It's here! It's here! All the local news headlines you need to know about, delivered straight to your e-mail box and from there to your little grey brain.
Learn more about it here.
Sign up at the handy link below.
CLICK HERE to get on board with your very own MISCmedia MAIL subscription!
The following is the “long version” of one of the short items to run in the Stranger obit column later this week:
Rev. Fred Beaver Chief Jameson, 46, was a member of the Lummi Nation, a spiritual leader, musician, and social activist, who worked among Seattle’s Native American community and also in the local art and music scenes.
He lectured across North America and Europe; he’d married a Swiss woman and was planning to move to Zurich. He was the Seattle School District’s Native American liaison in the ’70s. He led drum circles and made recordings of Northwest Coast Salish music, including the 1999 CD Red Cedar Medicine Circle Songs.
One of Jameson’s friends in the music community, Sky Cries Mary founder Roderick Romero, said he was “the most significant native of this area that I’ve encountered. His whole purpose was to bridge the indigenous culture and that of what he called ‘the settlers,’ and try to heal the pain. His dream was to have a children’s center where children could learn more about the indigenous people of this area…. He had a massive impact on Seattle, not just because he was a native but because he stepped out side of those boundaries.”
“He was open to every religion,” Romero added. “He didn’t alienate anyone; he was always open to what anyone had to say or was feelng. He married Anisa and I. He blessed our houses. When Anisa was going through cancer, he was there for her. He was one of the most significant people in my life.
“He was planning on moving to Switzerland with the woman from Zurich he’d married. He was so accepted into any culture, I thought he’d be such a great person to speak for the States. He always had something positive to say.”
In the local neo-pagan publication Widdershins, writer Amanda Silvers called Beaver Chief “a wise man, teacher, healer, singer, storyteller and all-around funny guy who is very serious about spirit.”
Jameson also wrote the book A Handbook For Human Beings, in which he said about himself: “I am a bridge. A bridge to help you understand our culture and combine it with your own… NOT to replace it, but to combine it.”
Jameson died of a sudden aneurysm on June 8 at the Queen Anne post office. Services were held last Wednesday at the Bonney Watson funeral home on Broadway, followed by a ritual burning of his belongings at the Swinomish Medicine House near La Conner.
ANOTHER SOOPER TOOSDAY has come and gone, the party nominations are decided, and damned if I don’t remember a single one of the major Presidential candidates talk about anything like that onetime pie-in-the-sky official goal of Presidential candidates–progress.
These days, the politicians seem to propose nothing more ambitious than cleaning up various perceived governmental messes (soft-money campaign financing, gun-show regulatory loopholes) or restoring a supposed past golden age of integrity and authority in high places.
All our other problems are apparently supposed to be taken care of by that boomin’ private-sector wealth.
It’s a pleasant thought that ignores the extent to which that same boomin’ private-sector wealth is causing or at least exacerbating many of our problems (the money-corruption of elective politics, the rich/poor divide, the affordable-housing crisis, the affordable-health-care crisis, the stagnation in real wages for the non-rich, wrenching consolidations in industry after industry, etc.).
A few folks unconnected with any Presidnetial campaign are thinking about some of these things. Two of them are Harvard profs and prolific essayists Roberto Mangabeira Unger and Cornel West. They recently issued a little manifesto-book, The Future of American Progressivism.
The term “Progressive” sometimes denotes a pretty specific strain of the American political tradition. It was strongest in the upper Midwest and here in the Northwest, from the turn of the century until the rise of “pro-business Democrats.”
It emphasized not just a governmental but a social, even an aesthetic, ideal of clean, rational leadership by a well-educated, well-groomed caste of dedicated public servants. Its various “reform” mechanisms (such as at-large city council races), however, often served to consolidate power among WASP farmers and homeowners at the expense of German or Irish Catholic urban-factory workers.
But Unger and West have a different idea of “Progressive” in mind. Theirs is essentially any and all political factions to the left of the corporate Democrats, but more practical than the separatist or ideologically-obsessed far-left cliques.
What’s more, their inclusive attitude extends to their agenda. They don’t have a single “magic bullet” economic or social scheme. Instead, they’re willing to try a lot of different programs in order to advance their general goals–social justice, economic opportunity, minority rights, environmental stewardship, etc.
America’s overriding current problem, as Unger and West (and many other left-O-center observers) see it, is that the old New Deal coalition devolved long ago. Big business rules the whole political agenda, across the board; all liberals seem willing to do these days is propose slightly more humane variations on corporate rule (a tax credit here, a land-use regulation there).
Unger and West want to re-popularize the notion that pro-active work for social progress is both good and possible. Within that framework, they offer up a lot of policy ideas (a value-added tax, job-retraining programs, venture-capital funds for small businesses, mandatory voting, labor-law reforms).
But they’re not firmly committed to any one of those. It’s the results they want, not necessarily any of these specific mechanisms. If one program doesn’t work, try another. They’d put up different pilot programs in different jurisdictions to speed up the process of finding which ones work best.
And that, in itself, might be their most radical idea.
U.S. society has become awfully project-oriented during this Age of Global Business. That Internet “stock bubble” is pouring investment into companies not on the basis of how much money they’re making but on the size of the organizations they’re building. Governmental programs often become entrenched entities most concerned with their own self-preservation, in spite of “sunset laws” devised to stem this.
A neo-prog movement organized around goals, not around organizations or specific projects, could provide just the worldview-shiftin’ kick this world really needs if it’s gonna make any real progress.
MONDAY: It’s an X-treme world.
ELSEWHERE:
THE TRADITION CONTINUES: For the 14th consecutive year, here’s your fantastical MISCmedia In/Out List. Thanks to all who contributed suggestions.
As always, this list predicts what will become hot or not-so-hot over the course of the Year of the Double-Oughts; not necessarily what’s hot or not-so-hot now. If you think every person, place, thing, or trend that’s big now will just keep getting bigger forever, I’ve got some Packard Bell PCs to sell you.
(P.S.: Every damned item on this list has a handy weblink. Spend the weekend clicking and having fun.)
INSVILLE
OUTSKI
Jigglypuff
Charizard
Washington Law & Politics
Washington CEO
TrailBlazers
Knicks
‘Amateur’ Net porn
LA porn industry
Game Show Network
USA Network (still)
Casual sex
Casual Fridays
The Nation
The New Republic
Women’s football
Wrestling
Gas masks
Bandanas
Begging
IPOs
Jon Stewart
Jay Leno
Public nudity
“Chastity education”
Global warming
Rolling Stone’s “Hot Issue”
Commuter rail
Anti-transit initiative
Dot-commies (online political organizing)
Dot-coms
Good posture
Implants
Who Wants to Be a Millionaire? (still)
Greed
Post-Microsoft Seattle
Silicon Valley
Post-WTO Left
Corporate Right
Dalkey Archive Press
HarperCollins
Bust
Bitch
‘Love Your Dog’
‘Kill Your TV’
Artisan Entertainment
Miramax
McSweeney’s
Speak
The Donnas
TLC
Tobey Maguire
Tom Hanks
Spike Jones
Spike Jonze
Michael Moore
Mike Moore
Darren Aronofsky (Pi)
Quentin Tarantino
Finding a Kingdome implosion viewpoint
Finding a New Year’s party spot
Keeping Ken Griffey Jr.
