear, see the Russian constructivist art at the Henry Gallery, and join me in celebrating the 25th birthday of the Lava Lamp.

PASSAGE

Author-social critic Barbara Ehrenreich (Fear of Falling ) in New York mag: “I left my exercise session after I’d only done one leg. I risked asymmetry.”

HYPE

The Weekly seems to like Misc. “The best one-page read in town,” sez their Bruce Barcott. All Weekly readers are invited to subscribe to Misc. this month for $6 and get a bonus sample from my forthcoming novel. Age, height, race not important.

WORD OF THE MONTH

“Optative”

HOW OFFICIAL ARE YOU?

In order to be a true Goodwill Games fan,

you must consume as many Official Products and Services as you can.

Use this handy checklist.

PRODUCT SERVICE SUPPLIER
Fruit Washington Apple Growers
Coffee Supplier Starbucks
Coffee Brewer AAA Coffee
Photocopiers Kodak
Insurance Rollins Burdick Hunter
Airline Alaska
Bank U.S. Bank
Communications Supplier US West
Health Care Group Health
Furniture Equa-Chair by Herman Miller
Underwear Fruit of the Loom
Cellular Phones McCaw
Two-Way Radio Bear Communications
Wine Chateau Ste. Michelle
Cars, Trucks and Vans General Motors
Symbol Tower Space Needle
5/90 MISC NEWSLETTER
May 1st, 1990 by Clark Humphrey

5/90 Misc. Newsletter

NEW PACIFIC 1ST FEDERAL TOWER BROKE, FOR SALE.

SERVES ‘EM RIGHT

FOR TEARING DOWN

THE MUSIC BOX THEATER

Welcome back to Misc., the column that is almost certain that the Log Lady did it (though we’re still trying to figure out what foghorns are doing on a small hydroelectric lake).

Clean, Reasonably Priced Accommodations: You may know by now that Twin Peaks’ Great Northern (named after a predecessor to today’s Burlington Northern Railway) is really the Salish Lodge. It was the Snoqualmie Falls Lodge for many years, a family-owned place known for honeymoon suites and a weekend farm breakfast; my parents went there often. Then Puget Power, which owns the building (and the dam behind the falls), decided to “upscale” the place by bringing in a new operator, who yuppified much of the old charm away.

Another Sawmill Soap Opera: The spotted owl is just a symbol of a whole eco-scape in danger. It’s not “environmental elitists” reducing timber-country jobs, it’s companies with their “efficient” automated clearcuts and log exports. If the forest lands now used were used in a more sustainable manner (as opposed to the short-term cash amortization of “high yield forestry”), we wouldn’t need to destroy the last of the old growth.

Behind Closed Doors: The Tacoma News Tribune revealed a Community Development Round Table, a group of business and media leaders started by the Times and the Seattle Chamber of Commerce in 1933, now including execs of the Times, P-I, KOMO and KIRO as well as bankers and business leaders. Members are bound by the group’s charter never to mention it to outsiders. A Columbia Journalism Review item about the TNT scoop noted that during the Boeing strike the Round Table invited a speaker from Boeing but not from the unions. Before you forment conspiracy theories, note that the press people in the group were execs, not editors, and that the media firms involved have long supported the business community. KIRO, for instance, shared a big booth at Earth Fair 1990 with the Forest Products Council.

Local Publication of the Month: Seattle Community Catalyst proposes to be the next great local alternative paper. The first issue’s a modest clearinghouse of info from assorted activist groups, plus a substantial background piece by Rich Ray on the making of the aforementioned Earth Fair, in which a commercial festival-organizing company pleaded with everybody to keep all exhibits upbeat and non-offensive to the major sponsors.

As it turned out, the people jamming the roads to Marymoor Park in their single-occupancy vehicles concentrated at the big tent crowded with all the little tables for the real environmental groups, with only a few straying out in the rain to the spacious covered displays for Chevron and Puget Power. Most of them missed the Wash. Natural Gas display, with free samples of a spirulina plankton-based protein drink packaged by its Hawaiian aquaculture affiliate.

Past Futures (from Uncensored magazine, April 1970): “A fascinating new book, The Country of the Young, paints a gloomy picture of what life will be in 1990 — when the generation war is all over and the drop-outs, pot-heads and sandaled freaks have become Old Hippies. The author, John W. Aldridge, says that the failure of the young today to develop their human resources, to cultivate discipline and skills, is going to backfire on them. If the hippies have their way and become catatonics, with all their needs supplied, `They will simply stare at walls for weeks on end, looking fascinated at such things as the copulation of insects. Having been relieved of the struggle of becoming, they would simply exist to be.'”

