THE 1998 MISC. MIDSUMMER READING LIST: For the second year, we’ve a pile of old and new bound verbiage (in no particular order) to recommend as mental companions while you sit in airports, on ferry docks, in the breakfast nooks of RVs, in rain-pelted tents, and wherever else you’re spending your summer leisure hours.

The Ruins, Trace Farrell. In the ’80s I was involved in “Invisible Seattle,” a group of writers who (among other exercises) fantasized about an alternate-universe Seatown with Old World traditions and grit. This is what local author Farrell’s accomplished in her hilarous parable of working-class discipline vs. New Money hedonism; set in an Old World seaport town but based on a real Seattle supper club and on Seattle’s current caste-and-culture wars.

The Incomparable Atuk, Mordecai Richler. From the Great Canadian Novelist, a 1963 fable still relevant amid today’s Paul Simonized nobel-savage stereotypes. Atuk’s a supposedly innocent native boy from the Northwest Territories who’s brought to Toronto as part of a mining company’s publicity stunt, and who quickly falls right in with the city folk’s hustling and corruption.

Machine Beauty, David Gelernter. One of these skinny essay-books everybody’s putting out today; only this one’s in hardcover. The premise is admirable (advocating simplicity and elegance in the design of industrial products and computer software), but it’d have been better if it were longer, with more examples and illustrations.

Consilience, Edward O. Wilson. Giant essay-book by biologist Wilson, who proposes all human behavior (and indeed all knowledge) can be ultimately traced to biology and physics. He puts up a solid defense, but I still disagree. To me, the world isn’t a tree with a single trunk but a forest of interdependent influences. Life is complexity; deal with it.

The Taste of a Man, Slavenka Drakulic. For “erotic horror” fans, a novel of psychosexual madness by the Croatian author of How We Survived Communism and Even Laughed. Not much laughing here; just a heroine who takes the female sex-metaphors of absorption and consumption to their logical extreme.

Self Help, Lonnie Moore. Short stories by the author of Who Will Run the Frog Hospital? and Anagrams, reworking women’s-magazine clichés into a far less “motivational” but more realistic worldview.

Coyote v. Acme, Ian Frazier. Light yet biting li’l funny stories like the old-old New Yorker used to run. The cast includes a cartoon lawyer, a Satanist college president, Bob Hope, Stalin, Mary Tyler Moore, and “the bank with your money on its mind.”

Eastern Standard Time, Jeff Yang, Dina Gan, and Terry Hong. Asia’s economies are on the ropes but Asia’s pop cultures are going strong, as shown in this breezy coffee-table intro to everything from pachinko and sumo to Jackie Chan and Akira Kurosawa.

Sex, Stupidity, and Greed, Ian Grey. For all haters of expensive bad movies, essays and interviews depicting Hollywood as irrepairably corrupt and inane (and offering the porn biz as an example of a slightly more honest alternative).

Behind Closed Doors, Alina Reyes. An ’80s teen-romance series, 2 Sides of Love, told its stories from the girl’s point of view on one side of the book and the boy’s on the other. Reyes (author of The Butcher and Other Erotica) applies this gimmick to more explicit sex-fantasies, putting her two protagonists through separate assorted sexcapades in assorted dreamlike settings with assorted opposite- and same-sex partners before they finally come together at the middle.

Soap Opera, Alecia Swasy. Intrigued by Richard Powers’ corporate-greed novel Gain (based on Procter & Gamble, and named for one of its detergents)? This real, unauthorized P&G history (named for the broadcast genre P&G helped invent) is even stranger.

Underworld, Don DeLillo. Mega-novel spanning four decades and about many things, principally the U.S. power shift from the northeast (symbolized by NYC’s old baseball dominance) toward the inland west (symbolized by chain-owned landfills). But with the Yankees back in dynasty mode, and financiers now overwhelmingly more influential than industry (particularly resource-based western industry), DeLillo’s march-of-history premise seems like reverse nostalgia.

The Frequency of Souls, Mary Kay Zuravleff. The best short comic novel ever written about refrigerator designers with psychic powers.

AND A READER SELECTION of sorts:

Subject: Northwest Lit
Sent: 7/26/98 5:29 PM
Received: 7/26/98 5:36 PM
From: LSchnei781@aol.com
To: clark@speakeasy.org

Clark:

Your review of the above subject completely ignored the best of the lot–Ivan Doig. Here in Fort Wayne IN where more books are read per capita than in any other city in America (there just isn’t much else to do), Mr Doig’s books enjoy a wide readership, and he is considered by many of us to be in the first rank of contemporary American writers.
Lynn Schneider (LSchnei781@aol.com)

Tipton Bio Never Drags

Book feature for The Stranger, 6/25/98

Suits Me:

The Double Life of Billy Tipton

Diane Wood Middlebrook

(Houghton Mifflin) $25

You know the basic story. Billy Tipton, a nostalgic pop-jazz pianist and fixture of Spokane society for over three decades, died in 1989 and was revealed by doctors to have been a woman all along. Now here’s the long version.

Who was Billy Tipton really? At several points, Middlebrook (a onetime Spokanian herself) accepts the argument that Billy (born Dorothy Tipton in 1914) was a closeted lesbian who only dressed as a man to make it in the jazz business and/or because nobody in her world would accept A Strong Woman. Yet the details of Tipton’s life, which Middlebrook clearly spent much time and effort collecting, suggest otherwise. Instead of heading to NY or LA or Vegas, where lesbians and jazzy women would get as much acceptance as they would anywhere in those less enlightened decades, Tipton stayed in the Midwest and later the inland Northwest, where the potential career rewards were smaller but where the competition was also smaller. (Tipton only recorded two LPs, both of retro trad-jazz standards released in the ’50s on supermarket budget labels; his work, as described by Middlebrook, seems to have settled quickly into covers and, later, Lawrence Welkish nostalgia.)

