It's here! It's here! All the local news headlines you need to know about, delivered straight to your e-mail box and from there to your little grey brain.
Learn more about it here.
Sign up at the handy link below.
CLICK HERE to get on board with your very own MISCmedia MAIL subscription!
It’s the 12th-anniv.Misc., the column that wonders if Vancouver essayist Brian Fawcett was right when he said malls and subdivisions are typically named after the real places they replaced, whether a corollary might be made about car commercials promoting further traffic-jamming steel tonnage with images of the wide open road, or (even better) SUV ads using nature footage to sell landscape-ruining gas-guzzlers.
OUR FAR-FLUNG CORRESPONDENTS: Loyal readers have been sending junk food samples from far and near. Scott McGrath, though, takes the no-prize for the biggest cache of snax from the furthest-away place. The centerpiece of his shipment: a hamburger (made with chicken) he found at a Beijing convenience store, in a sealed envelope complete with bun, lettuce, and “salted sauce.” The English half of the envelope’s back warns of a two-to-three-day shelf life for the product, depending on the time of year. The bun got squished in transit, but it’s otherwise a normal looking way-past-pull-date meat food. The rest of his box contained Japanese, Filipino, and Taiwanese products he found in Guam: Banana catsup, dried squid and cuttle fish, soybean and herbal-jelly soft drinks, and Marine World Biscuits (shrimp-flavored animal crackers in fish shapes labeled, in English, “Tuna,” “Dolphin,” and even “Sea Lawyer!”). Many of these are more conveniently available at Uwajimaya and other local Asian-food emporia, but it’s the thought behind the gift that counts.
ANOTHER YEAR OLDER: I’ve traditionally used this, the anniversary week of Misc. (begun in the old ArtsFocus tabloid in June 1986), to take a look back at the column, the changes in Seattle, or my journeys. This time, I want to look ahead. This li’l corner-O-newsprint ain’t my sole ambition in life. There’s plenty of other things I’ve always wanted:
Random responses from the
1998 Misc.-O-Rama Questionnaire
(6/8/98)
Favorite food/drink, if any:
Favorite store, if any:
Favorite webstie, if any:
Favorite era, if any:
What I’d like in a Best-of-Misc. book:
How I’d fix the Mariners:
My unofficial nickname for Safeco Field:
How I’d solve Seattle’s housing crisis:
What should happen to Microsoft:
My deepest sexual secret:
All the world’s problems would be solved if only:
Seattle needs more _____ and less ______:
MISC. IS PLEASED AS PUNCH, well at least pleased as non-alcoholic punch, that US West’s directory-assistance service has adopted the classic information number 411. Now, even the most clueless white mall gangsta-wannabe will get it when hip-hoppers they rap about being “down with the 411 boyyieee.”
UPDATES: KCPQ now has the made-to-be-rerun-forever Star Trek: The Next Generation and Deep Space Nine after its 10 p.m. news weeknights, an improvement over the tired M*A*S*H repeats previously at that time…. King County will probably ask voters to approve a 2012 Seattle Olympics bid, if the idea gets that far. I still wanna learn what quaint “local color” TV segments you’d be willing to appear in should the games come here; send suggestions to clark@speakeasy.org clark@speakeasy.org.
JUNK FOOD OF THE WEEK: We’ll be kind and say the two new Joey Cora chocolate bars are for baseball-stuff collectors, not for candy lovers. Lovely label, though. ($2 at Safeway.)
LOCAL PUBLICATIONS OF THE WEEK: With seemingly everybody today caught up in the mad dash for bux, it’s not surprising a zine like Space for Rent would show up. In fact, I’ve seen publications like it before, wherein everything’s really a paid ad, including the text articles. This thing’s so cheaply produced, though, it’s hard to see why any would-be pay-to-play writer or illustrator wouldn’t just put out their own photocopied pamphlet. (Available from P.O. Box 3234, Seattle 98114.)… like ex-Rocket Veronika Kalmar, who’s put together her own modestly-sized newsprint zine, The Iconoclast. The first li’l issue’s got Kalmar dissing celebrity journalism (perhaps a disguised potshot at her ex-employer), fellow sometime Rocketeer Dawn Anderson trashing “post-feminist” reactionaries, and assorted show and record reviews. (Free at the usual spots or $1.50 from 117 E. Louisa St., #283, Seattle 98102).
THE HOLE STORY: The Seattle bagel craze has apparently gone day-old. The Brugger’s Bagels chain has turned into a “Breads & Cafe” chain, Zi Pani (a name as meaningless as Håagen-Dazs). We could be in for a rerun of the mid-’80s retreat when all those cookie shops tried to reposition themselves as “treats” shops. Elsewhere in changing-storefront land…
THE DESTRUCTION CONTINUES: Rumor has it that the next hip outfit to be evicted later this year by the Samis Foundation (that alleged nonprofit that acts more money-grubbing mercenary than some for-profit companies) just might be Colourbox, for some five-plus years the odd duck of 1st Ave. S. niteclubs (i.e., the one place on that “Blooze”-bound street where you could actually hear tunes composed since 1970). No word yet on just when it’ll get kicked out, or what its operators might plan to do in the future. Elsewhere in clubland…
SQUARELY GAY: ARO.Space, the new mostly-gay dance club in the old Moe building, is as clean looking a night spot as any I’ve seen. With its muted pastels and recessed lighting, and retro-modern furnishings, it could easily pass for a set in a ’60s sci-fi film or in the future world fantasized at the Seattle World’s Fair. It might also be seen as a desperate attempt to be fake-London, or as something too damn institutional looking to be really fun, or as an expression of gay designers too enraptured by Ralph Lauren colors or by that new interiors magazine Wall.Paper. Under this theory, the space evokes gay men trying to prove they’re just as respectable as anybody else by being bland in a Zurich airport terminal kind of way. But I prefer to see it as a “neutral” gallery-type space, only with the dancers and clientele as the “art” on display. It enhances its clientele’s outrageousness by not competing with it.