Phood Phacts: From in-flight magazines to the P-I to CBS This Morning, major attention has been drawn recently to something called the “Northwest cuisine.” WHAT Northwest cuisine? I’m a fourth-generation Washingtonian and never heard of any of these fancy dishes involving rhubarb, rack of lamb and alternatively-processed fish, let alone of many of their ingredients. It sounds suspiciously like some of those other western regional cuisines, invented from scratch from ex-LA chefs (Santa Fe, Colorado), allowing itinerant suburbanites the fantasy of “place” while the real communities of these places succumb to mall-ism. I am certain that we will see the “discovery” of Montana cuisine, North Dakota cuisine, and even Utah cuisine. Ya wanna know the true Northwest cuisine (at least among white people)? It’s Dick’s burgers (or Herfy’s burgers, now all but gone, in the outlying towns), barbecued fish with really thin bones, Shake ‘n’ Bake chicken, canned vegetables, Krusteaz pancakes with Mapeline-flavored syrup, maple bars, strawberry shortcake with Dream Whip, Fisher scones, Red Rose tea, Mountain bars, and Rainier Ale (the now-discontinued weak version). I don’t know if Lutefisk counts, since it seems to be perennially given as a gift but never eaten.

Your Own Private Idaho 1990: Many of Idaho’s civic leaders were all over the media in ’88-’89, insisting that the presence of a dozen neo-Nazis didn’t make them a fascist state. They were right, in a way. It’s the drive (vetoed by Gov. Andrus) to keep women barefoot and pregnant that makes them a fascist state, at least in potential. There ARE many truly non-fascist Idahoans, like liberals everywhere who complain but don’t vote. Some of these, there and here, are the same folk who eat fantasy regional cuisines. Maybe now that will change, as folks see the consequences of staying home and letting the Right win.

Junk Food of the Month: Again from Idaho, J.R. Simplot Inc. (best known as the nation’s top supplier of fast-food potatoes) brings us MicroMagic Microwave Milkshakes. You buy them frozen solid, then semi-thaw them in the zapper for 45 seconds. Will this be the foundation of the new Idaho cuisine? I doubt it. Some of the fun ingredients: Mono and diglycerides, guar gum, locust bean gum, polysorbate 80, carrageenan. The taste? Like a shake at a minor fast-food place that might buy its shake mix from the same source as its fries.

The Fine Print (from a Mr. Coffee coffee filter box): “Additional Uses: Use as a cover when microwaving. Line the bottom of your cake pans. Create snowflakes and Christmas decorations.”

Cathode Corner: KING sacked arts critic Greg Palmer after 14 years. I liked him most of the time, but that’s showbiz. What’s more shocking is that the the new KING news director is also vehemently opposed (sez the P-I) to on-camera signing of the 7:25 a.m. news insert, a friendly face and beautiful spectacle that’s helped many hearing people get through rough mornings and worse news. I once met longtime KING signer Cathy Carlstrom, who also signs church services and other events. She and her fellow signers deserve more respect…. So the world athletes in the Goodwill Games commercials are really local actors and models. What’s the fuss? We’ve all seen enough “Up Close and Personal” segments during the Olympics (or Lite Beer ads) to know that athletes are poor actors.

Ad of the Month (from the Weekly): “Sales, retail. MTV, trendy, fun & outrageous clothing. Mature person, exp’d only.”… Meanwhile, the newest batch of Rainier Beer ads soft-pedals the Only Beer Around Here” theme, dropping the slick stereotypes of mountain climbers and basketball players in favor of a partial return to the humor that made the old Rainier ads such favorites. One billboard reads in big black type, “Californians just don’t get it.” As far as I know, they’re made by the same Frisco ad agency that did last year’s unloved campaign.

Philm Phacts: It’s a shame that Peter Greenaway’s The Cook, The Thief, His Wife & Her Lover is so gory, because people will love or hate it just for that instead of for its many other qualities. It’s written for the screen, but could easily have been a five-act play. It mostly takes place on one huge 4-room set; the first hour unfolds in “real time.” The Thief, while nominally a gangster-extortionist, incarnates the whole history of English villainy (Henry VIII, Richard III, Dickens’ venture capitalists, on up to the Thatcherian present).

News from Medicine: A White Rock, B.C. man who walked around with a broken back for almost three months without knowing it was awarded $625,000 (Can.) damages. A Surrey, B.C. hospital had failed to notice the fracture when it treated him following an accident.

Who the Hell Are You?: The Kids Fair at the Seattle Center Exhibition Hall was an ex-substitute teacher’s nightmare. A whole hall full of screaming kids, frenzied parents, and merchant booths grabbing for the parents’ wallets. Everything from Looney Tunes frozen dinners to back yard jungle gyms, professionally installed. The high/lowlight was when they brought out guys in 7-foot Bart and Homer Simpson felt body costumes, hugging adoring little fans who lined up for photos. If a real Bart were there, he’d have pelted the oversize imposter with a pile of Ninja Turtles coloring books.