I used “his” above for a reason. Despite Middlebrook’s psychoanalyses, her tale is clearly one of someone who saw himself as a man born with the wrong equipment, who wanted to be known exclusively as a man. There were plenty of strong women in Tipton’s dust-bowl Oklahoma upbringing; but their strength was in holding households and careers together, not in the letting-loose demimonde of jazz. By the ’40s, when female instrumentalists had started to emerge in jazz and pop (and young men not in the armed forces were often derided as unpatriotic), Tipton never took the opportunity to end his offstage “act.” Even when dying of untreated ulcers, Tipton refused the medical attention that might have revealed his secret.

No, the Tipton story isn’t a tale of tragedy but of triumph. Tipton wasn’t a jazz great and probably knew he’d never be one, but he died a success at becoming something, and someone, he wanted against all odds to become–and without benefit of surgeries, shots, or hormone pills.

Fun things in the book: The elegant design, the cover, the shadow-clef frontspiece logo, the descriptions of ’50s Spokane, some of Tipton’s creakily “naughty” onstage jokes about women and gays, the descriptions of Tipton’s cross-dressing details (strap-ons, chest-binding, elevator shoes, claims that sanitary pads were great for sopping up car-oil leaks).

•

The Crisis of Criticism

Edited by Maurice Berger

(New Press paperback) $17.95

Yes, there are readers who actually take arts reviews seriously. At least other reviewers do. When New Yorker writer Arlene Croce complained about the concept of “victim art” she accused a Bill T. Jones AIDS dance work of abetting (without Croce actually seeing the show), several members of the NYC-centric art-crit and lit-crit spheres fell into a tizzy.

This brief book compiles Croce’s un-review with eight other critics’ responses and ruminations on the value of criticism in today’s everybody’s-a-critic era. Granted, a lot of these pro critics and authors (especially bell hooks) are just sticking long words onto a desire for a world in which people such as themselves get more respect. But others argue, with varying degrees of success, for a new or reasserted role for their profession.

Some of the better pieces don’t address Croce’s beef at all, but instead explore other criticism-related matters. Particularly notable is Richard Martin’s “Addressing the Dress,” arguing for more serious and less hype-laden fashion journalism. With so much art, entertainment, etc. being churned out by the intellectual-property industries and their highbrow counterparts, the best of these essayists assert the importance of trying to make sense of it all, to sift the aesthetic diamonds from the aesthetic zirconia.

MISC. would rather be most anywhere than San Diego’s Rock ‘n’ Roll Marathon this Sunday, with bands at each mile-mark and a big oldies concert at the finish. An AP story hypes it: “Here’s your new inspiration for running a marathon: Pat Benetar and Huey Lewis are waiting for you at the end.” Now if they were at the start, that’d get me inspired to run as far away as I could.

ON THE RECORD: Some copies of the Airwalk Snowboard Generation CD box set bear a big sticker reading “Made In England.” Can you can think of a worse country to try to go snowboarding in?

INSURANCE RUNS: Those ESPN SportsCenter punsters have lotsa fun with corporate-arena names. Vancouver’s GM Place, they call “The Garage.” Washington, DC’s MCI Arena: “The Phone Booth.” Phoenix’s BankOne Ballpark: “The BOB.” But what could be made from “Safeco Field” (paid-for moniker to the new Mariner stadium)? “The Claims Office” doesn’t fall trippingly off the tongue. ‘Tho you could call the stadium’s scoreboard “The Actuarial Table.” Two games in a day could be a “Double Indemnity Header.” Home and visitors’ dugouts: “Assets” and “Liabilities.” TicketMaster surcharages: “Co-Payments.” Speaking of corporate largesse…

WINDOW PAINS: We’ll keep coming back to the Microsoft legal flap over the next months. But for now, consider the notion advanced by some MS supporters (including Fortune writer Stewart Alsop) that a software monopoly’s a good thing. The company’s address, “One Microsoft Way,” expresses the dream of Gates and his allies in associated industries to impose a structured, top-down order involving not just a single operating system and Internet browser but a single global culture controlled by a handful of corporations.

They claim it’s for a higher purpose of “standardization,” a unified technology for a unified planet. It’s an old rationalization of monopolists. AT&T used to use the slogan “One Policy, One System.” Rockefeller invoked similar images with the name “Standard Oil.”

Yet at this same time, the Net is abetting advocates of a different set of ideals–decentralized computing, cross-platform and open-architecture software, D.I.Y. entertainment and art. Not to mention thousands of religious sub-sects, sex fetishes, political factions, fan clubs, fashion trends, etc. The MS case won’t alone decide the fate of this diversity-vs.-control clash, but could become a turning point in it. Speaking of unity in cacophany…

SUB GOES THE CULTURE: Something called the Council on Civil Society (named for a phrase that’s served as an excuse for stifling cultural diversity around these parts) put out a treatise claiming “Americans must find a way to agree on public moral philosophy if democracy is going to survive.” Its report (Why Democracy Needs Moral Truths) claims, “If independent moral truth does not exist, all that is left is power.” An AP story about the group cited Madonna choosing single momhood as evidence of such social decay.

At best, it sounds like Dr. Laura’s radio rants demanding a return to impossibly rigid social and sexual conformities. At worst, it’s like the hypocritical pieties of “Family” demagogues who’ve been degenerating moral and religious discussion into a naked power game, selling churchgoers’ votes to politicians who really only care about Sacred Business. Yet any successful demagougery has an appeal to honest desires (for stability, assurance, identity, etc.) at its heart. It’s a complicated, complex populace. Cultures and subcultures will continue to branch off and blossom. Attempts to impose one official religion, diet, dress code, sex-orientation, etc. are dangerous follies at best.