Trading away pitching
Quitting your job
Going on Prozac
Nerdy individuality
Hip conformity
NetSlaves
Business 2.0
Drip
Lattes
Dodi
Dido
Target
Wal-Mart
Amazons
Pensive waifs
Post-corporate economic theory
Dissertations about Madonna
Electric medicine
HMOs
“Girlie” magazines
“Bloke” magazines
Graceland
Last Supper Club
Labor organizing
Hoping for stock options
Yoga
Tae Bo
Urbanizing the suburbs
Gentrifying the cities
The Powerpuff Girls
The Wild Thornberrys
New library
New football stadium
Detroit
Austin
African folk art
Mexican folk art
As the World Turns
Passions
Liquid acid (alas)
Crystal
Dyed male pubic hair
Dreadlocks
Scarification
Piercings
People who think UFOs are real
People who think wrestling’s real
Red Mill
iCon Grill
76
BP/Amoco/Arco and Exxon/Mobil
Rock/dance-music fusion
Retro disco
Peanuts retirement
Garth Brooks retirement
Maximillian Schell
Paul Schell
Breaching dams
Smashing Pumpkins
Smart Car
Sport-utes (now more than ever)
Contact
Dildonics
Orange
Blue
Public accountability
Police brutality
Georgetown
Pioneer Square
Matchless
Godsmack
Buena Vista Social Club soundtrack
Pulp Fiction soundtrack (finally)
Labor/hippie solidarity
‘Cool’ corporations
Performance art
Performance Fleece
Radical politics
‘Radical sports’
Chloe Sevigny
Kate Winslet
International Herald Tribune
Morning Seattle Times
Piroshkies
Wraps
Prague
London
Kozmo.com
Blockbuster (still)
The exchange of ideas
NASDAQ
Fatigues
Khakis
First World Music
Interscope
Gill Sans
Helvetica
Pretending to be Japanese
Pretending to be gangstas
Botany 500
Blink 182
Tanqueray
Jaegermeister
Bremerton
Duvall
Nehi
Surge
Jimmy Corrigan
Dilbert
Cross-cultural coalitions
In-group elitism
Northern Ireland peace plan
Lord of the Dance
Hard bodies
Soft money
Doing your own thing
‘Rebelliously’ doing exactly what Big Business wants
MONDAY: I’m perfectly confident there will still be electricity and computer networks, and am prepared to ring in the double-ought year with a Peanuts tribute.
(Advisory: Today’s installment deals with topics some readers might find kinda gross.)
IN THE ’80S, RON HARRIS created and produced the TV exercise shows Aerobicise and The :20 Minute Workout.
You may remember them as the shows with the ever-perky spandex queens thrusting their butts out while on a slowly-turning white turntable, before an equally stark white backdrop.
Aerobicise, which aired on Showtime, treated the exercises as a voyeuristic spectator sport. Scenes were shot to emphasize “arty” camera angles and close-up body parts in motion, rather than to show how viewers could imitate any particular sequence of movements.
The syndicated :20 Minute Workout (excerpted during a scene in Earth Girls Are Easy) at least purported to be a participatory, instructional show. (The heavily Southern-accented hostess tried to make a catch phrase out of “Fo’ mo’, three mo’, two mo,’ and one. Take it down.”)
While the shows made no legally-binding promises to viewers, they certainly implied that you could work your way toward a supermodel physique.
Later, Harris went on to producing softcore “erotic” videos for Playboy and his own production company. These used the same turntable set and similar body-choreography as Aerobicise, but showing skin instead of skin-tight suits.
Now, Harris is embarking on a publicity stunt of questionable taste which essentially says no, workouts won’t work out. Ya gotta be born beautiful ‘n’ sexy.
Or, to quote a slogan on the site selling stills from Harris’s nudie videos, “Not all pussy was created equal.”
To add to the overall air of sleaze surrounding Harris’s supposed online auction of glamour-model eggs, the USA Today story about it quotes a couple of the models as saying they’re doing this because they don’t want to pose nude to pay their bills; even though Harris’s video and photo sites promise un-augmented breasts, full spread shots, and lotsa hot girl-on-girl action.
(The models on the egg-auction site are not identified as having ever worked on Harris’s other projects. But Feed found a few faces that appeared on “Ron’s Angels” and also on Harris’s more explicit sites.)
Even odder, Harris claims on his auction site that you might as well buy into the kinds of prejudices denounced in books like The Beauty Myth. “Choosing eggs from beautiful women,” Harris vows, “will profoundly increase the success of your children and your children’s children, for centuries to come.”
Particularly if they’re willing to appear in “tasteful” photo shoots called “Girls Who Love Girls.” (Not that there’s anything wrong with that.)
In the end, word finally filtered up to clueless mainstream news media that this was, indeed, almost certainly a cyberhoax.
Maybe Harris is a better showman than I’d given him credit for. Maybe his next stunt could pretend to offer the eggs or sperm of clever hustlers, for parents who want to raise future Net entrepreneurs.
IN OTHER NEWS: My cable company’s just started showing ZDTV, the all-computer-news channel–sorta. On the cable system’s schedule channel, where the TV Guide Channel video inserts normally go in a quarter or a half of the screen, I’m getting that portion of the visual portion of ZDTV. The TV Guide Channel audio remains, leading to some quite interesting juxtapositions–particularly during commercial breaks….
MONDAY: Postmodern fiction, trashing old hierarchies or just building new ones?
SHOULD’VE DONE IT YEARS AGO, I know, but the prospect of expiring dental insurance finally got me to getting my last three wisdom teeth out, in one big operation.
Because the lower two were impacted (not only stuck beneath the gums but down there sideways), it was a big-deal surgery, with full anesthetic and prescription painkillers (just ultra-strength Motrin, not anything narcotic–don’t even ask me to sell you any leftover pills), and a long at-home rehab.
Fortunately, I live in the age of cyber-capitalism and media saturation, so being groggy and alone at home all day wasn’t that much of a bother. Not with the modern conveniences available today.
Modern convenience #1: Kozmo.com. Begun in NYC last year and now operating in four cities, Kozmo (yes, the name’s a variant on Seinfeld’s Cosmo Kramer) delivers video rentals, snack foods, and a small selection of books and CDs. And it’s actually them doing the delivering, not some overnight service. That means in the approximate time-frame of a pizza delivery, you can start viewing any of 16,000 flicks. (Not enough of my favorite obscurities and cult-classics, but a serviceable-enough list.)
Modern convenience #2: CBC Television. My cable company finally brought the Canadian channel back, so once again view its unique public-broadcasting-with-commercials mix. In many ways it’s what PBS could’ve been if it ever had the nerve–investigative news-magazine shows, family dramas, un-cloying family dramas, late-night nudie “art” movies, sharp political satire, newscasts that actually cover foreign non-earthquake stories, great sports (currently: lotsa hockey; coming in January: curling!), and the venerable British soap Coronation Street!
Modern convenience #3: Home Grocer. They only deliver the day following your online order, but you don’t have to leave the house to be supplied with your post-oral-surgery dietary needs (diet shakes, yogurt, Gatorade, applesauce, cocoa, et al.).
Modern convenience #4: Modern oral-surgery technique. I went in and was promptly strapped to the operating chair, given the anesthetic gas and then a knockout shot. An hour later I was gently aroused and led, groggy, onto a day bed in a darkened “recovery room.” A half-hour after that, a friend led me downstairs to a waiting taxi. Except for three new mouth holes and an achy jaw, I was sufficiently clear-headed to resume working for at least a few hours the following day.
Old-fashioned inconvenience #1: Dry sockets. A surgical complication I was led to believe only smokers had to worry about. Instead, pieces of my first post-surgical meal (soft French fries with the skin on) got stuck deep in the gum folds of both lower extraction sites, beyond the reach of any salt-water rinse or Listerine, preventing the blood clot needed for wound-healing.
The result: Five days of excruciating pain, starting two days after the operation. Pain ultimately unrelievable by the pills prescribed to me or by any other legal substances (and I didn’t use any illegal ones). Pain that prevented sleep and caused near-hallucinatory states. All that, plus two bouts of nausea, before I could get back to the surgeon for a medicinal-gauze implant.
But walking to the Medical-Dental Building for the second appointment, I had to pass the Bon Marche’s breast-cancer-awareness window displays, and remembered my mother’s recent bout with the disease (she’s doing very well now, thank you).
It put my own non-life-threatening suffering into perspective.
TOMORROW: Could The Blair Witch Project be considered a Dogme 95 movie?
I’M STILL TRYING to sort out how I felt after the last First Thursday, almost two weeks ago.
It was a big week for breasts in the Seattle arts scene. Jem Studios’ “Blue Boobs” group installation, the Tule Gallery’s two 10-foot-tall hyperrealistic bust paintings, and the usual other figurative-art stuff.
