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11/89 Misc. Newsletter
Empty Space Renovators Find Asbestos in Showbox Walls;
You Thought the Punks Looked Deadly!
Welcome to yet another ennui-packed edition of Misc., the column that wonders whether Monty Python’s Graham Chapman would have wanted to die on the same day as, and have his obituary upstaged by that of, the race horse Secretariat, and decides that he might well have. This is the special newsletter edition, containing (not much, but some) additional material, cut from the version in ArtsFocus. While that tabloid was on indefinite hiatus this summer, I put out a special newsletter version and solicited for subscriptions. Two people replied. This is for them, and anyone else who might end up applying for the mailing list.
NO JANE, NO PAIN: I do not mourn the impending departure of Jane Pauley, who has held her position on Today for 13 years despite a distinct incompetence. She was particularly bad in her early years, but still maintained a level of journalistic ineptitude to the end (we’ve already mentioned her interview with the Seattle Rep’s Dan Sullivan, in which she never “got” the idea that non-NYC theater is real theater).
STAGE OF DECLINE: The demise of the Pioneer Square Theater has been dissected elsewhere. I’ll simply note that at one time, a local theater company was able to support itself mostly on its own receipts, and might have continued to do so had its original team stayed in town. Another case of LA ruining everything.
SPECIAL INTEREST: The John Lennon purists (a bunch of gracelessly-aging ex-potheads) may scorn the memorial Visa cards authorized by Yoko, but I love ’em. There’s nothing quite like going over your limit as the receipt-stamper pulls across the face that sang “Imagine no possessions.”
THE WORLD SERIOUS: So the A’s, thanks to Mike Moore and their other ex-Mariners, finally won. “But where in all this,” you haven’t asked, “is ex-A’s owner Charles O. Finley, the man who wanted to give us orange baseballs?” He’s still dabbling in sports. While Oakland was in mourning over the quake, Finley was safe up here, giving a public demonstration of his new glow-in-the-dark footballs. Their fluorescent green stripes are supposed to make them more visible at night in dimly-lit high school stadia; which would ruin one of the joys of the high-school game. O well, at least they’ll still have under-the-bleachers fights and the sound of both schools’ bands simultaneously playing “On Wisconsin” as their own fight song.
COME BACK, SAM! ALL IS FORGIVEN!: Am still trying to learn whether the Samuel E. Schulman credited as publisher of the new magazine Wigwag is the illustrious ex-Sonics owner and B-movie mogul of the same name. The mag is subtitled “A Picture of American Life;” it looks a bit like Spy and reads a lot like the last half-hour of All Things Considered. Lotsa smug Ivy League “populism” and pretentious cuteness. It does have one nice item on loneliness from the only single black woman in Tucson.
THE PLANE TRUTH: At this writing, the Boeing strike is going strong. It’s a novelty among recent U.S. strikes: it’s against an industrial manufacturer that’s been doing well enough that the usual pleas that the battered workers “sacrifice a little more” to keep management comfy just don’t work. If successful, this may be the turning point in American labor. People at Boeing and other firms may be getting tired of being pushed around, of getting sick from hazardous chemicals only to have management claim it’s just psychosomatic or “hysterical,” of being treated as a mere “cost” to be “contained,” of having any disagreement with any of this denounced as disloyalty to the corporate “family.”
MEANWHILE, Martin Selig’s fall from the heights of local office development should not surprise. In an ongoing attempt to cut corners from the costs of his big projects, he’s been late on payments to smaller suppliers for years. He got caught when he tried to slow down his payments to outfits big enough to fight back: first City Light, then some big creditors. In the end though, an ex-strip-mall-builder in an overbuilt market was no match for the big guys from LA and Toronto, now poised for total dominance.
TOY BOY: The first Xmas product with promise is the Heartthrob game by Milton Bradley, the years-late answer to Mattel’s Mystery Date game (circa 1962). It’s for girls ages 8-12, who draw and trade cards pertaining to their ideal boy’s traits, trying to assemble the most attractive guy possible.
GAS PAINS: The great oil slump continues, as Chevron sells or demolishes some of its most prominent locations (Ballard and Market, Evergreen Point) while the independent Gull sells all its Seattle stations. Gull, along with Mobil, thus joins these other long-gone brands from town (how many do you remember?): American, Carter, Douglas, Enco, Flying A, General, Gilmore, Gulf, Hancock, Hudson, Payless, Phillips 66, Red Crown, Richfield, Rocket, Signal, Standard, Time, USA, Valvoline, Vickers, and Wilshire. Seattle never had any outlets, however, for Clark Oil (no relation), the Midwestern brand that sold premium gas only.
JUNK FOOD OF THE MONTH: Belgian waffle snacks at Gaufres (“gauf”), a storefront at 106 James with the shortest menu of any restaurant in town. For a buck, you get a small cup of coffee and a hot, glazed waffle on a sheet of wax paper. No butter, syrup, or whipped cream; this is finger food. Eat too many, though, and you’ll have a “gauf figure.”…Seattle’s Starting Right Co. now has the first gourmet frozen dinners for babies – strained, pre-cooked mounds of rice/squash/cod, zucchini/potatoes/beef, and pasta/carrots/turkey.
LOCAL PUBLICATIONS OF THE MONTH: Miscellania Unlimited (again, no relation) is launching a new line of Northwest-produced comic books. The starting lineup ranges from the funny-philosophical Morty the Dog (who was “killed off” during his previous series from Starhead Comics; how he returns is the chief mystery) to the all-too-typical Rhaj (a female warrior in ancient Egypt with big eyes, a big knife, and a bigger bare bosom)…. I wish somebody here had a paper as lively as the Portland Free Press. It’s a monthly left-anarchist broadsheet concerned with toxic dumping, deforestation, and particularly with the Citizens Crime Commission, a panel of Oregon’s wealthiest and most powerful people who lobby for more prisons and fewer civil rights using the “drug emergency” for a justification….Every two months Factsheet Five, a national directory of small-press and self-published matter, includes several listings of Seattle-area “zines” available only by mail. As space permits, I’ll occasionally reprint one of these listings. This time it’s The Whetstone, described by FF (haven’t seen it myself) as “a new ‘magazine for independent people’ on news ignored by the major media…the alleged A-bomb test at Port Chicago in 1944, the AIDS-syphilis connection and alternative high-energy sources.” Available for $15/4 issues from FIFE Publications, Box 45792, Seattle 98145-0792.
THE KING AND THEM: Yul Brynner, according to one of those son-of-star-tells-all books, had steamy affairs with many of your favorite Hollywood leading ladies, and also with the actress who later became Nancy Reagan. It’s a gruesome thought, I know, but not as shocking as a pic published last year in the French Photo magazine, a full-frontal nude of a pre-stardom Brynner — with hair on his scalp!
COLOR ME BLUE: COCA recently held a performance by NY artist Mike Bildo. Three local women walked onstage and spent the next 10 minutes brushing bright blue paint on their nude selves. Occasionally, Bildo instructed the models to tastefully flay themselves on one of two large paper “canvases.” A group calling itself the Gorilla Girls picketed outside, calling the work an “appropriation” of women. The Gorillas’ literature drew heavily on quotes from Alice Walker, a writer who has dismissed any criticism of her work with the all-damning phrase “white male attitude.” The Bildo piece did NOT advocate male power over women. It questioned the valuesof originality and individualism, a topic frequently covered in feminist art writing. The models, the six clothed musicians, and Bildo were all re-enacting roles devised in 1960 by conceptual-art pioneer Yves Klien, who in turn was commenting on both French ooh-la-la exhibitionism and on the role of the nude figure in art. (Bildo’s enactment was closer to Klein’s concept than was the re-edited version of Klien’s event in the exploitation film Mondo Cane ). Body painting is an old tradition in other cultures, and has oft been used in Western alternative art. Weeks before Bildo, Karen Finley appeared on the same stage, her nude self covered in chocolate syrup, giving a charged lecture on bodies and body images. The chocolate motif had been used in ’74, with similar metaphors, in Dusan Makajayev’s Sweet Movie. The UK female punk band The Slits once posed for an album cover in mud and loincloths (as re-created this fall by the Seattle male punk band Mudhoney). Had the Gorilla Girls overcome their own stereotypical notions about gender and power, they’d have been treated to a spectacle full of images worthy of smart criticism. (Something like this section may appear in the KCMU Wire).
IN CONCLUSION, copies of the special “What I Did This Summer” report are available by sending a SASE to Box 203, 1630 Boylston, Seattle 98122, as is information on my novel The Perfect Couple (currently available only as Macintosh computer software). Until our next report, vote for Rice (claiming you’re “too hip to vote” is just the same as voting for Jewett), see the Art of Music Video Festival at 911 (no, I won’t bow to the current fashion and call it “the 911 space,” though I might start calling my home “the Clark space”), and remember this quotation from Goethe: “Everything that needs to be found out has been found out.The hard part is finding it again.”
10/89 Misc. Newsletter
(the first self-contained newsletter edition)
Welcome one and all to the never-say-die return of Misc., the only column in town that wonders why “original flavor” toothpaste doesn’t taste like “original flavor” bubble gum.
This is a successor to a column that ran monthly in ArtsFocus magazine for three years. For those who weren’t with us before our summer hiatus, this is a compendium of things that usually aren’t official art events, but are still part of the world in which we and our arts live. Much of this edition happens to consist of corporate mating and decompsing rituals; other months have dealt with politics, books, religion, music, mass behavior, fine food and wine.
WHAT I DID THIS SUMMER: I celebrated the 15th anniversary of Nixon’s resignation (far more important than the 20th anniv. of Woodstock) by meditating on the “herald of impeachment” still displayed at the Comet Tavern and reminiscing about those pre-Reagan days, when fewer people mistook corruption for a virtue. I finished a novel, to be put out somewhere within the next year. Saw the opening of the first segment of the bus tunnel, a slick brown shopping-mall-of-transit designed to make suburban commuters feel at home. Also saw the construction of the Outlet Mall, now open with complete designer stores by Liz Claiborne, Evan Piccone and others, right on the Burlington exit to the north Sound’s Calif.-colony “getaways.” The annual Popllama Records Picnic was censored by anti-rock forces in the Snohomish County Sheriff’s Dept., but promoter Conrad Uno may have kept happy by pretending he was the guy all this summer’s headlines from Japan were about. This second greenhouse-effect summer ended on a stunning autumnal equinox day (even to me, not a weather person). The Ave’s venerable Cafe Allegro was closed for the wedding of two longtime employees (the reception there, the alternative ceremony at the U’s Medicinal Herb Garden). Later that night, Broadway’s Gravity Bar stayed open all night for performances and tarot readings.
DENTAL FLOSS TYCOONS: According to a Wall St. Journal piece, two guys in a New York jail spent months quietly trading cigarettes for dental floss, then hand-weaving the nylon thread into a sturdy rope. They used it one night to carefully climb down from their fourth-floor window. They were still seen by a passerby and got caught.
THE EMPEROR’S NUE CLOTHES: Robert Campeau was forced to turn over control of his dept. store empire to bankers. For a clue to his possible mismanagement, note Campeau’s Bon Marché and its slogan, “The Nue Hits for Back to School.” You’d think a Quebeçois would know better than to sell clothes via the French feminine word for “nude.” (Of course, it’d fit if the promotion includedGuess? jeans.)… Nordstrom might buy Marshall Field of Chicago, which owned Frederick & Nelson for over 50 years. If so, then Frederick’s will be paying Nordy’s for the right to make Frangos (Frederick’s invented them, but Field’s kept the copyright when it sold Frederick’s).
NEWS ITEM OF THE MONTH (Times, 8/12): “Incarceration for man called too short.” Runner-up (P-I, 8/30): “Margo St. James wants to see a prostitute for president” (haven’t most of them been?).
JUNK FOOD OF THE MONTH: Frosty Paws are imitation ice cream treats for dogs, made with no harmful lactose. “Not harmful to humans, but made for dogs.” For humans, meanwhile, there are the new Trix Pops, by General Mills subsidiary Vroman Foods, in the three classic Trix colors (including Orange Orange!)…. Ralston Purina’s new Barbie cereal is the same recipe as its Nintendo cereal; only the shapes and boxes are different. If boys and girls can’t be taught to play with the same toys, at least they can eat the same sugar puffs.
DIRTY DANCING ON MY GRAVE: Just a few months after Vestron Pictures flayed itself all over the Seattle International Film Festival, it went under. Still undetermined: the fate of Vestron’s unreleased products like the fake-DePalma ripoff Paint It Black and of Dan Ireland, whose onetime beloved Egyptian Theater was, at time of Vestron’s first layoffs, showing a cultured, sophisticated James Bond shoot-em-up…. Meanwhile, thanks to Sony’s buyouts, Columbia Pictures and Columbia Records are finally owned by the same company; while Disney’s acquisition of the Jim Henson organization was probably inevitable. Henson’s recent shows have gotten mired in the worst Disneyesque cutesy-wootsies.
WHOLE LOTTO BLUES: A Portland man killed himself in early Sept., thinking he’d lost a $3 million lottery ticket. In fact, he never had it, since the lottery computer registered no winner in that drawing. Undaunted by the bad PR, Ore. still plans to start legal football betting.
HOW WE DOIN’ ON TIME?: David Letterman turns out to be a shareholder and board member of one of the companies buying baseball’s own stupid human trick, the Mariners. He’s said how much he loves Seattle during segments with ex-locals George Miller and Lynda Barry, but that alone wouldn’t stop the majority owners from moving the team. We’ll know their intentions the next time they have to choose whether to keep a star player (Argyros got rid of anybody who got good enough to become expensive).
LOCAL PUBLICATION OF THE MONTH: National Boycott News. Far from the amateur rabble sheet depicted in a recent Lacitis column, it’s a very long, well-researched compendium on who in corporate America is doing what and why we should care. Editor Todd Putnam keeps revising his listings to reflect changes in commercial behavior or new information, leading to fascinating sagas about the evolving notions of “good business.”
END OF THE ’80S ( #1): David Horsey’s Boomer’s Song, proclaimed “the worst comic strip in the papers” by our first Misc. column in ’86, has gone out with a whimper. No big Gary Larson/Berke Breathed sendoff; the P-I buried the strip’s discontinuation in a notice about the return of Andy Capp (formerly in the Times).
END OF THE ’80S (#2): That American institution, the convenience store, is in deep trouble. Circle K tried to make up for disappointing national sales by raising prices, a counterproductive move. Plaid Pantry is in bankruptcy, after trying to strike an alliance with Arco. Even the mighty 7-Eleven is reeling in debt from a buyout, and is raising short-term cash by turning company-owned outlets into franchises.
END OF THE `80S (#3): Cuisinarts Inc. declared bankruptcy. Only major asset: unsalable inventory. Has it been so long since its food processors were so scarce, you could only buy a certificate for one?
NO MORE MEAN GREEN?: The gov’t’s thinking of redesigning our money, officially to make cash transactions more traceable. They’d be the first changes since the exchange-for-silver guarantee was dropped. They could change the colors or even print Universal Product Codes with each serial number! This society sorely needs to de-mystify money; turning it into just another ugly official document might help.
’90S PREDICTION #1: The “drug war” is replacing the cold war as the official excuse to stage military adventures abroad. By strange coincidence, the only countries to be targeted will just happen to be countries where U.S. business interests seek more control over the local governments.
NORTHERN BYTES: If you haven’t been to Vancouver lately, you haven’t seen a city “go big time” and do it right, with some big exceptions. The downtown East End, a collection of residential hotels and pubs that some feared would be eradicated with Expo 86, has been preserved as a neighborhood and as a film site. It’s the unnamed city in 21 Jump Street; the downtown-underground portion of the light-rail system (above-ground elsewhere) was a murder site in the last Friday the 13th film. Expo itself is now a vacant concrete slab winding along the waterfront, except for three buildings: the Science World museum (check out the “Music Machines” room, sounds just like Throbbing Gristle playing Charles Ives); the 86 Street disco (where any slam dancing is punished with a thorough beating by the most fascistic bouncers in the west); and the floating McDonald’s. The BC gov’t sold the the rest to Hong Kong developers, whose predatory developments elsewhere in town have led to unfortunate racial attacks against the established Chinese-Canadian community. But the best sight in today’s Vancouver is a stencil-painted graffito downtown, “Jesus Saves,” modified by the spray-painted addition, “Gretzky scores on the rebound.”
YES, THERE WILL be another of these reports, and it will feature our own ’80s nostalgia review (get your nominations in now for what’s worth remembering and what’s lest-we-forget). `Til then, read the haunting comic book Beautiful Stories for Ugly Children, listen to Car Talk on KPLU, and heed these words of the immortal Irving Berlin: “You’re not sick. You’re just in love.”
Published monthly. Subscriptions: $6 per year by check to Clark Humphrey, 1630 Boylston #203, Seattle 98122. Contributions and suggestions are welcome but cannot be returned. All statements of fact in this report are, to the best of our knowledge, true; we will gladly retract anything proven false. All statements of opinion are the author’s sincere beliefs, NOT SPOOFS. (c) 1989 Fait Divers Enterprises.
6/89 ArtsFocus Misc.
C.A.P. WINS, WESTERN
CIVILIZATION DOESN’T END
(latter-day note: That was a city initiative measure to instill mild zoning controls on new high-rise office towers, fought bitterly by developers who are now bankrupt ‘cuz with today’s corporate downsizing they can’t fill the buildings they’ve already built.)
Welcome back to Misc., the column for a world where three AA-level pitchers are called a “good trade” and a million Chinese protesters are called a “tiny minority.” We do know why Willard Scott called Starbucks Coffee “almost as good as Maxwell House” on a recent location shoot. He’s got an ad contract with that product of General Foods (founded by Seventh-Day Adventist C.W. Post to sell health foods, now owned by a cigarette firm).
Three Men and a Pillow: A Seattle firm has invented the Empathy Belly, a 35-pound prosthetic tummy with Velcro outside and lead weights inside. It’s to help expectant fathers empathize with their wives, by sharing some of pregnancy’s discomforts. I wonder if its makers saw the Bewitched where Endora made Darren kinder to pregnant Samantha by making him crave rich foods and feel queasy in the mornings.
Prosaic Paroxysm: We’ve been amused over the years at the creation, practically from scratch, of a mythical “Northwest Lifestyle.” Less amused have been residents of hick towns rechristened as “romantic getaways.” Some of these oldtimers have formed Citizens for Lesser LaConner. Their ads in Seattle papers warn of traffic jams and inadequate facilities for the tourist hordes. It’s so rare to see an ad pleading you not to buy. Businesses there, of course, would remake the place to meet the tourist demand. It’d destroy thetown’s “rustic charm,” but that might not matter to those visitors who came here five years ago for the “lifestyle” invented by people who came here 10 years ago.
Cathode Corner: Joe Guppy, the Mark Langston of local TV, helped make Almost Live into a contender, then jumped to HBO. Another ex-Off-the-Wall Player, Dale Goodson, is now at MTV, writing comedy material for fellow Seattlite Kevin Seal. Then there’s Ross Shaffer’s ABC show, Day’s End. He mostly narrates clips from other shows, telling the late-night audience how much they’re missing by not watching more prime-time TV. As the TV nation keeps diffusing, expect desperate self-promotions like movies used against TV in the ’50s. Already, NBC’s “Come Home” slogan both plugs its living-room comedies and extols prodigal viewers to return from cable and VCRs.
Body Politics: The Christian Science Monitor’s become the nouvelle cuisine of newspapers (exquisite but too small to satisfy), but still has a good item now and then. It recently noted that teen beauty pageants are returning to Nicaragua (first prize: a trip to Melledin, Colombia). Some of the all-male leadership of the Sandinista Youth League grumbled that there should be intelligence pageants instead. A typical “male feminist” attitude, to slag feminine behavior as an irrelevant frill. A generation that’s faced so much work and self-denial (due largely to our hypocritical ideology) deserves a taste of healthy individual pride…. On a similar note, Poland’s first Bennetton store was announced. Maybe Walesa will start wearing nicer sweaters.
Junk Foods of the Month: The Nintendo Cereal System gives you the sugar rush to keep playing; the clever packaging lets you munch it from the box while keeping your joystick hand free…. Champs de Brionne in George, WA would rather be known for outdoor concerts than for Scarlet, a blend of reisling and cherry wine. It’s the same shade of pink as the dress on the label mascot (who looks more like a Barbara Cartland heroine than Scarlett O’Hara). She asks us to “look for my message on the back of the label”; I couldn’t find any…. The trade mag Restaurant Business sez the next eatery fad will be Mom Food — meatloaf, creamed corn, mashed potatoes. “Paying money for something you probably didn’t even like that much as a kid will lose its appeal, but we are reassured that it’s OK to enjoy comfortable food.”
Grinding Down: Many of Seattle’s 10 burlesque joints are feeling financial goose pimples. They’re cutting hours, raising prices, and even bringing mud wrestlers. The problem: overexpansion. Too many entrepreneurs want to make big bucks by keeping all cover and drink charges, making the performers live off tips. You often see the same scam in music and comedy clubs (though comedy clubs don’t offer “table jokes”).
That Last Hurrah Thang: In 1980, I was a student reporter on Sen. Warren Magnuson’s last campaign tour. He chartered an Amtrak train (a symbol of Magnuson’s belief in the benefits of federal spending) to the Tri-Cities (ditto). In stops at Seattle, Tacoma and Wenatchee, he spoke about the influence and privilege our state had achieved with Henry Jackson and himself (they’d been our senators since before I was born). But nationally, the Demos were too busy fighting each other to stop the Reagan stampede. That fall, Demo control of the Senate would be interrupted for six years and Maggie’s career, built on getting people to work together, would end.
Positive Steps: Until further notice, Seattle’s best window displays are at Church’s Shoes on Pike. Some of the displays have less to do with product than with cultural causes (saving the Admiral Theater in W. Seattle and the Spafford murals in Oly).