Arena Football: Barry Ackerly will build a new Sonics home directly south of the Kingdome (thankfully not, as was threatened previously, where Sears is now), but only if the city shrinks the Coliseum’s capacity, making it commercially worthless. In its original life as the World of Tomorrow exhibit in the ’62 World’s Fair, the Coliseum housed a scale model of the Puget Sound region dotted with new domed cities. What’s one of the few present-day structures shown to be still standing in this fantasy future? As the taped narrators said, “Look! There’s Coliseum Century 21!” “Yes, in the future we will retain the best of the past.”

Sell It to Murph: Unocal Corp. (née Union Oil), which once boasted of being the last company to still make gas for older cars, is now going to buy hundreds of hi-smog clunkers in the L.A. area, in order to retire them from the road. As an Earth Day PR stunt it was very effective and probably cheaper than paying for a cleanup of their old Elliott Bay terminal, where the Port of Seattle is having to deal with the residue of 60 years’ worth of minor product leaks and spills.

‘Til the fourth-anniversary Misc. next time, don’t get caught trafficking in counterfeit Nintendo cartridges (lest they sick a lawsuit equivalent of the Hungry Goriya on you),watch the new international-music show Earth to MTV, and ponder these thoughts by my goddess Tracey Ullman on her role in I Love You to Death: “Because the accent is Northwestern, it was tough to stay in character all the time. Southern accents are easy and so are New York accents, but the Northwest accent is the most pure of all the accents. You can’t just put one accent on top of another. You have to lose your accent completely.”

PASSAGE

One of the less-controversial lines in Salman Rushdie’s The Satanic Verses:

“Should the inflight movie be thought of as a particularly vile, random mutation of the form, one that would eventually be extinguished by natural selection, or were they the future of the cinema? A future of screwball caper movies eternally starring Shelley Long and Chevy Chase was too hideous to contemplate; it was a vision of Hell.”

REPORT

If you want Misc. every month (we don’t get to every drop-off every time), subscribe.

My novel The Perfect Couple is available on Macintosh discs for $10.

CALL TO ACTION

ABC will soon decide whether to renew Twin Peaks. Send cards & letters to ABC Entertainment, 77 W. 66th St., NYC 10023.

WORD OF THE MONTH

“Syncretize”

12/89 MISC NEWSLETTER
Dec 1st, 1989 by Clark Humphrey

12/89 Misc. Newsletter

Seahawks Keep Losing,

Preventing Those Costly Fan-Noise Penalties

Welcome to the decade-ending edition of Misc., the monthly newsletter that tells you what’s hot and what’s lukewarm. What’s hot includes, as you’ve been hearing, the American flag, recently declared by an act of Congress to be a sacred image, incapable of being legally destroyed or tampered with. Since the flag and, presumably, all representations of the flag now must be preserved at any cost, we should test its efficacy by painting its inviolate image on the exterior walls of the otherwise-doomed Music Hall and Broadway theaters.

MOON PICTURES: Meanwhile, the drive to save the Blue Moon Tavern continues, despite misleading articles in the police-blotter newspapers about its landlord’s scheme to build a “new” Moon in a proposed office building on the Moon’s site. It’d be a gentrified, beatnik-nostalgia theme bar, not the real thing at all. Next door on the same threatened parcel, the Rainbow was reincarnated for one week as the Saturn Music Club, before the strip-show operator paid up some back rent and came back.

NEWS ITEM OF THE MONTH (P-I, 11/3): “A smorgasbord of pants for women to choose from.” We’ll be sure to keep you posted in the event of any great pun headlines involving new UW Symphony conductor Peter Eros.

TROUBLE A-BREWIN’: Rainier Beer boss Alan Bond, whose legal problems over his Australian TV network (now under appeal) we discussed earlier, can also be accused of legal but still nefarious crimes against art. The $37 million or so he bid for a Van Gogh helped to permanently escalate the price of masterpieces, preventing museums from acquiring any more for public viewing while decreasing the amount of private-collection money available to living artists. All that, and he might not even get to keep the thing. He borrowed half the purchase money from the auction house (which was eager to increase speculation prices), and might not be able to pay it back.

TRUTH IS STRANGER DEPT.: Longtime arms negotiator Paul Nitze sez the US and USSR negotiating teams often sat within an unbuggable plastic “bubble” for secrecy during the most delicate phases of their dealings. And you thought Get Smart just made up the Cone of Silence!

THE FINE PRINT: This comes from the credits to Married With Children: “ELP Communications is the author of this film/motion picture for purposes of Article 15(2) of the Berne Convention and all national laws giving effect thereto.” It’s good ‘n’ bureaucratic, but not the best credits disclaimer. That’d have to go either to The Hollywood Squares’ old explanation of how “the categories of questions and possible bluff answers are discussed with the celebrities prior to the program. During the course of the briefing, actual questions and/or answers may be given or discerned by the celebrities.”