I’d have enjoyed it all as I usually do, except it was the week after my mother’s partial mastectomy.
Just after I’d come to terms with near-addictive fascination, acknowledging that I had nothing to feel guilty about i/r/t my hormonically pre-programmed craving for the sight and touch of female skin, I learned my favorite female body parts had threatened to kill the first and still most beloved female in my life.
The “Blue Boobs” installation was beautiful, but the close-up breast images in monochrome-blue paintings and videos looked too creepily like, not X-rays, but like some weird other kind of medical photography.
And the breasts in the Tule pix are exactly the scale (and eye level) of a mom as seen from the POV of a nursing infant, though the women’s faces aren’t really “maternal” looking as much as pop-art sendups of ’60s-mod fashion art.
I do know a few things at this perspective. I’m not going to stop loving women’s physiques. If anything, I hope I’ll be even more appreciative of precious gifts life and beauty are.
Especially after the Friday night right after First Thursday, when I witnessed the finish of the annual Belltown bicycle race. As the winner sped across the finish line in the alley behind the Rendezvous, an apparently drunken man suddenly stepped out and slapped him. The racer fell to the ground; Medic One quickly responded to a cell-phoned 911 call but took almost 15 careful minutes to get the guy into the vehicle and away.
(Last word: He’s apparently going to be all right. As, for now, is my mom.)
MARK YOUR CALENDAR!: More live events for The Big Book of MISC. are comin’ at ya. The next is Thursday, Aug. 19, 6 p.m., at Borders Books, 4th near Pike in downtown Seattle. If you can’t make it then or want a double dose, there’s another one the following Thursday, Aug. 26, 7:30 p.m., at the venerable Elliott Bay Book Co. Be there or be a parallellogram.
TOMORROW: On a much lighter note, e-commerce is trying to get hip.
ELSEWHERE: The next step toward taming the arts: Quantifying them… A faux-Sassy webmag likes today’s incessant “positivity”… This is not, repeat, not, a real eBay auction; but this is…
MISC. WORLD, the online column that still hasn’t seen the new Star Wars, has read the hereby-linked, viciously beautiful review of the movie by that much-acclaimed, recently-crashed, Time art critic Robt. Hughes (Time wouldn’t run it, so the NY Daily News picked it up).
UPDATE: The Big Book of MISC. is now in the heat of production. By the time you read this, the covers should be printed and the insides should be ready to roll. Online ordering’s now available at this link.
Actual copies of the book should be ready for the big pre-release party and annual Misc.-O-Rama, the evening of Tuesday, June 8 at the new Ditto Tavern, 2303 5th Avenue near Bell Street (across from the back of the Cadillac lot). There’ll be outrageous snack treats, videos, strange DJ music, games, surveys, a live demonstration, and lots lots more. Free admission; 21 and over. Be there. Aloha.
RIDDLE: What do you call the last pint of Hefeweizen that causes a yuppie to total her fancy-ass luxury car? (Answer next week.)
TIMES OF THE SIGNS: There actually is one and only one piece of signage at the Broadway and U District Taco Bell outlets that’s in Spanish–the bottom half of the front-door warning sticker boasting of the joint’s anti-robbery systems.
SAY WHAT?: US West TV spots are currently promoting Caller ID boxes as ways to avoid those annoying life interruptions from pesky telemarketing calls. Besides the commercials, can you guess one other method the company’s using to try and sell the service? That’s right.
ON THE EDGE: Hope some of you noticed the name of the apartment-redevelopment company charged (as shown on both KIRO’s and KING’s late news Wednesday) with violating even Seattle’s wimpy tenant-rights laws: “No Boundaries.” The logo on the company’s possibly-illegal notices of eviction and attempted rate-hike retaliations against protesting tenants, as seen on the newscasts, looks just like the letterhead of some sci-fi video-game company. There’s some lesson somewhere here about today’s money-and-power mentality, in which strong-arm business tactics are mistaken for acts of daring rebellion by self-worshipping hotshots who can’t stand the idea of having to do anything they don’t want to.
(“No Boundaries” also happens to be the title of a new benefit CD for Kosovo refugees, with two Pearl Jam tracks.)
ADULT RESPONSIBILITIES, AND OTHER EXPANSIONS: An LA Times story claims the latest thing in La-La land is affluent high-school girls asking for breast implants as graduation gifts, or paying themsleves for the procedure as soon as (or even a few months before) they reach legal adulthood. The article quoted a couple of doctors who noted some women are still well within the developmental process at age 17 or even 18, but an increasing number are just so darned vain and body-conscious as to want to immediately achieve the ol’ top-heavy look.
If I were still working in the realm of “alternative” weekly urban tabloids, I’d probably be expected to sneer at these women–or, even worse, condescendingly treat them as mindless victims of the fashion industry (the same fashion industry that’s recently been enamored of unbusty petite model looks, not that the industry’s critics ever notice).
The same urban-tribal folks who most loudly scoff at implants might themselves have tattoos, piercings, even (as a particularly exploitive KING-TV piece last Monday noted) brandings. Some of these critics might seem hypocrites on at least some level; but on another level, it’s perfectly OK to believe in the general concept of body-modification while having well-defined personal tastes about which modifications one prefers to have or to see on others.
I personally don’t viscerally care for the over-augmented look, but I can understand that certain women might wish it. A big bust projects you out and demands attention (along with the sneers from other women you can interpret as jealousy). But a large fake bust is also a shield, a kind of permanent garment keeping all others firmly away from your heart (and other vital organs).
LOCAL PUBLICATION OF THE WEEK: Instant Planet isn’t just another new age tabloid. For one thing, it promises regular coverage of issues facing some of those indigenous peoples that the white new-agers love to take inspiration from. For another, it’s got some first-rate contributors, including master collage-illustrator James Koehnline and my former yoga trainer Kirby Jacobsen. Free at the usual dropoff spots, or $16/4 issues from P.O. Box 85777, Seattle 98145.
JUNK FOOD OF THE WEEK: The Seattle-based New Athens Corp. has jumped on the herbal-beverage bandwagon with two odd-tasting concoctions. “Kick Start” promises to help you get “a robust, active feeling” with Gotu Kola, Ginkgo Bilboa, Guarana, Kava Kava, and ginseng, There’s also “No Worries,” a drink that’s supposed to “produce a relaxing effect that soothes and quiets your mood.” Both taste like Coke’s old OK Soda with a touch of peach flavoring. But unlike other pops marketed as all-ages treats, these have a label disclaimer: “Not intended for children under 6 or pregnant or nursing mothers.” Elsewhere in foodland…
Q BALLS: While small indie supermarkets in other neighborhoods have fallen with little more than a shrug of inevitability from area residents, the citizens of Wedgwood have rallied ’round to valiantly (and, apparently, futilely) defend Matthew’s Red Apple Market, set to close in less than two weeks after its landlord struck a deal to let the Kroger-owned QFC circuit take over the site.
At first peep, a media observer used to the recent unwritten rule that everything in Seattle had to be “unique” (in exactly the same way, of course) might not see what all the fuss is supposed to be about.
Matthew’s doesn’t have the fun neon of the old Wallingford Food Giant or the odd mix of food and variety departments of the old Holman Road Art’s Family Center (both of which were QFC bought up directly, rather than arranging for their eviction like it’s doing with Matthew’s).
Matthew’s doesn’t make a big fuss about a lot of those higher-profit-margin items and departments QFC and Larry’s lavish attention on (salad bars, hot take-out items, wine, cell phones, live lobster, “health” foods, etc. etc.)
It’s just a plain-looking, small supermarket in a slightly-run-down building, with a fried-chicken deli counter and fresh flowers and a Lotto machine.
But that’s the whole point. In a town increasingly weighted down by the expectation of pretentious “uniqueness,” and in a national retail landscape increasingly overrun by big-chain consolidations, Matthew’s is loved by its customers precisely because it’s just a good ol’ fashioned neighborhood indie grocery.
