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fanboy.com
Back when daytime soaps were still a profitable low-budget genre, producer Dan Curtis hit on the idea of making one inspired by the “gothic romance” paperbacks of the day. (You know, the ones with covers showing young women in flowing dresses running from houses.)
Dark Shadows was initially a ratings failure.
As a last-ditch effort, Curtis wrote in a vampire character and cast a journeyman Canadian actor to play him.
Frid was a hit. The revamped show was also a hit. Despite being made on the same low budget and impossible schedule as the more domestically-oriented soaps, it evoked realms of supernatural fantasy and even multiple time streams.
It inspired two feature films, a slew of merch, a brief revival series in 1991, and a forthcoming spoof film.
Frid became a classic typecasting victim. He went on to a smattering of other movies, one Broadway play, and many years eking out a living touring colleges in one-man shows.
Whatever it took to stay alive undead.
goodreads.com
Amazon wants you to stay in their electronic ecosystem for buying ebooks (and music, and movies, and apps and games). So does Apple, Barnes & Noble and Google. None of them are interested in sharing you with anyone else, ever. Publishers, alternately, are interested in having as many online retailers as possible, each doing business with them on terms as advantageous to the publishers as possible.
Jim Bracher at the Seattle Backpackers Magazine site offers a mostly-positive review of our somewhat-new book Walking Seattle:
The author’s knowledge of Seattle is extensive, comprehensive, and impressive. I didn’t realize part of Perkins Lane is still closed after the mudslides in ’97 (p. 64), and I’d forgotten the horror that dominated the news after the murders at the Wah Mee club in ’83 (p. 79). He also reminded me of The Blob (p. 58), a building I’d forgotten even though I used to walk by it almost daily.… This guy knows architecture. I know bungalows from Queen Anne, but he knows Art Moderne from Beaux Arts.… Architecture helps tell the story of a city. The current downtown Seattle Library is a statement about what we want the city to be, what we want others to see when they look at us, and what sort of buildings we want to see when go out. All the buildings of Seattle’s past were designed for the same purpose. The bungalows, the big homes of Queen Anne Hill’s past, all tell the story of what was going on in Seattle. It’s a cool history. I wish Humphrey had told more of it.… He’s a good writer. The prose flows. Reading through the tour descriptions is easy and clear…. I’d love more story-telling. He’s capable of it and the book shows he knows it.
The author’s knowledge of Seattle is extensive, comprehensive, and impressive. I didn’t realize part of Perkins Lane is still closed after the mudslides in ’97 (p. 64), and I’d forgotten the horror that dominated the news after the murders at the Wah Mee club in ’83 (p. 79). He also reminded me of The Blob (p. 58), a building I’d forgotten even though I used to walk by it almost daily.…
This guy knows architecture. I know bungalows from Queen Anne, but he knows Art Moderne from Beaux Arts.… Architecture helps tell the story of a city. The current downtown Seattle Library is a statement about what we want the city to be, what we want others to see when they look at us, and what sort of buildings we want to see when go out. All the buildings of Seattle’s past were designed for the same purpose. The bungalows, the big homes of Queen Anne Hill’s past, all tell the story of what was going on in Seattle. It’s a cool history. I wish Humphrey had told more of it.…
He’s a good writer. The prose flows. Reading through the tour descriptions is easy and clear…. I’d love more story-telling. He’s capable of it and the book shows he knows it.
Bracher also has some dislikes about the book. Almost all of those relate to the publisher’s series format (page size, layout, etc.).
And he wishes there was a smartphone app for it.
Guess what? There is! It’s an add-on virtual tour guide that works within the iOS/Android app ViewRanger.
But on the whole, he likes Walking Seattle.
And you will too.
Some recent developments in the Apple/Amazon/big book publishers/Justice Dept. rumble:
david eskenazi collection via sportspressnw.com
And a happy Friday the 13th (first of the year) and Mariners home opening day to all of you!
It’s called “Control-based Content Pricing,†and the basic idea is dynamic pricing of video content, based on the preferences of the user at any given moment—essentially setting different prices for different functions of the TV remote.
gjenvick-gjonvik archives
Three of the Big Six book publishers (Hachette, News Corp.’s HarperCollins, and CBS’s Simon & Schuster) have settled with the U.S. Justice Dept. in the dispute over alleged e-book price fixing.
The publishers still insist they’re innocent; but they agreed in the settlement to not interfere with, or retaliate against, discounted e-book retail prices.
Apple, Pearson’s Penguin, and Holtzbrinck’s Macmillan have not yet settled; they also insist they did not collude to keep e-book prices up. Bertlesmann’s Random House was not sued.
This is, of course, all really about Amazon, and its ongoing drives to keep e-book retail prices down and its share of those revenues up. The big publishers, and some smaller ones too, claim that’s bad for them and for the book biz as a whole.
In other randomosity:
reramble.wordpress.com
Seventy degrees on Easter. It felt like the whole outdoors had come back to life.
artist's rendering; via kiro-tv
t.j. mullinax, yakima herald-republic
The Seattle Times‘ series about Amazon.com’s corporate culture continued on Monday with a long recounting of the company’s often prickly relations with book publishers large and small; especially small.
I’ve written in the past that the six U.S. mega-publishers could sure use a “creative disruption” (to use a hoary techno-Libertarian cliché), to sweep away their hidebound old ways and become more nimble, more competitive, and more profitable.
These same new rules, once everybody’s figured out what they are, could also help out smaller imprints.
But in the meantime (which could seem like an eternity in dot-com years but the blink of an eye in book-biz years), Amazon should not push too far against the “long tail” publishers and distributors who make its “World’s Largest Selection” slogan possible.
It’s bad for the publishers and their authors.
It’s bad for the industry as a whole.
And it’s bad for Amazon.
The e-tail giant had better realize, and soon, that it doesn’t have the market muscle to push its suppliers around like Walmart does.
Except to owners of Kindle machines (which are hardwired to only download commercial ebooks if they’re from Amazon), everything its core media business sells can be bought from other sources, just a mouse click or a search-engine hunt away.
Also, many of these smaller publishers have loyal niche clienteles.
All they have to do is offer lower prices or “customer loyalty” incentives to folks buying books on the publishers’ own sites.
Or, the small pubishers could offer all sorts of “customer loyalty” incentives to their direct buyers.
It’s to Amazon’s own fiscal interest to not appear like a bully here.
via shelligator.tumblr.com
You will note we posted nothing on 4/1. We’ve had enough trouble over the years with people thinking the stuff posted here’s just made up.