CRASS? WELL…: Ex-GOP gubenatorial candidate Ellen Craswell has quit the Republican Party to start her own political movement, one where the purity of her authoritarian right-wing ideology wouldn’t be compromised by those success-obsessed corporate Republicans. She plans to call her movement the American Heritage Party. She apparently hadn’t realized the name “American Heritage” is already trademarked, by a magazine and book line owned by that quintessential corporate Republican Steve Forbes, who’s currently on a personal crusade to keep Religious Right followers within the Republican fold. Will Steve object, or even care? Time will tell, or rather Forbes will.
IN HONOR OF all the kindly PR people who keep sending their bizarre promotional trinkets our way, Misc. hereby informs you that (1) Miller Beer is now printing scenes from its TV ads on the backs of its labels; (2) it’s the 35th anniversary of the Easy-Bake Oven and its makers are sponsoring a recipe contest at www.easybake.com; and (3) GameWorks now has a Jurassic Park walk-through “experience,” whatever that is.
UPDATES: Looks like we’ll get a Ballard Fred Meyer after all. The chain’s reached a compromise with neighborhood activists. As a result, Freddy’s will leave part of the ex-Salmon Bay Steel site near Leary Way for industrial use. The ex-Ernst site up the street, which I’d suggested as an alternate Freddy’s space, will now house the Doc Freeman’s boating-supply emporium…. Not only is the Apple Theater, the region’s last all-film porno house, closing, but so is Seattle’s other remaining XXX auditorium, the video-projection-based Midtown on 1st. Real-estate speculators hope to turn it into more of the yupscale-retail sameoldsameold.
LOCAL PUBLICATION OF THE WEEK: Cindy Simmons’s Wallingford Word (“Cutest newspaper east of Fremont”) is a sprightly eight-page newsletter on north-central issues and events. The first issue highlights Metro Transit’s scary plan to chop service on all-day neighborhood routes in the near north end, in favor of more rush-hour commuter service–a scheme which, if implemented, would devastate the notion of transit as an option for voluntarily car-free urban life. Free in the area, or online at www.seanet.com/~csimmons.
THAT’S SHOE BIZ: The high-priced sneaker biz is collapsing fast, according to a recent USA Today business story. It claims teens and young adults are (wisely, in my opinion) moving toward sensibly-priced footwear and away from $120 high-tops bearing the name of this year’s overhyped slam-dunk egomaniac. What will happen to the NBA without endorsement contracts to make up for salary caps? (Some superstars make twice as much from shoe ads as they do from actually playing basketball.) Maybe something good–maybe the overdue deflation of the league’s overemphasis on individual heroics and the realization that it’s a better game when played the Sonics’ way, as a full-team effort. And maybe the Woolworth Corp. will be proven wrong to have jettisoned its variety stores to put its resources into its struggling Foot Locker subsidiary.
CREAMED: After all these weeks, folks are still talking about the Bill Gates pie-in-the-face incident in Brussels. Maybe it’s ’cause instigator Noel Godin knew the spectacle he wanted to make. Self-proclaimed “entarteur” (applier of, or to, tarts) Godin, 52, is a lifelong provocateur–a vet of the May ’68 rebellion in Paris and of that movement’s ideological forebearers, the Situationists (post-surrealist artists and theorists who explored what Guy Debord called “The Society of the Spectacle”). Besides his paid work as a writer and historian, he and a corps of volunteers have pied famous people in public for almost 30 years. Targets have ranged from writer Margeurite Duras (Godin told Time‘s Netly News website that Duras “represented for us the `empty’ novel”) and bourgeois art-world types to Euro politicians and TV personalities. Godin told Netly News he targeted Gates “because in a way he is the master of the world, and… he’s offering his intelligence, his sharpened imagination, and his power to the governments and to the world as it is today–that is to say gloomy, unjust, and nauseating. He could have been a utopist, but he prefers being the lackey of the establishment. His power is effective and bigger than that of the leaders of the governments, who are only many-colored servants.” Godin’s not merely out to poke fun at the mighty, but to call the structures of power and privilege into question. You can see Godin (as an author during a radio-interview scene) in The Sexual Life of the Belgians, available for rent at Scarecrow Video.
(I still won’t tell latte jokes in the column, but I will be guest barista this Tuesday, 8 p.m.-whenever, at Habitat Espresso, Broadway near John.)
MISC. CONTINUES to be haunted by the Winter Olympics opening-ceremony theme song, “When Children Rule the World.” Sometimes it seems they do now, only in grownup bodies…
SHADES OF PALE: The Times reported this month that Kenny G’s one of the most respected white musicians among black jazz purists. My theory: G represents a stereotype of whiteness corresponding almost perfectly to the stereotypes of blackness profitably portrayed for years by some white people’s favorite black acts.
DELIVERING INFLUENCE: A recent Wall St. Journal told how United Parcel Service tried to pay the Univ. of Wash. to lend its institutional credibility onto pro-corporate research. The formerly locally-owned UPS offered $2.5 million to the UW med school in ’95. But instead of directing its gift toward general areas of study, UPS insisted the money go toward the work of UW orthopedic surgeon Stanley J. Bigos. The WSJ claimed UPS liked Bigos because “his research has suggested that workers’ back-injury claims may relate more to poor attitudes than ergonomic factors on the job.” The company’s fighting proposed tougher worker-safety laws, and wanted to support its claims with “independent” studies from a bigtime university that happenned to need the money. Negotiations with UW brass dragged on for two years, then collapsed. Bigos insists he wouldn’t have let UPS influence his work if he’d gotten its cash. But if companies can pick and choose profs already disposed to tell ’em what they wanna hear, “academic independence” becomes a bigger joke than it already is.