(“Red Apple,” by the way, is merely a franchised name belonging to Associated Grocers, the wholesale consortium to which Matthew’s and 200 or so other Northwest stores belong, including, at least for the time being, QFC.)
Matthew’s might not stock 17 different kinds of cilantro, but it more than makes up for that in that unstockable, uncatalogable quality known as community spirit. It’s different precisely because it’s refused to conform to the current-day standards of “uniqueness.”
The Wedgwood area’s well-stocked with well-off folks, some of whom offered to outbid QFC for the lease on the Matthew’s block. When that initially failed, the store’s supporters then offered to help Matthew’s find a new site. But usable commercial blocks are scarce in that dense residential area.
(One of the few supermarket-sized tracts in the area not currently used for retail is the Samuel Stroum Jewish Community Center, co-funded by and named for a longtime QFC exec.)
So this particular battle against the Forces of Consolidation may be lost–unless someone could design a Matthew’s-like store on a smaller real-estate footprint, a la Ken’s Markets or Trader Joe’s.
(Current status: Matthew’s management sez it stands a good chance of winning at least a little more time in court. It’s asking friends and neighbors to keep signing the petitions and engaging in nonviolent protests, while asking customers to bear with spot shortages of stuff on some of the shelves (it held off on ordering new stock while waiting for the legal action to progress.)
WE’RE STILL LOOKING for your ideas on What This Town Needs. Suggest yours at our fantabulous Misc. Talk discussion boards. Until then, check out my page in the June Seattle magazine, work for peace, and consider the words of Marshall McLuhan: “I don’t necessarily agree with everything I say.”
THE WINTER OF MY DISCONTENT: I’m making a rare exception to my normal self-imposed ban on weather comments. I loathe the cutesy rain jokes someone like Jean Godden might spread, and believe most Seattle winters are, like southern-English winters, spectacular only in the degree of their unspectacularness. But things have been a little different this time.
As early as mid-January (around the time Canadians hold “Winter Carnivals” to force themelves out of S.A.D.-ness), I found myself counting the weeks and days until the halfway point toward the vernal equinox; once that point was reached, I started checking the weather pages for the daily sunset time, as it ticked a minute or two closer each day toward the magic 6 p.m. mark. I’ve been going to some restaurants and bars, and avoiding others, on the basis of how brightly lit they were inside. I’ve been cranking my 3-way bulbs in the apartment up to the 150-watt level, even at noon. I’ve been playing the loudest, poppiest, least-depressing music I’ve got (Pizzicato Five si, Built to Spill no).
Granted, there are reasons for me to be a bit less than perky these past few months, what with this column suddenly going to online-only status and all. But I’ve been unemployed or underemployed in previous winters and didn’t noticeably feel like this. Let’s just say that since this dimmer-than-normal, way-damper than normal winter, I now understand why the new Nordstrom store’s got such garish lighting, why I keep meeting people who talk about canceling their cable TV so they can save up to visit Mexico, why those “herbal energy” capsules are so darn popular, and why heavy, spicy drinks taste so darn good these days.
NOW, TO THE GOOD NEWS: The Best-Of-Misc. book’s plowing steadily ahead. I’m currently working on proofreading, cover design, interior art, and–oh, yeah–raising the capital to get it printed and distributed. As yet there’s not a final title or release date; but it will be made available to Misc. World readers first. (It will likely come out simultaneously with the long-awaited reissue of my old book, Loser: The Real Seattle Music Story, of which I still can’t legally say any more.)
During the book’s production, there might be a slight slowdown in the production of Misc. World material. A few of you might have already noticed the Cyber Stuff section’s short website reviews haven’t been updated lately. At a few points over the next few months, you might not see a new Clark’s Culture Corral essay each and every week. But rest assured, the Misc. column and the X-Word puzzle will continue to shine forth from your monitors in all their hi-res, eminently print-out-able glory.
SUDSING OFF?: Us magazine recently claimed TV’s eleven current daytime soap operas just might constitute a doomed art form, destined to go the way of the radio soaps that preceded them. The magazine makes the very rational point that with dozens of cable and satellite channels competing for viewers’ attention, network ratings will continue to slip, past the point where it’ll no longer be feasible to spend $200,000 or more per hour on daytime-drama episodes that’ll only be shown once.
Any eventual decline or ending to classic 260-episodes-a-year soap production wouldn’t have to mean the end of televised, serialized drama. There are many other possible serial formats, used here and abroad. There’s the famous Mexican telenovela concept, a maxi-series that runs for up to a year toward a predetermined ending, as opposed to the open-ended American soap model. Or, like prime time’s Homicide or Wiseguy, daytime stories could be arranged in self-contained “arcs” that would allow for hiatuses or repeats. Of course, that would likely mean the end to the annual summer ritual of explaining away actors’ vacations by having characters talk about absent actors’ characters being off to visit their relatives in Seattle. Speaking of industries in decline…
BOTTOM OF THE BARREL, TAKE 2: Visited the probably-doomed Rainier Brewery last Friday. The last time I’d been there was when I took the factory tour during the year I turned 21. The ol’ place hadn’t hardly changed. Even the trophy cases in the front office, with souveniers of high points in the company’s history, hadn’t been substantially added to in 20 years. What had changed in those years were my preferences in malt-and-hop matter. The seven beers on tap at the Mountain Room were, to my current microbrew-hooked palate, either beer-flavored water (classic Rainier, Schmidt) or alcohol-enhanced, beer-flavored water (Mickey’s, Rainier Ice). Rainier, once one of the most innovative marketers in the industry, is now on a death watch, as everyone awaits the finalilzation of current owner Stroh’s tentative plans to sell the brand names to Pabst, while keeping the plant site (which, except during Prohibition, has been making suds for 121 years) for separate real-estate speculation. It may have been inevitable. You could blame Bud and Miller’s big ad budgets for the decline of smaller mass-market beers, but really it’s an industrywide death-spiral situation. Total alcoholic-beverage consumption hasn’t kept up with population growth for over a decade; and tastes among many drinkers have permanently switched away from old-style 3.2 American beer toward microbrews, wines, and (as will be mentioned in our next item) mixed drinks.
Still, it would sure be a shame to see this beautiful structure go away, and only slightly less sad to see it converted into condos (E-Z freeway access, solid old-time construction). Speaking of business sites going away…
WATCH THIS SPACE: The Vogue’s probably moving to Capitol Hill, specifically to the former Encore/Safari disco site across from Value Village; thus ending the tradition at the venerable dance club’s current First Avenue location begun with WREX in 1980, which will close just before people conceived in its bathrooms in the early years could legally start to go there. It’s fared better than some other beer-wine clubs in recent years, partly because it had the town’s premier fetish night for several years and partly because it owned its own building. But the big thing these days in Seattle clubs is to serve hard booze, which requires at least a semblance of food service, which the current Vogue’s narrow space couldn’t really accommodate. And besides, the dance-club scene in Belltown’s become so squaresville in the years since the Weathered Wall’s closing that the scruffy-yet-chic Vogue increasingly looked like an outsider in its own neighborhood. Speaking of the sense of place…
LOCAL PUBLICATION OF THE WEEK: The Vashon-Maury Ticket is a semi-monthly Vashon Island community tabloid from sometime poetry-slam promoter Hamish Todd. As one might expect from such a literarily-minded publisher, it’s not your typical throwaway neighborhood paper. Recent issues have featured a profile of the 70-year-old Vashon Hardware store, a “Remembering Vietnam” verse by “author and retired veteran” Rick Skillman, a Valentine’s-week guide to herbal aphrodisiacs, and a call-to-action to save the island’s only movie theater. I’m a bit disappointed, though, at the paper’s “Y2K” issue, in which contributing author Robert Gluckson seems to believe the survivalists’ predicted Collapse of Urban Civilization next 1/1 is not only inevitable but is to be hoped for. (It should be noted that certain hippie poets, like certain right-wing militia cults, can have wet dreams about big cities burning up while the Righteous People out in the countryside survive to forge a purified society under their control.) (Free at about 20 dropoff spots on the island; at the Crocodile, Shorty’s, the Elysian, and the Globe Cafe in Seattle; or by subscription from P.O. Box 1911, Vashon WA 98070.) Speaking of local scenes…
WALKING THE WALK: Nicole Brodeur, the new Seattle Times columnist freshly shipped in from out-of-state, recently wrote she couldn’t understand why Seattleites she meets are so dismayed and disapproving that she set up her new household in Bellevue. Among her points in defending her domicile on the Darkest Eastside was the old untruth that, unlike Seattle, “you’re not afraid to walk anywhere” in Bellevue.