So what would my idea of a standard of conduct be? Maybe something like this: There’s more to life than just “lifestyles.” There’s more to well-being than just money. There’s more to healthy communities than just commerce. There’s more to spirituality than just obedience (whether it’s evangelical obedience or neopagan obedience). We’ve gotta respect our land, ourselves, and one another–even those others who eat different food or wear different clothes than ourselves. Individuals can be good and/or bad, smart and/or dumb, but not whole races (or genders or generations). We’re all the same species, but in ever-bifurcating varieties. Live with it.

Online Extras

This Rage-To-Order thang’s, natch, bigger and, well, less unified than my typical oversimplified approach implies. A lot of different people are wishing for a world reorganized along a unified sociocultural premise; the problem is each of them wants his or her own premise to be the one everybody else has to follow.

Big business, thru its hired thinkers and think tanks (Heritage Foundation, Discovery Institute, Global Business Network, and co.) seek a globe sublimated under a single economic system; with national governments ceding soverignity over trade, labor, and environmental policy to the managements of multinational companies.

The culture component of global business would like nothing better than a whole world watching the same Hollywood movies, listening to the same US/UK corporate-rock bands, and purchasing the same branded consumer goods.

In an opposite corner of the ring (but playing by the same rules), you’ve got your Religious Rightists like Pat Robertson who demand that even if all Americans can’t be persuaded to convert to Christian fundamentalism, they oughta be forced to submit to fundamentalist dictates in re sex, family structures, gender roles, labor-management relations, art, music, etc. etc.

The fundamentalists’ sometime allies, the “canon” obsessives like Wm. Bennett, believe all Americans should be taught to speak the same language (even the same dialect), and all students should all be made to read the same short list of (mostly US/UK) literary classics, instilling a uniform set of “virtues.”

Biologist Edward O. Wilson, in his new book Consilience: The Unity of Knowledge, claims we could arrive at a unified system of knowledge, uniting the sciences and the arts and the humanities, if we only put the principal laws of biology at our philosophical center.

Wilson intends this conception of reassurance as an alternative to “chaos theory” and to the complexities of postmodern critical theory. But it could as easily be made against dictatorial pseudo-unities such as that proposed by the fundamentalists. Indeed, he spends quite a few pages acknowledging how the secular-humanist ideals of the 18th century Enlightenment thinkers (his heroes in the quest for unity) helped pave the ideological way for the false new orders of Napoleon, Stalin, Hitler, et al. Similarly, biological metaphors were misused in the “social Darwinism” theories propagated by Ford and Rockefeller to justify their mistreatment of workers and crushing of competition.

Then there’s Terence McKenna’s biological excuse for bohemian elitism, proclaiming his followers to represent the next evolutional stage of the human species (as if acid-dropping and square-bashing could bring about beneficial genetic mutations.)

A more promising recipe for unity’s in an obscure book I found at a garage sale, The Next Development in Man by UK physicist L.L. Whyte. Written in England during the WWII air raids, Whyte’s book (out of print and rather difficult to wade through) starts with the assumption, understandable at the time, that the European philosophical tradition had reached its dead end. We’d continue to suffer under dictators and wars and bigotry and inequality so long as people were dissociated–i.e., treated science as separate and apart from art, body from spirit, id from ego, man from woman, people from nature, rulers from workers, hipsters from squares, and so on. (Sounds like something I wrote previously, that there are two kinds of people in the world: Those who divide all the people in the world into two kinds, and those who don’t.) Whyte’s answer to the oppressive aspects of Soviet communism: A re-definition of capitalist economics as not a war of good vs. evil but as a system of privileges, with innocent beneficiaries as well as innocent victims. His idea of unity: We’re all in this life together, and it’s in all of our overall best interests to make it a more just, more peaceful life, one more in tune with the needs of our bodies, minds, and souls. He sees this as an ongoing effort: There’s no past or future Golden Age in his worldview, only a continual “process.” Unity isn’t a static, uniform state of being, but a recognition of interconnectedness of all stuff in all its diverse, changing ways.

Random responses from the

1998 Misc.-O-Rama Questionnaire

(6/8/98)

Favorite food/drink, if any:

• Sushi/Knob Creek
• Hamburgers
• Piroshky
• Rice/beer
• Violet Crumble bars
• Welch’s grape juice
• Champagne and cigarettes
• McMenamin’s Betrayal IPA ale
• Steak/martini
• Oysters/tequila
• Juice fast
• Pringle’s/Chimay
• Popcorn/Gatorade
• Cous-cous/Pernod

Favorite store, if any:

• UW Surplus
• Larry’s Market
• Gargoyles
• Chubby & Tubby
• QFC
• AM/PM
• Wall of Sound
• Ace Hardware
• Safeway
• The Herbalist
• Experience
• Nelson’s on Queen Anne

Favorite webstie, if any:

• Amazon.com
• Guided By Voices
• The Speedtrap Registry
• The Annoyance Theatre
• Career Finders
• Vik’s Lounge
• “A book”

Favorite era, if any:

• Now
• `20s
• `40s
• `50s
• `66-’79
• `75-’85
• “Farrah”
• Medieval
• grunge
• punk rock

What I’d like in a Best-of-Misc. book:

• “Love/hate”
• “Plenty of nudity”
• “Taped pages”
• “Good pix to accompany the text”
• “Whatever you want”
• “Great bands that lasted less than 1 year”
• “Booze trivia”
• “Stains”
• “G.G. Allin’s poetry”
• “The psychological factors of living in our current society”

How I’d fix the Mariners:

• “Vinyl uniforms”
• “Sell them”
• “Hire cuter ones”
• “Like a verterinarian”
• “Move to another state”
• “Give everyone more money (me too)”
• “Two words: George Karl”
• “Ignore them”
• “Let Piniella play”

My unofficial nickname for Safeco Field:

• “Apocalypse Now”
• “Unsafeco Field”
• “Pioneer Saloon”
• “Sandman’s Mud”
• “Money Pit”
• “Tremor Tiers”
• “Rainier Field”
• “White Elephant”
• “Alien Landing Strip”

How I’d solve Seattle’s housing crisis:

• “If I could solve it, I’d be so rich I wouldn’t care either.”
• “Alterations in regulations and philosophy”
• “Can’t do it; it’s too late”
• “Fire all VIPs”
• “More tent cities”
• “Outlaw automobile traffic, and turn parking garages into affordable housing”
• “Doze the condos and build massive low-income housing”
• “Build housing, not ballparks”
• “Close a golf course”
• “Turn Safeco Field into a shantytown”
• “Revamp Kingdome”
• “Keep the Kingdome for bums (free popcorn and beer all day)”
• “Put apartments in the Kingdome; call it Homeless Dome”
• “House them in the stadium”
• “Kingdome condominiums for the homeless”
• “Move out (I am)”

What should happen to Microsoft:

• “Become owned by the people of Seattle”
• “Go bankrupt and die”
• “Merge with Boeing”
• “Catch a flu”
• “Prosper and grow”
• “Let the market (and the Supreme Court) decide”
• “Microsoft should become competent at writing software”
• “I thought `M’ made things happen”
• “Who gives a fuck? They’ll get what they deserve”
• “Who cares? Macintosh rules!”

My deepest sexual secret:

• “If I told you, it wouldn’t be a secret now, would it?”
• “My hand”
• “Loaves of bread soaked in a bucket of water”
• “I used to wet my bed”
• “Stung by bee on head of penis during sex on rooftop”
• “I deeply enjoy the company of women who perform acts of bestiality. You may blackmail me now.”
• “I jacked off upside down, came in my mouth, and spit it out”
• “Doing it on top of a car, out back of the bar”
• “Dark, musty, used book stores turn me ON”
• “Viagra costs too much!”
• “I don’t get nearly enough of it”
• “I would like to lose my virginity again, please”
• “Just to get head, other than from beer”

All the world’s problems would be solved if only:

• “I was the Queen”
• “I was King of the Forest (not duke, etc.)”
• “People would wake up”
• “I would listen”
• “Nekkid women would kill Bill Gates on live PPV TV”
• “God came and killed Jesse Helms”
• “Scottish matrons took over–porridge for all!”
• “Everyone had the same problems at the same time”
• “There were more climbers, instead of campers”
• “We had less greedy people”
• “Open-minded people were more superior”
• “It weren’t for stupid people”
• “Every human lacked the ability to reproduce”
• “There were no people”
• “People traveled to a third-world country once”

Seattle needs more _____ and less ______:

• Old buildings/condos
• Sun/stadiums
• Coffee/bands
• Games/toys
• Drugs/cops
• Breakfast joints/people who write shit they know nothing about
• Good drivers/bad drivers
• Tacomans/Olympians
• Locals/tourists
• Cool people/dumb people
• Doers/wannabes
• Real people/poseurs
• People/jerks
• Inspiration/attitude
• Insight/pomp
• Style/attitude
• “Women in love with me”/incompetent poets

IT’S A POST-MAY-DAY MISC., the column that had almost gotten used to the idea of the Mariners re-becoming the hapless team of old. Then they got better again. In the next few weeks: Who knows?

SIGN OF THE APOCALYPSE #15: Gus Van Sant’s directed a music video for Hanson.

RIDIN’: After the item last month about the Mercedes/Swatch Smart car (a mini-minicar to be sold only in Europe), a local outfit called Electric Vehicles Northwest wrote in to plug its new Twike machine, designed in Switzerland and to be assembled here from imported components. The sleek, three-wheeled two-seater has an 8.7-foot-long aluminum/glass bubble body, an AC motor capable of 25-40 miles between charges (at up to 52 m.p.h.), and even supplemental bike-pedal propulsion. What’s not mini is the price–$16,500.

JUNK FOOD OF THE WEEK: Ole is a line of fruit flavored, sweetened milk beverages; sort of an Asian style (made in Calif.) version of Strawberry Quik, but better-tasting (and in a wider variety of flavors). Just don’t mix Ole and Oly. (Though an Ole might help soothe your stomach after one too many Olys.) Available at Rite Aid and at ALFI, the convenience store across from GameWorks (for the time being).

STRAIT OUTTA COMPTON: Local TV news in Seattle, while increasingly obsesssed with “team coverage” of mayhem and disaster stories, is still slightly better here than it’s become in some other cities. One reason was KING’s Compton Report, a one-host, one-topic-per-show weekly half hour that combined intelligent reporting with slick videography and editing (while avoiding the PB-esque pomposity that’s helped make “documentary” a four-letter word among TV execs). Jim Compton himself was totally squaresville, but that was his charm. Now, though, the program’s on its way out. Compton accepted an early-retirement offer from the station. He’s not commenting on the split, but does say he’ll try to get another gig in town (acqaintances say he’s looked into starting a magazine). KING promises to replace his Sunday-evening show with another news-magazine format (look for something devised as a lead-in to Dateline NBC).

IT’S NOT JUST HERE: USA Today reported late last month on the gentrification of Chicago, with mayor Richard Daley fils presiding over the closing down of a popular sidewalk flea market and most downtown newsstands, all in the name of an upscale/bland vision of “beautification.” Daley’s next scheme: Establishing a sidewalk-restaurant row along the once-toxic Chicago River (for those few weeks a year it’s neither too cold nor too hot to spend an appreciable amount of time outside). Of course, Chi-town’s been at the upscaling game for over a decade now, replacing artists’ lofts (particularly along the aforementioned river) with condos and goofy theme restaurants, then putting up street banners proclaiming the former artists’ streets as “The Artistic Neighborhood.” Speaking of which…

EN `GARDE’: A kindly reader spotted the following graffito on a recent trip to Montreal: “Artists are the shock troops of gentrification.” Actually, it’s not as cynical a notion as it might first sound. Remember, the term “avant-garde” originally meant the the vanguard of an advancing army (i.e., the shock troops). The notion, which goes counter to the more currently fashionable image of the permanently underground art world, was that the cutting-edge artists led where the rest of us followed. So it’d only be natural to extend that metaphor into formerly industrial urban neighborhoods as well as urbane aesthetic styles.