PLANE SCARY: A Seattle inventor has announced his plans for a “flying car,” a 2-passenger VTOL plane. In a few years, he sez, commuters could take to the air for their daily travels. Flight could become a routine way of life for millions. You already know what this means: Get ready for drunk drivers in the sky, crashing not into ditches or other cars, but into your roof!

BOUNCING CZECHS: From here, looks like the turmoil in the USSR and Eastern Europe might mean not the end of Socialism but of the generation of yes-man leadership left after Stalin’s purges. Columnist William Safire, obviously bereft at the loss of the Cold War’s simplicities, has been predicting the imminent end of Glasnost for so long that he’s sounding like a frustrated revival preacher forced to announce postponed dates for the second coming. I, though, compare today’s Eastern chaos to the high school counselor who, when a new teenage mother asked when things are going to go back to normal, replied, “From now on, this is normal.”

JUNK FOOD OF THE MONTH: Bisquick Shake n’ Pour Pancake Mix. Just pour water into the plastic bottle of powder, shake vigorously, and squeeze out the batter onto your hot griddle. Just add a pat of imitation margarine and some lo-cal syrup, and you’ve got an authentic ersatz lumberjack meal.

STRANGE BEDFELLOWS DEPT.: Jim Bakker and Lyndon LaRouche are being incarcerated in the same low-security prison. As it’s well known that criminals learn their trade best from colleagues, expect some massive scams when they get out. You’ll be cryingly asked to support nuclear power in the name of God, to fund evangelistic missions towards the “heathen” land of Britain.

STOVE TOP GRUFFING: An anti-wood-stove lobby, Citizens Against Woodstove Fumes, has bought bus billboards asking folks to think about the consequences of their cozy little fires. They claim that home heating by wood, one of the back-to-nature fads that survived past the end of the ’70s, releases more pollution into the environment per home served than hydroelectricity, gas, or even oil (not counting spills). I don’t know if that’s true, but it does increase the deforestation of the Northwest. I also know that in the third world, wood for home heating is used chiefly by those too poor to use more efficient schemes.

HAPPY RETURNS: So Seattle elected a mayor named Rice, and a city councilwoman whose mom owns a Chinese restaurant. Norm Rice deservedly got national press for his achievement, though the stories didn’t mention a big part of the victory, the fact that Seattle voters politely but affirmatively refused the divide-and-conquer tactics Doug Jewett learned from Reagan, Bush and Ed Koch. It shows there are people here who reject not just the new towers and condos, but the political mentality that goes with them.

LOCAL PUBLICATIONS OF THE MONTH: Belles Lettres are little gift books, each containing one classic short story and elegant Po-Mo illustrations. While two NYC companies are credited, the books are really the work of local designers and photographers, headed by Seattle editor Jana Stone.The Whole Toon Catalog is a mail-order collection of almost every animation video and book available for sale (if only they’d add a rental store). $2 from Box 1604, 4739 University Way NE, 98105….Washington Songs and Lore is the one state-centennial book to bring the pioneer days of noble fur trappers (long before Bob Barker) and Victorian matriarchs to something approaching life. It’s full of Old West clichés, but it’s still a step forward from most the nature-tourist orientation of most “regional” books, which seem to ignore the existence of humans or of social institutions.

INFO ATTAINMENT: Pledge of Resistance, a local pro-Sandinista group, visited hundreds of newspaper boxes throughout Seattle in the wee hours of 11/14, wrapping its own two-page Seattle Past-Intelligencer: Special Citizens’ Edition around copies of the real P-I. The result would make for a semotician’s field day: All the normal local crime stories and human-interest fluff inside, while the front page spoke exclusively of Contra and El Salvador Army atrocities (with an “Editors’ Apology” for not having reported them sooner). The desktop-published type made the new cover an obvious phony, but the split-second illusion of a local paper with a backbone inspired a hope that more political advocates will make active, accessible attempts to truly communicate with the populace (as opposed to shouting worthless buzzwords).

BOUND FOR DOOM: NY Times and Wall St. Journal articles predict big anguish for the book biz, due not to any lack of sales but to conglomerate mismanagement. Companies and writers were bought for more than they were worth. An elaborate system of advertising and chain-store promos failed to make guaranteed bestsellers. The ensuing shakeout may disprove the claims of “synergy” used in promoting media mergers.

SHOP RITE: Among the local products being hawked this Xmas are such board games as Nordstrom’s Nordopoly and Struggle,which promises to “teach kids the challenges of living in the real world.” U-Men Brand jackets and sweatshirts are being sold by an area firm, but aren’t authorized by the now-dormant punk band that created the name. Musts-to-avoid include the Bon’s $20 home video on proper scarf tying.