Local Publication of the Month: Don’t Worry, He Won’t Get Far On Foot. John Callahan, everyone’s favorite paraplegic, recovering-alcoholic cartoonist, expands his Clinton St. Quarterly essays (“The Lighter Side of Being Paralyzed for Life”) into a fascinating memoir. With the CSQ on apparent hiatus (editor Jim Blashfield is now a videomaker for Michael Jackson and others), it’s good to keep seeing one of its stars.
How Randy Is It?: The Rep’s mounting a revue of Randy Newman’s songs. I’d prefer a tribute to his Hollywood-composer uncles Alfred and Lionel, but there is some potential in dramatizing his better songs like “Cleveland.” I just hope they don’t re-create the “I Love LA” video (is any Seattle actor homely enough to impersonate Tommy Lasorda?).
‘Til July, visit the Karaoke Lounge at Tatsumi Express on the Ave, ask your bank for a memorial Salvador Dali MasterCard, and ponder these words of John Lydon: “Imitation is not the sincerest form of flattery. It’s damn annoying.”
5/89 ArtsFocus Misc.
PENTAGON BRASS PREDICT
GLASNOST WILL FAIL
(THEY CAN ONLY HOPE)
Here at Misc., where we’ve always brought disparate elements together, we don’t understand this “cold fusion” fuss. As a scientific discovery, it’s far less important than the new technique to remove old tattoos with lasers.
With this installment, Misc. has graced Seattle’s more open-minded restaurants, theatres and retailers for three years. That’s longer than the Ford Administration or the original run of Star Trek! Alice Savage, who ran what was then the PR paper for the Lincoln Arts Association, said I could write anything I wanted to. As ArtsFocus has grown under Cydney Gillis into this fiercely-independent sheet, that policy’s stayed. Another policy iterated in the first edition still holds: This column does not settle wagers (not that we’ve been asked to).
Eat Your Heart Out, Updike: The Brasil restaurant on 1st showed scenes from the latest Rio samba parades as part of its Sunday-night film series. Among the 18 “schools” (each with at least 3,000 amateur performers) were several save-the-rainforest parades and one in honor of Brazilian author Jorge Amado (Dona Flor and her Two Husbands, et al.). Can you imagine giant floats, musicians, singers, children, feather-headdressed men and topless women parading for a living American writer? Brazil has serious problems, but at least it has people who actively participate in their own culture.
This participation is largely what Abbie Hoffman fought for. During his heyday and on his death, the media’ve depicted him as an ego freak, no more sincerely subversive than John Belushi. (The radicals who really were ego freaks became Republicans.) Hoffman’s `68 Demo Convention protest and his square-people-bashing at the subsequent trial might have set back support of the anti-war movement, letting Nixon and Reagan vow to protect “real Americans” from “those kooks.” Still, especially in his books, he had much to say on real democracy vs. money-power whoring and how folks must stop being easily led.
Dead Air: KJR’s resident reactionary Gary Lockwood became Millstone Billboard Man #2, standing in a giant “coffee cup” downtown for an airshift (if I only had some tomatos to throw, some ripe, young tomatos). Lockwood’s “those kids today” commercials, denouncing anything recorded since 1970 and anybody born since 1950, are just like the Mitch Miller/Lawrence Welk defenders during the so-called “classic rock” era. To think KJR was once co-owned by Danny Kaye, who worked to bring attention and respect to youth. Also on the retro beat, the speculating Floridians who bought into Seattle radio promptly sold KZOK (to KOMO) and KQUL, née KJET (to Viacom’s KBSG). I’m heartened, though, by the formation of an anti-nostalgia lobby, the National Association for the Advancement of Time. Corporate America’s obsession with 1956-69 resembles the religious “Age of Miracles” doctrine, in which great things are said to have really happened but cannot happen anymore. The only way to really preserve the spirit of the ’60s is to stay fresh, to live in what Flip Wilson called “what’s happenin’ NOW.”
Update: New Cannon Film owner Giancarlo Parretti’s bids for the New World and DeLaurentiis studios collapsed. Maybe he should’ve sent Chuck Norris to see some dissident shareholders.
Local Publications of the Month: Twistor is a “hard science fiction” book by UW prof John Cramer, in which a machine in the UW Physics Bldg. becomes the portal to a parallel universe…. Lawrence Paros’s The Erotic Tongue is back in print. The area’s foremost expert on word origins (and briefly the best columnist in the P-I) gives fascinating histories on our terms for sex and/or love.
Cathode Corner: Rude Dog, the T-shirt mascot owned by Frederick & Nelson’s David Sabey, will have his own Sat. morn cartoon on CBS this fall (produced by Marvel)…. Bombshelter Videos resurfaced on KTZZ, where even Soundgarden’s an improvement over get-rich-quick and save-your-hair “shows.”
Ad of the Month (on a 76 banner): “Our three unleaded gasolines: Cleans fuel injectors best.” Runner-up (in the N. Seattle Press): “Since 1984, Gibraltar Savings: Serving families for over 100 years.” Then there was the Ross Dress for Less clearance ad with the “Men’s” listings printed between the jumping female model’s legs.
News Item of the Month (Times, 4/22): “A letter writer suggests that car-pool lanes should be open to cars with two drivers.” Let’s hope they’re driving in the same direction.
Politix: Veteran ad man David Stern, whose mom’s on the county council, is running for mayor. His best qualification is having invented the Happy Face, the quintessential politician’s stance. (It’s also become a symbol of neo-psychedelia, ironically since he made it to give Univ. Fed. Savings a wholesome family image in contrast to the image of the U-District in `69)…. Let’s try to get this straight: Our state’s Tom Foley’ll be House Speaker if Jim Wright has to quit over moneymaking schemes, including his wife’s unspecified work for our state’s Pacific Institute (the success-seminar outfit whose payroll also includes Emmett Watson and legend-in-his-own-mind DJ Bob Hardwick). It’s almost as juicy as the discovery of a real Texas oilman named J.R. Ewing, implicated in the Iran-Contra cash flow. After involving so many guys with cartoon names (Casper, Poindexter, Felix), it’s fitting the scandal include other parts of the American mythos.
Junk Food of the Month: White Castle Frozen Burgers. After following the elaborate heating instructions (involving foil and paper towels), you get something that looks and vaguely tastes like the food at an East Coast restaurant chain of undeserved reputation…. WSU’s launching a “distinguished professorship in fast food management,” underwritten by Taco Bell.
‘Til June, wear lotsa Parfum Bic, visit the Speakeasy café on Roosevelt (latter-day note: No relation to the later Speakeasy Cafe in Belltown), and try to be patient during the remaining 14 months ’til the Goodwill Games.
4/89 ArtsFocus Misc.
THIS MONTH: ABSOLUTELY NOTHINGÂ ABOUT THE FINAL FOUR
Here at Misc., the slickest column around, we think Exxon ought to go back to one of its former names, Humble (though a name with a double cross in the middle is also somewhat appropriate).
Confessions of a Critic: In December, I wrote a Times book review of Marianne Wiggins’s stunning novel John Dollar. I couldn’t have known that her husband would be marked for death for writing a book that questioned mindless obedience to (any) authority. When the review appeared, the Times thankfully didn’t add a lead calling Wiggins Mrs. Rushdie. It may have been the last time Wiggins was discussed for her own work (recently displayed at a Crown Books with the handwritten sign, “It’s By HIS Wife”).
Astral Plane: Twice a year, enlightenment comes to a warehouse-like space in a lonely Kent industrial park, next to the Domino’s Pizza plant. It’s the Boeing Activity Center, home of the Boeing Employees’ Parapsychology Club Psychic Fair. A bazaar of merchants offered tarot decks, crystals, astrological charts, and motivational tapes on everything from attracting a soul-mate to improving your vocabulary (sample affirmation: “The dictionary is my friend”). Local company Loving Spoonful (not the ’60s band) sold a kids’ success tape with cartoon squirrels promoting the fun of obeying your parents. A guy who channels information from dolphins cancelled a scheduled appearance, but over 60 psychics and palm readers gave 10-minute consultations. The big room was crowded with eager true believers — the opposite of the stuffed-shirt image outsiders have of Boeing. To find engineering types, you had to see the UW Computer Fair earlier in March. With the PC now commonplace, the fair’s mainly returned to industrial-design applications — except for the Seattle software company peddling a program called Bowling League Secretary. Now that’s personal productivity.
Mixed Media: The Time-Warner merger is only possible because the US antitrust dept. is acting less like Warner’s DC Comics heroes and more like Warner’s Police Academy cops. Meanwhile, Italian financier Giancarlo Parretti’s assembling Cannon, New World, DeLaurentiis and France’s once-mighty Pathé (the United Optical building on 3rd was originally a Pathé distribution office). Parretti’s move may save London’s historic EMI-Elstree Studios, which Cannon bought then threatened to turn into an office park. It’s also an epitaph for the boomtown ’80s film biz, which made hundreds of unwatchable films believing home video’d eat up anything with a halfway exploitable theme…. Tim Matheson liked National Lampoon so much, he bought the company. After a long takeover food fight and a Fundamentalist-led ad boycott, Matheson may need spunk and resourcefulness to bring the Lampoon back — a small challenge for the original voice of Jonny Quest.
Cathode Corner: Bainbridge author Aaron Elkins created the Gideon Oliver character in books without imagining he’d be played on TV by Lou Gossett (finally, TV cast a black actor in a role that didn’t specifically call for one). The show’s marred by clumsy post-writers’-strike scripts, but is better than Sable, the last series from a local writer (Mike Grell)…. The Coca-Cola Co. pledged to pull ads from Married… With Children. Since Coke’s the biggest shareholder in the show’s producer, Columbia Pictures, it may be the first conglomerate to boycott itself.
Smell of Liberation: Debbie Gibson has signed with Revlon to market an Electric Youth fragrance. Where I’m from, many gals were forbidden to wear perfume at her age.
That Drafty Gust: The “voluntary” youth service program proposed by Sen. Sam Nunn is really a scheme to keep working-class kids out of college, at least temporarily. Federal student loans would be available only to those who put in two years of low-pay, low-skill labor, perhaps far from home. This quasi civilian draft would leave less school and job-ladder competition for affluent kids, while leaving the country even less prepared for a future of global hi-tech competition.
News Item of the Month (NPR, 3/9): “The measure would raise the minimum drinking age to $4.61 an hour by 1990.” Runner-up (NY Times, 3/28, on the worldwide spandex shortage): “The market is very tight.”
Local Publications of the Month: Continuum, a slick arts quarterly from KidsProject at Metrocenter YMCA, has a kid’s own true pot story, a woman who imitates Patrick Nagle’s art, and an insightful comment on Royer’s KidsPlace hype. Get it at Bulldog now before a complex funding dispute kills it…. Northwest Extra is Olympia’s low-budget answer to the Clinton St. Quarterly. It’s mostly compiled from syndicated material, but the April ish has a magnificent Peter Bagge graphic on the Reagan legacy…. Geek Love, from Portland novelist Katherine Dunn, is a tale of people genetically bred to be circus freaks. It’s the perfect antidote for the Reagan/Teutonic image of “The” Family.
Unconstructive Criticism: Martin Selig, like many natural-born hustlers, has little sympathy for anyone who isn’t. At a recent City Club forum, Selig scoffed at the homeless problem his developments helped create, saying the poor just weren’t being productive. He seemed to sincerely not understand people born without his privileges or advantages. People like him should NOT be allowed to control the destiny of the city.