PASSAGE (German director Ulli Lommel, interviewed in Ian Grey’s Hollywood-expose book Sex, Stupidity, and Greed): “Americans are caught up in this American Dream, yet at the same time, in order to service that dream, they have to constantly deny what people are really like, what they really want…. You really like to do something but you don’t tell anybody because you hate yourself so much for doing it so you have to persecute everybody for doing what you are doing.”

CATHODE CORNER #1: Most everybody agrees CBS’s Winter Olympics coverage sucked. Here’s why: The network thought it could return to the alleged good old days of the now-nonexistent mass audience, by running hour after hour of “personality” features and flag-waving hype while snubbing anybody who might actually care to watch a sporting event. That just doesn’t cut it in today’s age of subcultures, where you must show more than superficial interest in a topic if you want more than a superficial response.

CATHODE CORNER #2: For those who think six commercial broadcast TV networks just ain’t enough, here come two more. One’s PaxNet, being assembled by one Lowell W. Paxson. Launching in August (locally on the UHF channel now running the ValueVision shopping network), it’ll skew to the AARP crowd (program acquisitions include reruns of Dr. Quinn, Touched by an Angel, and the Seattle-filmed Under One Roof). More ominously, Paxson’s a close pal to James Dobson, head of the rabid right-wing lobby group Focus on the Family.

The other new weblet, provisionally named Silver King and without a startup date, might be more interesting. It’s run by former Fox and Paramount exec Barry Diller. He’s acquired the Home Shopping Network with its 12 major-market stations (none here), the USA and Sci-Fi cable channels, and a piece of Universal’s syndicated shows (Xena, Hercules, Jerry Springer) as assets in assembling his network foray. (Diller also bought TicketMaster from Paul Allen, who in turn now owns a stake in Diller’s TV ventures.)

The most intriguing part is Diller’s promise to emphasize local programming on the Silver King-owned stations, and to encourage it on the network’s affiliate stations. Despite recent advances in cheap, efficient video-production equipment, many U.S. cities now have little or no local shows other than news, sports, and sponsored preachers. (Seattle, with Almost Live and Evening Magazine and Northwest Afternoon, is an exception. And even here, indigenous fare’s decreased since the early-’90s days of Spud Goodman and 7 Live.) It’d be immeasurably cool if we and other areas had more local talk, local entertainment, maybe even a local documentary or two.

ODDS & ENDS: Spy magazine’s apparently folded, again. Did anyone notice? Didn’t think so…. No matter what ya think of The Real World, ya gotta love MTV’s new slogan: “Giving the squares something to bitch about”…. Speaking of bitching: While cleaning closets, I ran across my ’80s button collection and wistfully decided to seek new cute slogans-on-tin. But none were to be had–only hateful, assholier-than-thou badges that’d make anyone who wore ’em look as sad as the jerks they were meant to insult. Where’d all the fun go?

A WORD TO THE WISEGUYS: A kindly reader suggested I stop using the term “yuppie,” describing it as an ’80s relic with no modern relevancy. To be exact about it, the small, monocultural caste for whom almost everything in today’s Seattle is designed and marketed can no longer be called young urban professionals, no matter how many day-spa facial treatments and hair transplantations they endure. And many current young adults with careers don’t necessarily share their elders’ market-decreed preference for all things fetishistically bland. (Note the absence of James Taylor or Bonnie Raitt in that ’70s revival youth fad.)

Still, the city’s real-estate developers, politicians, fashion retailers, mainstream media outlets, big restaurateurs, et al. continue to direct their efforts at one and only one target market–the ever-venerated upscale baby boomer, with a liberal-arts degree, a lucrative career, and claims of former “’60s rebellion” participation contradicted by a relentlessly middlebrow aesthetic. Only a sliver of the region’s population fit even close to this image, now or in the ’80s. This fact doesn’t stop the political and business leaders from proclaiming ’em the only people who deserve to live here.

So there is an urban-professional caste, powerful beyond its numbers, whether you call it by the Y word or not. If not, what would you? I’ve used such alternate terms as “the Demographically Correct” and “people who think giant glass bowls are art.” Record suggestions at >clark@speakeasy.org. Remember: We’re not talking about real individuals, just mythic archetypes.

IN HONOR OF all the kindly PR people who keep sending their bizarre promotional trinkets our way, Misc. hereby informs you that (1) Miller Beer is now printing scenes from its TV ads on the backs of its labels; (2) it’s the 35th anniversary of the Easy-Bake Oven and its makers are sponsoring a recipe contest at www.easybake.com; and (3) GameWorks now has a Jurassic Park walk-through “experience,” whatever that is.

UPDATES: Looks like we’ll get a Ballard Fred Meyer after all. The chain’s reached a compromise with neighborhood activists. As a result, Freddy’s will leave part of the ex-Salmon Bay Steel site near Leary Way for industrial use. The ex-Ernst site up the street, which I’d suggested as an alternate Freddy’s space, will now house the Doc Freeman’s boating-supply emporium…. Not only is the Apple Theater, the region’s last all-film porno house, closing, but so is Seattle’s other remaining XXX auditorium, the video-projection-based Midtown on 1st. Real-estate speculators hope to turn it into more of the yupscale-retail sameoldsameold.