This begs the eternal question: Who the hell ever actually walks in Bellevue? (Building-to-parked-car strolls don’t count; neither do exercise jogs in driven-to park areas.)
Misc. hereby challenges Brodeur to produce tangible, unstaged, photographic or videographic evidence of any adult other than herself found walking out-of-doors, under his or her own unassisted foot power, between any two different places (i.e., not within a single strip-mall or office-plaza setting), neither of which can be a motor vehicle, anywhere within the “city” limits of Bellevue. I double-dare you.
‘TIL NEXT TIME, spend plenty of time in brightly-lit places, uphold your right to live in town, nominate your favorite beautiful “ugly” building via email or at our Misc. Talk discussion boards, and consider these words from the highly maneuver-able Dr. Henry Heimlich: “If all of your peers understand what you’ve done, you haven’t been creative.”
IT’S THE FEBRUARY SWEEPS WEEKS, which means the TV newscasts and the “newsmagazine” shows are even fuller of alarm and scare tactics than usual. So, as a public service, this week’s online Misc. column will mix at least two pieces of good news for every piece of scary news.
GOOD NEWS ITEM #1: The new best-of-Misc. book will be out this summer, somehow or another. It’ll be available online via Misc. World, via mail-order, and in at least a few local stores. (A more comprehensive bookstore-distribution contract’s still pending.)
GOOD NEWS ITEM #2: My old book,Loser: The Real Seattle Music Story, will probably get back in print sometime this summer as well. There’s still a lot to be worked out about that, though; I’ll keep y’all in touch.
GOOD NEWS ITEM #3: I’ll appear in April at a public reading series, dishing up segments from one or both books. Stay tuned to this site for further details.
GOOD NEWS ITEM #4: I finally got a replacement modem, so I’m back doing full Web research. With any luck, my 2400-baud backup modem (which sent some of you the same Misc. World email alert five or six times) won’t see any further use.
SCARY NEWS ITEM #1: Martha Stewart may be moving to (or at least setting up a second home in) the greater Seattle area. Actually, this was first rumored about a year ago. When Seattle magazine held a silly reader survey to find “the Martha Stewart of Seattle,’ it reported the real Stewart had been seen around town, holding the well-manicured hand of some Microsoft exec.
Why should this information fill me with such fear and dread? I happen to know several acquaintances who sorta like Little Miss Perfect’s handy cooking and decorating hints, but aren’t quite yet completely seduced into the total worldview of Marthaism. If the Anti-Goddess of perkiness were to set up a household somewhere in western Washington, or even move a piece of her Time Warner-backed book-magazine-TV empire here, I fear these good people, and perhaps many others, might fully succumb.
GOOD NEWS ITEM #5: A P-I story claims bulimia just might be related to a brain-chemical imbalance. The article says a study at Oxford linked the binge-and-purge disorder to screwed-up amounts of tryptophan, the chemical that regulates appetite. Like depressives who found a simple prescription could offer the basic capability years of therapy couldn’t, maybe now we’ll stop psychiatrically picking on girls and young women who can’t keep their food down. Their torture just might not be due to body-image paranoia and the negative influence of fashion advertising after all, but to a simple, potentially fixable, misdose of the brain’s natural pharmaceuticals. The phrase “it’s all in your head” is becoming a statement of hope!
GOOD NEWS ITEM #6: Both Scarecrow Video and the Elliott Bay Book
Company are being sold to new owners with deep pockets and the determination to keep these local institutions alive and kickin’. Scarecrow, home of the astounding 40,000-title selection of cinematic faves and obscurities, will now be under the care of owners with MS money and the determination to maintain it as a film-lover’s paradise. Elliott Bay’s coming under the stewardship of the guy who runs the Honey Bear Bakery (the beloved north-Seattle loitering spot for underemployed computer “consultants”) and Third Place Books in Lake Forest Park (just about the only reason to ever go to that particular stretch of sprawl). He plans to add used books to Elliott Bay’s shelving, which should double the selection at that large but more-spacious-than-it-has-to-be literary palace.
SCARY NEWS ITEM #2: After months of hostile citizen input, Sound Transit’s still going ahead with plans to run its light-rail tracks at surface level down Martin Luther King Jr. Way South. At hearing after hearing, south-Seattle residents said they’d rather have a subway tunnel, which would (1) let the trains go faster, (2) let car traffic down and crossing MLK go faster, (3) require the demolition of fewer existing buildings, and (4) provide more of that good urban atmosphere; but would also (5) cost a lot, lot more than surface light rail. Neither Sound Transit nor its critics even mentioned the everybody-wins solution to this problem–sticking the tracks above the street, instead of on or beneath it. But that, of course, would require bureaucrats to stop pooh-poohing the sensible claims of the Friends of the Monorail, something these stubborn we-know-better-than-you officials appear loath to ever do.
GOOD NEWS ITEM #7: Low-power radio might become legal. The Federal Communications Commission’s rumored to be drafting new rules to let educational and other nonprofit entities operate FM stations of one watt (creating a signal reaching a one-mile diameter) to 1,000 watts (about 18 miles). That’d be great for ethnic minorities and subcultures not currently served by ever more-consolidating commercial broadcasters or by upscale “public” broadcasting. The big broadcasters don’t like this, natch, and may sue to stop it. And even if that challenge fails, I doubt if any licenses will be granted to the parties now running unlicensed pirate stations (of which one’s now running evenings in Seattle at 87.9 FM, and another’s supposed to be starting any week now). But maybe, just maybe, this’ll mean we can get a real, above-ground, community station in this town for the first time in over a decade.
SCARY NEWS ITEM #3 and GOOD NEWS ITEM #8: Researchers at the University of Amsterdam are embarking on a study to see whether virtual-reality
technology can treat people’s phobias. Their idea is to immerse patients in 3-D video-game-like scenarios to help people confront, and ultimately overcome, their deepest fears, all within the safe real-world confines of a clinic.
It’s good news because, if it works, it could help a lot of people. It’s scary news because, if it works, I might one day feel the urge to use it myself. Here, for examples, are some of the situations I might ask to be programmed into a VR headset for me to face:
ON THAT PLEASANT NOTE, let’s again remind you to nominate your favorite beautiful “ugly” building via email or at our splendid Misc. Talk discussion boards, and to read these words from Isaac Asimov’s novel Foundation: “Never let your sense of morals prevent you from doing what is right.”
MAKE YOUR OWN JOKE HERE #1: An outfit in northern California’s selling officially-licensed Space Needle brand bottled water.
MAKE YOUR OWN JOKE HERE #2: Banners have been mounted all along the streets of the Darkest Eastside, calling on one and all to “Celebrate Redmond.”
WORKIN’ IT: A week or two back, we recounted alarming statistics in Variety claiming kids’ TV viewership was significantly down in each of the past three years. Now, other articles offer up a reason why. Not too long
ago, Those Kids Today were constantly berated as illiterate videots and Nintendo-junkies whose slacker study habits were going to be America’s downfall as a productive player on the global economic stage. Now, Time, the NY Times, and other media outlets are crying in alarm that kids as young as the first grade are being inundated beneath piles of homework so daunting nobody has time to be a kid. The NY Times account, citing a U. of Michigan study, claims in the last 17 years “homework for first- to third-graders had nearly tripled, to 123 minutes a week.”
The first caveat, naturally, is the mass-media biz might be worrying that young eyeballs are getting too captivated by mandatory attention, therefore limiting the young’uns’ ability to be marketed to.