`TIL OUR NEXT REPORT at the start of the ’90s (can’t you just wait for 10 years from now, when everybody’s going to count the top 10 movies of the last millennium?), complete with our annual and only accurate In/Out list, read Julian Barnes’ A History of the World in 10 1/2 Chapters, don’t see Back to the Future Part II, and cognate on these timely lyrics by the Soviet rock group DDT: “I don’t like life. I want it.”

VOICES

Anias Nin in The All-Seeing:

“Two people who love the dream above all else would soon vanish altogether. One of them must be on earth to hold the other down. And the pain of being held down by the earth, that is what our love of others shall be.”

FORUM

We’re still looking for your suggestions for our annual In/Out list, to be published in January. Send your suggestions in now, before somebody else does.

WORD OF THE MONTH

“Olefiant”

INS/OUTS FOR ’90

This list covers trends that will be emerging and submerging over the next year.

Last year we successfully predicted the return to the public eye of waffles and Brigitte Bardot.

This is not a substitute for professional psychographic analysis.

INSVILLE OUTSKI
Soviet writers New England writers
Goodwill Arts Festival Goodwill Games
Busby Berkeley Frank Capra
Anne Rice Stephen King
Plaid Pinstripes
Home-sharing Real-estate talk at parties
The Simpsons Disney
Nose rings Earrings
Love Righteousness
Living Colour “Metal love songs”
A&E HBO
Populism Upscale demographics
Orioles Dodgers
48 Hours A Current Affair
Alien Nation Star Trek: The Next Generation
Kate Bush (finally) Madonna (finally)
Minivans 4 x 4s
Omaha the Cat Dancer Batman
Sake Sweetened “juice cocktails”
Storytelling Stand-up comedy
Camper Van Beethoven Weird Al Yancovic
Miss Julie Brown Bette Midler
Microwave cake Microwave popcorn
Socialist reformers Capitalist dictators
Cleveland Miami
Paula Poundstone Jay Leno
Winona Ryder Lisa Bonet
Spokane Gig Harbor
Zeta Spy
Volleyball Tennis
Daniel Day-Lewis William Hurt
Anthony Braxton Philip Glass
The Wonder Stuff The Wonder Years
Arsenio Hall David Letterman
Hasselblad Vivitar
Cheese steaks Cajun food
War on poverty “War on drugs”
Glitter Neon
Copper White
Jim Blashfield Will Vinton
Pantsuits Stone-washed jeans
7/88 MISC COLUMN FOR ARTSFOCUS
Jul 1st, 1988 by Clark Humphrey

7/88 ArtsFocus Misc.

The Reds Will Never Get Our Military Secrets —

They Can’t Outbid the Private Sector

Ahh, what better reading for the Age of the Greenhouse Effect than Misc., the column that always keeps its cool?

STUFF: Now that we’re through booing the Lucking Fakers for another year, we can examine Microsoft co-founder Paul Allen’s purchase of the Portland TrailBlazers. Will fancy computer analysis come to basketball? Will it result in increased throughput?

THE BATTLE OF SEATTLE continues, with Union St.’s beautiful Post Office Grocery and the legendary Market Theater the latest victims (of development and Reaganomic monopolization, respectively). The next front is the Music Hall Theater. Allied Arts is striving to keep the Clise Agency from razing the ornate movie palace for yet another cheap “luxury” hotel. Other interests are trying schemes to keep the Paramount standing. But don’t look to Royer Roi for any help; the onetime “people’s mayor” now acts as a stooge for those who would destroy Seattle in order to save it. (Speaking of hotels, the finally-done Convention Center won’t rent space to local people unless they’ll bring at least 1,000 out-of-towners to area hotels.)

MODULATIONS: The local airwaves are now safe for cool music. KJET is apparently sticking around for a while, and has added more hours of live programming. And the FCC declined to let the Jack Straw Foundation knock KNHC off the air. Straw, whose old KRAB devolved from beatnik eclecticism to hippie senility before it made a quick buck selling its frequency, will now start a small station in Everett, where people talk almost as slowly as the old KRAB announcers did.

CATHODE CORNER: The CBS special on the plight of local Vietnam vets was a great piece of filmmaking, marred at the end by an obscene promo for the network’s newest Joy-of-Violence cop show…. The long-announced Boris & Natasha movie is now in production, with #1 hoser Dave Thomas recently cast opposite Sally Kellerman. Variety ads, made to lure investors while only Kellerman was signed, show a male model in a Boris suit with a hat over his face…. MTV’s Museum of Unnatural History was an amazing lesson in the contradictions of commercial surrealism, even more bizarre by being in the recursive maze that is Bellevue Square. The exhibits scattered along the mall (and decorated in Late Pee-wee) included two banks of 24 video screens each. One had Pontiac ads, the other a montage of MTV promo spots including a shot of singer Mojo Nixon (but, alas, not his great song “Burn Down the Malls”).