‘Til next month’s lovely 3rd anniversary edition, see Manifesto and Baron Munchausen, and ponder these telling words from everybody’s role model Pete Rose: “I’m a great father. I bought my daughter a new Mercedes Benz last year.”
3/89 ArtsFocus Misc.
CAT STEVENS JOINS RUSHDIE MURDER CALL,
LEAVES EMPTY SEAT ON PEACE TRAIN
Welcome back to Misc., where we only wish Billy Tipton, the deceased Spokane jazz “man” who wasn’t, had recorded a duet with Wendy Carlos.
The Great ’89 Snow turned everything beautiful and made everyday life a temporary adventure. Monitoring the news coverage, KING gave hourly updates on wind-chill conditions, while KIRO interrupted the very interruptible CBS This Morning for the ritual reading of school closures. KOMO, whose news gets more Murdochian every year, ran promos saying they had the latest forecast but wouldn’t tell it until the regular news time.
Cathode Corner: MTV replaced its Closet Classics Capsule with Deja Video: clips from 1980-85. What a concept! ’80s Nostalgia!…David Lynch is shooting an ABC pilot in area logging towns. Lumberton on your TV every week! We can only hope…. The newGumby show is pleasant and surprisingly funny for a show for the primary-grade crowd. In one episode, Gumby’s “rock band” (more like a clunky jazz fusion) is chased manically by some grandma-age “wild girls.” In another, the jolly green one comes out of a box of fun costumes in an Eddie Murphy mask.
Hearts and Wallets: I saw the “Single’s Festival and Trade Fair.” The Trade Center’s labyrinth of booths was full of merchants. Some insisted that I’d find the love of my dreams if I’d spend hundreds on dating services “for quality, professional people.” I told them I was an amateur person but was trying to break into the pros. Others claimed that my life was really missing the satisfaction that’d come with their “mind control” seminars, or the security that’d come with their network marketing plans.
“It’s,” A Crime: The Times noted the poor grammar in the title “Single’s Festival;” the apostrophe indeed seems to be a lost art. There’s a big supermarket poster that reads, “Fresh Produce: Safeway Is Picky About It’s Quality.” I wish the company was pickier about its punctuation.
Local Publication of the Month: Seattle Reporter, a biweekly newsletter trying to cover the whole progressive community. In its inclusiveness, it may avoid the fate of the old Northwest Passage tabloid, which kept narrowing its definition of “politically correct” until almost nobody qualified.
(latter-day note: This remark was written at least two years before it became so damn fashionable to boast of being “politically incorrect.”)
Your Little Landmark: Local firm Archimedia makes a lovely Space Needle Paper Model Kit, available at Peter Miller Books. Unfortunately, it comes with the 100′-level restaurant; but at least with no interior, it can’t get a “new look” inside like the real Needle just got. Also, your 40′-tall Needle will never have a plastic crab on it unless you put it there.
Philm Phacts: The monthly Media Inc. (formerly Aperture Northwest ) sez Seattle cops are choosing film projects to cooperate with on the basis of script content. Stallone’s Cobra, which wound up shooting elsewhere, was one victim of this de facto censorship. (Stallone might have been trying to make it up to the Northwest, after filming First Blood in Hope, B.C. and calling it Washington). If the selective OK of police help (needed for most any major production) is true, the citymight be trying to avoid the fate of New York, where they worked to lure films only to get all those films about how awful New York is.
Big Storewide Sale: Mark Sabey’s become a major retail mogul by buying Frederick & Nelson and setting himself up as middleman in a proposed sale of Sears’ store and ex-warehouse (a beautiful building which should be saved) to the Sonics. One big thorn in F&N’s financial recovery has been its site at Aurora Village, the Mall that Time Forgot. Almost a third of the spaces there are boarded up, with few prospects for new tenants. The closest thing we have to that in town is Broadway, where landlords’ve become too greedy for even trendy restaurants to afford.
Bank Shots: Pacific First Federal is going to Toronto’s Royal Trust, as a gateway into the U.S. market. By some accounts, the Canadians don’t even care about doing business here, just as establishing a beachhead for a move into California. Expect home-loan funds to dry up as PFF becomes a cash cow.
Junk Food of the Month: Marilyn Merlot by Monticello Vineyards, with a cleavage portrait of Monroe on the label. It could be the first wine named after somebody who died from a drug addiction…. It’s bye-bye to Carnation Dairies, a locally-founded firm that got rich selling canned milk to the western frontier, expanded, moved its HQ to LA and got bought by Nestlé. To help finance the buyout, Nestlé sold the local dairy division, as announced in the papers by an appropriately-named spokesperson, Dick Curd.
A New Gear: Japanese cars are now on the cutting edge of creative design, but in models sold only at home. Nissan has a shockingly cute little delivery vehicle, the S-Cargo (almost as tall as it’s long). But it’s Mazda that’s taking a hesitant plunge in the US, with a British-inspired sports car that’ll fit two small people snugly. Also coming here, alas, is a Lamborghini 4 x 4: leather & mahogany inside, VW Thing-ish outside, $124G. Wake me if anybody ever drives it off-road.
It’s spring-training time, when Mariner fans briefly dream of glory. I’m just hoping the real M’s can be as entertaining as the fictional M’s game in The Naked Gun — or as dramatically tragic as the Vancouver mega-production of Aida coming to the Kingdome.
(latter-day note: Aida ran out of funds before it could get to Seattle.)
‘Til April, be sure to see Julie Cascioppo mid-week evenings at the Pink Door, watch or tape Sunday Night at midnite on KING, and heed the words of rapper KRS-One: “The new fad is intelligence.”
12/88 ArtsFocus Misc.
WE’LL SUPPORT UNITED KEEPING THE TOKYO ROUTEONLY IF THEY’LL CUT THE “DISCO GERSHWIN” ADS
Look: I’m not “just kidding folks.” When I say something here in Misc., I MEAN IT. (OK, the call for a crackdown on violent opera music was a bluff, but nothing else.) The louder I state that these are my sincere opinions, the more some people brush me off with a smug wink. If I were the uncaring, insincere cynic I’ve been cracked up to be, I’d be a Republican, or at least the Good Company producer who put a Gamblers Anonymous show on election day.
Anyhow, this month’s column is dedicated to Seattle’s newest grocery chain, Shop-Rite. Shopping, of course, IS a rite, especially in December. Hot Xmas gifts this year include the new plastic teen makeup kit (for plastic teens?) that looks just like a fishing-tackle box (“date bait” indeed). Those going east can get that special gift at NYC’s new Soap Opera Furniture Store, selling surplus room settings from daytime dramas. Sign up now for a bar stool from Ryan’s Hope. The 13-year-old show, which launched the career of sometime Seattle actress Kate Mulgrew, is being axed to give more time to local legend Sandy Hill’s Home show.
Unlisted: Washington mag’s list of “100 Washingtonians Who’ve Changed the World” left out Ray Charles, Judy Collins, David Lynch, Mary Livingstone, Dyan Cannon, Carol Channing, Lynda Barry, Martha Graham, John Cage, Quincy Jones, Steve Miller, Willie Nelson (once a Vancouver, Wash. DJ), the Sonics rock group, Robert Culp, Dawn Wells, Patrick Duffy, Mark Tobey, Mark Morris, Larry Coryell, Robert Cray, Chet Huntley, John Saul, etc. My biggest beef is leaving out Spokane-born Chuck Jones, perhaps the greatest maker of animated films ever. Any list to leave him out must have been edited by Elmer Fudd.
Towering Achievement?: In a rare show of minor courage, the City Council voted a temporary, slight restriction on new highrises (with exceptions for some well-connected projects). In all other recent cases save one, the city’s succumbed like a lapdog to the developers. Will it really serve the public interest at last? (Personally, I like the Wash. Mutual Tower and some of the others, and realize that office-building is inevitable in an economy gone from making stuff to pushing paper. But that’s no excuse to do it as poorly and inconsiderately as it’s too often been.)
Space Exploration: You may know that the name of the new AFLN gallery-cafe on E. Madison stands for “A Frilly Lace Nightie.” You may not know that the bldg. was the shrink’s office in House of Games (one of the few sites in the film still standing, just two years later). The nearby Bagel Deli on 15th now has keen art shows of its own.
Faulty Femmes: I submit that Robin Givens IS NOT the “most hated woman in America,” as charged by some paper. But who is? Imelda Marcos, the likeliest prospect, is just a resident alien here. Others frequently disliked, often undeservedly, include Phyllis George, Tammy Bakker, Tipper Gore, Yoko Ono, Linda Ronstadt, Phyllis Schlafley, Andrea Dworkin, Anne Burford, and Springsteen’s new girlfriend. Pretty slim pickings, but once more women achieve positions of real power, more will emerge who truly deserve our loathing.
Music Notes: Sir Mix-A-Lot’s Posse on Broadway, with great shots of Dick’s and Taco Bell, made the MTV rap show, but became “Stir Mix-A-Lot” in the credit…. Yuban Coffee is sponsoring this year’s performances of The Nutcracker. If the girl had had the coffee, she wouldn’t have slept and there’d be no show.
Local Publication of the Month: Cambodia: A Book for People Who Find Television Too Slow. To Vancouver, B.C.’s Brian Fawcett, Pol Pot’s crimes are just an extreme form of what the media/corporate culture’s doing to us: fostering passive obedience by destroying history, memory, community and individuality. I don’t buy all of it, but admire his passion and technique, cross-referencing St. Paul, Marshall McLuhan, Joseph Conrad, Malcom Lowry, Homer, satellite dishes, Expo 86 and Reggie Jackson…. On the Bus,Metro’s newest newsletter, gives driving but not bus directions to a bus-base open house.
Graphic Details: Fantagraphics Books, America’s premier publisher of alternative comics (including Seattleite Peter Bagge’s Neat Stuff ), is moving here from LA. It’s not a big boost to the local economy (its prestige title, Love and Rockets, sells under 20,000 copies), but is a clear sign of our emergence as a graphic-arts mecca. In another positive move, the UW’ll now require arts credits by incoming frosh. Maybe that’ll stop state school districts from killing arts classes.
Disappearing Ink: As you know, we believe in reading everything. Now, that “everything” may shrink. Two vital news sources, theChristian Science Monitor and Mother Jones magazine, are reportedly switching to yuppified formats with less political and foreign news, and in MJ even “upscale” lifestyle features. MJ, which prides itself as the biggest left-leaning rag since WWI, ought to know that the Yuppie media aesthetic, selecting a rich minority as the only people worthy of attention, is inherently reactionary.
The REAL Skinhead Story: After a tragic murder in Portland, the media have branded every kid with a shaved head a racist thug. Not true. The few who are thugs specifically follow 10-year-old UK grooming fads and the “ethnic-purity” policies of the British and French “National Front” movements (and the most virulently pro-apartheid groups in South Africa). Purity, of course, is for geeks. Anybody who goes killing or bashing people to prove how superior he is obviously isn’t.