LOCAL PUBLICATION OF THE WEEK: Cindy Simmons’s Wallingford Word (“Cutest newspaper east of Fremont”) is a sprightly eight-page newsletter on north-central issues and events. The first issue highlights Metro Transit’s scary plan to chop service on all-day neighborhood routes in the near north end, in favor of more rush-hour commuter service–a scheme which, if implemented, would devastate the notion of transit as an option for voluntarily car-free urban life. Free in the area, or online at www.seanet.com/~csimmons.

THAT’S SHOE BIZ: The high-priced sneaker biz is collapsing fast, according to a recent USA Today business story. It claims teens and young adults are (wisely, in my opinion) moving toward sensibly-priced footwear and away from $120 high-tops bearing the name of this year’s overhyped slam-dunk egomaniac. What will happen to the NBA without endorsement contracts to make up for salary caps? (Some superstars make twice as much from shoe ads as they do from actually playing basketball.) Maybe something good–maybe the overdue deflation of the league’s overemphasis on individual heroics and the realization that it’s a better game when played the Sonics’ way, as a full-team effort. And maybe the Woolworth Corp. will be proven wrong to have jettisoned its variety stores to put its resources into its struggling Foot Locker subsidiary.

CREAMED: After all these weeks, folks are still talking about the Bill Gates pie-in-the-face incident in Brussels. Maybe it’s ’cause instigator Noel Godin knew the spectacle he wanted to make. Self-proclaimed “entarteur” (applier of, or to, tarts) Godin, 52, is a lifelong provocateur–a vet of the May ’68 rebellion in Paris and of that movement’s ideological forebearers, the Situationists (post-surrealist artists and theorists who explored what Guy Debord called “The Society of the Spectacle”). Besides his paid work as a writer and historian, he and a corps of volunteers have pied famous people in public for almost 30 years. Targets have ranged from writer Margeurite Duras (Godin told Time‘s Netly News website that Duras “represented for us the `empty’ novel”) and bourgeois art-world types to Euro politicians and TV personalities. Godin told Netly News he targeted Gates “because in a way he is the master of the world, and… he’s offering his intelligence, his sharpened imagination, and his power to the governments and to the world as it is today–that is to say gloomy, unjust, and nauseating. He could have been a utopist, but he prefers being the lackey of the establishment. His power is effective and bigger than that of the leaders of the governments, who are only many-colored servants.” Godin’s not merely out to poke fun at the mighty, but to call the structures of power and privilege into question. You can see Godin (as an author during a radio-interview scene) in The Sexual Life of the Belgians, available for rent at Scarecrow Video.

(I still won’t tell latte jokes in the column, but I will be guest barista this Tuesday, 8 p.m.-whenever, at Habitat Espresso, Broadway near John.)

MISC. CONTINUES to be haunted by the Winter Olympics opening-ceremony theme song, “When Children Rule the World.” Sometimes it seems they do now, only in grownup bodies…

SHADES OF PALE: The Times reported this month that Kenny G’s one of the most respected white musicians among black jazz purists. My theory: G represents a stereotype of whiteness corresponding almost perfectly to the stereotypes of blackness profitably portrayed for years by some white people’s favorite black acts.

DELIVERING INFLUENCE: A recent Wall St. Journal told how United Parcel Service tried to pay the Univ. of Wash. to lend its institutional credibility onto pro-corporate research. The formerly locally-owned UPS offered $2.5 million to the UW med school in ’95. But instead of directing its gift toward general areas of study, UPS insisted the money go toward the work of UW orthopedic surgeon Stanley J. Bigos. The WSJ claimed UPS liked Bigos because “his research has suggested that workers’ back-injury claims may relate more to poor attitudes than ergonomic factors on the job.” The company’s fighting proposed tougher worker-safety laws, and wanted to support its claims with “independent” studies from a bigtime university that happenned to need the money. Negotiations with UW brass dragged on for two years, then collapsed. Bigos insists he wouldn’t have let UPS influence his work if he’d gotten its cash. But if companies can pick and choose profs already disposed to tell ’em what they wanna hear, “academic independence” becomes a bigger joke than it already is.

THE DESTRUCTION CONTINUES: Steve’s Broiler has lost its lease and closed. The 37-year-old downtown restaurant/ lounge was beloved by seniors, sailors, and punks for dishing out ample portions of good unpretentious grub and drinks, in a classic paneling-and-chrome-railing setting. (It was also the setting for Susan Catherine’s ’80s comic Overheard at America’s Lunch Counters.) The owners might restart if they can find another spot. It was the last tenant in the former Osborn & Ulland building, which will now be refitted for the typical “exciting new retail” blah blah blah…. Remember Jamie Hook’s Stranger piece last year about the Apple Theater, one of America’s last all-film porno houses? If you want to witness this landmark of archaic sleaze, better hurry. The Apple’s being razed soon for an affordable-housing complex incorporating the apartment building next door where the Pike St. Cinema was, and where the rock club Uncle Rocky’s is now. Rocky’s will close when the remodeling starts, and won’t be invited back (the housing people don’t like late-night loudness beneath residences).

MORE, MORE, MORE!: A recent Business Week cover story calls it “The Entertainment Glut.” I call it a desperate attempt by Big Media to keep control of a cultural landscape dividing and blossoming to a greater extent than I’d ever hoped. BW sez the giants (Disney, Murdoch, Time Warner, Viacom, et al.) are trying to maintain market share by invading one another’s genre turfs and cranking out more would-be blockbusters and bestsellers than ever before, to the point that none of them can expect anything like past profit margins. (Indeed, many of these “synergistic” media combos are losing wads of dough, losses even creative accounting can no longer hide.) It gets worse: Instead of adapting to the new realities of a million subcultures, the giants are redoubling their push after an increasingly-elusive mass audience. Murdoch’s HarperCollins book company scrapped over 100 planned “mid-list” titles to make up for losses on costly big-celeb books. BW claims the giants’ movie divisions are similarly “spending lavishly” on intended Next Titanics and trying “to stop producing modestly budgeted fare.” Their record divisions are dropping acts after one album, while ardently pushing the retro rockstar-ism of Britpop. The longer the giants try to keep their untenable business plans going, the better the opportunities for true indies in all formats–if the indies can survive the giants’ ongoing efforts to crowd ’em out of the marketplace.