Beyond that, another question arises–at a time when the effective application of knowledge is more nonlinear (or, rather, multilinear) than ever, when Net-based reference tools may make data acquisition as simple as using a calculator, why should we be dooming our children by force-feeding them a rigorous, narrow discipline of left-brain rote memorization? The most likely answer’s that in the ’80s, everybody was so darned worried we weren’t keeping up with those other industrialized nations in producing quantifiable test-score results. Test-score results, of course, don’t really equal knowledge; and knowledge certainly doesn’t equal wisdom–let alone economic “success.” As far as I’ve been able to figure, Japan’s schools are just as tough and soul-sapping as ever, while the nation’s economy’s gone to the dogs for reasons totally unrelated to study habits.
POT-CALLING-THE-KETTLE-BLACK DEPT.: In a recent PBS hour called We the (Rude) People, Morton Kondracke joined the chorus of those who bemoan the death of “civil society” and who blame America’s subcultural fragmentation and in-group politics and just about everything else wrong (or perceived to be wrong) with America on those darned ’60s antiwar protesters. Really, for a veteran panelist on The McLaughlin Group to claim the liberals are causing all the hatemongering is beyond ludicrousness!
THE FINE PRINT (In the closing credits of Artisan Entertainment’s video trailer to Jerry Springer: Ringmaster): “All characters and events in the preceding motion picture were entirely fictional, and nothing is intended to depict any actual participant in, or aspect of, ‘The Jerry Springer Show,’ which is broadcast on television. This motion picture is not connected to ‘The Jerry Springer Show’ and is not licensed from its producers.”
THE OTHER FINE PRINT (from a brochure soliciting public-art proposals for the UW Medical Center’s new Maternity and Infant Care wing): “Since not every MIC patient outcome results in a live or healthy birth, the successful artwork will respect this fact with appropriate imagery. For example, the artist may decide to omit direct references to children, babies, or reproduction.”
LOCAL PUBLICATION OF THE WEEK: I seem to always be praising the NW punk bible 10 Things (Jesus Wants You to Know). Its latest issue (#20) is its best yet. Besides the usual acreage of interviews and reviews, it’s got editor Dan Halligan’s tale of his Vegas wedding, a woman named Mels disappointedly relating how punks turn out to have most of the same sex hangups as other Americans, interviews with two DIY Netporn entrepreneurs, lotsa talk about the Teen Dance Ordinance repeal advocates, an art-photo by Wendy Wishbone of three goth models representing “the Three Fates of Punk: Death, Hypocrisy, Capitalism,” and Ben Weasel’s cogent analysis of how a vital, energetic subculture’s degenerated and ossified into a conformist, formulaic, commercialized “New Punk Order.” (Mightily timely reading during last week’s ESPN “Winter X Games” with all the post-Green Day noisemakers used for snowboarding sountrack tuneage.) Free at the usual dropoff spots or $3 from 8315 Lake City Way NE, #192, Seattle 98115.
LOSS OF DOWN: Another Super Bowl Sunday’s on the way, and with it the usual pseudo-intellectual garbage about pro football as an institution of violence and stupidity and that perennial fall guy testosterone–even though football puts more kid through college than any other sport, even though it’s really a game of coaching and choreography as much as one of hitting and tackling, and even though it’s got enough female fans for QVC to offer NFL-logo costume jewelry trinkets. Time staff essayist Lance Morrow recently claimed, “Football, still in bad odor among thinkers, needs a fancier mystique;” then proceeded to offer up a “deconstructionist theory” of the sport–which, natch, turned out to be less a defense of the gridiron game than a spoof of PoMo egghead jargon. (“Football enacts the Foucaultian paradigm wherein all actions, even involuntary motions or ‘fakes’ or failures (quarterback sacked), coalesce in meaning, and everytyhing that the game organizes in the way of objects, rites, customs (the superstitious butt slapping, the narcissistically erotic Bob Fosse touchdown dances) constitutes a coherent whole — the game lui-meme.”)
I, however, am not afraid to stake whatever remaining highbrow street-cred I might have on the line by actually and sincerely stating my praise for the game. I’ve (largely) grown out of my sensitive-post-adolescent jock-hating phase (my above remarks about snowboarding hype notwithstanding), and have come to an honest appreciation of the Big Game played by Big Dudes, their bodies (and usually their faces) hidden beneath the group-identity of the uniform, their individual heroics interdependent upon the coordinated effort of the entire team. A game with separate offensive and defensive players, in which fully half the participants can usually do nothing but “loss prevention.” (Hmm–maybe Safeco should’ve bought the naming rights to the new football stadium instead of the new baseball stadium.)
Here, then, is my partial list of what makes the perfect Super Bowl experience (please feel free to print this out and keep score at home):
NEXT WEEK: The long-delayed final results of our quest for appropriate honorees on a mythical Seattle women’s walk of fame. ‘Til then, here’s your next topic to mull over via email and our luscious Misc. Talk discussion boards: What’s the most beautiful “ugly” building in town (i.e., a beautiful structure the official tastemakers would despise)?
WELCOME BACK TO THE ONE-&-ONLY ONLINE MISC., the pop-culture column that was as startled as you to find a full-color, almost full-page, atatomically-correct (more or less), side-view computer illustration of a male lower torso on the Lifestyles page of the 10/19 P-I. It was there, natch, for a long story encouraging prostate-cancer tests. But hey, if it takes the “educational” justification of a deadly disease to help demystify and de-demonize the Staff of Life, so be it.
STAGES: The Seattle Repertory Theatre now has a managing director named Benjamin Moore. So far, no scheduled productions of Paint Your Wagon.
AD OF THE WEEK (on the Stranger Bulletin Board page): “Lesbian Guitar Teacher.” Hmm, an instructor in the heretofore-underappreciated art of the Lesbian Guitar: I could go for the cheap anatomical-reference jokes every guitar student’s heard or said at one time, but instead will ponder “Lesbian Guitar” as a specific musical form. Could it be the ever-so-earnest acoustic fret-squeakin’ of Holly Near or Ferron? The somewhat more humanistic, yet still stolid, chord-thumpin’ of Phranc? The electrified “Torch and Twang” of early k.d. lang?
It’s the curse-in-disguise of all these women (and others of their various ilks) that they’re known first as statement-makers, second as stage presences, third as singers, and almost not at all as instrument-players. This neglect of the role of music in female-singer-songwriter-ing is at least partly responsible for the near-total lack of female instrumentalists on both Lilith Fair package tours. It dogged Bikini Kill throughout their career; it took that band’s co-leader Kathleen Hanna to start a whole new concept with a whole different instrumentation (Julie Ruin) for some critics to even notice that she’d been a darned-good musician all this time. (Lesbian-led bands that have gotten at least partial critical notice for their actual playing, such as Team Dresch, are exceptions that prove the rule.) Elsewhere in tune-land…
CLOSING TIME?: An NY Times story (10/15) discussed the precipitous decline of commercial rock as a music-biz force, noting sales charts now dominated by rap and rap/R&B hybrid acts. One quoted industry expert said “the Seattle bands” had been rock’s last best hope, but Nirvana ended and Pearl Jam got lost in its politics and the whole Rock Reformation got sidetracked. I’d put the blame on the suckiness of chain-run rock radio and MTV, which have bled the patient (themselves) to near-death with their repitition, selection of awful bland-rock acts, and stupidity. Of course, the suckiness of corporate rock radio (and of corporate rock promotion in general) is one of the things the Seattle bands had been trying to rebel against. Speaking of getting lost in politics…
BUMPER STICKER OF THE WEEK (seen in Belltown): “Chris Cornell for Mayor.” Actually, why not? If business success is the only prerequesite for a political career, Cornell sure counts. He and his Soundgarden bandmates started an enterprise from scratch, which grew steadily into a multimillion-buck operation that helped put Seattle on the music-biz map. (He’s even begun to assert a political worldview, having participated in that joint petition to Al Gore on behalf of old-growth forest preservation.)