Until we next meet in the new year, with our annual In/Out list (your suggestions still solicited), help fight to save the Music Hall and the Hat n’ Boots gas station, and heed the words of VH-1 VJÂ Ben Sidran: “War is never as much fun as a good piece of music.”
11/88 ArtsFocus Misc.
DATE OF FIRST STORE XMAS DISPLAY
SIGHTED THIS YEAR: 9/20
begin our November Misc., here’s a no-prize trivia quiz: Name the only major Seattle-based bank that hasn’t changed name or ownership since ’81. Answer below.
I’m writing this, and some of you’ll read it, before 11/8. If you consider yourself a progressive but don’t vote, you’re doing just what the Right hopes you’ll do. In any case, this was last big TV election. As viewership declines and diffuses, media campaigns’ll give way to grass-roots politics, a return neither party’s ready for. The society’s already changing (perhaps not as quickly as I’d like) from that mythical Great Unwashed to a more diverse, active populace. You see it in Tracy Chapman and Suzanne Vega topping the charts, in a peacetime peak in campus activism, in cultural events outdrawing sports at the box office (though sports still get more beer money). Politicians don’t see it, nor do polls weighted to emphasize “likely voters” (to demographically match ’84 Reaganites).
My Kinda Town: Was recently in that mecca for all column lovers, Chicago, a town with many Seattle ties despite the wresting of Seattle’s Westin and Frederick & Nelson from their old Chicago owners. Generra, Union Bay, Shah Safari, Egghead Software, Starbucks and Eddie Bauer (in a store right under the elevated-train tracks) are strongly represented there. Their baseball teams lose as often as the M’s, but at least they (especially the Cubs) still know to put on a great show.
Junk Food of the Month: Hostess Mini-Muffins, spongy little mouthfuls in six muffiny flavors including blueberry. They’re even microwaveable (but not the foil bag they come in). Their slogan: “Tradition You Can Taste.” Some of their ingredients: Guar gum, xanthan gum, sodium stearol lactylate, sorbitan monostearate and calcium acetate.
Cathode Corner: Sure missed Jim McKay during the Olympics. If Dick Clark could have shows on all three networks at once, couldn’t McKay be on two?… Despite Ted Turner’s rush to colorize his cinematic booty (partly to gain new copyrights on the films, which start going public-domain in 15 years), his TNT channel shows how beautiful black-and-white can be with the best prints. Tugboat Annie, the only golden-age feature made in Seattle, is stupendous in crisp 35mm.
Dead Air: For the record, KJET was sold to out-of-staters and promptly replaced by the area’s sixth oldies station. DJ Jim Keller’s still on the payroll, researching the potential of new music via “pay radio” (envisioned in the ’50s by my idol, comic Stan Freberg) using cable or FM sideband frequencies a la Muzak. Backlash sez management mercilessly killed it by suddenly ordering a switch to the station’s infamous tape system, preventing on-air goodbyes. The real blame goes to the GOP-controlled FCC, for letting stations be bought and sold for pure speculation and run with no commitment to anything except a quick buck.
Mobil 1, Washington 0: There’ll be no more Mobil gas stations in the Northwest as of next year, ending a history going back to the General and Gilmore (builder of Washington’s oldest refinery) brands, bought up by Mobil back in the ’50s. I guess we didn’t watchMasterpiece Theater enough. Old Pegasus will still fly, however, on classic signs at the General Petroleum Museum on E. Pine and an Edmonds antique store.
For better or worse (probably, I reluctantly say, for better), Seattle changed forever the day Westlake Center opened. It’s architecturally flawed (and the big sign on the top level has got to go), but has a few nice stores and is a great gathering place. The mall, more “intimate” than suburban malls (less non-revenue-producing corridor space), was stuffed w/manic shoppers the first days; the only calm people were the Living Mannequins. In the 12 days the mall was open but Pine St. wasn’t, people got to the mall and other shops just fine, thank you. There’s no proven reason to let cars back on that block.
News Items of the Month: BrightStar Technologies of Bellevue’s selling computer software with “the next step toward true artificial intelligence.” Accept no imitations… KPLU reported a “multiple car semi accident” on 10/21. Does that mean somebody might have meant to crash?…Â Fame, a new mag started by ex-Interview staffers, touts sheer and see-thru fashion as the return of a classic style. Unlike the miniskirt, nobody’s likely to turn this classic into a business suit.
Local Publications of the Month: Woodsmen of the West, a 1908 Canadian novel just now released stateside by Seattle’s Fjord Press, is a lively tale of logging, shipping and drinking on the B.C. coast…. Inside Chess, a biweekly from local grandmaster Yassar Seirawan, is the biggest attempt in years at an independent U.S. chess journal. For those with at least a moderate interest in the game’s inner workings.
The Plane Truth?: Uncredited, unsubstantiated claims in the press posit that sick Boeing workers may just be stricken by “mass hysteria” and not by the admittedly-harmful chemicals they work with. I thought we were past the time when managements could just plant the company line into papers.
Frame-Ups: The best things at the Pacific Northwest Art Expo were in the WWU booth: instructor Tom Schlotterback’s small surrealist oils. “Woman Menaced by Rodent” and “Genuine Candy-Striped Jesus Christ” looked even greater than they sound.
Which Came First?: Univ. Way now has restaurants called China First and New China First. (They could have called the new space China Second, but that ‘d be a throwback to the old Two-China Policy.)
Fatty Deposits: Rainier Bank should’ve changed its name back to National Bank of Commerce; instead it’s another variation on “California Carpetbagger Bank of Washington.” I had a temp job on the 13th floor ( they dared to have one) of the Rainier Tower, in the international dep’t. (closed by the Calif. owners). This job was during the big ’85 snow; female employees who couldn’t get home that night were put up in a hotel and given X-large Seahawk T-shirts for sleepwear. (Trivia answer: Washington Mutual.)
‘Til December, send in your suggestions for our In-Out list, don’t buy Adidas cologne (advertised as “The Essence of Sports”), pay homage at G. Washington’s stained-glass portrait at UW Health Sciences (with “What, Me Worry?” inscribed in Latin at the architect’s orders) and heed the words of novelist Judith Krantz: “Dan Quayle is the sort of man who, if he were in a Theodore Dreiser novel, would get the girl pregnant, take her out in a rowboat and throw her overboard.”
10/88 ArtsFocus Misc.
SOON YOU CAN SEE JAPAN
(LAND OF COMPANY-RUN UNIONS)
VIA CONTINENTAL
(AIRLINE OF NO UNIONS)
Here at Misc., we must apologize for the lateness of the last issue, stuck in a Belltown computer during the blackout. I can assure you I had the gag comparing Quayle to Pat Sajak days before Johnny Carson did.
The blackout is the top Seattle news story so far this year. The daily papers did an awful job of covering it, giving relatively scant coverage and not really discussing the havoc it played on people’s lives until Day 3. It was over a week before they mentioned the construction crew that started it, though the crew had been visible days before the outage. In the tales of survival dept., the Virginia Inn stayed open with beer served from picnic coolers, constantly re-iced (signs pleaded with customers to be nice to the staff). KJET played four hours of blackout-related songs on Day 2: “Electricity,” “Power to the People,” “The Power and the Passion,” and tunes by the Power Station and the Power Mowers (but not the Blackouts). On the night the juice came back, the Ralph’s Grocery readerboard was ready with “I SAID BUD LIGHT.”
Junk Food of the Month: Langendorf Creme-Filled Carrot Cakes. Now you can enjoy the guilt trip of junk food and the martyrdom trip of health food in the same bite.
Local Publication of the Month: Lifeline America!, a slick national mag from local ad legend Jerauld Douglas Miller. Its tabloidesque graphics and stories cover survival with & life without painful addictions (booze, drugs, food binges, boyfriends). Best part: the cover photo of Liz Taylor’s unretouched face, showing just how much she’s gone through. Worst part: endorsing Ed Meese’s Gestapo tactics against small-time drug users, fueling their own victim self-images while diverting funds away from treatment….The Daily Journal of Commerce now has its own “A&E” section, only with them it’s not Arts & Entertainment but Architecture & Engineering (natch).
Invisible Red Ink: The Soviet Union’s admitted it falsified maps for decades. Military installations were whited out, Moscow streets rearranged, and entire towns moved or obliterated. Our own govt. threatened for years to blow the Russkies off the map, only to find they’ve been doing it themselves.
Tourist Trappings: At Seattle Center, Westlake and the waterfront (no, Mr. Royer, I won’t call it “Harborfront,” a euphemism newly deployed to gussie up its image as everything BUT a real harbor), the future of the city is being debated: Will residents’ taxes be used to make Seattle more liveable or more visitable? In each case, City Hall has chosen to subsidize tourism while vital local needs are put aside (or held hostage). Gore Vidal once wrote a story about Disney buying all of England as a huge theme park, with residents expected to live in costume as milkmaids and other “colorful characters.” It could essentially happen here, as it essentially has to parts of California and New Mexico. Let’s build a better town, but a better real town.
Everything Old Is Neo Again: The next big early-’70s comeback, besides solar energy, could be conceptual art. Our sources count three new Manhattan galleries devoted to various hybrids of visuals, video, performance, and such. Interest in early conceptual, performance, and especially video art is rising. It’d be a great time to screen the early video-art tapes donated to the Seattle Public Library a decade ago, except nobody seems to know where they are now.
The Secret Word Is Love: We normally don’t print sex gossip, but couldn’t resist the rumor that ex-Rocket art director Helene Silverman is to wed cartoonist/Pee-Wee’s Playhouse designer Gary Panter. Silverman’s now at NY’s architecture-design magMetropolis; we can only hope she’ll spread the Panter influence to real-life buildings.
Phast Phashion: Fashion magazines are getting thicker than the models pictured within them. Re-use your copies of Vogue and Elle as inexpensive workout weights…. The “Reeboks Let U.B.U.” campaign could pleasantly remind one of Pere Ubu (the play and/or the band)…. Urban “street” imagery is all over this fall’s ads for suburban-only clothing chains, from J.C. Penney to Lamont’s. If they think inner cities are so cool, why won’t they have stores in ’em?
Loco Biz: Fred Meyer may be a little late in its “We Support Northwest Firms” promotion. There are fewer and fewer of them to support, now with the Seahawks and Seven Gables Theaters going to Calif. clutches (as noted by John Marshall in the San Simeon, Calif.-owned P-I).
Philm Phacts: Home-video bucks for new independent films are drying up. Reason: the big studios are pressuring video stores to stock more and more copies of fewer and fewer films…. Will the UK firm that bought Technicolor stick a “u” into its name?
Headlines of the Month: “Japan’s big boost for state” (P-I, 9/10); “Little yen for NW: Japanese investments going elsewhere in U.S.” (Times, 9/11).
Music Notes: Billboard now has a Modern Rock chart every week. The first #1 is Siouxsie and the Banshees, the last original UK punk band in operation to this day…. The NY Daily News’ recent worst-songs-of-all-time poll is much like the one I did in ’81 (latter day note: that was done for the UW Daily), down to the #1 entry: “You’re Having My Baby.”