UPDATES: The end of the ’80s (discussed in a prior column) was celebrated in a mock funeral by NYC performance artists The Blue Man Group, cremating a deconstructivist print, a model of a postmodern office building, and a yuppie doll…. The ’70s revival continues, as dinosaur rock and neo-disco race up the charts while several late-’70s celebs stage publicized comebacks (Devo, Patti Smith, Jimmy Carter)…. The Monthly, a local ad trade paper, asked 10 ad-biz experts about the new Rainier Beer ads. The only guy who liked them works for the brewery.

NEWS ITEM OF THE MONTH (USA Today, 6/21): “Wives of economic summit leaders wave as they leave on a boat tour Monday… Absent: Denis Thatcher.” Runner-up (P-I “Correction,” 6/10): “The relish tray (at Le Petit Prince) comes with an original dip made on the premises, not a sort of Green Goddess dip as suggested by the reviewer.”

LOCAL PUBLICATIONS OF THE MONTH: Hardball, best of the many local sports rags, takes the familiar “literary fan” approach to baseball, covering the three local pro teams and assorted other aspects of the game…. Pacific Northwest’s cover on films made and/or set in the Northwest is astounding. Richard Jameson included many memorable NW movies but did neglect my favorite, Ring of Fire (1961). Long unavailable, it featured Mason County deputy David Janssen abducted by three teen hoodlums led by Frank Gorshin. They wander the woods and inadvertently start a raging forest fire, but not before Janssen and seductive hoodette Joyce Taylor share a quiet embrace, followed by shots of a tall tree and rolling hills.

JUNK FOODS OF THE MONTH: Linda’s Lollies are “hand made lollipops” in many sophisticated flavors, including Samduca (a licorice taste with three real coffee beans inside). At Paper Moon in the Market…. Godfather’s now has a “Bacon Cheeseburger Pizza,” complete with pickles.

ON A ROLL: By the time this comes out the Suzuki Samurai jokes may have come and gone (dealers with high turnover, the teal-blue car it takes a real man to drive, etc.). The best and most real comment is that Univ. Village uses a Samurai with “Security” boldly painted on the side. Just don’t ask me to go after shoplifters across speed bumps in it.

LEFTOVERS: As usual, there’s just too much going on in Our Wacky World to fit the column, so we can’t talk much about Reagan vs. the Native Americans (only a movie cowboy with a mistaken sense of reality could call massacres and the reservation system “humoring”); George Bush (sez he’s less elitist ‘cuz he only went to Yale, not Harvard); the plan to put casinos in Detroit (buying their cars is a gamble enough); the censoring by US West and the state of phone sex and porn books, respectively (threatening all expressions of politically incorrect lifestyles); and the Mariners’ latest woes (why couldn’t they at least be lovable losers?).

‘TIL OUR AUGUST EDITION (our first ever), see Baghdad Cafe and the Burke Museum’s Far Side of Science, don’t see The Morton Downey Jr. Show (not even to “love to hate it”), see the Ivar’s fireworks (accept no substitutes), and register to vote. See ya.

6/88 MISC COLUMN FOR ARTSFOCUS
Feb 27th, 1988 by Clark Humphrey

6/88 ArtsFocus Misc.

IT’S THE DAWS BUTLER MEMORIAL EDITION,

AND DON’T YOU FOR-GIT IT!

Welcome to the second-anniversary edition of Misc. This ragtag collection of little notices from all over does have some goals. I want to celebrate the chaotic, post-postmodern world of ours, and call for a world much like we have now but with more love and less attitude. I want to exalt English as a living, growing language. I want to separate political liberalism from the cultural conservatism that led so many post-’60s youth to view liberals as old fuddyduddies. I want to proclaim that you can be intellectually aware and still like TV.

Why the New Rainier Beer Ads Suck: They’re a Frisco ad agency’s idea of what us Northwest hicks’ll fall for: Pavlov/Spielberg stimulus-response images, based on tourist attractions and phony regional pride. They’re as awful as the big beers’ ads, without the media budget to pull it off. The new “small-capitals” logotype looks too much like that of Rainier Bank. It’s all because the brewery was sold to Australian mogul Alan Bond, who more recently bought out fellow Aussie Robert Holmes a Court (the man who sold the Beatles’ songs to Michael Jackson). Bond also has large business ties with Chilean dictator Pinochet (gold mines, a phone company). Response to the ads has been underwhelming, while old Rainier posters sold briskly at the U-District Street Fair.