THE DESTRUCTION CONTINUES: Steve’s Broiler has lost its lease and closed. The 37-year-old downtown restaurant/ lounge was beloved by seniors, sailors, and punks for dishing out ample portions of good unpretentious grub and drinks, in a classic paneling-and-chrome-railing setting. (It was also the setting for Susan Catherine’s ’80s comic Overheard at America’s Lunch Counters.) The owners might restart if they can find another spot. It was the last tenant in the former Osborn & Ulland building, which will now be refitted for the typical “exciting new retail” blah blah blah…. Remember Jamie Hook’s Stranger piece last year about the Apple Theater, one of America’s last all-film porno houses? If you want to witness this landmark of archaic sleaze, better hurry. The Apple’s being razed soon for an affordable-housing complex incorporating the apartment building next door where the Pike St. Cinema was, and where the rock club Uncle Rocky’s is now. Rocky’s will close when the remodeling starts, and won’t be invited back (the housing people don’t like late-night loudness beneath residences).
MORE, MORE, MORE!: A recent Business Week cover story calls it “The Entertainment Glut.” I call it a desperate attempt by Big Media to keep control of a cultural landscape dividing and blossoming to a greater extent than I’d ever hoped. BW sez the giants (Disney, Murdoch, Time Warner, Viacom, et al.) are trying to maintain market share by invading one another’s genre turfs and cranking out more would-be blockbusters and bestsellers than ever before, to the point that none of them can expect anything like past profit margins. (Indeed, many of these “synergistic” media combos are losing wads of dough, losses even creative accounting can no longer hide.) It gets worse: Instead of adapting to the new realities of a million subcultures, the giants are redoubling their push after an increasingly-elusive mass audience. Murdoch’s HarperCollins book company scrapped over 100 planned “mid-list” titles to make up for losses on costly big-celeb books. BW claims the giants’ movie divisions are similarly “spending lavishly” on intended Next Titanics and trying “to stop producing modestly budgeted fare.” Their record divisions are dropping acts after one album, while ardently pushing the retro rockstar-ism of Britpop. The longer the giants try to keep their untenable business plans going, the better the opportunities for true indies in all formats–if the indies can survive the giants’ ongoing efforts to crowd ’em out of the marketplace.
(If Jean Godden can make personal appearances at coffee shops, so can I. I’ll be “guest barista” the evening of March 10 at Habitat Espresso, on Broadway near John. Mark your calendars.)
WELCOME BACK TO MISC., the column that asks the question global economists have as yet refused to address: How will the Korean fiscal crisis affect the continued production of Simpsons and King of the Hill episodes?
WHEN’S ORGANIC NOT?: The health-food business (and don’t be fooled; it really is a business) doesn’t want the Feds deciding what is or isn’t an acceptable nutritional supplement or health remedy. But it does want the Feds to define what is or isn’t an “organic” food. Some within the biz want stricter rules on the “organic” name than the government’s latest proposed guidelines recommend, particularly regarding the use of pesticides on crops. If you wanna learn more, the folks at Central Co-Op will be glad to bend your ear.
WHEELIN’ N’ DEALIN’: Call me retro, call me picky, but I know I’m not the only one to believe there hasn’t been anything really good in U.S. automotive design since the fall of American Motors. From the awkward K-Car, to the once-innovative but now-tiresome Taurus teardrop, to today’s bland minivans and macho-gross sport utilities, mediocrity rules showrooms across the land. The new VW Beetle represents a small forward step, though it doesn’t look enough like the old Beetle and costs too much. Things are a little brighter overseas, especially in Japan. Nissan’s got a number of way-rad cars it sells only in Asia (including a slug-shaped miniwagon called the “S-Cargo”), while continuing to saddle its U.S. division with the same poor-selling Altimas.
Now I have a new object of desire. The Smart car, made by the unlikely joint venture of Mercedes and Swatch, was supposed to hit Euro streets this month (production-startup problems have now held back the launch ’til fall). Think of it as a scooter with a roof. It seats two people snugly inside its eight-foot-long plastic body (surrounding a steel safety cage). It looks like the perfect super-fuel-efficient tool for urban errands, leisurely country drives, or any other transport use that doesn’t involve mucho cargo or wintertime pass-climbing. Naturally, there are no plans to bring the Smart to North America. They don’t think enough people here would want a human-scale vehicle to be worth developing a U.S.-street-legal version and setting up dealers to sell and service it. Sadly, they may be right.
NETTING: Nearly two years ago, I told you to look forward to a new, high-speed Internet connection called ADSL (asymmetrical digital subscriber line). Now at last, US West promises ADSL hookups in Seattle no later than June. It’ll cost $200 to start up such a connection, plus another $300 or so for the special all-digital modem US West will sell you. From there, you’ll pay $60 a month ($40 if you use a separate Internet service provider). For that, you get 256kbps, five times the speed of the best current analog-modem connections. (Even faster rates, up to 7 mbps, will be offered at higher prices.) You might not receive complex web pages all that faster–much of today’s “World Wide Wait” is due to heavy demand on the Internet’s transmission infrastructure, not to the home connection. But it’ll be a boon to Net-based multiplayer games, and it could make streaming video practical at last (opening another potential explosion of many-to-many communication, as mentioned here last week). And you’ll be able to talk on the phone and use the Net at the same time, without an extra line.
A couple caveats: The high speeds only come to, not from, you; it’ll still cost more to become your own Net server. And it’s all promised by a company whose on-time performance record has left more than a little to be desired.
SIGN OF THE WEEK (ad card on the front of a Seattle Times vending machine): “Out of the Box News.” That’s dangerously close to KIRO-TV’s 1993 slogan, “News Outside the Box.” The station’s only starting to recover from that debacle.
Welcome back to MISC., the pop-cult column that thinks it’s finally figured the reasoning behind the Spice Girls’ second CD cover, which looks almost exactly like the first one except the letters SPICE are tall instead of wide. It’s probably a subtle claim that these women can get anything elongated. Elsewhere in gender-land…
LOCAL PUBLICATION OF THE WEEK: By now even the most budget-minded among you probably have your clearance-sale ’98 wall calendars. You few remaining stragglers might consider the just-out Sensitive Geek Boys of Seattle calendar by Christina Malecka and Erika Rickel. Assorted sweet-faced models are photographed (by Trish Dickey and Cory Smith) exploring their feminine sides, in ways ranging from the sublime (smelling flowers, sewing) to the ridiculous (hugging at a “Pet Loss Grief Support Group”). Free at the Lava Lounge and elsewhere, or $6 from Rickel, SBRI, 4 Nickerson St. #200, Seattle 98109.