(If Jean Godden can make personal appearances at coffee shops, so can I. I’ll be “guest barista” the evening of March 10 at Habitat Espresso, on Broadway near John. Mark your calendars.)

HIGH IQ=LOW XXX?: The papers were full of smart-folks-get-less-sex headlines the same week IDG Books brought out Dating for Dummies, the latest extension of a guidebook series initially aimed at people who needed to run computers at work but didn’t like to. Maybe they should’ve put out Dating for Smarties instead. (On the other hand, a programming-manual format’s perhaps an ideal means to show literal-minded people how to survive in such an un-left-brain activity.) (On the third hand, maybe it’s all the wrong way; reinforcing thought patterns completely useless for the realm of hormones and emotions.)

Smart ladies at least have Marilyn Vos Savant and the learned lovelies in Bull Durham and La Lectrice as sexy role models. Who’ve boys got: The antisocial (alleged) Unabomber? The hygiene-challenged Einstein and Edison? OK, there’s the fun-lovin’ late scientist Richard Feynman and certain brooding movie master-criminal types, but they’re the exceptions. But the more common image is the drooling fanboy in a three-sizes-too-small Capt. Kirk shirt, peering through inch-thick spectacles, looking for love in all the wrong places (like AOL chat rooms), fantasizing about Amazonian superwomen but incapable of chatting up a real one, perhaps still traumatized by high-school crushes who slept with jocks and treated him as a brother.

Many hyper-rational people of all genders fear the irrational, and love and sex are about the most irrational behaviors known to humankind. But becoming more desirable isn’t as impossible as it sometimes seems. Practice using a softer, sultrier voice in which to recite post-structuralist literary theory. Memorize love sonnets. Do something to get outside the comfy prison of your own head (yoga, gardening, cycling, pets). Reclaim your place in the physical/ biological/ emotional realm. To quote a love-struck professor in Hal Hartley’s Surviving Desire, “Knowing is not enough.”

`WORLD’ CONQUEST: I’ve heard punk-rock activists might try to disrupt location tapings of MTV’s Real World Seattle with pickets or street-theater type hostilities. I say we can be more creative than that. They think they’re an entertainment network; heck, we’ll show ’em some real entertainment. First, start a phone tree in advance, so you can descend on the place in numbers. Then when the crew and cast are sighted somewhere, arrive en masse in Santa suits, or chanting the Ivar’s Acres of Clams folk jingle, or loading the bar’s juke box to repeatedly play “Convoy.” Let’s show those stuck-up industry people we know how to have an old-school good time in this town. Speaking of entertainments…

WORDS & MUSIC: Fizz: A Blah Blah Blah Blah Magazine has put out its last issue and I’ll miss it. Some of publisher Cathy Rundell’s associates are regrouping to start a successor mag, Plus One. One of the things I loved about Fizz (and its LA-based predecessor Fiz) was its insistance on indie-pop as a force for creativity and empowerment, for doing things where you are with what you’ve got.

Compare this to the attitude in Resonance, the three-year-old local dance and pop mag. Where Fizz got personal with musicians, portraying them as just-plain merrymakers like you or me, Resonance keeps its critical distance. Even its interviews too often practice the same old provincialism, treating musical artists as gods and goddesses descending upon us from the media capitals. The irony, of course, is how dance music depends for its real innovations on stubborn trend-breakers, many from outside the NY/LA/SF/London axis. Another dance-club freezine, the LA-based Sweater, exemplifies this in a recent cover story about Derrick May, the Detroit DJ who pioneered late-’80s house music–and who only found a domestic market for his work after U.K. imitators “popularized” the style.

I’ve been criticized for having a rocker-reactionary “disco sucks” attitude toward the dance revolution. Not true. My beef’s with the self-defeating “real-life-is-elsewhere” attitude among too many dance-scene followers, too content to remain followers. Like an introspective genius afraid to date, the scene needs to shake off its inhibitions, to dare to be foolish, to really get down.

(Share your egghead love tips at clark@speakeasy.org .)

Due to early holiday-season deadlines, this Misc. installment’s the first to get to comment on that very peculiar New Year’s, during which those Seattle residents not blotto-drunk might as well have been, since all attempts to see the Space Needle fireworks resulted only in a fog-blurred haze of colors like something from a Mark Tobey painting.

ERROR MESSAGES: Hardly a day goes by without somebody saying something nasty about Microsoft. The Dept. of Justice disses the way MS tries to strong-arm PC makers. Nader warns about MS trying to monopolize “electronic commerce” tools, wanting a piece of every buck that’ll ever change hands online. Sun and Netscape claim MS wants to quash their “cross-platform” software lines, which threaten the notion of an MS-dictated computer universe. Mother Jones charges an MS-funded antipiracy group promising not to prosecute offices for using unpaid-for software if they promise to not only buy their warez but to buy all-MS software. And MS’s temps and perma-temps complain about their second-class treatment within the firm (including, thanks to new state legislation, no more overtime pay).

In most of these cases, the company claims it’s being unfairly targeted due to its “success” at creating products that just happen to be “popular among consumers.” That’s not quite the way it is, of course. Just about anybody who’s not working for the company (or for one of its media joint-venture partners) will acknowledge MS writes better contracts than code. Instead of innovation and competition, it operates by buying friends and crusing enemies. While its staff ideologues publicly pontificate about a cyber-future of decentralized societies and limitless opportunity, it behaves like an old-fashioned oil or railroad monopoly. In the past, MS’s enemies wanted the feds to split the company in two, spinning the DOS/Windows side into a separate company. That move by itself wouldn’t solve anything now, since the DOJ’s main argument is against MS turning Internet application software into a piece of Windows, making it tough for others to sell separate browser programs. It’s not just using its operating-system dominance to sell application software, but to give away software other companies want to sell. In other industries, it’d be called anti-competive “dumping.”

