»
S
I
D
E
B
A
R
«
MORE MICROPOP
Jan 10th, 1996 by Clark Humphrey

MISC. WAS BAFFLED by a notice on the Internet search site Yahoo! promising a link to a British nudist camp for transvestites. How can you be undressed and cross-dressed at the same time? Did the queens just wear wigs, and high heels? But on reading the “Garden of Eden” site (http://ourworld.compuserve.com/homepages/R_Brett3/), the explanation was simple. By summer it’s a normal nonerotic family nudist camp. (As the site says, “Our club is widely recognised as being the in place to go for a fun time holiday.”) But during the miserable Welsh winter, it holds weekends for fully-cross-dressed closeted queens to express their lifestyles away from the general populace. You have three seconds to fantasize about Robert Morley types or the bluebloods from the movie Scandal sharing high tea in frilly lace things.

THE FINE PRINT (at the bottom of a “No Food/Drink” sign outside a video arcade on University Way): “Thank You For Your Coordination.”

CATHODE CORNER: Wm. Bennett, the Bush Administration drone we’ve previously dissed for his dissing of trash TV, plans to turn his heavy-handed pieties into a cartoon show, Adventures from the World of Virtues. It’ll air on PBS, which Bennett had previously denounced as a waste of tax bucks. If I had kids I’d rather let ’em watch Melrose Place.

BACK INTO THE DRINK: Your fave bar or coffeehouse might soon stock the Canadian-made Jones Soda, the latest attempt at a Gen-X pop sold at microbeer prices (and distributed by microbeer jobbers). It’s got five fruity flavors, each with a different level of carbonation, dressed in as many as 56 different label photos including a pierced navel, a coffee cup, a cigarette lighter, a skateboard, barstools, an OPEN sign, a black fedora, and a Corvette logo. If you ignore the desperate-to-be-hip marketing the pop itself’s not bad, especially the cherry flavor.

DEAD AIR REDUX?: I do have nice things to say about the Weekly sometimes. F’rinstance, their Mike Romano got KUOW/KCMU boss Wayne Roth to quasi-confirm a rumor I’d published a couple months back, that Roth was considering killing KCMU and using the frequency for a classical format aimed at the affluent audiences corporate sponsors (oops, “underwriters”) love. (Roth’s office issued a statement claiming his Weekly statement only expressed speculation, not a firm policy decision.) There’s nothing wrong with KCMU’s programming or finances that can’t be traced to Roth’s mistaken belief that the station is, or should be, his personal bureaucratic turf. Public broadcasting, when it’s really public, isn’t a private business and shouldn’t be run as one. It’s a trust between a dedicated programming team and a closely-involved community of listeners.

CLUB ME: F’r another instance, a Weekly brief last month casually revealed the mysterious “Erik Shirley” lurking behind the scenes at Moe’s was the son of Jon Shirley, prominent ex-Microsoft/ Radio Shack exec, who in turn has a bit of investment in the joint. I can’t imagine a Radio Shack vet caring about music, ‘cept those cool ol’ stereo-separation LPs. Besides, if Moe’s was led by somebody who knew tech, they wouldn’t have entrusted their first live Internet concert (with the Presidents on 12/31) to Spry/CompuServe and Xing StreamWorks, the outfits behind the Paramount’s Cyberian Rhapsody fiasco.

MISC.’S TOP 7: How Tasty Was My Little Frenchman, dir. Nelson Periera dos Santos (New Yorker Video), the greatest all-nude Amazon cannibalism comedy ever made… The Secret Adventures of Tom Thumb, dir. Dave Borthwick (Manga Entertainment Video)… Safeway coupon books… Cerealizing America: The Unsweetened Story of American Breakfast Cereal, Scott Bruce and Bill Crawford (Faber & Faber)… The Box: An Oral History of Television, 1920-1961, Jeff Kisseloff (Viking)… Blue Raspberry Squeeze Pop, the candy that looks like a tube of Prell… Yugoslavia: Death of a Nation (BBC/ Discovery Channel miniseries)…

MISC.’S BOTTOM 6: Watch This! (KING-TV)… AJ’s Time Travelers (KTZZ)… CompuServe’s Usenet censorship (one more reason to switch to an indie Internet provider)… Double-cross-platform software (stuff that’s promoted as running on different operating systems but really only works on Windows)…The NBA’s attempt to shut unofficial fan websites… Betting on the Bud Bowl (it’s pre-scripted! You could be betting with the film editor’s cousin).

NET LOSS?
Dec 20th, 1995 by Clark Humphrey

MISC. WAS AMUSED at the fine print beneath Doppler Computer’s Times ad on Dec. 6: “Prices and offers good through Tuesday, Dec. 5, 1995.” Reminds me of one of those art grants that only gets widely publicized after its deadline.

SIGN O’ THE TIMES (Marquee at the Varsity): “1-900, Seven, To Die For.” If you call 1-900-7-TODIE-4, by the way, you get the psychic hotline run by Sly Stallone’s mom.

KANADIAN KORNER: Last week we raved about the new NW Cable News channel. But we didn’t mention that it’s replacing the CBC in TCI Cable neighborhoods. It’s not the least popular channel on TCI now, but (according to TCI’s market research) it’s the least-popular channel TCI isn’t forced to carry by law or by parent-company contracts. At a time of big political doings in Canada (which just might lead to B.C. breaking off and creating the “Cascadia Nation” some regional think-tankers advocate) and Hollywood’s drive to monopolize all culture in the world, a channel devoted to Canadian news and entertainment’s more important than ever. (Besides, it’s the only place to see the venerable Brit soap Coronation Street.)

In recent negotiations with the county over a new franchise, TCI claims it’ll consider putting the CBC back when it gets done installing a new 70-channel system over the next year or three. But even then, TCI might not seriously consider adding a channel that doesn’t offer additional subscription or advertising revenue to the cable operator. The ultimate answer is an Internet video dialtone system (which could grow from the cable-modem system TCI says it’ll install eventually). That’ll let you get any programming anyone makes available anywhere, even Canada, without cable-company gatekeepers deciding for you. Speaking of people deciding what to let you see…

THE REAL INDECENCY: By the time you read this, Congress may have already passed the big-media-monopoly act (a.k.a. the “Telecommunications Reform Bill”) with its draconian, unconstitutional Internet censorship add-on (a.k.a. the “Communications Decency Act”). The latter is essentially the dreaded Exon/Gorton Amendment passed in the Senate version of the “reform” bill but omitted from the House version. The House-Senate conference committee convened in November to resolve differences between the two versions of the bill. Rep. Rick White (R-Bainbridge), a member of the conference committee, offered up his own Net censorship proposal; it would have been slightly more tolerant of certain words and images that a court might decide was “indecent” but not “harmful to minors.” But instead, the conferees sucked up to the Pat Robertson lobby and sent just about the worst bill they could to the floors of both chambers.

To use Newtspeak, the self-proclaimed GOP revolutionaries are really engaged in a reactionary “second wave” endgame. They’re trying helplessly to rein in not just an uncomfortably new technology but a cultural movement that threatens the very premises of centralized, authoritarian society. Under it, anybody who uploads a public newsgroup message, web page, or bulletin-board file containing anything the forces of hypocrisy don’t like (rap lyrics, fine-art nudes, Ulysses, Greek statues), even if labeled “Adults Only,” could potentially get two years in jail and a $100,000 fine.

While the censorship amendment attacks one of the most freedom-based mediums ever invented, the main part of the “reform” bill attempts to prop up a centralized, authoritarian culture on another front, by letting big media corporations own all the broadcast stations they like and control both print and broadcast outlets in the same town, and by letting phone companies charge customer-gouging rates (though cable rate-gouging was taken out during the conference process). Clinton’s previously threatened to veto the “reform” bill with or without a censorship amendment, but he might be tempted to sign it anyway to avoid offending Big Media at the start of his re-election drive.

For more info on how you can get involved to fight this, call the National Campaign for Freedom of Expression’s local offics (622-3486), or access the Electronic Frontiers Foundation website, or the Activism Online site run by the RealAudio folks.

YOU’D BETTER ALSO ACT SPEEDILY to send your suggestions for the annual Misc. In/Out List. Send hard copy c/o The Stranger, or leave email .

CNN-NW
Dec 13th, 1995 by Clark Humphrey

THANKS FOR THE GENEROUS WORDS about my book in the past two Weeklys. In the holiday spirit I’ll forgive Fred Moody, who wrote one of the pieces, for misspelling my name.

E-MISSIVES #1: As you’ve seen, the paper’s staked out email addresses under the domain name “thestranger.com”. That’s ’cause “stranger.com” was already taken by a Calif. software firm. Still, it could be worse; the World Wide Web address <<www.therocket.com>> takes you to a porn site in Rhode Island.

E-MISSIVES #2: Kelly Humphries writes, “I work as a messenger in the Sea-Ev-Tac area and see a lot of odd things. Friday I saw Hal’s Meat-Seafood-Cheese on 140th and Lake City Way, the marquee offering `Dry Ice 95.’ Is this supposed to replace the outdated `Dry Ice 3.x’ product? If we wanted to take advantage of all the features found in `Dry Ice 95,’ would we have to upgrade all the frozen foods in our freezer?”

INFOTAINMENT WITHOUT THE TAINMENT: King Broadcasting’s new NW Cable News channel launches this week, tho’ some cable systems won’t see it right away. I got to tour the studio, on the top floor of KING’s building. It’s a set-up a videomaker would die for. It’s all run on Avid video decks for nonlinear digital editing, connected to a Silicon Graphics server computer storing 24 hours of footage online. With robot cameras and preprogrammed graphics, it takes only three people to handle the studio production. The channel will launch with only eight reporting teams; most of its 100 staffers will rewrite reports from KING and its Portland, Spokane and Boise sister stations into Headline News-type newscasts running all day. For big regional stories, it’ll turn into the All-Flood Channel or the All-Packwood Channel. They promise something I’ve longed for: a local (or at least regional) TV newscast where the info’s more important than celebrity fluff, sleazy murder trials, plugs for the station’s prime-time shows, snappy anchor-banter, or Mr. Food. (Next week: We complain about TCI Cable dropping the CBC for NWCN.)

KHOLERIK KORNER: Bruce Chapman, whom I’d always thought to be one of that increasingly-rare breed of respectable, thoughtful conservatives, wrote in a P-I op-ed column a few weeks back, “Is the conservative revolution running out of steam? No–not to hearJohn Carlson tell it on his KVI talk show. Indeed, the jovial Carlson, who infuriates liberals, is even more gleeful than usual these days.”… “I have enjoyed John’s company ever since he was a delightfully irreverent college student at the University of Washington, assaulting the choleric dogmas of the UW Daily.

(1) As I’ve said before, if KVI said it was raining outside I’d still want it confirmed by a credible source.

(2) Carlson’s not so much “jovial” as snide, his snickers more like the sneers of a comic-book-movie villain or schoolyard bully.

(3) “Infuriating liberals” is a mark of laziness at the art of offense. It’s almost as easy as offending Christians.

(4) Carlson’s really quite reverent toward the three things in which he’s publicly demonstrated sincere beliefs–power, money, and ego.

(5) I was editor of the Daily when Carlson, then a member of the Board of Student Publications, tried to censure me for editing a “humor” piece by a friend of his about Ted Kennedy, similar to modern OJ “jokes.” If Chapman wants to call me “easily angered; bad tempered” (the Am. Heritage Dictionary definition of “choleric”), I can take it. If somebody called Carlson something like that, the rich pretty boy would probably whine about the Big Bad PC Thought Police trying to stifle his daring voice of rebellion. People who can raise out-of-state capital to start newspapers and think tanks are not helpless silenced voices. And people who suck up to the real centers of power in this society are not rebels, no matter how big their Harleys are.

AS WE DO EVERY TIME the sunset creeps up toward 4:15 p.m., we seek your suggestions for the annual Misc. In/Out List (not to be confused with any other listing which may or may not appear in a newspaper such as this). Send hard copy c/o The Stranger, or leave email at the Misc. World HQ website (that URL once again: <<http://www.miscmedia.com>>).

GODLY THINGS
Nov 22nd, 1995 by Clark Humphrey

At Misc. we know some things are just too creepy to turn away from. That was the case when some folks working late in a CapHill building looked ou the window and saw a film crew re-creating the Mia Zapata abduction for Unsolved Mysteries. Under banks of lights, an actress in vaguely punkish clothes kept getting into a passing car, take after gruesome take.

JUNK FOOD OF THE WEEK: Can’t get it here, but Semtex is the hottest new soda pop in Prague. It’s named after one of the old Czechoslovakia’s most notorious exports–a plastic explosive popular with various terror and organized-crime outfits the world over. An NY Times story sez the chemical factory that made the now-banned explosive is suing. The soda people say they adopted the name ’cause it inspires “a feeling of activity and motion.” That’s probably the same reasoning behind Royal Crown Cola’s new fake Mountain Dew, Kick (“Warning: Contains stuff you don’t even want to know about!”).

BRETHREN AND CISTERN: For unknown reasons, the wife of sometime Stranger writer Bryan Clark was put on the mailing list for Your Church magazine (“Helping You with the Business of Ministry”). It’s a Protestant Sharper Image Catalog, by the publishers ofChristianity Today but with no theological content. Just blurbs and ads for nifty products: Office-cubicle walls “repurposed” to house Sunday School groups, vinyl siding, fiberglass baptism pools, choir robes, bulk quantities of communion wafers, candle holders, electronic organs (“the way Sunday should sound”), clear plastic pulpits (“where no visual barriers exist between you and your congregation”), new and used pews, shatterproof fake stained glass windows, kitchen supplies (“Equipping the Saints in a practical way”), computer software to keep track of membership and fundraising, even entire prefab church building sections. Coolest of all are the electronic music boxes, “digital carillons” (by a company called Quasimodo Bells) and “digital hymnals” (“Instantly plays thousands of hymns, choruses, praise music, children’s songs, wedding music, and gospel favorites”). Our lesson: Even the heirs of Calvinist austerity can’t help but be eternally fascinated by that most basic of human desires, the Quest for Cool Stuff.

`R’ GANG: Entertainment Weekly’s piece on the recent box-office failure of several “sex” movies only pointed out how unsexy those anti-erotic, un-thrilling “erotic thrillers” and equally grim exercises like Showgirls really were. Don’t worry: Sex still sells, these movies just weren’t selling it. They were trying to sell fear and/or hatred of sex; but hundreds of direct-to-video Basic Instinct ripoffs wore out the concept.

TELE-KINETICS: When the new-age talk show The Other Side was suddenly, quietly canceled last month, NBC was left with only three hours of daytime programming. Ratings for the show, which took an almost-rational look at “psychic phenomena, ESP, ghosts, alternative healing, and more,” were never great. Replacing original host Dr. Will Miller (the preacher/ psychologist/ comedian from old Nick at Nite promos) with a perky Entertainment Tonight droid only made things worse. You can make your own joke here about the show’s fans still being able to contact it psychically. Speaking of daytime TV personalities…

THE NEVERENDING STORY: I’ve avoided O.J. Simpson in this column, but now note that the recently retired daytime personality’s looking to start a new life in the face of ostracism by former L.A. acquaintances and hangouts. The Philadelphia Weekly reports his representatives are looking into potential homes for him in Philly’s ritzy Main Line suburbs. Imagine–the figure who nearly put the soaps out of business, moving to the real-life Pine Valley.

LOCAL PUBLICATION OF THE WEEK: Perv, a new local monthly gay paper, is a lot like what the Misc. newsletter would have become if I’d kept it going. It’s one big sheet of paper in Stranger’s old paper size but sideways, crammed with gossip, jokes and comix. Of course, I’ve never written about the gay-male bar scene and Perv writes about little else. Still, you don’t have to be gay yourself to realize the way-serious Seattle Gay News can’t be the only possible gay viewpoint in town. And I do like Perv’s comment on how “if every fashion show in town is fetish, then fetish isn’t much of an alternative anymore, is it?”

IN PRAISE OF MALE HETEROSEXUALITY
Oct 9th, 1995 by Clark Humphrey

In Praise of Male Heterosexuality

Original online essay, 1/9/95

I write to defend, yea to praise, the most commercially exploited sexuality in the so-called “mainstream” culture and the most viciously disrespected sexuality in the so-called “alternative” culture.

I assert that male heterosexuality is just as valid a lifestyle as female and/ or gay sexuality, and that male heterosexuals are just as human as women and gays. Not superior, but not inferior either.

The male heterosexuality I praise is neither the crude stereotype presented by the commercial sex industry (which seeks to turn men into mindless stimulus-response machines) nor that presented by the anti-porn movement (which avers that men already are such machines). Nor is it the “mystic warrior” stereotype (often a regression to presexual YMCA/ Boy Scout notions of “playing Indian”), nor the postmodern masochist (all too eager to accept self-pitiful guilt trips over other men’s crimes), nor the crude sexual boasting of “macho” rappers and metalheads (all about playing dumb power games with other guys and nothing about reaching out toward a woman’s heart).

No, I praise the man of passion and soul, of heart and joy, of unpretentious self-confidence and mutual respect, the man who eats and drinks and makes love with a big heart, who gives his lust to a woman while receiving grace from her and vice versa.

It is this passion, this yang zest for living and loving, that is obscenely absent from most manifestations of “sexual liberation” inside the “alternative” culture.

Without going too far into my private affairs, I will admit that I’m still on the path toward discovering my passions and releasing my inhibitions. But at least I know now where I need to be. I need to explore the fullness of my positive male self.

This does not mean by becoming a mere consumer of corporate sex, which is even more life-denying and unfulfilling than corporate food or corporate entertainment.

Nor does it mean the soulless “casual sex” advocated by the Hipster Chamber of Commerce types in NY, LA and especially SF. TheCyborgasm CD, hyped to death in the Frisco “alternative” media, is as loveless a formula product as any XXX video. And S/M can be equally life-denying. Of all the pictures in the recent local “Definitive Erotica” fetish-photo exhibit, only one held any real eroticism. It was also the only picture in which the two models appeared to like one another.

Perhaps love’s opposite isn’t hate or even indifference but power. It’s easy for some of us to see the destructive effects of power madness in the political Right. It can be harder to see it within ourselves. Power madness destroys the heart through the mind, by instilling the false but oh-so-tempting concept of Good People and Bad People (instead of average people who do good and bad things).

The people (of any demographic or political stripe) who claim to be The Good People are the ones who most need to be confronted with their averageness. That’s one of the things sex can teach you, that you’re not one separate loner rebel but a node of the biological continuum.

The devilish temptation of power is not the exclusive property of the Right. You see it in gay bars that use slogans like “Dare to be Different” then post a six-foot-long dress code inside the door. You see it in new-age “men’s movement” zines that promote misogyny in the guise of denouncing misandry. You see it in the stifling codes of thought emanating not only from the Right (denouncing almost all sexualities) but also from the neo-Puritan Left (endorsing almost all sexualities except het-male). And yes, you see it in “radical” ideologies that brand straight men as one mass entity of cruel, idiotic woman-haters.

The true heterosexual male, in my definition, doesn’t hate women. He likes them, having alredy learned to like himself. He takes honest pride in abetting the life and dreams of the woman he loves. The Mahabarata said that “the mark of an efficient society is its respect for women.” In olden days when life was physically tougher and women didn’t get enough iron in their diet, supporting women meant one thing. In this age of coed workplaces and two-career couples, supporting women means helping them achieve their goals in and out of the home.

Feminists and gays should invite the support of sympathetic het-males, not spread oversimplistic stereotypes against them. To engage in gender-bigotry is to tacitly, indirectly accept its use–including its use by those who would use it against you. To demand that more men behave humanely, you must first acknowledge those men who already do. And in the Age of Newt, progressive elements need all the sincere supporters they can get, right?

Besides, without an acknowledgement of a positive role for male yang energy, the Left is bereft of the psychic and emotional means to take charge. It can react (passively or aggressively) against the Right’s actions well enough, but it can’t take proactive steps to promote any agenda of its own.

Sexual love, whatever the genders of its participants, ought to be about breaking down the walls between souls, not building them up. Intimate ecstasy is the abandonment of individualistic power trips. It’s the willful sacrifice of cold individualism for the sake of building something stronger.

Real lovemaking, particularly real hetero lovemaking, its most spiritual level is about discovering and connecting on every level with a life force outside and different from yourself. It’s about the yang becoming enveloped by the yin; what a new-age yoga book described as “the jewel in the lotus.”

This is something far beyond the mechanical sex of the porn industry or the even more mechanical sex of much “alternative” erotica (e.g., the Mondo 2000 dream of one day being able to masturbate with robots–yecch!).

I do not condemn the sex industry or its clientele; a starving person without access to a homecooked feast will find at least some sustenance from an Egg McMuffin. And face it, an Egg McMuffin can seem downright tasty at the right time and context. But those who always settle for the most expedient never learn to train their palates.

My vision of het-male sexuality at its best is of a passion, of the Lust for Life that Van Gogh and Iggy Pop advocated in their own ways (not to mention Henry Miller or Cobain). It’s a vision of blood as the life force, the elixer that feeds the soul; of the heart, the vulnerable organ within us that we don’t see; of braving the risk of looking like a fool or an idiot, the risk of rejection; of intimacy; of the pain no one can see. It values sentimentality, the fulfillment of yearning through remembrance of what the heart truly feels. It values emotional equality instead of loveless sex, friendship instead of name-dropping parties to be seen at but not heard. It affirms life, instead of the surface-level soullessness that the “alternative” culture falls prey to just as badly as other subcultures in today’s America. Indeed, the “hipness” defined by NY/ Calif. is in some ways more life-denying and consumerist than a lot of “mainstream” subcultures.

But that’s not to say we don’t have our own cultural constraints working against active love. Seattle, this land of Mandatory Mellowness, this land of pale Edwardian smugness posing as “progressivism,” especially needs to learn the power of positive passion, to really believe in something, to be really attached to someone, to really live.

UFO NO GO
Oct 4th, 1995 by Clark Humphrey

Welcome, good buddy, to the high-rollin’ 10/4 Misc., in which we attempt to figure out the rationale behind the recent rash of beers with dog names. There’s already Red Wolf and Red Dog (one’s owned by Coors, the other by Busch, but I can’t remember which is which). Now, Seagram’s trying to get into the beer biz with something entering local test markets this week called Coyote. Dunno ’bout you, but as one who grew up in a dog-owning household, the association of yellowish-colored liquids with dogs is not an appetizing one.

WITH POPULARITY comes a wider audience not all in on the same cultural reference points. Some folks thought that recent Stranger Performance Issue cover was “kiddie porn.” (It was even banned by the Spokane post office!) It was really taken from an early-’60s lesbian-domination photo book, originally distributed in the pre-Stonewall gay underground. The brouhaha over it shows how folks “read” images based on their own suppositions. I was more shocked by a P-I front page the same week, with banner photos of glass-art renditions of what obviously were a diaphragm, a uterus and a dildo — with a headline about how the artists were “Showing Off Their Talent at Blowing.”

KNIT PICKING: I don’t think the discontinued Calvin Klein ads were “kiddie porn” either (more like deliberately antisexual sleaze, using old underground photography as another retro-pop-cult “inspiration”). However, there’s now a line of junior-size knit tops called Betty Blue. Do teenage girls wearing the tops know about the movie of the same name? Quite possibly. Do moms buying ’em for their daughters know about the movie? Maybe not.

TAB KEYS: For those of you still stuck in post-adolescent snickering, the Weekly World News is now on America Online. I doubt it’ll be a hit there. It removes the only thing I like about the paper, its typography. Besides, online distribution too effectively targets that made-to-be-laughed-at tabloid’s real target audience of fratboys and hipster wannabes, negating the effect of imagining you’re the only WWN reader who knows it’s a joke.

REBEL WITHOUT A LUNG: Hope you’re ready for New Left nostalgia, corporate-style; for here come Politix cigarettes, with a peace hand-sign and a rainbow on the pack. It’s one of several brands (along with Sedona, exploiting the Arizona new-age colony of the same name) from the pseudonymous Moonlight Tobacco Co. (really R.J. Reynolds). The NY Times business-section story about Reynolds’s latest gimmick came the same day as a front-page story about the megabux being shoveled from the cig industry into GOP campaign funds…. Elsewhere in the product world, Coca-Cola quietly dropped OK Soda from its remaining test-market regions, three months after it ceased to be sold here. Chalk it up as another failure from Portland ad whizzes Wieden & Kennedy (of Subaru “Lack of Pretense Days” and Black Star Beer infamy). W&K’s string of flops may revive the old-school ad theory that cleverness might get your agency famous within the ad biz but doesn’t move product.

E.T. STAY HOME: The AP reported “three self-styled mediums” in Sofia, Bulgaria led some 1,500 followers to an airstrip to await eight space ships. Among other things, the mediums promised the aliens would help the poor Balkan country pay its $12.9 billion foreign debt. No non-earthers showed up. Just as well; if the space people had acted like Bulgaria’s last patron state, the ol’ USSR, the financial aid would’ve been in inconvertible currency that could only be spent in its home country.

‘TIL NEXT TIME, recall the words recited by Tom Berenger as Brigham Young’s bodyguard in the cable movie Avenging Angel: “The problem with polygamy is when you have 27 wives and 56 children, one of them is just bound to turn out as dirt stupid and pig ugly as you.”

Mark your calendar to attend the book release party for my hefty tome, Loser: The Real Seattle Music Story, Sun., 10/15 at the Crocodile. It’s 21-plus, but an all-ages reading event’s in the works for later this month. More info at the Misc. World HQ website.

EYE EXAM
Aug 23rd, 1995 by Clark Humphrey

THE ULTIMATE HUNNY TREE: By now you’ve probably heard a broadcast day’s worth of ABC/Disney merger jokes and fantasies. You know, the ones about the deal coming from secret bargaining sessions between Scrooge McDuck and Old Man Quartermaine from General Hospital, or Joel Siegel’s movie reviews getting even less critical, or merging McGyver with Bill Nye the Science Guy, or letting Urkel redesign the theme-park rides, or adding Flubber-enhanced events to Wide World of Sports, or animatronic figures of Jimmy Smits’s butt, etc.

The nightmare reality, of course, is this is a part of the growing consolidation of corporate media. So is the deal in which the rump remains of CBS (without the record, musical-instrument and magazine divisions) joins the rump remains of Westinghouse (itself greatly transformed since the days when Betty Furness opened Westinghouse refrigerators during ads on CBS’s Studio One). Despite Letterman’s jokes, today’s Westinghouse makes nothing you the consumer can buy, except home security systems. It owns TV and radio stations and makes heavy industrial, electrical, and military gear. The deal will also mean two of the traditional Big Three networks will be owned by nuclear-reactor builders.

Unless the rival bid for CBS from Ted Turner and Microsoft (which is denying its participation in the deal in deniable ways) goes through. You can imagine the Letterman jokes about which show they’ll bring back first (Designing Women or Northern Exposure), or about whether Gates’s geeks will demand Price Is Right models be added to the Evening News.

One potential nerd’s-companion show Gates won’t get to buy right away is Santa Monica Bike Patrol, due to air next year on USA. “It’s just police officers on their bikes, fighting crime through the beach community,” says a spokesperson for the producers. Before you say, “But Seattle’s had its own bike cops for years; they’re stealing the idea from us,” remember that even before Seattle’s bike cops, Harry Shearer did a routine on an early Letterman show showing stills from what he claimed was his own bike-cop-show pilot. “We’re always pulling out our guns,” Shearer said back then, “but of course we can’t fire them because we’d fall off the bikes with the recoil.”

WHAT’S YOUR SIGN?: By the time you read this, the first Miss Deaf Swimwear bikini contest will have been held in L.A. The swimwear-catalog company promoting the event claims it’s doing it “to involve the Deaf community in the modeling world. Many deaf women do not have the self condfidence to compete in this kind of competition, and we are hoping to change that.” It could also be seen as a statement that hearing-impaired women don’t all prefer to spend their free time at signed acoustic-folk concerts. Some like to make universal expressions of pride, vanity, and sneering at other women’s judgmental scorn.

JUNK FOODS OF THE WEEK: Philly’s Best Cheesesteaks and Hoagies, on E. Union east of 24th Ave., is the real thang. Philadelphians I’ve sent there as spies agree. Their secret to a perfect meat-grease-bread concoction? They fly in foot-long rolls from Penna. direct, for that melt-in-your-mouth softness that still holds up under a half-pound or so of sliced, freshly grilled steak or chicken plus fixins. Have one for lunch; you won’t need dinner that day…. Sangria Senorial, imported from Mexico, just might be the first decent-tasting grape soda. Grape has traditionally been one of those minor flavors the US drink giants placed under their catch-all brands (Fanta, Nehi), originally because their sales didn’t warrant their own bottle designs. Senorial, while non-alcoholic, comes in a mini wine bottle. It doesn’t taste like wine, even non-alky wine. It does taste like real grapes with just the right amount of fizz.

YA MIGHT NOT WANNA HEAR THIS BUT: Prepaid phone-sex cards, now sold in the back pages of some alternative publications, are like buying a single bed. They’re both acts of admitting you’ll be alone and desperate for the foreseeable future… The aforementioned Disney co. is making an updated, live-action remake of 101 Dalmations. Expect more than 101 “cute” dog-poop gags… Everyone I know who went to the Johnny Cash/Mark Lanegan concert called it Lanegan’s show that Cash closed, not Cash’s show that Lanegan opened.

WORD-O-RAMA
Aug 16th, 1995 by Clark Humphrey

MISC. WANTS TO THANK all the attentive readers who wrote, emailed or faxed in to confirm the flyer I wrote about warning Yellowstone visitors against head-butting buffalo is real. One reader even claimed “I’m still alive today thanks to that advice;” another said park employees maintain a tote board every tourist season saying something like “Buffalo 6, Humans 0.”

HEADLINE OF THE WEEK (from the front page of Murdoch’s notorious London tabloid News of the World): “My Sex And Smoked Salmon Romp.” Ahh, the two great tastes that taste great together…

AMERICAN ENTERPRISE AT ITS FINEST: Pee-On-It is a urinal sanitizer-deodorizer by the Ohio-based Anthem Inc., with one of seven pictures on it: A guy holding an umbrella with the caption “And you thought you were having a rough day,” a woman with her mouth open, another woman laughing “What’s That, A Joke?”, a bull’s eye with the caption “If You Don’t Have Length Try For Aim,” a guy getting a “shower,” another guy holding his nose and ranting “You Drank THAT?,” and an opened beer can with the caption “Ecology project: Recycle Your Beer Here.”

META-FICTIONS: Seems that not only is there already a real Gramercy Books, the fictional Gramercy Press of the MCI ads will put out a sort-of real book, Apocalypse of the Heart. Romance queen Barbara Cartland’s allegedly been contracted to pen the tome, to be issued under the pen name of “Marcus Belfry,” a fictional writer in the commercials. Speaking of the word. It’s not the first time a “fictional character” has written a book. Many early Brit novels were written in the first person and presumed by some readers to be true stories. The Ellery Queen mysteries listed the hero as author, tho’ they were written in the third person. Then there’s Venus on the Half Shell, a sci-fi spoof attributed to one Kilgore Trout, a hack-writer character in several Kurt Vonnegut novels. (To this day most folks don’t know Vonnegut didn’t write Venus; real-life sci-fi hack Philip Jose Farmer did.) Speaking of the word…

MANLY READING: It’s common in semiotics texts these days to ascribe homoerotic meanings to the archtypal adult-male heroes of boys’ adventure fiction, from the old Pee-wee’s Playhouse gang to today’s Batman Forever cast. What these texts haven’t mentioned as far as I’ve seen is how all those PR campaigns to sell “Books” to kids as one generic commodity always trot out past generations’ boy-adventure heroes (pirates, knights in armor, your basic Pagemaster cast). I’m sure something could be done with that, maybe something scandalous about how Barbara Bush and the American Library Assn. are propagating homoerotica to children. Speaking of the word…

SEGREGATED SENTENCES: The Times quoted an 1853 Old Farmer’s Almanac homily as warning householders to keep books by male and female authors (unless married to one antoher) stocked on separate shelves. Finally: An explanation for the fiction racks at Left Bank Books. Still speaking of the word…

VOLUME SELLING: The arrival of one of them huge Barnes & Noble book emporia at U-Village points out the perception/reality thang re: the alleged non-popularity of the written word in PoMo America. If nobody were buying these paper artifacts, huge corps. wouldn’t be spending proudly to install great print palaces (and potentially drive the li’l folks outta the biz). Still speaking of the word…

IT’S ONLY WORDS: Thanks to your diligence in reply to our recent solicitations, we have a veritable bevy of non-“surfing” words for Internet use: gigging, looking around, skimming, roamin’, ramblin,’ and my favorite of the week, that ol’ Situationist Internationale term “dérive.” I’ll try using some of these in sentences over the next few weeks, to see how they work.

NOW I HAVE ANOTHER FAVOR to ask of you, to enter your suggestion in our drive to find the best grocery stores in Seattle. Base your nominations on atmosphere, attitude, cool products, and price, and place them under one or more of these categories: convenience store, small supermarket, regular supermarket, superstore, and ethnic. Mail them here to the paper or leave them at the Misc. website.

PIKE STREET CINEMA ESSAY
Aug 9th, 1995 by Clark Humphrey

Pike St. Cinema Says Adieu:

The Last Rewind

Essay for the Stranger, 8/9/95

Adventurous filmgoers have another month or so to visit the Pike Street Cinema, Seattle’s smallest and most curious film space. In mid-September Pike Street proprietor Dennis Nyback will take his projectors, his old-time movie posters and memorabilia, and his 2,000-reel collection of film oddities to New York, where he’s certain he’ll be better appreciated. The closure marks the end of three and a half years of what Nyback boasts of as “unfunded, unadvertised, and unrepentant” exhibition.

The origins of the Pike Street actually go back to mid-1988, when Nick Vroman and Geof Spencer began the Belltown Film Festival in the Jewel Box Theater of the Rendezvous Restaurant. Vroman and Spencer rented the grand old space on Second Avenue, originally a screening room used by major film distributors, to show the kinds of movies they liked and couldn’t see anywhere else — things like obscure foreign dramas, prewar German dada shorts, and ’80s New York underground films. Despite the special-event implications of the “Festival” name, they had the space one night a week on an ongoing basis. When they began to run short of available, affordable films in their favorite genres, they opened up the Belltown Film Festival to local filmmakers, show-and-tell nights, and other concepts.

To fill other schedule holes, and to help prop up the operations side of their venture, they turned to Nyback, who’d run the Rose Bud Movie Palace in Pioneer Square from 1979 to 1981. Nyback had developed a part-time business as a mail-order dealer in old movie reels and mystery novels, supplemented by various day jobs (including at least one stint as a porno-theater projectionist). Nyback not only owned his own collection of rare prints, he corresponded with similar collectors around the country who had their own peculiarities. He also owned his own 16mm and 35mm projectors, and knew enough amateur carpentry to rebuild the Rendezvous projection room into a workable facility.

In 1989-90, Nyback gradually took more responsibility over the Belltown Film Festival. By early 1991 he was running it by himself. The festival’s programming evolved away from French and Japanese features toward programming built around Nyback’s collection — prewar jazz shorts, cartoons, and comedies; ’50s and ’60s TV commercials and movie trailers; educational and industrial shorts; ’60s music shorts originally made for Scopitone film jukeboxes; and pre-1970 stag films.

Nyback, who admits to preferring total control over his ventures instead of partnerships, broke with the Rendezvous’s owners in September 1991. He held screenings at a couple of other Belltown spaces that fall. Then at the start of 1992 he leased a storefront on the ground floor of a somewhat notorious transients’ apartment building at Pike and Boren, an area of Capitol Hill only now starting to get “upscaled.” He put his book operation, Spade and Archer (named for the Maltese Falcon detective agency) in the front room, separated by a sliding bookcase from the 50-seat screening room in back. For $600 and donated materials he created a funky yet elegant space, complete with old-time theater seats and curtains.

In retropsect, it might not have been the best possible site. People often got lost confusing address, 1108 Pike, with 1108 East Pike; either that or they confused the name “Pike Street Cinema” with the former Pike Place Cinema in the Pike Place Market. And in his first few months at the space, he didn’t even have a sign above his tiny storefront big enough to be seen by drivers heading up from downtown — just a small sandwich board outside and some posters in the window.

Additionally, Nyback had trouble drawing suburban baby boomers, many of whom told him they thought were afraid to venture into Seattle after dark: “People used to say, ‘Go to the Pike Street Cinema and get mugged.'” Nyback admits to the presence of lowlife types in the apartments above the theater and in the tavern next door, but insists none of his audience members were ever hassled by them.

But the space was cheap enough that Nyback broke even for three and a half years on an average attendance of 125 people per week.

Some of the Pike Street’s better attended programs have included a Charles Bukowski bioflick, a show of Frederick Wiseman documentaries, the underground farces of San Francisco director George Kuchar, a package of ’70s Mormon Church instructional films, a festival of old softcore sex films curated by Something Weird Video, the Seattle-made 1970 porno feature The Last Bath, Craig Baldwin’s recent Negativland profile Sonic Outlaws, and Bad Bugs Bunny (a collection of Warner Bros. cartoons no longer shown on TV due to racial caricatures).

Still, Nyback wasn’t earning a living wage from the theater. It didn’t help that “I didn’t charge enough to the people who rented out the space on off nights” for other film programs and cabaret parties. He also couldn’t afford paid advertising and didn’t want it if he could afford it, preferring low-key promotion through flyers and posters.

Yet Nyback isn’t worried about his chances in the New York entertainment scene, a scene even more reliant on high-profile promotion than Seattle’s. “New York just seems like more of a real city, where there’s word-of-mouth, where people my age (he’s in his early 40s) still go out at night.” He’s got friends back east scouting for potential sites, and hopes to be back in business before the end of the year.

Meanwhile, Seattle experimental filmmaker Jon Behrens hopes to open a new screening room elsewhere in town with a similar schedule. In the past, Behrens has screened his films at the Pike Street and at 911 Media Arts (including a program held on July 29). But he says he wants to break away from what he perceives as an increasingly institutionalized atmosphere at 911, and to keep the anything-goes indie spirit of the Pike Street Cinema alive in Seattle.

DEMO GRAFIX
Aug 9th, 1995 by Clark Humphrey

Return with us now to Misc., the pop-cult column that found the cutest li’l picture book of classic poems about animals down at the Borders Books sale shelf, put out by an obscure Random House subsidiary really called Gramercy Books. Wonder what long-distance company they use?

THE BRIDE WORE BLACK: I’m fully supportive of the Gothic Singles Network, a new for-profit enterprise aiming to bring pale-skinned types together for mutual moping and potential groping. I just don’t wanna be around when they exchange rings…

JUNK FOOD OF THE WEEK: Trolli Swamp Stuff is a sour-hot lollipop imported from Spain, packed in a plastic wrapper combined with a modicum of “Sour Quicksand Powder.” Nasty, just the way I like it.

PUNTERS: The Seahawks, after way-losing seasons and declining attendance, want govt. subsidies, mostly for Kingdome improvements where we’d pay the costs and the team would get the profits, or they’ll threaten to move like the Mariners. It’s not just a jock thing, it has ramifications for public policy:

  • (1) The GOP Sleaze Machine’s drive to move public assistance, environmental control and other operations to state and county levels is designed to increase this kind of socialism-for-business groveling, as localities compete to have the most “pro-business climate” by slashing social services and beefing up corporate giveaways.
  • (2) This will, natch, result in a lower quality of life, a lower standard of living, and further demands that government spending be “unwasteful.” More public building projects will be designed with initial cheapness in mind, just like the Kingdome — or like the Municipal, Public Safety and City Light buildings, our own postwar-vintage Einstruzende Neubauten. Now there’s a move afoot to move those and other city offices into an underoccupied, bankrupt office tower, the same bldg. the Times did an extensive “Making Of” feature series about while it was being developed under the auspices of original Seahawks partner Herman Sarkowsky.

X MARK(ET)S THE SPOT: There’s an Internet newsgroup called alt.society.generation-x. Someone named Jody put up a message, claiming to be flying off to speak at some marketing convention in Amsterdam about “ads that target Generation X” and wanting newsgroup readers to report their favorite spots. As you’d imagine, it led to several indignant replies (“I am not a target market!”).

But it also generated several more lighthearted responses. One went, “How about the one that asks if you were thinking about your cat’s urinary tract health? How did they guess? They must be psychic.”

Or how about: “My favorite is the son on the phone with his mom (for Unisom) and right before he says, ‘I love you too,’ in a cranky voice he says, ‘Mom? Am I going to tell you to take something that isn’t safe?’ in the most patronizing voice. I want his mom to reach through the phone and smack him.”

Another wrote, “Definitely the Australian car wax dood. That infomercial got to me. I even went around dousing people’s car hoods with lighter fuel and setting it ablaze. I should be off probation in a year or so.”

And finally, “I like the audience-reaction ones for movies. Especially the one for Die Hard with a Vengeance where they have one group of chiyx saying ‘Yipee’ and then a group of middle-aged people saying ‘kai’ and then a group of token ethnic people saying ‘yay’ and then a group of precious grade schoolers saying ‘motherfucker!'”

As for me, the ads that attract my attention (though not my wallet) include:

  • (1) Products endorsed by fictional, trademarked motion picture characters (if you can’t trust a guy in Batvinyl or the Pink Ranger, who can you trust?);
  • (2) Products endorsed with “classic rock” (when the Byrds’ “Turn Turn Turn” was used to advertise Time, I almost forgot the song was partly written to protest a war Time supported);
  • (3) Incessant, aggressive hype, especially if tied into exploitations of snowboarding culture; and
  • (4) Hip-hop dress, slang or style used by retailers who won’t open a store anywhere near an inner city.

WORD-O-THE-WEEK: “Foison”

WHERE, WHERE ARE YOU TONIGHT?
Jul 12th, 1995 by Clark Humphrey

Welcome to the All-Star Break edition of Misc., the only column that openly wonders what those pseudo-intellectuals are doing when they worship the only major league sport (baseball) that doesn’t even pretend to give its players a college education.

PRE-COOKED FOR THIS TIME ZONE: A proposed Saturday Night Live theme restaurant in Vegas has been scuttled. Variety sez it was to have been part of “New York New York,” a $400 million hotel-casino being built by Kirk Kerkorian (the financier who dismembered MGM and tried to take over Chrysler). It was to have included a “cheeseburger cheeseburger” grill, a Bill Murray piano lounge, and shrines to the show’s old stock characters and iconography. But NBC (which, with SNL honcho Lorne Michaels, was going to get $11 million plus a share of the restaurant’s take for the rights) backed out. Some observers see this as a sign that the network’s finally getting hip to the utter unhipness of today’s SNL. Speaking of TV comedy once-legends…

THAT’S ALL!: Hee Haw reruns were quietly taken off the Nashville Network (owned, like the show, by Gaylord Entertainment). The show’s been off the Gaylord-owned KSTW since last winter. The real Hee Haw ended in ’92, when the Kornfield Kounty set, most of the “Hee Haw Honeys,” and all the running gags were dropped for an “updated” format set in a shopping-mall nightclub and retitled The Hee Haw Show. The producers had to do it because those “Young Country” singers were refusing to be guests on the old show, claiming its Midwestern hayloft iconography didn’t fit their modern suburban New South personas. The new format was a bust, and the show’s been in reruns of old-style episodes ever since. The closest thing to the show’s old humor in today’s country universe is Jeff Foxworthy, that comedian whose whole routine starts with “You know you’re a redneck if….” Speaking of the detrius of cultures past…

LEFT FIELD: The Wall St. Journal’s front page ran a wishful-thinking piece in mid-June about the death of the left, cleverly defining “the left” in the narrowest possible sense as groups descended from the Communist Party USA or the Socialist Workers Party–the least active side of US left-wing activity (including Seattle’s own Freedom Socialist Party). The piece sneakily ignored the entire environmental movement, the movements to reform organized labor, the various leftist third-party movements (the New Party, the Rainbow Coalition, et al.), all your single-issue groups, and the campus-intellectual left I’m always chastizing.

THE TRUTH ABOUT `CYBERPORN’: The totally ridiculous exploitation story in Time only proves the same lesson Time‘s Pearl Jam cover proved: When you know the media are lying about a topic you know about, how can you trust them about other topics like politics? Yes, there are pictures of female and male bodies on the web. Most are put up on amateur home pages, though a few such sites are commercially run (by such firms as adult-video distributors, magazines, phone sex purveyors, lingerie catalogs, and “glamor photographers”). The sites aren’t easy to find unless you use search programs to find them. Most have introductory screens that ask you to type in your age before they’ll let you in further. But really the whole gamut of sexculture appears on the Web: ads for “educational” CD-ROMs, exhibits of neoclassical nude paintings, bondage stories, rambling essays about broken relationships, personal ads, listings of lesbian and gay community resources, pirated Celebrity Skin photos, video clips of topless pillow fights, and clips from women’s-mag ads of supermodels selling clothes by not wearing them. Sexculture on the Web is (almost) as diverse as in life, which is what they advocates of a commercialized monoculture like Time Warner are probably really afraid of. Speaking of the glamor of nakedness…

WEB SITE OF THE WEEK: Body Doubles is a new brand of cosmetics and skin care products, sold thru an online multi-level marketing scheme. The promise implied in the company’s name (but not explicitly given in its advertising) is with this stuff, you can look better than the movie stars–you can look as good as the models who do the stars’ nude scenes for them!

BOORS AT PLAY
May 31st, 1995 by Clark Humphrey

UPDATES: The C-Space group is dead, but another group has risen to take its place providing education and advice to the leather community: SKIN (Seattle Kink Information Network). It meets at, and can be reached in care of, the Crossroads Learning Center… I’ve now tried RealAudio (the software for receiving sound files on the Internet in real time) and it’s great. Love the lo-fi sound (akin to an international call placed thru a no-name long distance company), complete with disconcerting jump cuts at random places in some files. The software’s developers promise improved quality in future releases (though any improvement is limited as long as the data comes to you on regular phone lines), but for now it’s a miracle.

THE REAL THREAT: I’m told cops are still trying to find “public safety” excuses to stop the all-ages shows at the Sailors Union hall. The SUP shows are probably the safest place to be in Belltown. The real safety problem lies on the three blocks just south of SUP. Late Fri. and Sat. nights, this is an iffy zone for single women, non-jock men, and anybody else rich bullies like to beat up on. Meanwhile, Capitol Hill continues to face gay-bashings, including a recent attack against two women outside Wildrose. Seattle is getting to be a less-safe place, and you can’t blame it on the homeless, non-whites or other “Others.” Increasingly, the threat to safe streets comes from middle- or upper-middle-class white kids, part of the “upscale” class local politicians and most local media bow down to. For the benefit of those of the suburban jock contingent who might be reading this while “slumming” in Belltown or on Broadway, a quick piece-O-advice: Despite what you might have been led to believe in recent years, intolerance, bigotry, rudeness and violence are not virtues. Bashing, harrassment and racist jokes don’t prove how daring or “politically incorrect” you are; they only prove how stupid you are. Assholes aren’t noble “rebels,” they’re just assholes. It’s not “cool” to be a creep.

INDUSTRY FOR SHOES: As you know, I love Seattle’s urban industrial areas. I love their empty streets, their old-style big low buildings, their ambience of honest hard work. I haven’t talked about one of my favorite such areas, south Ballard/Salmon Bay. The area from the Ship Canal to Leary Way is a low-key wonderland, from Mike’s Chili Tavern to the legendary recording studio (now known as John and Stu’s) where most of the early Sub Pop product was made. In between are boat shops, warehouses, lumber yards, paint factories, car-parts stores, and a couple of stray artists’ studios. But like anything real in this town, it’s targeted for “improvement.” Fred Meyer wants to build a big store near Leary & 8th NW. I like Freddy’s and would love one in Ballard, but not at the expense of an entire neighborhood. A group called SOIL (Save Our Industrial Land) wants commercial uses and their jobs preserved there; it’s asking the city to do more research on how Freddy’s would change the area. SOIL can be reached at 789-1010. Elsewhere in developmentland…

SACRIFICE: The Seattle daily papers were somewhat agog that the Legislature didn’t make the whole state subsidize a new Seattle baseball stadium. But it’s in non-King counties’ best interests not to support the Mariners. The team draws out-of-town residents’ entertainment dollars to Seattle, dollars that would otherwise be spent at home. So instead, the state will probably let the county raise an already regressive sales tax, pending a public vote, to help build a new arena whose retro architecture would bring back memories of a time when ballparks were human-scale facilities built with all-private funds. (To read arguments from new-stadium proponents, check out the unofficial Stay-dium WWW page (http://www.weber.u.washington.edu/~ayers/staydium/stayduim.html).

ONCE AGAIN, be sure to attend our next big Misc. anniversary party, Thurs., 6/8, 7:30 p.m., at the Metropolis Gallery on University between 1st and 2nd (across from the big black wind-up toy). For those planning to see SIFF’s second showing of The Year of My Japanese Cousin that night, come by afterwards.

INDUSTRIAL NIGHT
May 10th, 1995 by Clark Humphrey

As boosters of local small business, Misc. is pleased as punch that Hale’s Ales is building a new facility on Leary Way, but slightly saddened that it’s going to take over the site now occupied by one of my all-time favorite Seattle building names, the House of Hose.

DISCLAIMER OF THE WEEK (seen before a body-piercing segment on the Lifetime cable fashion show Ooh La La): “Warning! The following piece contains images some viewers may find sorta gross.”

THE FINE PRINT (back label of a Western Family Toilet Bowl Cleaner): “This product is safe for use around pets. However, it is always best that pets do not drink water from toilet.”

STUFF I GET IN THE MAIL: Each week I get PR directives that just don’t warrant a complete column item, yet are good for at least a moment’s reflection. F’r instance: Ex-KCMU manager Chris Knab now leads seminars on how to make it in the music-marketing biz. The four-week course costs $149… There’s something out for this summer called the Carol Woir Slimsuit (“The Swimsuit With A Personality”), a one-piece women’s swimsuit with a built-in corset-like thingie. Its ads say “Lose An Inch, Gain The Glamour”… C-Space, a biweekly forum/ support meeting for local S/M pursuers, is hanging up its spikes for the last time after five years. Speaking of postal submissions…

NO MILK, THANKS: I was amused when a reader sent in six pages clipped from a Cheri magazine pictorial about nude waitresses at one “Big Cups Coffeehouse.” The story claims the café’s been in business in Seattle for four years. It’s all fictional, of course (it probably wouldn’t even be legal here). Florida and Texas, though, have had a tradition of novelty nude businesses (car washes, laundromats, donut shops, pool halls); so the concept might seem plausible to some Cheri readers. Speaking of stapled Seattle sightings…

THE GOOD LOAF: Somewhat more factual than the Cheri pictorial was the May Esquire article about Seattle’s “baby boom slackers,” whitebread liberal-arts grads of the magazine’s target demographic who used to have time-consumin’ bigtime careers but now hang out at the Honey Bear Bakery, having chosen “voluntary simplicity” instead of the work-hard-spend-hard ideology long advocated by the magazine. I certainly hope the mag’s readers will realize the selectivity it used. The story notes that only 70 percent of U.S. adult males now work full-time year-round at one job; but from personal knowledge I can assure you a lot of those guys walking around in the daytime with self-DTP’d “consultant” business cards aren’t there fully by choice. Not to mention the millions who haven’t had the chance to quit a well-paying job. Speaking of the world of work…

ON THE MAKE: Was reminded three times this month of the good ol’ days of American business, the days when this country was interested in making things instead of just marketing them. The first was the Times obit for Weyerhaeuser exec Norton Clapp. The article’s lead labeled Clapp with the now-quaint rubric of “industrialist.” The second was Our World, the monthly USA Today ad supplement touting things like new concrete-fabrication plants in ex-Soviet republics. The third was when I got to play with a friend’s CD-ROM drive. Among his discs was The Time Almanac, with texts and pix from old Time magazines thru the decades. But it didn’t have the real joy of collecting old Time issues, the ads. Old Time ads from the ’40s and ’50s are wonderful evocations of a time when the Opinion Makers of most towns outside NYC were bourbon-swillin’, tweed-wearin’ managers of small and midsize manufacturing plants. The ads pushed roller bearings, conveyor belts, commercial air conditioning systems, semi rigs, axle greases, grinding wheels, and all that other cool stuff you never see around the house. I’d much rather see more ads of that type than the ads you see in today’s Time for import luxury cars and prescription hair-growth tonic. Speaking of CD-ROMS…

WINDOW PEEPING: The thing about those new X-rated videos on CD-ROM is that the images are so small and lo-res, the old adage about risking blindness via overuse might in this case actually be true.

UNHAPPY TRAILS
Apr 19th, 1995 by Clark Humphrey

We start this Misc. on a sad note with the passing of another of my favorite places in the whole world, the Western Coffee Shop in the Maritime Bldg. on Western and Marion. It closed so suddenly (around mid-March), it appeared posthumously in the P-I’s Final Four tourist guide. It was a legendary hole-in-the-wall with some of this town’s best sandwiches, omelets, hash browns, beefy chili, espresso shakes, and coffee; served in a cramped, cozy room with classic diner tableware and loving cowboy-camp decor.

SEAGRAM’S BUYING MCA/UNIVERSAL: If you’ve read books like Hit Men, you know both companies have shady pasts. Seagram’s Bronfman family was allegedly involved in Prohibition booze-smuggling from Canada to the U.S.; MCA, prior to its last ownership by Matsushita/ Panasonic, was one of the most Mob-connected companies in Hollywood. But that’s history; what counts in modern mergers is that boardroom buzzword “synergy”–using both companies’ assents toward joint goals. Since MCA owns the pre-1948 Paramount films as well as the Universal library, will we see stills of Mae West and W.C. Fields endorsing Crown Royal? Or maybe they’ll use computer graphics to insert V.O. bottles into Marlene Dietrich’s saloon scenes in Destry Rides Again. (This also marks the first time since the ’60s that a major North American movie studio and record label has been Canadian owned.)

FOOLS AND THEIR MONEY: The Dallas zine The Met ran a cover story earlier this month about two Texan young-adult guys who claimed to be the real Beavis and Butt-head. In the story, they argue that they’d been graphic design students studying under creator Mike Judge’s wife; that they’d told her and Judge wild tales of their high-school prankster days; that Judge turned that into the toons you hate to love; and that they now want millions from Judge and MTV plus half of B&B’s merchandising income. Halfway down the final jump page of the long story, the Met writer stated, so quickly you had to read carefully to see it, that the whole article was an April Fool’s hoax.

ON LINE: In the first half of this century, serialized novels (usually forgettable romances and mysteries) were a staple of newspaper feature pages. Now, the popular computer service America Online’s bringing that tradition back. Under the overall rubric Parallel Lives, the service now offers three ongoing text-with-illustration stories. Each offers a new 1,000-word chapter each week (each has four chapters so far). The most promising is A Boy and His Dog, not the Harlan Ellison story that became a 1975 Don Johnson film but a rather grim tale of a lonely kid in a dying industrial town harassed by someone who might be his estranged dad. The other stories involve the upscale NYC singles scene and interracial family values in Hollywood. They’re located in the Arts and Leisure section of AOL’s “@Times” area.

OFF LINE: Remember last year, at or about this time, when we worried that Ballard Computer was taking over the local retail computer market? Look at it now: Hemmed in by out-of-state superstore chains, unable to expand big or fast enough to compete against them, it closed two of six stores. The others are stocked with “returnables” like software, but the computers themselves are as thinly-stocked as the last days of F&N. They say all will be fine once their new Canadian investors get on line. ‘Til then, amazing bargains on remaining display stock can be had.

OFF THE RACKS: The Rocket Cobain exploitation issue was banned at Sub Pop’s offices and its Mega Mart store, as authorized by label co-honcho Jonathan Poneman. Meanwhile, compare the Times columnists’ cruel remarks about Cobain at the time of his death to the fawning “tribute” Pat McDonald gave him last week, and also to the much more sympathetic treatment the paper’s given to someone else facing internal emotional issues, Sonics player Kendall Gill.

GROWTH INDUSTRIES: The P-I now runs those penile enlargement ads on the stock-market pages as well as the sport section. You can insert your own snide comment about noise-makin’, foot-stompin’ jocks or Beemer-drivin’, cell-phone-yappin’ capitalist hustlers acting that way to compensate for other deficiencies.

BE LIKE MIKE?
Apr 12th, 1995 by Clark Humphrey

A non-foolish April greeting from Misc., the column that wishes it’d coined the slogan of the Mpls. zine Cake: “Copyright Infringement Is Your Best Entertainment Value.”

THE LOWRY FIASCO might not have caused our Gov. to reconsider his past actions, but it still offers the rest of us a lesson: There’s not a line between excess chumminess and harassment, there’s a continuum. A politician, whose success depends on making and keeping friendships, oughta know enough to err on the safe end of that continuum. If Lowry really was the kind of “traditional politician” conservatives denounce him as, he’d have known this. In the end it doesn’t matter that Lowry probably wasn’t trying to get those staff women into bed when he nudged or slapped them or whatever. But he should know in the world of politics, persuasion is everything. And in the world of persuasion, perception is everything.

NOT FADE AWAY AND RADIATE: I’ve dissed Wired magazine in the past, but must draw praise toward a one-page plug in its April ish all about Ed Grothus. He’s a junk collector in Los Alamos, NM. His Los Alamos Sales Co. shop buys and sells leftover artifacts (computer stuff, office stuff, construction stuff, scientific equipment) from the Los Alamos National Laboratory, birthplace of the atomic bomb and longtime recipient of Cold War spending waste. The piece doesn’t mention Ed’s son Tom, the Seattle writer-cartoonist who in the ’80s made a cute series of exquisitely droll mini-comics (Manzine, Errata, The Bermuda Love Triangle).

WEB SITE OF THE WEEK: Better Faster Be$t$ellers (http://www.digimark.net/mful/bselcurr.htm) is a weekly fanciful satire of commercial literature that purports to be “entirely the result of algorithmically compressing (or compacting together) the less dense, slower titles of the current Publishers Weekly bestseller list.” It’s doubtful, tho, that a random-recombination program could come up with such mirthful titles as “Men are From the Hot Zone, Women Are From the Surface of Common Sense,” “The Celestine Bedtime Stories,” “Time to Correct the Warrior Treatment” (“by Seinfeld with Fyodor Dostoevsky”), or “Makes Me Wanna Do Ten Highly-Effective Stupid Things to 7 Driven People.” The same home page also contains Most Fucked Up Person Alive Tells All, an anonymously written pseudo-autobiography written in a cut-up nonsense style similar to that of Mark Leyner.

OF OXFORDS AND BIRKENSTOCKS: While I’ve admittedly not been Evergreen State’s biggest rah-rah booster (the world’s a lot more diverse than the world they teach at Evergreen, the mythical world of the New England/Upper Midwest “progressive” utopia), the state House’s plan to slash its budget and ratchet up its tuition strikes as pure censorship. Some GOP legislators admit it, using the word “liberal” as an all-purpose purjorative to justify their McCarthyite vindictiveness against the school. But the smear campaign against Evergreen goes beyond demonizing people who look or act different. There’s something about the very notion of a school that encourages (or at least claims to encourage) “free thought” that strikes a nerve among some who want to build a sociocultural system of naked fear, greed and obedience.

MISC.’S TOP 9:

  • Jet Dreams: Northwest Artists in the ’50s, Tacoma Art Museum: At last, a regional-art show in a mainstream museum without a single glass bowl in sight!
  • Mighty Morphin’ Power Rangers: The copycat shows might equal the original in silly dialogue, but just can’t beat the childlike wonder and excitement of Power Rangers’ borrowed Japanese costume footage (from the studio that made the Gameramovies).
  • Pickapeppa, Jamaican pepper sauce
  • Presidents of the United States of America (PopLlama)
  • Green patio furniture
  • Self-folding maps
  • The Literary Companion to Sex, Fiona Pitt-Kethley (Random House)
  • Alaskan Amber Ale
  • Marie Callender’s frozen pasta entrees

MISC.’s BOTTOM 6:

  • Using that Janis Joplin song in a real Mercedes ad
  • Cheap boom boxes that eat tapes for lunch
  • Store chains that say “We’re Here Seattle!” or show the downtown skyline in their ads, but only open stores in the far suburbs
  • Turbo Charged Thunderbirds: Live-action space teens shouting would-be hip lingo while watching Supermarionation footage shot before they were born
  • “Ice” versions of cheapo beers
  • Disclosure: Hot interoffice sex in the software biz? Come on now.

»  Substance:WordPress   »  Style:Ahren Ahimsa
© Copyright 1986-2025 Clark Humphrey (clark (at) miscmedia (dotcom)).