It's here! It's here! All the local news headlines you need to know about, delivered straight to your e-mail box and from there to your little grey brain.
Learn more about it here.
Sign up at the handy link below.
CLICK HERE to get on board with your very own MISCmedia MAIL subscription!
I’m currently watching, via DVR, the last 11:30 edition of Nightline.
After 33 years, some of them at #1 in the time slot, it’s being moved to 12:30 so Jimmy Kimmel Live can take the earlier slot. That’s happening on a Tuesday, so Kimmel’s “debut” wouldn’t clash with Monday night’s college football championship on ABC’s sister channel ESPN.
The last 11:30 Nightline’s big piece: Barbara Walters with Mariah Carey. The other segments: Making money selling unwanted Xmas presents, and a theater troupe’s one-hour condensed parody of all six Star Wars movies. At the end, cohost Cynthia McFadden simply asked viewers to join her and the gang at the new time slot, as if that new time slot were not in the post-midnight wee hours.
Not exactly a rousing sendoff to a series that began as a temporary series of bulletins about the Iran hostage crisis, and morphed into the Big Three networks’ second big documentary showcase after 60 Minutes. Nightline is being buried without a wake.
king5.com
This past weekend saw, at last, the moment for which TV viewers in the entire region had waited, patiently and otherwise, for a long long time.
But enough about the season premiere of Downton Abbey.
Instead let’s welcome the return to local screens of my ol’ UW Daily buddy John Keister and his longtime cohort Pat Cashman, plus the debut of Cashman’s son Chris, on their new sketch comedy show The [206].
It airs after Saturday Night Live at 1 a.m. Sundays, when reruns of Keister and Cashman on Almost Live! had aired since that show’s 1999 demise. It also airs Sundays at 7:30 and 11:30 p.m. on KONG-TV.
At the time Almost Live! was canceled, KING said the video landscape had become too fragmented to support a local comedy/entertainment show. That scene is even more fragmented now; and there are so many other electronically based home entertainment options (including the one you’re looking at now).
So what makes this show feasible now, when AL! was no longer feasible then?
In three words: Outsourcing, Downsizing, and Tech.
via nutshell movies
For the 27th consecutive year (really!), we proudly present the MISCmedia In/Out List, the most venerable and only accurate list of its kind in the known English-speaking world.
As always, this is a prediction of what will become hot and not-so-hot in the coming year, not necessarily what’s hot and not-so-hot now. If you believe everything hot now will just keep getting hotter, I’ve got some Hostess Brands stock to sell you.
current tv via daily kos
It’s been pundit-firing season in Seattle area media, as cash-strapped station bosses seem to believe politics is a topic we don’t care or need to hear about.
After the November elections we’ve lost Robert Mak from KING, Bryan Johnson and Ken Schram from KOMO, Enrique Cerna from KCTS, and all the syndicated talkers who had been on Progressive Talk 1090. C.R. Douglas still covers local politics on KCPQ, but he’s on an increasingly lonely beat.
And nationally, Al Gore and megalawyer Joel Hyatt are now selling the little-watched cable channel Current TV to Al-Jazeera. The Qatar-based, pan-Arab news service is expected to rebrand Current to its own name, dropping all or most of its current lineup of pundit and documentary/reality shows.
The first incarnation of Current specialized in short-form documentary bits, often bought up cheap from aspiring filmmakers. Its second era began with the hiring of ex-MSNBC superstar Keith Olbermann, essentially the founding father of liberal talk TV. But Olbermann, as contentious a firebrand off-screen as on, repeatedly complained about the low budgets and sloppy production work, until Current fired him. After that, a post-Olbermann slate of talkers, including Eliot Spitzer, garnered as few as 40,000 viewers in prime time.
Hyatt, meanwhile, had signed deals with cable companies that restricted how much of the channel’s content could be posted online. That meant that even during the channel’s peak months with Olbermann, almost nothing from Current was on YouTube or iTunes, and was unviewable to households whose local cable companies didn’t receive the channel.
Daily Kos founder Markos Moulitsas claims Joel Hyatt was less interested in building audiences or even selling commercials than in finagling subscription fees from cable companies. Hyatt apparently told big cable operators that Current would get and keep viewers who might otherwise drop their cable (political liberals being notorious for claiming not to even own TV sets).
That, Moulitsas alleges, is why Hyatt signed those contracts that kept him from promoting the channel’s content online.
Also, as a one-channel indie operation, Current didn’t have a “family” of other channels to air its promos.
Without any efficient means to keep attracting viewers, cable companies openly questioned the value of keeping Current in their lineups. Hyatt knew it was time to cut his losses and sell out.
Eventually, someone besides MSNBC will figure how to do liberal talk properly, and will make a mint at it. It just wasn’t these guys.
via listal.com
Very vague online rumors suggest David Lynch and Mark Frost might, just might mind you, be engaged in the very earliest negotiations toward a Twin Peaks sequel series.
I’ll believe it when I see a real announcement.
However, it should be noted that the original series was set in the winter and spring of 1989, the year the pilot and first season were filmed. The last episode, in which Agent Cooper’s soul became trapped in the alternate dimension known as the Black Lodge, seemed to imply that he’d be in there for 25 years. That would be, hey, 2014! If that denouement were to make it to the screen that year, the deals to make it happen would start, well, now.
I’m just a fan (albeit a huge one) of the series and its spinoff works; but I’ve got my own ideas how a revival should be plotted.
<FAN FICTION MODE>
</FAN FICTION MODE>
Remember, one and all: Our anual fantabulous MISCmedia In/Out List arrives later this week. Look for it.
'he-man and she-ra: a christmas special,' part of the festivities at siff film center on xmas eve
And a dreadful sorry for not posting in the last 12 days.
What I’ve been up to: Not much. Just wallowing in the ol’ clinical depression again over my first mom-less Xmas, trying to figure out how the heck I’m gonna pay January’s rent.
(For those of you who came in late, I’m not independently wealthy despite the old rumors; a few little local photo books don’t earn anything near a decent living; and my eternal search for a little ol’ paying day job has gone nowhere slowly.)
But I have vowed to stay at it. And there will be new MISCmedia products in the new year.
And, as always, it’s the time of year for MISCmedia’s annual In/Out List, the only accurate guide to what will become hot and not-so-hot in the coming 12 months. Send in your suggestions now.
On with the accumulated random links:
capitolhillseattle.com
nanowrimo.org
I participated in National Novel Writing Month again this year. Came out of it with most of the first draft of something I’m tentatively calling Horizontal Hold: A Novel About Love & Television. More details as I come closer to making it presentable.
kirotv.com
spoon-tamago.com via buzzfeed.com
Onetime P-I cartoonist Ramon "Ray" Collins, to be featured in the documentary Bezango, WA
priscilla long, via the american scholar
amidst-the-everyday.com
“Amidst the Everyday,” a project by photographers-artists Aaron Asis and Dan Hawkins, aims to reveal “elements of the unseen urban environment.” You go to places around town, scan QR codes (etched in wood!) at various buildings, and receive images of their hidden treasures. (Above, one of the unoccupied-for-decades upper floors of the Eitel Building at Second and Pike.)
via kathrynrathke.blogspot.com
All good tidings and shout-outs to my fellow Stranger refugee and prominent commercial illustrator Kathryn Rathke. She’s created the new official logo for Wendy’s restaurants. The deceptively simple mascot caricature took three years of client approval and market testing.
It’s 10/11/12! The sort of date-progression that only happens 11 times in a century and is utterly, completely meaningless!
Elsewhere in randomness: