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frederick & nelson christmas display, via 'patricksmercy' on flickr and sandra bolton on pinterest
I’ve not been in the mood to make blog posts for the longest time.
The mood I’ve been in has been something other than the positive, assertive persona I’ve maintained in the blog and its print precursors over the years.
Besides, the ultra luxury-obsessed, alpha-techie ruled city that is much of modern-day Seattle is, in many aspects, so different from the funky, spunky, and, yes, grungy city I had known and loved. To truly cover the “pulse” of such a place, one would need to care about hedge-fund-financed dotcoms and hundred-dollar-a-plate bistros a helluva lot more than I ever will.
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And then there’s the matter of trying to convince people, even long standing acquaintances, that I need a job.
NOT an idea for something to write about, but a job.
NOT an unpaid writing “opportunity” for a commercial website, but a job.
It doesn’t have to be “writing” work, just paying work.
I’ve told this to everyone, sometimes repeatedly.
But some people I’d known for years didn’t get it.
They seemed to believe that, since they had identified me as “a writer,” all I needed was to “write” all the time.
(“Don’t worry about the money,” one dude sincerely exhorted me one evening, after I’d almost lost my second apartment in one year.)
The only way I thought I could convince these folks that I needed actual monetary income, not sub-minimum-wage (or, worse, “for the exposure”) freelance crap, was by ceasing to “be a writer.”
It didn’t really work. Either at convincing these well-meaning but ignorant folk, or at getting me a real for-the-money job. (I have gotten a long-term-temp, part-time dishwashing gig, but that’s it.)
So I’m quitting the quitting.
Actually, I have been posting on so-called “social media” sites all this time. I like the knowledge that someone’s at least reading my stuff when I post it there.
But the MISCmedia site, I promise for real this time, will be back in full force in Two Ought One Five.
I’ve got a major publishing project in the works (still), and a plan to revamp the site into a daily local news “aggregation” and commentary source (still).
But we’ll start the year, as we always have, with the mellifluous MISCmedia In/Out List, always the most accurate list of its type seen anywhere at any time.
And, as always, we need YOUR input to make it happen.
In the comments box below, please recommend what will become hotter and less-hot in the twelve months to come, in the fields of music, fashion, food/drink, the arts, architecture, socio-political trends, etc. etc.
The list’s simple rules, as always:
Good luck, and good predicting.
Two Breaths To…
There’s an international committee that creates standards for online typefaces. It’s called the Unicode Consortium.
It recently announced a new set of more than 250 pictographic symbols (also known by the Japanese term “emoji”). They’ll be available in a chat room or on a smartphone near you as soon as Microsoft, Apple, Google, et al. get around to adding them.
The consortium’s announcement listed some of these new symbols with verbal descriptions. They include:
Apparently, there are deliberately annoying (male) online “trolls” (in the days of dial-up bulletin board systems, we called them “twits”) who have conspired to promote fake “feminist” Twitter slogans. Their idea was to make feminists as a whole appear to be just as stupid and sexist as these trolls themselves are. They (or at least many of them) got caught.
But also, apparently there are also Twitter trolls who have conspired to promote a made-up meme about “bikini bridges” (defined as an open space under the top of a bikini bottom, between the hips).
But what makes this operation even dorkier is that the same trolls, under a variety of online pseudonyms, are orchestrating fake “grassroots” comments both promoting and denouncing this supposedly “viral” hashtag obsession.
Some people, clearly, have just too much time on their hands.
sony pictures tv via wellesley.edu
I’m still not back to posting Random Links posts (at least not without re-thinking their whole format).
But today, I have some random questions:
funhousedocumentary.com
A long-delayed batch of randomosity (the first in more than a month) begins with the discovery of the newest local “mainstream microbrew.” Underachiever Lager appears to have begun as a promo vehicle for Tacoma designer-casual-wear company Imperial Motion, but is now being rolled out as its own thang in select local bars.
He is angry because Salman Rushdie uses Twitter, and nowadays people can buy books on the Internet, and the Home Depot, and he had to go to Germany one time, and also some women exist who have not had sex with him.
I mourn the Comet Tavern for what it had been. The un-upscaled hippie hangout; the dive that remained a dive when most of the other dives in town cleaned up their acts. I don’t mourn what it had become—a hangout ruled by an oft-violent aggro gang called Hate City. (A good friend, a petite female, was once roughed up by bouncers there, badly.) Could any new owners make it an inviting place again?
We went on holiday to Spain and had a problem with the taxi drivers as they were all Spanish.
patchesofpride.wordpress.com
During our three-week-plus blogging absence, one of the events we failed to note was the demise of one of the unsung pop-culture greats, Samuel W. Petrucci. A logo and packaging designer, he worked on everything from the Charleston Chew candy wrapper to a Lassie lunch box. But he’s best known for the logo and box art on the original G.I. Joe dolls, often using himself as a model for Joe’s face. His daughter Lisa Petrucci is a prominent local “pop surrealist” painter and co-owner of Something Weird Video.
via brainpickings.org
charter construction via ronald holden, cornichon.org
Gosh, has it really been more than three weeks since I’ve done this? Time flies when you’re desperately looking for paying work (i.e., absolutely not “for the exposure”).
Anyhow:
We have forgotten what this country once understood, that a society based on nothing but selfishness and greed is not a society at all, but a state of war of the strong against the weak.
rocketnews24.com
pelican bay foundation via capitolhillseattle.com
First, another “sorry folks” for not getting something up to the site lately. I know some of you enjoy these li’l linx, even when I don’t have a major essay about something.
For now, back to Randomosity:
ali almossawi
satoshi kon's 'paprika' (2006); via film.com
clubdevo.com