SIGN OF THE WEEK (at Larry’s Deli on 4th): “`Food’ Stamps Accepted Here!” Perchance a comment on the actual-food status of convenience store staples? Elsewhere in foodland…
PUT ‘EM UP, JOE: In the past couple of years, Metro route #2 has become a veritable study in contrasts for Seattle grocery fans. It passes by or within three blocks of the Plenty gourmet boutique in Madrona, the fancier-than-they-used-to-be Rogers on MLK Way and Red Apple on 15th, the already-mentioned-in-this-column Broadway QFC, the First Hill Shop Rite, the Pike Place Market, Belltown’s quite-fancier-than-it-used-to-be Dan & Ray’s, a smaller QFC, the great big Larry’s, the smallish lower Queen Anne Safeway, the fancy Queen Anne Thriftway, and the exquisite little jewel that is Ken’s Market.
And now the 2 goes right in front of the new Trader Joe’s gourmet convenience store at 1st W. and Galer. As you might expect from the slogan “Your Unique Grocery Store,” it’s from California (Pasadena to be exact). It’s got 113 stores scattered across nine states; this is its seventh Washington outlet. In less than 5,000 square feet (a tenth the size of the Broadway QFC) it’s full of goodies for gourmands with more taste than time. Everything about the store’s designed to increase the company’s profit margins above industry average while offering near-supermarket prices. Fresh meat, produce, and dairy (those notoriously low-margin departments) are almost nonexistent. There’s no bulk bins, no on-premises butchers or sandwich makers, no deli counter, no magazines, few staple goods (sugar, flour, etc.), and few housewares. Just about everything’s prepackaged, and most of it’s under the chain’s own house brands (various ethnic-flavored items are branded Trader Jose’s, Trader Giotto’s, or Trader Ming). This cutesy, “informal” style extends to store design (wood-paneled interiors, fake-driftwood aisle signs) and flyers (set in the Times Roman font family, a la early desktop publishing). The merchandise mix emphasizes wine (natch), prepacked veggies and salads, ethnic rice mixes, trail mix, candy and cookies (like you’d find at Cost Plus), frozen entrees (many of them vegetarian), frozen seafood, canned fruits and juices, soups, organic cat food, cheese, fake milk, microbrew beer and pop (including Ernest Borgnine’s Coffee Soda!), canned unground coffee, and vitamins. Unlike the monster-marts, Trader Joe’s doesn’t try to be everything to everybody. It just sells stuff that tastes good and/or lets you feel good.
THE SCIENCE OF THE LAMBS: Amid all the media furor over the threatened spread of sheep-like cloning to human subjects, there wasn’t much heard from people who might like it. Here are a few groups of potential supporters: Separatist lesbians who want reproduction without any involvement from men; bigots or twisted eugenicists dreaming of a super-race; medical-world types wishing to custom-engineer immunity to diseases (or to cultivate “spare parts” for transplants); sci-fi fans who’d like real-life mutant superheroes; techno-hippies seeking “the next plateau of human evolution;” rich people who want their own personages to live on; caste-society proponents who’d like a real Brave New World; fetishists who want to keep (or bring back) specific examples of human beauty. (Your question this week: Who’d you clone and why? Respond at clark@speakeasy.org.)
MISC. BEGINS THE sorta brave-new post-Rice era of Seattle history with a rhetorical question: Whenever there’s a pesky e.coli outbreak, vegan activists use the tragedy as a reason to call for an end to meat consumption. Whenever somebody working in porn videos or a strip joint turns out to be facing a troubled or abuse-racked private life, rad-fems ‘n’ right-wing censors publicly exploit the situation to advocate further suppression of the sex biz. Yet the highly publicized mistreatment of sweatshop textile workers (domestically and across the Pacific) hasn’t, to my knowledge, inspired members of The Naturist Society to issue PR blitzes asserting how there’d be fewer mistreated clothes-maikers if fewer people wore clothes.
WATCH THIS SPACE: Tasty Shows still plans to open a new club in the former Moe building. Sure they’re four months past their originally promised opening date, but these things almost always happen. (Current ETA: Late February.) Contrary to early reports, it’ll have live bands “about 40 percent of the time,” says a Tasty spokesperson, with DJs on the other nights. Among the work still to be done: Finding a name. They’d planned to call it The Mothership, but a hard-rock nostalgia bar in Federal Way just opened with that moniker.
A PRECIOUS GEM: Just as we get used to the Presidents’ untimely breakup, Seattle faces the potential loss of another institution of whimsy, thanks to the Samis Foundation’s ongoing Pioneer Square redevelopment scheme. Ruby Montana’s Pinto Pony lost the lease on its space on 2nd Ave. (Montana’s furniture annex across the street, which sold lovely old sofas and dinette sets, has already been evicted.) Ruby’s on 2nd will close in March. After that, everything’s iffy. Montana sez she might open a new store if she can find the right location, maybe with a revised concept (mixing her trademark knick-knacks, toys, and home furnishings with larger furniture items, antique cars, and/or RVs). If that doesn’t work out, she might open a “guest ranch” in the countryside somwehre, to be furnished in her inimitable comfy-campy style. While that’d undoubtedly be a fun getaway destination and retreat center, I’d rather still have Ruby’s to go to for my fix of wacky postcards, Krusty the Klown erasers, Chia-pubis pots, and historic ad art. With all the retail space being built and/or “restored” in the greater downtown, you’d think there’d be someplace for something this vital. Speaking of abundance…
DOUGH BOYS: A few weeks back, Times columnist Jean Godden claimed 59,000 millionaires now reside in western Washington. (She attributed the figure to unidentified speakers at a CityClub luncheon.) Thought #1: Now we know how these chichi restaurants with the menu items marked “Market Price” can stay open. Thought #2: With all that spare cash floating around, howcum we still can’t get decent funding for (insert your choice of non-sports-related causes)? Thought #3 (and a hunch about #2): Seattle’s old, small, reclusive upper class might not have staged a lot of fancy-dress balls or high teas, but by and large they made at least an occasional semblance of acknowledging their role in, and duty to, the larger community. But these days, here and across the country, there’s a new breed of becashed ones, some of whom revel in a “lone wolf” self-image. One of these moguls, Ted Turner, publicly called last year for his tax-bracket brethern (naming Gates as a specific example) to donate more moolah for bettering the world instead of just buying more luxury goods and building bigger “cabins” in the Rockies.