A Permanent Underground Tour: Bill Speidel, who died this month, was one of the first to write seriously about Seattle as a real city, with its own brief but vital history. Too few have followed his lead; “Northwest Writers” are still expected to do free verse about scenery, not narratives about people. Yet he’ll be remembered whenever Northwesterners seek an honest regional identity from holding on to one’s past: Not nostalgia for a nonexistent “simpler time” or the old west of movies, but a raucous cavalcade of pioneers and profiteers, matrons and whores, all trying to muddle through life much as we try now.

Local Publications of the Month: First, the fine mag misidentified here last time as Ground Zero is really Zero Hour. The temporal-spatial discord resolved, let’s discuss newspapers ashamed of their own towns. The Herald and The Morning News-Tribune no longer carry any front-page clue to their origins (Everett and Tacoma). The Daily Journal-American never had Bellevue in its name. Each wants to be identified not with real cities but with its own mapped-out segment of Suburbia USA, the everywhere/nowhere.

Junk Food of the Month: The experimental no-melt chocolate invented by our pals, the Battelle Memorial Institute. Since it stays solid at temperatures below 98.6 F, will the makers of car seats and kids’ clothes conspire to keep it off the market?

One More Time: Sequels, those efficient re-uses of pre-sold titles, have become vital parts of conglomerate-owned film studios. The trend has grown to the literary classics with the announced book project Gone With the Wind II. But I’m waiting for the Romeo and Juliet follow-up being written by ’68 movie Romeo Leonard Whiting. I want to know how they manage to be alive after part 1, but also whether they can keep their relationship growing amidst the problems of everyday life.

The Big Lie Indeed: Drugs continue to be used as the Red Scare of the Late ’80s, an excuse for anti-democratic actions of many kinds. Locally, Doug Jewett uses it to promote the destruction of low-income housing, and the Blaine feds are seizing vehicles for just an ash of pot (not the most enlightened way to reduce the budget deficit). Nationally, the Army’s being brought into domestic law enforcement (just like in drug-exporting states such as Panama). Some would prefer that the anti-drug cause remain associated with fascist tactics, so that non-fascists will keep getting hooked and killed in the name of rebellion. But there are better ways to approach the issue, such as shown on a new bumper sticker: “Stop Contra Aid — Boycott Cocaine.”

Goin’ to Jackson: It’s no wonder some have tried, and others may try, to kill Jesse Jackson, for he’s more than a soon-to-be-ex-candidate. He’s overseen a realignment of American politics, away from of the era of the Gilded Right and the Gelded Left. No longer can liberals bask in smug defeatism, readily accepting conservatives’ portrayal of things. (Most Americans never were flaming Falwellians, but the anti-Falwell set bought Falwell’s claim that they were.) Jackson’s shown that a universal movement for change can happen, whether party regulars are involved or not.

Cathode Corner: Johnny Carson may be writing his own bad jokes during the writers’ strike, but you won’t hear any gags about his financial advisor, “Bombastic Bushkin.” Johnny and the real Henry Bushkin have broken their long partnership. Some of Bushkin’s deals, such as investing in Houston real estate just before the oil bust, have come too close to the ones in old Carson monologues.

Loco Affairs: Martin Selig sez he wants a more beautiful downtown. He’s offered to pay the city to let him tear down the homely Public Safety Bldg. We could think of a few other buildings worthy of removal, ones for which he already owns all rights….The Westlake Center nears completion, and the developers’ intentions for the land the city gave them are appearing. The Puget Sound Business Journal reports local merchants as essentially fainting or laughing at the center’s proposed rents. Most tenants, the Journal sez, “are expected to be national chains.”

Ad Copy of the Month (by CBS Records for UK band Raymonde): “Let’s just say it falls someplace between Joy Division and the Beach Boys.”

Ride ‘Em: Metro’s losing passengers while Snohomish County Community Transit can’t stuff folks on board fast enough. To learn why, just ride a CT bus to Everett some night. It’s a nice, big, comfy bus, in pleasant colors. It’s a bus people can actually want to ride, and they do. But the folks at Metro were too busy to notice one of their own officials skimming the cash boxes, so we can’t expect ’em to learn from their neighbors’ success.

Close: ‘Til next time, petition KIRO to bring back Mighty Mouse, visit the 6 Star Factory Outlet store in W. Seattle, and heed the words of gambler-lawman Bat Masterson: “There are many in this old world of ours who hold that things break about even for all of us. I have observed, for example, that we all get about the same amount of ice. The rich get it in the summertime and the poor get it in winter.”

2/88 MISC COLUMN FOR ARTSFOCUS
Feb 1st, 1988 by Clark Humphrey

2/88 ArtsFocus Misc.

MAKE LOVE NOT WARHOL

Welcome to Misc., the column that loved seeing all the Martin Luther King Day signs at banks accused of redlining. We’re also not the official column of Family TV Viewing Month, a recent publicity stunt that involved two households going tubeless for a week. I can’t imagine what’d be worse: another Cagney & Lacey rerun or following the advice of state first lady Jean Gardner.

Aural Threat: For five and a half years, on a tiny budget and a tinny frequency, KJET has been one of the few commercial radio stations in town doing anything worthy of criticism (the best in progressive pop played announcers who dare to assume that their listeners have brains). Now that owner SRO has a few bucks to spend, it’s pondering the removal of this proven format. KJET has extremely loyal listeners. It could have more of them with better equipment and more promotion. The station’s outspokenly asking us to plead with them to let the Jet live. Do it. They’re at 200 W. Mercer, 98119.

No reprieve, however, is apparently possible for the beloved Rainier Beer ads. For 12 years, Heckler & Associates’ campaign (always “zany,” sometimes truly witty) has made Rainier #1 in Washington by distinguishing it from the majors and their cloying, zillion-dollar ads. The brewery’s new Australian owner’s hiring an Australian agency to make Rainier’s ads more like Bud’s and Miller’s –certain doom for a regional brand. Before Heckler, Rainier was sinking in the market. It tried a light beer and a draft beer years before Miller, a dark beer years before Michelob, fancy bottles, fictional spokesmen, outdoorsy jingles — nothing worked until it made commercials people wanted to watch. The campaign also helped put the Seattle production community on the map. It proved that local people can top the LA gold-chain crowd (though some local advertisers, like Bell and the Lottery, still send their customers’ money south).

Sunken Treasures?: Another endangered landmark is Ye Olde Curiosity Shop, Seattle’s second oldest retail business (after L&H Engraving on Elliot). The pier on which the venerable souvenir stand is situated is in danger of collapsing, under the strain of drywall construction further up the waterfront. The contractor won’t ease up on the heavy vibrations until April, when the shop’ll move next to Ivar’s. If Sylvester the mummy sinks, he’ll become the eternal martyr to Seattle’s construction mania.

Philm Phacts: Housekeeping is a great film with great characters, set in a believably matriarchal Northwest town. Its only flaw is easily attributed to a Scottish director filming in Canada: The heroines as girls, being driven across Washington, stop at an Esso station. Standard Oil of N.J. never had rights to the name (an acronym of “S.O.”) in the western U.S., and so used Carter and then Enco before switching nationwide to Exxon. More fascinating info on the gas biz is at the General Petroleum Museum, which sells old pumps, signs, and memorabilia to collectors and rents a hall filled with the stuff for banquets and meetings.

Tunnel Woes: Wouldn’t it’ve been nice if Metro’d kept boring through the soft ground? They could do it at night with advance notice, so nobody’d be hurt when the Century Square building drops to a more reasonable height. If some of the Sharper Image merchandise gets damaged in the process, so much for the better.

Truth is Stranger Dept.: A while back, some clever folks published a parody of the Seattle Arts Commission newsletter. In the fictional lead story friends of commission members were being hired as “Art Buddies” to inspire local artists. It was a slap at programs to “support the arts” without giving a dime to artists. Now the real commission wants to hire three “nationally known” (your tax $$ going to NYC) art critics to advise artists with commission grants. Even Regina Hackett (the William Arnold of art writers) questions the idea (“Artists who want advice should ask artists whose work is in sympathy with their own”).

Wet Dreams: The recent Boat Show was a spectacle of American grandiosity at its finest. Best was the seemingly endless series of interconnected tents outside the Dome, just dying to become the site of a movie chase scene. The boats themselves generally got uglier as they got costlier. By $300G you had Joan Collins beds and blue plush carpeting on the walls. Still, there’s a lot to be said for living on a boat, with its split levels and cozy quarters. If you could only get a moorage with cable TV….

Local Publication of the Month: Columbia, the Magazine of Northwest History. Read, in lovely type with by quaint picures, of the early years of our remote corner of the world — but remember that “early history” here is “modern history” most anywhere else.

Headline of the month (Times, 1/25): “Two hospitals weigh liver transplants.” Lessee, at $1.87 a pound….

Cathode Corner: Some of the best TV entertainment is in commercials on obscure cable channels. Financial News Network has five-minute “paid programs” twice an hour. Gruff-voiced brokers insist that their option-futures-ratio-index packages are still sound investments. Sometimes they appear in phony “interviews” with actors hired to say “Sounds very impressive, Mr. Goldman.” Their heads are electronically squeezed into the top three-quarters of the screen, with stock prices swimming on the bottom.

‘Til March, visit the Old Firehouse second-hand mall at 110 Alaskan Way, watch Bombshelter Videos 1 a.m. Thurs. night/Fri. morn on KSTW, and remember the Valentine’s Day greeting on Pine Street: “Do Not Enter Except Metro Busses” (Look it up).

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