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from boobsdontworkthatway.tumblr.com
vintage 1940 trolley bus from seattletransitblog.com
(Slow news day edition.)
Boeing is still paying for abandoning its once-successful strategy of long-term investments in innovative, groundbreaking products like the 747 jumbo jet in service of short-term profits meant to goose its quarterly earnings.
(Note: As was the case during my earlier flirtation with morning headlines circa 2007, these won’t necessarily appear every day.)
He says well-meaning things about whites stealing rock and roll from blacks — no mention of hip-hop though. Or what Clarence might have thought about playing to arenas and stadiums filled with next-to-zero black people. (Springsteen’s audience is pretty much exclusively white.) Or, for that matter, how Timothy felt standing in a room full of white people congratulating himself on America’s ability to successfully and peacefully integrate itself, due solely to the fact that there was a black guy in the band playing saxophone.
After word slowly leaked out that the situation at Fukushima is, or at least was, direr than officials originally acknowledged, the fringier-fringy “news” sites are spreading unsubstantiated scare stories about the Fort Calhoun nuclear plant in Nebraska, a site recently surrounded by floodwaters. Here’s a more plausible report of what’s going on there, from an unofficial but knowledgeable source.
Last November, Capitol Hill resident Ferdous Ahmed appeared in a full page photograph in City Arts magazine. He was dressed to the proverbial nines in a vintage black suit, top hat, sunglasses, and high-top boots, accessorized with a gold pocket watch.
A lifelong vintage-wear fan and collector, Ahmed had just opened a boutique on East Olive Way the month before. It specialized in outfitting “steampunk” afficianados in suitably outlandish retro costumery, with garments and accessories mixed and matched from assorted real-world times and places (though mostly of a Victorian sensibility).
Ahmed’s boutique, Capitol Hill Vaudeville, is gone now.
The Solara Building, where the store had been, is mostly vacated (except for a tattoo studio). Entrepreneurs Shanon Thorson and Laura Olson (the team behind Po Dog on Union Street and the Grim bar on 11th Avenue), in partnership with Alex Garcia (Emerson Salon, Banyan Branch Marketing), are turning the place into The Social, a mammoth (3,000 square feet) gay bar and restaurant. Construction crews are now reshaping the building’s interior to sport a dining room and at least four semi-detached bar areas.
Olson and her partners are keeping the tattoo studio on the premises during the construction period, and say they want to bring back some of the building’s other former tenants (including a hair salon and a role-playing game store) in its peripheral spaces.
Ahmed’s boutique, though, might not get invited back. It was just getting off the ground as a business when it got sent packing. Harem, another clothing shop that had been in the Solara (and had previously been in its own storefront on Broadway), is definitely not returning; owner Victoria Landis has held her liquidation sale and is moving on.
Two features had made the Solara ideal for merchants like Landis and Ahmed.
The first was the interior flexibility of its main floor. It featured a big open space, where the gaming store could hold tournaments and the boutiques could hold fashion shows and receptions, without having to pay full time for the extra square footage.
The second was the relatively low rent. None of the Solara’s tenants had its own street-facing storefront. Without this means to attract casual foot traffic, in a building that was already set back from the street by a small parking strip, the tenants had to draw their clientele with clever promotion to identifiable niche markets. The building’s low rents were priced accordingly, to allow these specialty destination spaces to exist.
But a couple of alt-fashion boutiques and a gaming parlor just can’t bring in the kind of money a destination restaurant, and especially a bar/nightclub, can potentially generate.
Thus, the Hill is getting a new, high profile gay club. Olive Way, in particular, is getting another stop on what’s quickly shaping up as the Hill’s next major bar-crawling scene.
And we’re losing an experiment in providing urban spaces for highly specialized retail, the first experiment of its kind here since the Seattle Independent Mall (on East Pike a decade ago.)
Any “artistic” neighborhood needs some cheaper spaces within its mix. Spaces where the unexpected can happen, where new subcultures can form, where new concepts can germinate.
I was reminded of this when I read the University of Washington Press’s new essay collection Seattle Geographies. One of its longer chapters is entitled “Queering Gay Space.”
The chapter’s authors (Michael Brown, Sean Wang, and Larry Knopp) noted that Capitol Hill hadn’t always been the region’s gay culture nexus. In the first half of the last century, gay and lesbian bars, cabarets, and residential homes existed, with varying degrees of “out”-ness, mainly in Pioneer Square, plus a few scattered spots throughout the downtown core and in the University District and Queen Anne.
But when gay pride first really took off in the early 1970s, the Boeing Bust had depressed housing prices throughout the region. The Hill’s housing prices were further held back by what the essay’s authors called “white flight and fears of inner-city decay.” That gave the Hill a “large number of affordable apartments and rooms in shared houses,” which “drew young queer baby boomers into the area.”
The Hill’s desirability as a place to live, aided in part by then-low housing costs, helped spur its growth as a place for gay businesses and hangouts; and also as a place for bohemian art, theater, and fashion scenes.
Thus, four decades later, it can sprout a venture as monumental as The Social.
(Cross posted with the Capitol Hill Times.)
Yes, the Animation exhibit at the Pacific Science Center is one big ad for Cartoon Network.
But it’s also educational. Really.
You see, animation (even CN’s unapologetically 2-D animation) involves a lot of math, geometry, spatial relationships, optical theory (“persistence of vision”), and maybe even a daub of artistry. And that’s even without CGI. (For the purposes of this exhibit, CN’s shows are billed as being produced in traditional cel animation; in reality, even something as simplistic-looking as Code Name: Kids Next Door uses a lot of digital compositing, coloring, and assembly.)
…your UW taxes don’t pay off. Why, a research at the grand old You-Dub’s working toward hi-tech superhuman vision!
…to love one of my alma mamas: Oregon State U. researchers have found beer can fight cancer!
This is what happens to local celebs who move to LA intending to enjoy the A-list lifestyle. An author who’s either Bill Nye’s ex-wife or ex-fiancee vandalized his backyard garden with an OD of weed killer. He charges she was trying to poison him; she says it was just a psycho-moment’s prank, and that she’d only wanted to destroy his flowers.
UW scientists say they can alter poplar trees with rabbit DNA to create pollution-sucking trees. According to a P-I piece, these Frankentrees can “naturally render a list of cancer-causing pollutants–benzene, trichloroethylene (TCE), vinyl chloride, chloroform–non-toxic.”
Now, let’s have these PoMo tree surgeons create plants that could do something really useful, like ridding the indoor air of cheap perfume stink, or even patchouli.