A nice sentiment, but there are problems with the ’80s-’90s wealth concentration trend that charitable alms alone won’t solve. Can America afford to keep turning over larger portions of its material resources to what’s still a small population segment, increasingly made of “self-made” wheeler-dealers who see social-benefit institutions (from environmental rules to progressive tax codes) as personal threats to their right to make and keep all they can? Perhaps the mark of a materially rich community isn’t the number of residents who’ve got more than they know what to do with, but the degree to which its other residents can at least semi-comfortably get by.
MISC. HEREBY BREAKS its policy against weather jokes to allow you to go do what many of you are already doing–blaming El Nino for everything. Raining? It’s El Nino’s fault. Not raining? It’s El Nino’s fault. Internet connections really slow today? Can’t achieve orgasm? Sluggish, achy feeling all over? Waxy yellow buildup? You guessed it–that pesky El Nino again.
THE BLOB REMEMBERED: Ultimately, the beloved (by me, anyway) Lower Queen Anne restaurant building’s clever (though cheaply built) false front wasn’t what did it in. Essentially, it was one of those “restaurant graveyard” sites nobody could make a go of, before or after the fun façade was added to it. Still, it’s a shame the condo developers who now have the land won’t install any of their own molded-white-plaster turrets or protruberances as a Blob remembrance.
DEMOGRAPHICS ON PARADE: Austin, one of the towns billed a few years ago as a potential “Next Seattle,” has achieved that dubious goal, sorta. According to U.S. Census Bureau estimates, the Texas state capital (and “alternative country” music center) has just surpassed Seattle as the 22nd most-populous city in America. They’re up to 541,278 folk; we’ve just gotten up to 524,704. (We had over 550,000 in the 1960 census, back when the households in our vast single-family neighborhoods were having more kids; we declined in the ’70s and started climbing again in the ’80s.) Of course, they’re benefitting from immigration more than we are, and they’re in a position to annex some of their outlying sprawl. Other towns you might not know are bigger than Seattle: San Antonio, El Paso, Memphis, Milwaukee, San Jose, Indianapolis, Columbus, and Jacksonville, FL. Towns you might not know Seattle’s bigger than: Nashville, Cleveland, New Orleans, Kansas City, Atlanta, Minneapolis, Pittsburgh, Cincinnati.
WASN’T TOMORROW WONDERFUL?: Two weeks or so ago, I asked for your ideas as to which late-’90s popcult trends would be the likeliest nostalgia fodder in future decades. Reader Ian Morgan expressed doubts on the whole idea: “This entire decade has been a flaccid rerun of the seventies! A second Woodstock, Sex Pistols reunion, platform shoes, bellbottoms, etc. Don’t forget grunge. Sorry, the punkers did nihilism better the first time around. If history is merciful we’ll all forget the ’90s. Everyone here wishes they were sometime else.” Kim Adams was more hopeful, sorta: “Future generations, inundated with a gazillion sources and sites for information and babies whose first words will be ISDN or TMI (too much information), will long for a return to the simpler times of single-phone-line households and mere 33.6k modems.”
AS FOR ME, a few passing fancies are evident. DVDs will make today’s CD-ROM games seem quaintly primitive (such small video windows; such choppy animations). When digital video lets anybody become a moviemaker, today’s big-budget action films will become popularly disdained as bloated dinosaurs, then later inspire subsequent generations as mementos of a second Hollywood Golden Age. And 21st-century genetic engineering might make both tattoos and breast implants seem positively retro-chic. Of course, all this depends on what the future generates, then finds missing. Maybe there’ll be a huge hammered-dulcimer mania in the 2010s, causing kids in the 2020s to yearn for the good old days of techno.
BUT FOR NOW, it’s time for all good Misc. readers to think shorter-term and send in their suggestions for our annual In/Out List, not to be confused with any similar-looking feature which may or may appear in this or other print media. Send your nominated people, places, or things to clark@speakeasy.org.
‘TIL THEN, visit the new downtown clothing store New York Exchange (apparently meant for folks too urbane and downstate to shop at Buffalo Exchange); ponder whether, considering the former reputation of 2nd and Pike as a center for intimate commerce, it was really wise to rename the carton-cigarette store there the “Bangmi Smokeshop;” and consider these equally-urbane thoughts from the website of local photog Kim Rollins : “There are eight million stories in the naked city–and fifteen million in the greater naked metropolitan area.”
OFFAL-LY STRANGE: Your day-earlier-than-normal pre-Thanksgiving Misc. begins with feast-related news from London. In that town where darn near every non-chain restaurant has a veggie page on the menu, where mad-cow disease is still a recent memory, and where vegan activists used to pass out anti-meat flyers outside McDonald’s outlets until the chain sued them for slander (the vegans won), the latest food fad is a return to a UK tradition, delicacies made from offal–organs and other animal parts not normally consumed by modern Western humans. An AP dispatch claims “more than one-quarter of London’s 600 biggest eateries” now serve such items as pig’s-head salad, bloodcake with fried egg, goose neck (stuffed with gizzards), and veal-kidney risotto with crispy pig’s-ears. Many of these meat-byproduct dishes are illegal to commercially serve in the U.S. (you can’t even get a genuine haggis, the national dish of Scotland, ’round these parts); but hey, there’s another air-fare war going on now. In other food news…
BIG STOREWIDE SALE!: Why, you ask, would Fred Meyer (the regional everything-for-everybody chain) want to buy up QFC (the fancy-pants grocery specialists)? Besides the normal drives for consolidation in today’s chew-’em-up, spit-’em-out corporate world, QFC was threatening to infiltrate Freddy’s Oregon stronghold, and QFC’s role in the Pike & Broadway urban-strip-mall complex (with its food-drug-variety-banking combo) is too close to Freddy’s under-one-roof hypermarket concept for Freddy’s to afford to ignore.
Media coverage, natch, emphasized the merger’s potential impact on the Q’s upscale core clientele. The Q responded to this press-generated nonissue by running full page ads promising the Q will remain the Q. Tellingly, there’ve been no ads promising Freddy’s would remain Freddy’s; just a brief reassuring statement from Meyer management. But with seemingly everything else getting gentrified these days, I know I’d be afraid of such possible consequences as Ralph Lauren goods taking over the Pant Kingdom department, Smith & Hawken on the hardware shelves, Aveda at the cosmetics racks, Bang & Olufson replacing the Panasonic boom boxes in the Photo & Sound section, or even a wine shelf with F. G. Meyer’s Choice Beaujolais Nouveau.
MEANWHILE, Freddy’s won an appeal earlier this month in its plan to build a big store at the former Leary Way steel-mill site. The neighborhood advocacy group SOIL (Save Our Industrial Land), which seeks to stop the plan, sez it’ll continue appealing in higher courts. It’s not against a Freddy’s in their part of town, just against it at that particular location. Its latest flyer reiterates a suggestion made in an old Misc., that Freddy’s instead take over the ex-Ernst block up the street. (SOIL’s hotline: 789-1010, fax 789-7109.) In other retail-space news…
WATCH THIS SPACE: The former Kid Mohair on Pine will reopen (maybe as soon as this week) as the Baltic Room, a piano bar (with just beer & wine). While a lot of remodeling work has been done, the space still looks largely like its elegant former self. Why’d Mohair go the way of 80 percent of U.S. small businesses? Maybe the “cigar bar” fad passed its peak; maybe the gentlemanly surroundings clashed too much with the loud, uptempo DJ music. Why might the Baltic Room fare better? For one thing, it’s phase three of the Linda’s Tavern/ Capitol Club cartel, forming a veritable market-segmented lineup of not-specifically-gay watering holes on Pine. Imagine Linda’s as the Chevy of the chain, the Capitol as the Caddy, and the Baltic as the lush-yet-comfy Buick. In other entertainment news…
WET & WILD: Scientists in Quebec City have announced an “invisible condom” they hope to market after a couple years of further testing. According to Reuters, it’s a “polymer-based liquid that solidifies into a gel at body temperature,” forming a waterproof film that blocks STD transmission. Inventors say “it can be used without telling the partner who doesn’t want to use a latex condom.” I’m sure even before the thing gets gov’t. approval, test users will quickly find additional fun uses for the stuff, some of which might even involve sex.
EVEN BEFORE the P-I front page discovered it, Misc. was in love with the new Westin Hotel rooftop signs. While the red letters are nearly four feet tall, they’re placed so high up on the hotel’s round towers that they look real tiny from the street. They provide an unexpected spot of cheer against the downtown skyline and bring back memories of the past golden age of hotel neon. They’re also a statement of pride for the locally-based chain, rocked in recent years from a succession of out-of-state parent companies. Elsewhere in greater downtown…
OFF THE MENU: The 5th & Denny restaurant graveyard building maintains its curse on would-be operators–most recently with a would-be southern-esque dining concept called Jambalaya’s. The curse acted faster than normal this time; Jambalaya’s “Coming Soon” signs came down and the “For Lease” signs came up without the joint ever opening. In other money-related fantasies…
GAME THEORY REVISITED: The Seattle Monopoly game, premiered in a big Bon Marche promo event last Friday, is Monopoly owner Hasbro’s belated answer to Stock Block and CityOpoly, two ’80s indie board games based heavily on the Monopoly concept but with different street and business names for each town they were sold in. The thing is, there are enough avid game players and professional game designers in town for somebody to think up a real (not fill-in-the-blanks) Seattle board game. Maybe it could be about trying to start a computer-related company that could make it big, but not so big that Microsoft would crush it by copying its technology. Or it could be about coming up with schemes to improve civic life and trying to get them realized in spite of opposition by the big-money people. For example…
RIDING HIGH?: You can tell it’s election season ’cause the local TV commercial slots and daily-newspaper ad space, normally full of appeals to be a “rebel” by buying officially “rebellious” consumer products, are instead saturated with images of authority figures exhorting citizens to do as they’re told and just say nope to those crackpot initiatives on the ballot. There’s images of cops against (mild) handgun control, and images of nurses against (very mild) health care reform. Another case in point: the Monorail Initiative, denounced by the increasingly rabid-right propagandists at the Greater Seattle Chamber of Commerce. Instead of opposing the initiative as the work of “crackpots” (i.e., of people outside the government/ business elite), our business leaders should welcome the chance to add more in-city mileage to a light-rail scheme initially intended for suburban commuters, and to add them in the form of a hi-profile, futuristic-looking elevated train system people would want to ride on.
We ought to pass the Monorail Initiative this election. Then we’ll let the city and the Regional Transit Authority (established in last year’s transit referendum) work out how best to incorporate the initiative’s mandate with the in-progress RTA planning and the future RTA operation. RTA was and is about reducing smog, easing freeway congestion, and making life easier for motorists by getting a few other motorists off the road. The Monorail Initiative is about those things, but it’s also about something more. It’s about dreams for the future, and about wresting control of these dreams from the suits, from the consultants and focus-group researchers and the politicians who never met a condo project they didn’t like. Historically, urban transit projects in the U.S. have been proposed from on high by political inner-circle members who would never deign to use public transit themselves, but who love the opportunity to award construction contracts to potential campaign contributors. This is something dreamed up by ordinary citizens, without years of bureaucratic “process.” And it appeals to everyone who’s ever loved the short Seattle Center Monorail and ever wanted to believe it really was the transportation system of the future. As I wrote back in April, much of the dream future presented at the 1962 Seattle World’s Fair never happened. Here’s a chance to realize at least a piece of the fair’s promised “World of Tomorrow,” to be finished just a few years into Century 21.
DINE & DANCE: As mentioned in a recent review, the classic pre-fab stainless-steel-and-neon diner isn’t common here, but in its Eastern Seaboard homeland it’s enjoyed a recent revival/ preservation movement. Now, a Denny’s franchisee in Florida has put the chain’s menu into a real modular diner building (and added that oft-annoying trend of singing/ dancing waitstaff). The trade mag Nation’s Restaurant News says the place is a hit, and that the parent chain “plans to use the diner to rehabilitate its image nationwide.” Best-case scenario: the chain opens faux-diners in real diner buildings here, they fail, and indie operators reopen them as unpretentious real diners. Speaking of entertainment exhumations…
NAME THAT TUNE: A couple weeks back, Misc. asked you to name formerly-popular North American musical genres that haven’t been subjected to “hip” revival attempts in recent years. I wanted to see what, if any, pieces of America’s musical heritage could still be enjoyed as honest expressions of art and/ or showmanship, without PoMo irony smoothing out their creases. Some of your recommendations, with some of my comments:
(More of your suggestions in two weeks.)
UPDATE: On the day last week’s Stranger Misc. column went to the printer, with its call for the P-I to bring back Zippy the Pinhead, the paper announced it would indeed reinstate Bill Griffith’s exquisitely-drawn, smartly off-kilter comic. Nice to see the paper’s editors know what’s good for the publication as a whole, even if it’s not what scores highest in market research. Speaking of publications in tune with their readers…
I AM JOE’S LUMBAGO: The oh-so-venerable Reader’s Digest is having some financial woes. Executives are resigning, the stock price’s going down, circulation’s flat (though still 15 million, comparable to the whole population of English-speaking Canada). It’s easy to see why Wall Street doesn’t like the magazine or the company that makes it. At a time when Deadheads are joining AARP, RD‘s Lawrence Welk image isn’t what many advertisers want. More importantly, the clean-cut, hyper-respectable brand of conservatism RD‘s championed doesn’t fit with today’s go-go, business-above-all mentality.
It hadn’t always been this way, of course. In the ’20s, RD founders DeWitt and Lila Wallace forged a niche product, taking existing articles from other magazines and rewriting them for fast, easy reading by people on the move. (For decades, its only ads were endorsements for itself by corporate hotshots and movie stars). By the ’50s, the Wallaces had turned their little reprint mag into a global brand, aimed squarely (pun intended, natch) at the most straitlaced of mass audiences. By championing cultural as well as political conservatism, it built a loyal subscriber base (a handy market for RD‘s mail-order books and records). But by defining itself and its audience as off to oneside from the social zeitgeist‘s twists-‘n’-turns, it now risks being left behind. Can RD avoid offending its easily-offended reader base while reaching out beyond it? As “It Pays to Increase Your Word Power” might say, “Dubitable.” Speaking of shifting zeitgeists…
SPANKING NEW: If you think S/M fetishes around here have gotten as mainstreamed as they could get, you haven’t seen NYC’s new restaurant La Nouvelle Justine (named for the de Sade novel). An AP dispatch claims the three-month-old eatery supplmenents its French-inspired cuisine with “a birthday paddling, boot cleaning, or the chance to eat from a dog bowl at the feet of a whip-wielding mistress,” plus “Masochist” and “Necrophiliac” cocktails. Dimly-lit walls are etched with medieval fetish scenes. There’s a fake prison cell, an oversized high chair, and leather wrist cuffs. Waitresses and waiters are dressed as “dominants,” busboys as slaves. The story claims the place “draws more giggling voyeurs than hard-core afficionados of the master,” quoting one serious fetishist as saying it “could be a spot for bus tourists.” Speaking of fads gone too far…
OFF THE RACK: The Spice Girls, that singing group (Sporty Spice, Sexy Spice, Strong Spice, Scary Spice, Posh Spice) that claims in interviews to not be the shallow studio-manufactured image machine it really is, has proven so popular it’s spawned knockoff quintets throughout Britain. Here’s my idea for my own “Misc. Spice Melange”:
(Speaking of musical fads, we’ve already received plenty of entries in our search for formerly-popular music genres that haven’t been subjected to recent “hip” revival attempts. You’ve still time to send your suggestions to clark@speakeasy.org. Results here next week.)
NOT-SO-PACIFIC RIM: What if the Salmon War escalated into a trade war on all fronts between the U.S. and Canada? It could be fun, seeing which side would dare to live without the other’s products the longest. They’d have to stop going to most movies, driving most cars, eating most packaged food products, and shopping sprees to the Burlington, WA outlet mall. We’d have to give up hockey, Crown Royal whiskey, and–oh yeah–cheaper grades of paper, like the newsprint that becomes fine weekly tabloid-size newspapers. Maybe it wouldn’t be so fun after all. Maybe we should figure out a way out of this mess before it gets to that point.
SPICE GIRLS: One of the things I miss most about Moe was its dining room’s large selection of obscure indie hot sauces. There’s more of these out there than ever, thanks to increased demand for exotic foods, bigger supermarkets with more space for different items, and that ol’ pop-cult blessing/ curse, the collector. The trade mag Fancy Food quotes Jennifer Trainer Thompson, author of The Hot Sauce Collector’s Guide, as saying there’s “such a demand today for collectible hot sauces and gifts that makers are releasing the same sauce over and over again and just putting different labels on it.”
One example of creative labeling is the same mag’s ad for Pepper Girl sauces from Calif.-based Peppertown USA. Each product has a label inspired by ’40s-’50s pin-up illustration: Fifi’s Nasty Little Secret (pineapple-jalapeno, with a French maid on the label); Kitten’s Big Banana (banana-mango-habanero, with a bathing beauty); Wrong Number (chipotle-mango-habaerno, with a lingirie model holding a dial telephone); Bad Girls In Heat (papaya-pumpkin-habaerno, with two hitchhikers in slinky dresses); and Sultan’s Main Squeeze (passion fruit-Thai pepper, with a belly dancer). Those female diners who might disapprove of those brands might instead prefer an ad elsewhere in the magazine, for the Atlanta-made Scorned Woman Fiery Barbecue Sauce (slogan: “Don’t Get Mad, Get Even!”).