LOCAL PUBLICATION OF THE WEEK: Steve Mandich’s Heinous #5 (the first issue in three years) is a professionally-written, DIY-printed mini-size zine, bound with strings of old audio-cassette tape. Topics include the Seattle Pilots (our ill-fated first MLB team), ’70s self-made celebrity The Human Fly, women’s motorcycle-jumping champ Debbie Lawler, rock records about Evel Knievel, and a Bob Newhart career retrospective for a change-O-pace. ($2 from P.O. Box 12065, Seattle 98102, or by email request to smandich@teleport.com.)
EX-LOCAL PUBLICATION OF THE WEEK: Not only is commercial film production in Washington at an even lower ebb this year than last, but even MovieMaker, the slick magazine about indie filmmaking, suddenly moved from Seattle to L.A. over the summer. Does that mean no remaining hope for true indie (i.e., totally non-L.A.) filmmaking?
SCREEN PATTERNS: Actually, the reasons for the repertory program’s move to the Egyptian have little to do with the filmgoing tastes of college students and more with Landmark (née Seven Gables) Theaters’ schemes. 7G started repertory movies in Seattle at the Moore, which was where the Seattle International Film Festival also had started. Then Landmark came to town and bought the Neptune in the U District, driving 7G out of the repertory side of the biz until Landmark bought 7G. From there, Landmark decided to use the Neptune for hi-profile new releases, shunting the rep films to the smaller Varsity. Now it’s repositioning the Egyptian as the “Year Round Film Festival” theater.
(Still no word, by the way, about Landmark’s corporate fate. Last we heard, its current owner, financier John Kluge (who made a fortune selling five TV stations to Rupert Murdoch and promptly lost much of that fortune in Orion Pictures) had put the chain up for sale.) Meanwhile, Seattle’s other ex-locally-owned theater chain, the onetime Sterling Recreation Organization circuit now part of Cineplex Odeon, quietly had a change of management in recent months. CO’s now jointly owned by Sony and Seagram (whose respective studio units, Columbia and Universal, were the only major Golden Age Hollywood studios that hadn’t been connected to theater chains back in the ’40s).
MATERIAL BOY: Last week, I asked for your suggestions on new career moves I, your long-underemployed author, could take. A few of you didn’t quite get the “career” part of it (such as those who thought I should start a cable-access show or other unpaid stuff). Other responses generally fell into a few main categories, among them the following:
TO CLOSE, some words-O-wisdom from the recently-deceased former TV Guide reviewer Cleveland Amory: “`Action-packed’ means the boys can’t act but the girls are stacked.”
(Our next reader quiz: What does Seattle need? The full essay and invite will appear in next week’s column, but you can send in your ideas now to clark@speakeasy.org.)
AS PROMISED three weeks ago, here’s the official Misc. list of the 64 arts and sciences a modern person should learn; as inspired by one of the nonsexual parts of the Kama Sutra. (Here’s the original passage; here’s how to get the whole book.)
I’m not claiming to be an expert on all of these, or any. They’re just things I, and some of you, feel folks oughta know a little better, in no particular order:
street hockey, et al.).
cinematography, videography, Photoshop).
———————–
Subject: 64 Arts for the Modern Person Sent: 7/27/98 9:20 AM Received: 7/27/98 12:45 PM From: erinn kauer, eakamouse@webtv.net To: clark@speakeasy.org
Interesting topic. All modern persons should bone up (no pun intended) on the various methods of BIRTH CONTROL. To include: proper condom etiquette, taking the pill on time, abstinence, getting off without actually having intercouse, and covering one’s butt by always having a supply of the newly available emergency contraceptive pills (actually just the regular pill, taken within 72 hours of unprotected intercourse, it reduces the chance of actual conception by about 75%… this is not RU486, and does not abort anything, it just does not allow the conception to take place). PLEASE include this particular item in your list, there would be far less unwanted pregnancies occuring, either resulting in having the child because the misguided fool believes so strongly that abortion in wrong (like having a child unprepared and setting them up in this world on a shaky base is right) or in having the costly and scary and stigmatizing abortion and suffering needless guilt because of it. However, abortion is not the end of the world, and should be seriously considered if all other options are not viable at that point. Please call the FDA at 301/827-4260 and ask for Lisa D. Rarick for more info on the 72 hour emergency contraception pill, or 1-800-NOT2LATE, or your local pharmacy. Do not let the pharmacy give you any bullshit about having to get it through your doctor, it is available WITHOUT a prescription and is perfectly legal, etc, etc, etc. I found that my pharmacy balked at the notion, but this has only recently been approved and they are simply not used to it yet. They need to be shaken though, they are needlessly telling people to go through their doctor, but you DO NOT HAVE TO, this should be available OVER THE COUNTER.
Besides contraception, folks of the modern age should study organic gardening, meditation (stress-buster, dream fulfiller, life lengthener), keep an eye on politics and actually know something about the world and the U.S. of A., and how to make a good latte…
I am sure there is much more, and my list is pretty lame, but the CONTRACEPTION/ FAMILY PLANNING is extremely important.
Thanks for hearing me out!
Erinn Kauer / eakamouse
P.S. Concert ettiquette, Gourmet Camping, and the fine art of bodybuilding (look good now AND later!). Whatever. Bye.
MAKING THE SQUARE SQUARER: From approximately 1971 to 1991, the official live music genre of Seattle was white-boomer “blooze,” as played at Pioneer Square bars. The “blooze” bars of 1st Ave. S. play on today, virtually unchanged. Yet P-I writer Roberta Penn recently claimed Seattle didn’t have a blues club. She probably meant we lacked a club that treated blues as a serious art form, instead of formulaic macho “party” tuneage. It’s worth noting that the only national star to emerge from this scene, Robert Cray, split for Calif. as soon as he hit big (and bad-mouthed the Square bars promptly after he left).
Now, the forces of development want to rechristen the Square as luxury-condo territory. Some developers say they’d like to rid it of such elements as nightly noisemakers (even if they’re sport-utility-drivin’ caucasisn noisemakers). I wouldn’t personally miss the “blooze” bars (though there’s something quaint about standing outside the 1st & Yesler bus stop on a Sat. night, hearing three bands from three bars playing three cacophanous variations on the same theme). But I wouldn’t want the clubs to be forced out by demographic cleansing, especially since the area’s handful of prog-rock and electronic-dance clubs would likely get the boot at the same time, if not first.
PHASES OF THE MOON: With the warm weather’s come an odd masculine fashion statement: dorsal pseudo-cleavage. It involves wearing jeans with a belt, but hanked down to show the tall waistband of designer boxer shorts. I know it originally came from tuff-guy street wear, which in turn was based upon prison garb (oversize trousers with no belts allowed). But in this incarnation, it’s like a male version of that “sex-positive” women’s book Exhibitionism for the Shy. And in case you wondered why there weren’t “sex-positive” books for men?)…
VIAGRA-MANIA: After 10 to 20 years of the magazines and the TV talk shows defining sexual issues almost exclusively from a (demographically upscale) woman’s point of view, now Time and its ilk are scrambling to out-hype one another on the concept of masculine performance, as a problem now chemically solveable. It comes amid a new wave of skin-free men’s magazines like Maxim, trying to attract male readers without that pictorial element proven to attract men but to scare off advertisers. So instead, all the sex in these mags is verbal, not visual, and it’s often in the how-to format so familiar to women’s-mag followers.
Viagra-hoopla might also mean we’re finally over the late-’70s orthodox “feminism” in which the erection was depicted as the root of all evil. In the Viagra era, an erection is seen as something all men and 90 percent of women crave and wish would occur promptly, predictably, and on cue.
Then there’s a scary story in Business Week depicting that pillow-shaped erection pill as a harbinger of a new generation of prescription lifestyle drugs, for people who wouldn’t die without ’em but would just like to “feel better.” In 1990, when the Lifetime cable channel ran programs all Sunday “for physicians only” (complete with slick ads selling prescription drugs to doctors), there was a panel discussion show in which a doctor predicted everybody in America would be hooked on at least one prescription drug (including remedies for common conditions not at the time considered “problems”) by decade’s end. Looks like he might’ve been close to right.