Our fair region is the born-‘n’-bred home of perhaps the most widely hated American company outside the oil or media businesses. Gates and Allen come from what passes for “old money” in this relatively new corner of western civilization. What does it mean to the longstanding image of this place as, for better or worse, “The City of the Nice” (as proclaimed by Tom Robbins in ’81)?

That, of course, always was an exaggeration. We weren’t “nice” so much as polite and businesslike, eager to please when it’s in our interest. (Author Roger Sale wrote in ’75 that Seattle was “bourgeois from the start.”) Despite the popularity of drunks, scoundrels, labor radicals, and whoremongers as local historical icons, most of the real settlement of the city was led by would-be timber, transportation, and real estate barons. The ones who made it didn’t just have what the new agers call “prosperity consciousness;” they maneuvered themselves into the right places, befriended the right people, made the right deals. Behind today’s Boeing boom lies a heritage of sales execs who forged long-term friendships with airlines, sealing deals Lockheed and Douglas couldn’t match. Rainier and Oly stayed prominent as long as they did because regional Teamster boss Dave Beck used his influence to make sure local beer outlets preferred local beers. The burgeoning Seattle biotech industry’s due to Sen. Warren Magnuson’s pipeline of federal bucks into the UW med school. MS started by signing deals with early hobbyist-computer maker Altair, and became a giant by signing deals with IBM. Much of the Seattle/ Oly “indie rock” philosophy has to do not just with alternative kinds of music but with forging alternatives to the music industry’s contractural practices.

Seattle’s a town of dealmakers as much as it’s a town of engineers. MS took this craft to a hyper-aggressive level. The extent to which this aggression succeeds and/or backfires will affect the company, the region, and the world.

HERE AT MISC. we can’t help but anticipate and enjoy the arrival of autumnal weather. I claim to be not really a weather person, but I can’t help but feel more comfortable when the outside changes from garishly bright 70mm Technicolor back to muted 16mm Eastmancolor.

THE MAILBAG: Responding to our recent praise of the yet un-hippified genre that is marching music, Liz Dreisbach writes in to plug a group she leads, the Ballard Sedentary Sousa Band. “It’s Americana at its best. Thirty players (ages 15 through 80), each wearing a radiant and different classic band jacket. We play nothing but old band tunes, mostly marches… We even have a sedentary majorette who twirls her baton sitting in her chair.” It next performs on Nov. 6, during a “Sousa Birthday Bash” at that hot new neo-vaudeville venue, Hokum Hall (7904 35th Ave. SW, West Seattle). In other old-timey spectacles…

FLIGHT OF FANCY: One event nearly ignored by the media this equinoxal season was the 50th birthday of Sea-Tac Airport. Airport management held a relatively low-key reception inside the main terminal recently: cake, mini-sausages, a kiddie choir, displays of ’40s-’50s flying memorabilia. The highlight was “stilt walker” Janet Raynor, dolled up in a ten-foot-tall version of a vintage-1967 Alaska Airlines flight-attendant’s dress. Raynor strode, pranced, and even danced in the long dress (which gave her the look of a mid-’70s Bon Marche fashion-ad illustration) while deftly fielding jokes from passers-by about which airline has the most legroom in business class. She also passed out reproductions of an old publicity photo with the dress’s original wearer standing beside the airline’s president. The guy in the photo’s just tall enough to provide the model with a degree of personal service not even Alaska Airlines is known for.

FEASTING ON A GRAND SALAMI: For as long as I could remember, Seattle was a sometimes-lovable loser of a city, whose “leaders” (mainly engineers, land developers, and steakhouse owners) wanted to become “world class” but usually muffed it. The Mariners, who played unspectacularly for so many years in that homely cement pit, matched this civic image perfectly. The same time Seattle became known as an assertive seller of software and coffee and sportswear, the Ms started becoming winners. This year, they not only won their division but had been widely expected to do so. Microsoft and Starbucks have become so dominant, they’ve generated ire within their respective industries as hyper-aggressive organizations bent on total domination. The Ms are a ways from that kind of rep, but how many consecutive seasons at or near the top would it take before they became as nationally reviled as the old-time Yankees? Just wondering.

HAVING A COMPLEX: The change of season often brings a reassessment of one’s life situation. If you’re feeling a little too much peace-‘n’-quiet in your personal world, here are some handy tips for voluntarily complicating your life:

• Start taking heroin.
• Start a relationship with someone who’s taking heroin.
• Develop a life-dominating crush on someone completely unavailable.
• Get a bank card. Max it out on cash advances. Blow the cash on Lotto tickets and/or “Make Money Fast!” multi-level marketing schemes.
• Get, or get someone, pregnant.
• Buy a “fixer upper” house, car, or boat.
• Become really, really fascinated by liquor, lap dancers, and/or rare books.
• Get a pet Siberian tiger.
• Settle for nothing less than the latest, most advanced PCs and/or VCRs.
• Decide your life’s too full to waste any time on some boring ol’ job.
• Become a feature filmmaker.
• Open your own private zoo.
• Start learning a performance skill worthy of a spot on the next Jim Rose Circus tour.

‘TIL NEXT TIME, cheer on the Ms, make sure you check out the truly-fine selection of Halloween party novelties at Chubby & Tubby (including the bleeding-hand candle with wicks on each finger, dripping blood-red wax to reveal plastic bones underneath), ponder the possibilities of a home life with the clear plastic inflatable furniture from Urban Outfitters (hint: better not have un-declawed cats or careless smokers around), and heed these words of the one-‘n’-only Liz Taylor: “There’s no deodorant like success.”