BRING ON THE WARM JETS: In past years, I used to annually print my arguments in defense of Seafair. I skipped it last year, but with the Blue Angels’ noisy spectacle returning to the lineup this weekend I figure it’s time. With Bumbershoot admission getting pricier every year, the Seafair parade and hydro races comprise two of the city’s three most populist gatherings; the first is the Bite of Seattle. This annual triumverate of events reject both the “quiet good taste” of Seattle’s yuppified official culture and the too-cool-to-have-fun taboo that constricts much of our “alternative” community. Sure these are “family” events, as advertised; but they’re for real families: bratty kids, horny teens, dysfunctional parents, grumpy oldsters. They promise pleasant times out-of-doors with food, drink, and unpretentious entertainment (plus a lot of noise). They deliver humanity in all its gross-out, homely, cantankerous, troublesome, pathetic, amazing, loveable variety (plus a lot of noise).
Nature poets (like the poets who used to hold anti-Seafair reading events every year) love to move to communities connected to The Land and The Water, but have a hard time cohabiting with the castes of people who live off of said resources. Seafair honors the people who work in and on the water (sailors, fishers, shipbuilders, stevedores) and those who feel affinity with them (regular working stiffs)–not the people with million-buck “cabins” on the islands. Similarly, the Bite (particularly the Times-sponsored portion) purports to honor the town’s yupscale restaurant segment, but really celebrates the all-American deadly sin of gluttony as thoroughly as Mardi Gras revels in lust and modern Christmas honors greed. Unlike Folklife’s moderate hammered-dulcimer lovers, the Bite’s a true celebration of the common person. The streets of downtown, increasingly unhospitable to the non-affluent, became on Aug. 1 a temporary invasion site for the forgotten Seattleites. This weekend, the brahmins of Lake Washington are bracing for the onslaught of gauche sex-joke T-shirts, decidedly non-REI rubber rafts, and people at least officially not drinking alcohol in a public park. Plus a lot of noise. Even noisier with the Blue Angels back. I can’t wait.
(Next week: The Misc. midsummer reading list.)
BILL OF `RIGHTS’: It’s official. The catch phrase of mid-1997 is “right on.” But not the assertive, exclaimatory ’70s “Right On Brother!” like you might have heard from Richard Pryor or Bill Cosby in Uptown Saturday Night. No, this contemporary version’s a quick, perfunctory expression, dropping and then suddenly rising in tone to make the two syllables sound like three. It’s less of a commanding statement, almost like a question: “Right o-on?” I’ve heard it all over town in the last month: on buses, in clubs, at street fairs, in theaters, in convenience stores. People who claim to be in the know tell me it started either with the snowboard crowd or the young-adult backpacking crowd, then spread to the general bar-and-coffeehouse populace, until it finally reached local ubiquity this season. Speaking of the neo-jock crowd…
JUNK FOOD OF THE WEEK #1: That chocolate-goo candy in a modified toothpaste tube I reported on a year or so ago has been reincarnated with a supposedly practical purpose. Clif Chocolate Peanut Shot (“The Natural Energy Burst”) is apparently popular among bicycle marathoners and “X-treme” sports enthusiasts. It’s billed on its tube as “an easy to digest, high-energy food” for folks on the run (literally; the tube’s front shows a sprinter crouching at the starting blocks). It’s made with rice syrup, peanut flour, cocoa powder, ginseng, and salt. As for the taste, imagine a combo of Nestlé’s Quik powder, creamy peanut butter, and a touch of Vegemite (that Aussie yeast-extract sandwich spread). Speaking of odd edibles…
JUNK FOOD OF THE WEEK #2: Burger King’s Land before Time “Dino Tenders” are chicken patties formed in vaguely dinosaur-esque shapes. There’s something odd (yet not as disconcerting as one might expect) about meat pieces flaked apart to the point that they don’t look anymore like pieces from an animal, then re-shaped to look like another (albeit guilt-free-because-extinct) animal. Speaking of species whose time has gone…
BOXING DAY: It’s been nearly four years since the last CD “long boxes” were in stores; surprisingly, I still haven’t seen a significant collector/ speculator market for them (maybe there is one and I’ve just missed it). Anyhow, let’s next see if we can dump the CD jewel box. It’s always a bother trying to take the insert out of those plastic tabs; and those hinge thingies never, ever last. For years, many European record labels have used cardboard CD sleeves with plastic disc holders and paper booklets glued on inside. American labels have traditionally balked at this format, not so much because of cost as because of production flexibility. It’s quick ‘n’ easy to run off those paper front sheets and cardboard back sheets, in any quantity desired, to be stuck into pre-made jewel boxes; while the Euro system (sometimes known by the trademark “Digipak”) adds a few extra steps of assembly work at the time of duplication.
But now there’s really no more excuse.
Several recent releases (from the major-label Minus Five disc to the very indie compilation Big Choice) have proven that even without the plastic disc holder, the ol’ miniature LP-style cardboard sleeve’s snazzier and more convenient. These plasticless sleeves are simple die-cut and glued jobs, as efficient to make as the sleeves for those freebie America Online CD-ROMs attached to computer magazines. Sure they bend, fold, and mutilate under the right level of mishandling, but that only means the package’s no longer in “mint” condition; the disc itself’s still fine. Asking record labels to make more plasticless CD sleeves might not save that much petrochemical product in the long run, but it’d certainly make CD buying a lot cooler and CD handling a lot easier. Speaking of enhancing one’s media experiences…
BOOK ‘EM: I know summer’s already way underway (at least according to the calendar), but it’s never too late to start getting literized. In that spirit, the first Misc. (mid)summer reading list will appear here in two weeks. Send your nominated titles now (remember, only specific individual selections, not “anything by so-and-so”) to clark@speakeasy.org. Hey, if Oprah can do it…