Bods vs. Beers: The grand old Rainbow Tavern is now a no-booze “showgirls” establishment. It’s nice that some guys are finding drug-free entertainment, but from a hetero-male standpoint it’s disadvantageous that we’re getting more places to look at women, but fewer places to meet them. (Most of the picketers outside it, claiming it demeans women, were men, mainly regulars from the nearby Blue Moon. Imagine Blue Moon people calling someplace else sleazy!)
To close, be sure to see the 911 Homes for Art and the two non-911 Jardin des Refusées homes, hear the new locally-backed remake of Orson Welles’ radio War of the Worlds, read Pete Hamill’s piece in the Sept. Cosmo on the “Awful ’80s,” and fight for all the park space at Westlake we can still get.
9/88 ArtsFocus Misc.
ANOTHER CALIF. LAND DEVELOPER
BUYS A SEATTLE TEAM!
FANS PLAN TO SPEND
SUN. AFTERNOONS KNITTING!
Welcome to the September Back-to-Cool edition of Misc., the column that still wonders why they called it the Elliot Bay Jazz Festival when it was held on the shores of Lake Washington. We could also wonder why that group of mostly easy-listening acts was called a “jazz festival,” but we’ve too many new wonders to deal with this month.
Philm Phun: MTV’s been showing a two-minute, censored and colorized version of the Surrealist classic short Un Chien Andalou at unannounced times lately. Yes, what was once shocking is now just another part of the Cash-from-Chaos culture. Meanwhile, our buddy Jean-Luc Godard has recommended that French TV colorize his original Breathless — and show it with commercials, something they’re only starting to do over there, over the dead bodies of the French cultural priesthood…. A National Medal of Arts was just awarded to Gordon Parks, presumably for his photography, not for directing Shaft.
Junk Food of the Month: Oscar Meyer Lunchables, boxed snacks containing eight little slices of luncheon meat, eight little slices of bread, eight crackers, and one napkin, for $1.39 — about the price of a regular-size package of each non-napkin ingredient. Tastes OK, too.
Cathode Corner: KING, publicly disappointed by such syndicated offerings as The New Queen for a Day, will add another hour of local talk in the afternoon. That’ll give the station some 34 local hours a week, to my knowledge a Seattle record (aside from public-access cable)…. KIRO called its telecast of the last hydro race Super Boat Sunday instead of the Budweiser Cup. Bud had paid to sponsor the race itself, but not the telecast. ‘Tho, as about the only racing camp with enough bucks and spare parts to run a complete race, the Miss Budweiser boat kept the beer’s name on Wayne Cody’s lips all day…. Troubled? Can’t relax? Try one of two newly announced videocassettes. One shows a parade of sheep for you to count (with a soothing Brahms soundtrack); the other has a Video Psychiatrist who “listens” to your situation, occasionally nodding his head and asking you to elaborate a little further.
Local Publication of the Month: Sophie Callie’s Suite Venitienne, from Seattle’s Bay Press. The Parisian-based author/photographer trails a near-stranger named Henri B. to and around the streets of Venice, secretly taking pictures of his movements and writing a running essay justifying her actions. Not only is that cool enough, but at no extra charge you also get Jean Baudrillard’s thinkpiece on surveillance in modern life, “Please Follow Me.”
Repo Men: First and foremost, Dan Quayle does not look like Robert Redford. He looks like Pat Sajak (who did serve in Vietnam, tho’ in a noncombat role with Armed Forces Radio). In contrast, Bush looks like all the small-town lawyers on Scooby-Doo after their ghost masks were removed. The difference is that those villains were businessmen disguised as monsters; the reverse is true of George.
Slipped Discs: The compact-disc reign of terror has claimed its first victim. Jem Records, America’s pioneer distributor of import and independent music, filed for bankruptcy protection after a planned merger with Enigma fell through. Without major-label promo bucks, Jem couldn’t keep its roster of cult favorites (Brian Eno, the early X albums) from getting pushed out of stores eager to make way for more oldies CD’s. (The totally unrelated Jem rock-fashion dolls are also doing poorly, and may be discontinued.) Locally, the owners of Standard Records and Hi-Fi on NE 65th have chosen to close Seattle’s greatest non-rock record store. It was the best place to get any classical, jazz or swing record, and the last in town with ’30s-style listening booths…. The record division of Toshiba, a worldwide military-tech supplier, has refused to release a Japanese cover of “Love Me Tender” with new anti-nuke lyrics from distribution. The singer is suing. Now thank your stars GE sold RCA’s record unit.
Star Trysts: Hugh Hefner’s bride had to sign extensive anti-alimony waivers giving her no opportunity to inherit the Playboy empire (still oozing money, mainly from the last non-publishing units). Ol’ Hef wants daughter Christine (12 years older than her new stepmom) to get it all, or whatever’s still there.
Center of Dispute: A recent evening found Patti Smith’s song “The People Have the Power” on the P.A. at the Fun Forest, which the Disney consultants want to replace with an upscale (read: “Tourist”) amusement complex across 5th Ave. N. Other parts of their Seattle Center plan have been modified to have less L.A. kitsch than originally envisioned, but it’s still a potential WPPSS of parks in its scale and boondoggle potential, when all the Center really needs is some structural fix-up and a visual-arts space to replace the SAM Pavillion. Other expenditures can wait while more Seattle-appropriate ideas are developed, preferably by citizens. Or as Smith sez, “The people have the power/To redeem the work of fools.”
‘Til Next Time, avoid 7-Up Gold (the first cinnamon-flavored soda), read the new autobio of Portland’s own Mel Blanc, vote in the primary, don’t get snared into the Olympic medal-counting game, and keep those recycling cartons full.
THE OFFICIAL MISC. READING LIST
Folks often ask, “Where d’ya get all that stuff you write about?”
It’s simple: Everywhere.
Here are some of the sources I try to get around to
at least every now and then.
Read the widest possible range for a healthy intellectual diet.
8/88 ArtsFocus Misc.
‘ANY CITY THAT CARES MORE FOR
ITS ART MUSEUMS THAN ITS BALLPARK
CAN’T BE ALL BAD’ –Â JIM BOUTON
Welcome back to Misc., the column that always knew that column writing is a fine art, long before a Seattle actor proved it by forging a one-man show out of old Mike Royko columns. What’s next, you ask? A performance-art piece of collected personal ads? A choral chant based on TV listings?
News Item of the Month (NY Times “Correction,” 7/21): “Because of a mechanical error, an article on the Business Technology page yesterday about quality control appeared in some editions with a paragraph misplaced.” In a similar event, many copies of the 6/28Â Time magazine bound the same eight pages twice — including a feature story on poor industrial design.
Junk Food of the Month: Health Valley Blue Corn Flakes. Proof that not all health-food-store junk foods are heavy exercises in carob masochism, they make the dinner-spoiling afternoon cereal a more colorful tradition. No word on whether they’re the breakfast of George Carlin, who once claimed there were no blue foods.
The B.A.T. Channel: BATUS, the UK-based tobacco company that formerly owned (and nearly killed) Frederick & Nelson, is placing newspaper ads to support its hostile takeover attempt against Farmers Insurance. They don’t mention BATUS’ plan to destroy explicit anti-smoking brochures made by Farmers’ Mercer Island office, firing anyone up to the board of directors who refuses.
Yes, But Is It Crime?: By now you’ve heard the legend of Lawrence McCormick, the commercially unsuccessful artist who entered the Linda Farris Gallery on 7/7 and poured red paint on four large glass works. You may not have seen his written statement, posted at Broadway’s Espresso Roma: “I enacted my Art Action: Iranian Blood Deposited on American Art Commodities because of the cold abstract middle-class elitist art establishment mentality of American commercial art galleries and the Linda Farris Gallery as the Seattle `avant garde’ example of degenerative decoration.” Farris, by the way, did not see the act, being in Moscow at the time. I was there, and will remember the large, stern visage of McCormick, waiting outside to be arrested, while the petite gallery ladies stood in near-shellshock.
(Latter-day note: McCormick committed suicide after this column was written but before it hit the streets.)
Demo Tapes: The Democratic Convention was a fascinating attempt to “clean up” the ritual aspect of American politics. It was like a funky old store or building trying for a trendier image. The good news is that much of the old spirit survived, between the major speeches and conductor John Williams’ heavy use of Sousa (including the “Liberty Bell March,” known to younger viewers as theMonty Python theme). The United Auto Workers ran ads with Y-word dads talking trade policy while playing with their sons (and with Danish Lego toys). The GOP responded to the whole tasteful love-in by launching a campaign of attack against Jackson, Carter, Mondale, Ted Kennedy and just about every other Democrat who isn’t actually running. At the same time, the Vancouver Sun sent a reporter out for a week to cover an event as important to Canada as the convention was to us: Wayne Gretzky’s wedding.
Local Publications of the Month: Aperture Northwest is the bible of regional film, TV and stage production. Like its national counterpart, Variety (America’s greatest newspaper), it goes beyond the raw data to be as lively as the business it covers….The same cannot, sadly, be said for Exposé, which purports to cover local fashion and style but whose only apparent idea of editorial content is to plug its advertisers.
Star Trysts: Bruce Springsteen hires a young woman for his band, gives her a prominent spot, then is rumored to be leaving his wife for her. Is he trying to live out Willie Nelson’s movie Honeysuckle Rose or what?…When Lionel Richie’s girlfriend was confronted by his wife, did she just quietly ask, “Hello? Is it me you’re looking for?”
Le Nyuk, Le Nyuk: The Frisco Chronicle claims the following is from a respected French journal, Cinema et Mort: “The lack of respect in America for the high art of The Three Stooges, and the unfortunate consignment of their masterworks to the vulgar medium of television, is perplexing to the French critical community. The impressive body of film work left by Les Trois Imbeciles resounds with the Jungian notion of the male’s painful struggle to come to grips with his own unconscious, specifically with the deeply repressed feminine side of his nature…. In short, Moe must become Curly, by way of Larry, to achieve his full human potentiality.”
Cathode Corner: Residential areas are being innundated by extra-large junk mail in the form of independent Yellow Pages. The latest twist is “The Yellow Pages That Talk.” It just means that the front cover plugs a phone number where you can get KING’s program highlights. Now you don’t have to buy a paper to learn that next Saturday’s ball game will be yet another Dodgers snooze…. The same station had our ol’ pal John Keister promoting caution with home fireworks this past July 4. Back in ’79, Keister wrote aUW Daily editorial condemning “Safe and Sane” fireworks as wimpy, proclaiming, “I regret that I have only ten fingers to give for my country.”
Update: The Beef Marketing Board, already beleaguered with poor publicity by spokesperson James Garner’s health troubles, learned that its poster of a beef-eating yuppie looked like an old Hitler Youth banner. Given the ad business’s recent obsession with young, white, blond, cheekboned visages in smug, aggressive poses, it’s a wonder such a mix-up didn’t happen sooner.
Let Us Make a Pledge to meet in September, and ’til then contemplate the aluminum roof on the Son of Heaven exhibit, beat the heat, and recall the words of playwright George C. Wolfe at the Group Theatre: “America is a continent composed completely of mongrels, and the only way someone can prove that they are pure is by pointing out someone else who’s a mongrel.”
7/88 ArtsFocus Misc.
The Reds Will Never Get Our Military Secrets —
They Can’t Outbid the Private Sector
Ahh, what better reading for the Age of the Greenhouse Effect than Misc., the column that always keeps its cool?
STUFF: Now that we’re through booing the Lucking Fakers for another year, we can examine Microsoft co-founder Paul Allen’s purchase of the Portland TrailBlazers. Will fancy computer analysis come to basketball? Will it result in increased throughput?
THE BATTLE OF SEATTLE continues, with Union St.’s beautiful Post Office Grocery and the legendary Market Theater the latest victims (of development and Reaganomic monopolization, respectively). The next front is the Music Hall Theater. Allied Arts is striving to keep the Clise Agency from razing the ornate movie palace for yet another cheap “luxury” hotel. Other interests are trying schemes to keep the Paramount standing. But don’t look to Royer Roi for any help; the onetime “people’s mayor” now acts as a stooge for those who would destroy Seattle in order to save it. (Speaking of hotels, the finally-done Convention Center won’t rent space to local people unless they’ll bring at least 1,000 out-of-towners to area hotels.)
MODULATIONS: The local airwaves are now safe for cool music. KJET is apparently sticking around for a while, and has added more hours of live programming. And the FCC declined to let the Jack Straw Foundation knock KNHC off the air. Straw, whose old KRAB devolved from beatnik eclecticism to hippie senility before it made a quick buck selling its frequency, will now start a small station in Everett, where people talk almost as slowly as the old KRAB announcers did.
CATHODE CORNER: The CBS special on the plight of local Vietnam vets was a great piece of filmmaking, marred at the end by an obscene promo for the network’s newest Joy-of-Violence cop show…. The long-announced Boris & Natasha movie is now in production, with #1 hoser Dave Thomas recently cast opposite Sally Kellerman. Variety ads, made to lure investors while only Kellerman was signed, show a male model in a Boris suit with a hat over his face…. MTV’s Museum of Unnatural History was an amazing lesson in the contradictions of commercial surrealism, even more bizarre by being in the recursive maze that is Bellevue Square. The exhibits scattered along the mall (and decorated in Late Pee-wee) included two banks of 24 video screens each. One had Pontiac ads, the other a montage of MTV promo spots including a shot of singer Mojo Nixon (but, alas, not his great song “Burn Down the Malls”).
UPDATES: The end of the ’80s (discussed in a prior column) was celebrated in a mock funeral by NYC performance artists The Blue Man Group, cremating a deconstructivist print, a model of a postmodern office building, and a yuppie doll…. The ’70s revival continues, as dinosaur rock and neo-disco race up the charts while several late-’70s celebs stage publicized comebacks (Devo, Patti Smith, Jimmy Carter)…. The Monthly, a local ad trade paper, asked 10 ad-biz experts about the new Rainier Beer ads. The only guy who liked them works for the brewery.
NEWS ITEM OF THE MONTH (USA Today, 6/21): “Wives of economic summit leaders wave as they leave on a boat tour Monday… Absent: Denis Thatcher.” Runner-up (P-I “Correction,” 6/10): “The relish tray (at Le Petit Prince) comes with an original dip made on the premises, not a sort of Green Goddess dip as suggested by the reviewer.”
LOCAL PUBLICATIONS OF THE MONTH: Hardball, best of the many local sports rags, takes the familiar “literary fan” approach to baseball, covering the three local pro teams and assorted other aspects of the game…. Pacific Northwest’s cover on films made and/or set in the Northwest is astounding. Richard Jameson included many memorable NW movies but did neglect my favorite, Ring of Fire (1961). Long unavailable, it featured Mason County deputy David Janssen abducted by three teen hoodlums led by Frank Gorshin. They wander the woods and inadvertently start a raging forest fire, but not before Janssen and seductive hoodette Joyce Taylor share a quiet embrace, followed by shots of a tall tree and rolling hills.
JUNK FOODS OF THE MONTH: Linda’s Lollies are “hand made lollipops” in many sophisticated flavors, including Samduca (a licorice taste with three real coffee beans inside). At Paper Moon in the Market…. Godfather’s now has a “Bacon Cheeseburger Pizza,” complete with pickles.
ON A ROLL: By the time this comes out the Suzuki Samurai jokes may have come and gone (dealers with high turnover, the teal-blue car it takes a real man to drive, etc.). The best and most real comment is that Univ. Village uses a Samurai with “Security” boldly painted on the side. Just don’t ask me to go after shoplifters across speed bumps in it.
LEFTOVERS: As usual, there’s just too much going on in Our Wacky World to fit the column, so we can’t talk much about Reagan vs. the Native Americans (only a movie cowboy with a mistaken sense of reality could call massacres and the reservation system “humoring”); George Bush (sez he’s less elitist ‘cuz he only went to Yale, not Harvard); the plan to put casinos in Detroit (buying their cars is a gamble enough); the censoring by US West and the state of phone sex and porn books, respectively (threatening all expressions of politically incorrect lifestyles); and the Mariners’ latest woes (why couldn’t they at least be lovable losers?).
‘TIL OUR AUGUST EDITION (our first ever), see Baghdad Cafe and the Burke Museum’s Far Side of Science, don’t see The Morton Downey Jr. Show (not even to “love to hate it”), see the Ivar’s fireworks (accept no substitutes), and register to vote. See ya.
5/88 ArtsFocus Misc.
If Pacific Northwest Bell Was “Ma Bell,”
Will US West Be “Phones R US”?
Here at Misc. we’ve been accused of being “cynical-chic.” NOT TRUE! We love life. We love our world. We love our city. We love so much that we have to cheer when something great happens (Hunthausen pleading for a city of compassion, not just construction), or boo when something awful happens (Fatal Attraction and Broadcast News even considered for Oscars? Come now).
HEADLINE OF THE MONTH: The P-I’s “Women and Men: What’s the Difference?” (3/30) came close, but the honor has to go to the same paper’s dually-pronounceable “Bon Marches to Different Drum” (4/4).
JUNK FOOD OF THE MONTH: Betty Crocker Pudding Roll-Ups. Their taste has been described as akin to “a flattened Tootsie Roll.” But the best part is using the ol’ motor skills to unwrap ’em. The package has handy instructions for this, complete with the warning, “Peel from cellophane before eating.”
JUST SAY “WHY?”: You’ve heard much lately about alleged “drug gangs” infiltrating our streets. Well, there is a drug gang afoot. It sponsors violence and terror in this and other countries. It shows no shame for killing (either immediately or via addiction) to pursue its goals. The US branch of this gang is headquartered in Langley, Va. The former head of this branch now wants to be your president.
YET, IT JUST MAY BE DECIDED by historians that 4/15/88 was the last day of the Reagan Era. Millions discovered that the new “tax reform” was a crippling blow to even middle-class aspirations, while a few hundred millionaires discovered some well-buried loopholes created especially for them.
THE DEEP END: King and Pierce Counties still can’t seem to decide which of ’em gets to build the swimming pool for the 1990 Goodwill Games. The answer’s simple: Build it across the line, so the hunks will dive from one county and come up in the other.
STARS IN HELL: Everyone’s pal James Garner tells us for a year that we should eat all the beef we can, then has multiple-bypass surgery. Makes ya wonder about Cybill Shepherd (who’d take care of her poor kids?)… Tiffany, America’s answer to Japan’s underage “idol” pop stars, gets no respect from nobody. First she sues her mom, who’s raking in big bucks while locking Ms. T’s dough in trust funds. Then ma reports her (who moved out of the family home to live with a grandmother) as a runaway. Finally, it turns out that it was all started by her manager, who gets half her record royalties, has creative control of her career for the next six years, and wants all competing influences out of her life.
STORY OF O’S: For the first time in years, a baseball team has caught the heart of America. Folks everywhere are rooting for the Baltimore Orioles to achieve a record losing season. Best from our perspective, the O’s (or Zeroes have appropriated all the nasty cracks people used to say about the Mariners.
SCHOOL DAZE INDEED: Pacific Dessert Co. on Denny recently had a display of art by Stevens School students. Our fave’s the short story that begins, “Isaac A. Stevens was a great MONSTER. He would go to towns and make them name a school after him or their town would be crushed.”
DISASTER OF THE MONTH: The NY State Thruway was closed the morning of 4/13. A delivery truck crashed, dumping chocolate bars and caramels onto the roadway. In the damp morning air it all congealed into a gooey mess, making the road impassable.
BYE BYE BUCKS: Clever crooks in Chicago wrote checks on paper specially treated to disintegrate before the banks could process ’em. We’ve finally found the answer to our growing waste-paper problem!
CATHODE CORNER: Initial reports give Ross Shafer’s shift on the Fox Late Show twice as many viewers as original star Joan Rivers. Fret not if he goes to LA for good; Almost Live has thrived in his absence and should get even better with a new, less mainstream direction…. Some of KING-AM’s too-few fans are upset that part of Jim Althoff’s airtime was given to ex-KZAM “Rock of the ’80s” legend Marion Seymour. Me? I can’t get enough of that throaty whisper. Last year, I said ’70s nostalgia would be the Next Big Thing. Now, it’s already time for ’80s nostalgia! Which brings us to….
LOCAL PUBLICATIONS OF THE MONTH: I know, I’ve said the punk worldview was dead or at least passé. But to many self-publishers it’s back, older and maybe even wiser. Recent items devoted to the ol’ “new music” and/or related philosophies: SLR (great J. Wasserman and Elizabeth Louden photos, ordinary indulgent texts), Swellsville (fascinating piece on UK “wimp pop,” but if you want subscriptions print an address), Yeah! (mainly for Young Fresh Fellows/Prudence Dredge fans), Backlash (mainly for Soundgarden fans), Zero Hour (interesting works relating postpunk attitudes to the outside world, nice tabloid format, ugly typewriter type), the KCMU Wire (their biggest yet, describing some of the great records buried within the station’s long sets). Any week now: new numbers of Pop Lust and Four-Five One.
PHILM PHUN: The best part of Aria, that great “opera video” compilation film, was seeing the audience totally perplexed by Jean-Luc Godard’s “auteur as dirty old man” segment, then totally relieved when the next segment took over. I’ve never seen people so pleased to see Buck Henry’s face…. An even greater film, The Unbearable Lightness of Being, overtly mentions Oedipus and other literary works, but look closely for (appropriate) references to TV’s The Prisoner…. The sale of Luxury Theaters (of Coliseum Theater infamy) to UA Theaters (a much more reputable operator) fell through. Damn.
THE BYTE BIZ: City to City, a new database product for personal computers, purports to tell the straight scoop about every big town a bizperson might fly to. Punch up the entry for Seattle and you get the “Emerald City” and “liquid sunshine” lines bound to brand you as a pesky tourist (or peskier newcomer). At least they do mention the Dog House.
‘TIL JUNE, write “Wish You Were Here” beneath the Earth stamp on all your letters, read the deluxe comic books East Texas by local Michael Dougan and Hard Boiled Defective Stories by ex-local Charles Burns, and return next time for the column’s second anniversary (that’s the china anniversary).
4/88 ArtsFocus Misc.