Another question could be posed from the hype: Is the legal “feel-good” drug industry morally distinguishable from the illegal “feel-good” drug industry? In the past, I’ve dissed both those who seek all the answers to life thru pharmaceuticals and those who piously seek to punitively condemn such seekers. Both camps, I wrote, were on ego trips more potentially dangerous than any drug trip. But with ordinary citizens going more or less permanently on chemicals for little more or less than self-confidence, perhaps that dichotomy will transform into something different.
MISC. BEGINS THE sorta brave-new post-Rice era of Seattle history with a rhetorical question: Whenever there’s a pesky e.coli outbreak, vegan activists use the tragedy as a reason to call for an end to meat consumption. Whenever somebody working in porn videos or a strip joint turns out to be facing a troubled or abuse-racked private life, rad-fems ‘n’ right-wing censors publicly exploit the situation to advocate further suppression of the sex biz. Yet the highly publicized mistreatment of sweatshop textile workers (domestically and across the Pacific) hasn’t, to my knowledge, inspired members of The Naturist Society to issue PR blitzes asserting how there’d be fewer mistreated clothes-maikers if fewer people wore clothes.
WATCH THIS SPACE: Tasty Shows still plans to open a new club in the former Moe building. Sure they’re four months past their originally promised opening date, but these things almost always happen. (Current ETA: Late February.) Contrary to early reports, it’ll have live bands “about 40 percent of the time,” says a Tasty spokesperson, with DJs on the other nights. Among the work still to be done: Finding a name. They’d planned to call it The Mothership, but a hard-rock nostalgia bar in Federal Way just opened with that moniker.
A PRECIOUS GEM: Just as we get used to the Presidents’ untimely breakup, Seattle faces the potential loss of another institution of whimsy, thanks to the Samis Foundation’s ongoing Pioneer Square redevelopment scheme. Ruby Montana’s Pinto Pony lost the lease on its space on 2nd Ave. (Montana’s furniture annex across the street, which sold lovely old sofas and dinette sets, has already been evicted.) Ruby’s on 2nd will close in March. After that, everything’s iffy. Montana sez she might open a new store if she can find the right location, maybe with a revised concept (mixing her trademark knick-knacks, toys, and home furnishings with larger furniture items, antique cars, and/or RVs). If that doesn’t work out, she might open a “guest ranch” in the countryside somwehre, to be furnished in her inimitable comfy-campy style. While that’d undoubtedly be a fun getaway destination and retreat center, I’d rather still have Ruby’s to go to for my fix of wacky postcards, Krusty the Klown erasers, Chia-pubis pots, and historic ad art. With all the retail space being built and/or “restored” in the greater downtown, you’d think there’d be someplace for something this vital. Speaking of abundance…
DOUGH BOYS: A few weeks back, Times columnist Jean Godden claimed 59,000 millionaires now reside in western Washington. (She attributed the figure to unidentified speakers at a CityClub luncheon.) Thought #1: Now we know how these chichi restaurants with the menu items marked “Market Price” can stay open. Thought #2: With all that spare cash floating around, howcum we still can’t get decent funding for (insert your choice of non-sports-related causes)? Thought #3 (and a hunch about #2): Seattle’s old, small, reclusive upper class might not have staged a lot of fancy-dress balls or high teas, but by and large they made at least an occasional semblance of acknowledging their role in, and duty to, the larger community. But these days, here and across the country, there’s a new breed of becashed ones, some of whom revel in a “lone wolf” self-image. One of these moguls, Ted Turner, publicly called last year for his tax-bracket brethern (naming Gates as a specific example) to donate more moolah for bettering the world instead of just buying more luxury goods and building bigger “cabins” in the Rockies.
A nice sentiment, but there are problems with the ’80s-’90s wealth concentration trend that charitable alms alone won’t solve. Can America afford to keep turning over larger portions of its material resources to what’s still a small population segment, increasingly made of “self-made” wheeler-dealers who see social-benefit institutions (from environmental rules to progressive tax codes) as personal threats to their right to make and keep all they can? Perhaps the mark of a materially rich community isn’t the number of residents who’ve got more than they know what to do with, but the degree to which its other residents can at least semi-comfortably get by.
Here at Misc., your officially not-as-funny-as-it-thinks-it-is column, we’re intrigued by the recent New York magazine headline, “Can Estrogen Make You Smarter?” You can just bet all the natural-superiority-of-women advocates are smugly gloating over their faxed third-generation photocopies of the article in college faculty lounges across North America. If the claims of the researchers quoted in the piece get confirmed, it’d sure make an easier argument for fem-dom supporters than the now-traditional rants against testosterone (since the latter hormone actually exists in humans of all genders). And I’m sure birth-control pills would mix perfectly into those rave-dance “smart cocktails.” I just hope the theory doesn’t inspire phrenologists (those folks who claim they can measure intelligence via the size and shape of someone’s skull) to start testing a little lower on the body.
UPDATE: The Newmark Cinema, which I said last month oughta be appropriated for fringe-theater use, has since been temporarily used just for that purpose. The Brown Bag Theater had to temporarily vacate its space elsewhere in the building, and so used one of the recently abandoned movie spaces for its production Wanna Come Back To My Place And Justify My Existence?
AD SLOGAN OF THE WEEK: “Redhook. It’s not just a beer, it’s a companion.” Is that meant as a reassurance or as an AA recruiter’s threat?
THE DESTRUCTION CONTINUES: Another of Seattle’s ever-dwindling supply of classic American-style eateries, the Nitelite in the Moore Hotel, just reopened with a new look (all spackled-brown in that pretentiously “unpretentious” way) and a new menu (featuring chicken scarpariello, bistecca melange, and mixed-grill kabobs). At least the Nitelite’s truly lovely bar wasn’t altered a bit. The bar, in fact, stayed open all the weeks the restaurant part was closed for remodeling; something the Liquor Board wouldn’t have allowed just a few years back.
YOU MAKE THE CALL: Paul Allen’s established a company related to the new Seahawk stadium project, named 1st & Goal Enterprises. I wouldn’t be surprised if he sets that up as an address to the new stadium, making up a Goal Street as a short access road from 1st Ave. S. I was always hoping the city would name a side street on the 4th Ave. S. side of the Kingdome “South Long Street,” so the Hawks would have the more appropriate street address of 4th & Long.
DRAWING THE LINE: Earlier this year, the P-I ran what it called a week-long test run of eight new comic strips. Those which proved most popular with readers, the paper claimed, would be added to an expanded Coffee Break section. This month, the paper added all eight newcomers. It made room by shrinking some Coffee Break features and dropping others–including Bill Griffith’s up-from-the-underground classic Zippy the Pinhead. None of the new strips so far show any wit or style or reason for being (other than demographic target-marketing) Some of the new batch are almost amazingly amateurishly drawn. (Hint to editors: Dilbert‘s popular in spite of its boxed-in look, not because of it.) The closest thing to an exception is the competent if unspectacular gagstrip Zits, by veteran stripper Jerry Scott and editorial cartoonist Jim Borgman.
Zippy, however, is a masterpiece of exquisite draftsmanship, precision dialogue, and multi-layered humor. It treats its readers not as statistics but as intelligent fun-lovers. And it loves to eat a great corn dog. Zippy is in the domain of the P-I‘s fellow Hearst subsidiary King Features Syndicate, as are four of the paper’s new comics. Back in the day, William Randolph Hearst made his papers run George Harriman’s now-acknowledged classic Krazy Kat even though it scored low in popularity polls, because Harriman’s surrealistic shenanigans added that little touch of quality Hearst’s papers sorely needed. The folks running today’s P-I (Hearst’s second-largest remaining daily paper) ought to do what the old man would’ve done and bring the Pinhead back.
Update: The day after this was posted, the P-I announced it would resume the Pinhead’s misadventures begginning on Labor Day. Yay!
WORD OF THE WEEK: “Aporia.”
(We’re still asking the question: Can you think of any formerly popular musical genre which hasn’t been the subject of an attempted “hip” revival in recent years? Make your recommendation at clark@speakeasy.org.)