Despite All Attempts to Preserve the War,
Peace Still Threatens to Break Out
At Misc., the column that says what it means and means what it says, we’re getting awfully bored by America’s glut of lame parody. It’s in movies (Dan Aykroyd’s Dragnet), TV (Moonlighting, public-access cable), music (Buster Poindexter), and now billboards. The car-dealer sign telling us to “Surrender to the Germans” treats WWII as a mere cliché taken from old movies (as did Aykroyd’s 1941). If we’re offended by the sign we’re dismissed as old fogeys, not the cool young dudes of the dealer’s target audience.
LOCAL PUBLICATION OF THE MONTH: The Washington Volunteer Lawyers for the Arts newsletter. With the oversupply of parodic works mentioned above has come a complementary supply of lawsuits. Craig C. Beles’s piece on “Parody as Fair Use; or When Can Minnie and Mickey Be Placed in a Compromising Situation?” drolly covers the cases of Disney v. Air Pirates Comics, Pillsbury v. Screw Magazine, and Dr Pepper v. Sambo’s. For your copy send a small donation to WVLA, 600 1st Ave., #203, Seattle 98104.
FINDING MR. WRIGHT: A major exhibit of architect Frank Lloyd Wright’s work is coming to the Bellevue Art Museum. Talk about going where you’re needed most. Sure, Bellevue could use the inspiration of someone who believed in spaces to enhance human life. But these days, so could Seattle. To call the Disney Co. plan fir Seattle Center “Mickey Mouse” isn’t enough. Our chief public gathering place is not a theme park and should not be controlled by theme-park people. It should not be a sterile, slick monument, but a living world for living people. It should embody the joy and hope of the World’s Fair that created it — just as the waterfront, also targeted for what a citizen-advocate calls “tacky yuppification,” should stay a working dockside, not a Friscoid tourist trap.
CLARIFICATION: You may have been misinformed about the recent flap at UW Women Studies. Activists there aren’t trying to get rid of a guy student because he’s a guy, but because they believe he’s a right-wing troublemaker, out to disrupt the class via heckling. If true, then he’s simply following the Jerry Rubin school of politics, wherein anyone who felt righteous enough was free to act like a jerk, since he was above the behavioral rules of square people. It’s the same method by which egotistical liberals become admired by (or become) egotistical conservatives.
BOOZE NOOZE: The Big Restaurant Protection Committee, a.k.a. the Washington State Liquor Control Board, is lowering the food-to-drink sales ratio that an eatery needs to keep a drink license. Think it’ll lead to saner liquor laws overall? Ha! This unelected body never works for increased competition or live entertainment except grudgingly, years too late.
THOSE PHUNNY PHOREIGNERS: The lights on Vancouver’s Lion’s Gate Bridge suddenly started flashing on and off on the night of 3/11. A resident detected that the lights were going off in Morse code, which he translated as “UBC Engineers Do It Again.”
SEZ WHO?: Will someone please tell me where these “reports of a Nicaraguan incursion” that led to the latest Reagan pro-war charade came from? How do we know the CIA didn’t just make it up? None of the interminable analyses on the affair mention this, or if they did I fell asleep before I found it.
SHAME: Masters & Johnson almost seem to want the hetero AIDS epidemic that still hasn’t happened but which they promise any time now. (Masters holds experimental-vaccine patents, and might profit if lower-risk groups thought they were more vulnerable.) If so, they join the soaps and other media trying to exploit it while ignoring anything really controversial like the existence of gay people. It’s worse in Europe, where magazines use AIDS as an excuse to put forlorn, nude straight women on their covers. All this does is heighten fear about the disease without raising sympathy or help for those who do have it.
CATHODE CORNER: Ed Beckley, the self-titled “Millionaire Maker,” is in bankruptcy. Victims of Beckley, who promised viewers they could get rich buying real estate for no money down, are working with other creditors to keep his show on the air. It’s the only way he can pay off everyone demanding refunds from his expensive courses…. Merv Griffin wants to buy Resorts International in Atlantic City. I know I’d pay $20 for a spectacular floor show starring Charo, Prof. Irwin Corey and Helen Gurley Brown.
UPDATES: The Wonder Years is just as awful as I’d feared. The ’68 junior-high clothes are accurate, though…. The plan to re-color Metro buses seems to have been just a stunt, with a phony-looking “groundswell of support” for keeping the blecchy browns.
THE BYTE BIZ: Apple Computer’s suing Redmond’s Microsoft, claiming MS Windows (a key program in the next generation of IBM software) rips off the Macintosh’s “look and feel.” Can Apple, which has always avoided fighting MS, expect to beat what the Wall St. Journal calls “the real controlling firm in computing”?… The hype over an Aldus program being inadvertently “infected” with a hidden world-peace message bears the marks of an orchestrated rabble-rousing by those who’d use “data integrity” to deny public access to major data bases.
HAPPINESS IS A BIGGER SPACE: Peanuts has suddenly switched from four small panels a day to three larger ones. It’s the first major structural change ever to Charles Schulz’s comic. Four square panels every day, six days a week, was a perfect metaphor for the chilling purgatory of characters stuck at the same presexual age for 38 years. (To see Schulz on adolescence, look for his rare ’60s paperback “Teen-Ager” Is Not A Disease. All the kitsch of Peanuts, none of the charm.)
CLOSE: ‘Til May, see the Seattle Filmhouse’s French New Wave series at MOHAI, catch the Weekly piece on local cartoonists, take lotsa pix of the Pine St. hole while you can, and remember the words of Sydney Smith: “I have no relish for the country; it is a kind of healthy grave.”
6/88 ArtsFocus Misc.
IT’S THE DAWS BUTLER MEMORIAL EDITION,
AND DON’T YOU FOR-GIT IT!
Welcome to the second-anniversary edition of Misc. This ragtag collection of little notices from all over does have some goals. I want to celebrate the chaotic, post-postmodern world of ours, and call for a world much like we have now but with more love and less attitude. I want to exalt English as a living, growing language. I want to separate political liberalism from the cultural conservatism that led so many post-’60s youth to view liberals as old fuddyduddies. I want to proclaim that you can be intellectually aware and still like TV.
Why the New Rainier Beer Ads Suck: They’re a Frisco ad agency’s idea of what us Northwest hicks’ll fall for: Pavlov/Spielberg stimulus-response images, based on tourist attractions and phony regional pride. They’re as awful as the big beers’ ads, without the media budget to pull it off. The new “small-capitals” logotype looks too much like that of Rainier Bank. It’s all because the brewery was sold to Australian mogul Alan Bond, who more recently bought out fellow Aussie Robert Holmes a Court (the man who sold the Beatles’ songs to Michael Jackson). Bond also has large business ties with Chilean dictator Pinochet (gold mines, a phone company). Response to the ads has been underwhelming, while old Rainier posters sold briskly at the U-District Street Fair.
A Permanent Underground Tour: Bill Speidel, who died this month, was one of the first to write seriously about Seattle as a real city, with its own brief but vital history. Too few have followed his lead; “Northwest Writers” are still expected to do free verse about scenery, not narratives about people. Yet he’ll be remembered whenever Northwesterners seek an honest regional identity from holding on to one’s past: Not nostalgia for a nonexistent “simpler time” or the old west of movies, but a raucous cavalcade of pioneers and profiteers, matrons and whores, all trying to muddle through life much as we try now.
Local Publications of the Month: First, the fine mag misidentified here last time as Ground Zero is really Zero Hour. The temporal-spatial discord resolved, let’s discuss newspapers ashamed of their own towns. The Herald and The Morning News-Tribune no longer carry any front-page clue to their origins (Everett and Tacoma). The Daily Journal-American never had Bellevue in its name. Each wants to be identified not with real cities but with its own mapped-out segment of Suburbia USA, the everywhere/nowhere.
Junk Food of the Month: The experimental no-melt chocolate invented by our pals, the Battelle Memorial Institute. Since it stays solid at temperatures below 98.6 F, will the makers of car seats and kids’ clothes conspire to keep it off the market?
One More Time: Sequels, those efficient re-uses of pre-sold titles, have become vital parts of conglomerate-owned film studios. The trend has grown to the literary classics with the announced book project Gone With the Wind II. But I’m waiting for the Romeo and Juliet follow-up being written by ’68 movie Romeo Leonard Whiting. I want to know how they manage to be alive after part 1, but also whether they can keep their relationship growing amidst the problems of everyday life.
The Big Lie Indeed: Drugs continue to be used as the Red Scare of the Late ’80s, an excuse for anti-democratic actions of many kinds. Locally, Doug Jewett uses it to promote the destruction of low-income housing, and the Blaine feds are seizing vehicles for just an ash of pot (not the most enlightened way to reduce the budget deficit). Nationally, the Army’s being brought into domestic law enforcement (just like in drug-exporting states such as Panama). Some would prefer that the anti-drug cause remain associated with fascist tactics, so that non-fascists will keep getting hooked and killed in the name of rebellion. But there are better ways to approach the issue, such as shown on a new bumper sticker: “Stop Contra Aid — Boycott Cocaine.”
Goin’ to Jackson: It’s no wonder some have tried, and others may try, to kill Jesse Jackson, for he’s more than a soon-to-be-ex-candidate. He’s overseen a realignment of American politics, away from of the era of the Gilded Right and the Gelded Left. No longer can liberals bask in smug defeatism, readily accepting conservatives’ portrayal of things. (Most Americans never were flaming Falwellians, but the anti-Falwell set bought Falwell’s claim that they were.) Jackson’s shown that a universal movement for change can happen, whether party regulars are involved or not.
Cathode Corner: Johnny Carson may be writing his own bad jokes during the writers’ strike, but you won’t hear any gags about his financial advisor, “Bombastic Bushkin.” Johnny and the real Henry Bushkin have broken their long partnership. Some of Bushkin’s deals, such as investing in Houston real estate just before the oil bust, have come too close to the ones in old Carson monologues.
Loco Affairs: Martin Selig sez he wants a more beautiful downtown. He’s offered to pay the city to let him tear down the homely Public Safety Bldg. We could think of a few other buildings worthy of removal, ones for which he already owns all rights….The Westlake Center nears completion, and the developers’ intentions for the land the city gave them are appearing. The Puget Sound Business Journal reports local merchants as essentially fainting or laughing at the center’s proposed rents. Most tenants, the Journal sez, “are expected to be national chains.”
Ad Copy of the Month (by CBS Records for UK band Raymonde): “Let’s just say it falls someplace between Joy Division and the Beach Boys.”
Ride ‘Em: Metro’s losing passengers while Snohomish County Community Transit can’t stuff folks on board fast enough. To learn why, just ride a CT bus to Everett some night. It’s a nice, big, comfy bus, in pleasant colors. It’s a bus people can actually want to ride, and they do. But the folks at Metro were too busy to notice one of their own officials skimming the cash boxes, so we can’t expect ’em to learn from their neighbors’ success.
Close: ‘Til next time, petition KIRO to bring back Mighty Mouse, visit the 6 Star Factory Outlet store in W. Seattle, and heed the words of gambler-lawman Bat Masterson: “There are many in this old world of ours who hold that things break about even for all of us. I have observed, for example, that we all get about the same amount of ice. The rich get it in the summertime and the poor get it in winter.”
