These Streets, the musical revue/play at ACT (running through March 10) about four women in the ’90s Seattle rock scene and two (mostly) supportive boyfriends, was constructed as a series of non-linear “moments.”

Scenes bounced between the past and present; the “past” storyline covers five years in the characters’ lives. Many of these short scenes and mini-monologues depicted single ideas or emotions.

In the show’s spirit, this piece is also a sequence of moments.

•

I mentioned in my 1995 book Loser how the national media’s false “grunge” stereotype included “no women in sight, not even as video models.”

But in the real Seattle scene, women were involved in leading roles from the start. Women were singers, instrumentalists, managers, promoters, venue owners, zine publishers, photographers, DJs, and record-label owners.

In keeping with the scene’s ethos, most of these women weren’t vying for fame and fortune. (The exception, Courtney Love, already had a record deal before she came here.)

But then a scene that, to many of its members, was an alternative to the major-label machine, became re-defined as fodder FOR the major-label machine.

The global music industry, at what turned out to be its peak of money and power, trawled Seattle fishing for superstars. The Gits were negotiating with a label when singer Mia Zapata was killed. Seven Year Bitch released one album on Atlantic, then broke up. But most of the scene’s women were ignored.

Over the years, “grunge nostalgia” books and documentaries (most made by out-of-towners) continued to ignore artists from the scene who hadn’t become big stars, including the women.

One of Harley and Rudinoff’s goals with the play was to remember this forgotten history.

These Streets, along with its concurrent poster-art and oral-history exhibit at the Project Room gallery on Capitol Hill, received massive coverage in local and national media.

The show includes parts of 18 vintage songs, originally recorded by 14 different female-fronted Seattle acts. Having four different characters singing the songs allowed the show’s makers to feature diverse musical material, from ballads (“power” and other) to straight-out punk blasts.

If any of those bands at the time had received a fraction of the publicity These Streets received, who knows what could have happened?

•

In keeping with the do-it-yourself spirit, These Streets was staged and produced by Gretta Harley and Sarah Rudinoff, who’d also written it (with Elizabeth Kenny).

Kenny and Rudinoff played the older versions of two of the characters. Harley sang and played guitar in the show’s tight backup band. Harley had been in the ’90s rock scene with the bands Maxi Badd, Danger Gens, and Eyefulls. She and Rudinoff currently perform as the duo We Are Golden.

ACT Theatre provided the auditorium space and various production services, under its “Central Heating Lab” program. (Carlo Scandiuzzi, ACT’s executive director, had promoted punk and new-wave gigs at the Showbox in the early 1980s.)

Harley, Rudinoff, and Kenny spent two years developing the script and score, based in part on interviews with some 40 Seattle-scene veterans. Twenty-three of these women were featured in historical graphics installed in the ACT lobby.

•

The show’s present-day storyline involves five of the six characters (yes, that’s a plot spoiler) reminiscing about their days of non-stardom, while surveying their later lives of houses, kids, divorces, and stints in rehab.

And they still have the urge to make music and art, to be on stage, to be loud and passionate in front of a crowd.

The world of their youth, the pre-dot-com Seattle of 1989-94,  has largely vanished. The city isn’t the same and neither are they.

According to Harley, the present-day scenes refer to a time when “you’re in this stage of life and you look back and take ownership of it. But then you’re also looking forward for first time in a very particular way. I hope the show helps to illuminate that ownership of this time in our lives, and also look back and say, ‘Hey kid, you had a lot of guts to get up and do that.'”

Harley says the making of These Streets was “a great experience. People who lived it seem to really love it; they feel that it’s very authentic. A couple of people said it inspired them to pick up music again.”

While no further performances have been scheduled past its three-week run, “we’re taking it one step at a time at this point.”

(Cross-posted with City Living.)

via messynesychic.com

• “Quite possibly the most important street photographer of the 20th century was a 1950s children’s nanny who kept herself to herself and never showed a single one of her photographs to anyone.”
• Jay Jacobs, 1912-2013: Yes, there really was a Jay Jacobs behind the local teen clothing chain of the same name, which operated from 1941 to 1999. At its peak, his company had more than 300 outlets around the country, mostly in malls. But, like Lamonts and the Squire Shops and Bernie’s/Bottom’s, Jacobs’ chain couldn’t make it in the age of the Big Box store (which, in turn, is being succeeded by the age of e-tail).
• Another local institution, Mae’s Phinney Ridge Cafe, is for sale, and will close if a buyer isn’t found soon.
• A UW English prof decries grad-student applicants who can’t name-drop a single modern female author.
• Joan Walsh (correctly, I believe) blames the attempted “sick humor” at the Oscars not on host Seth McFarlane but on the Academy bosses, who apparently wanted to latch onto that Farrelley Bros./American Pie “edgy” thang.
• The William Shatner bit at that show’s top was a textbook example of “framing” a piece of sick/sexist humor (the “We Saw Your Boobs” song) via fake distanced “irony,” to make it seem like just a “parody” of sick/sexist humor.
• The “In Memoriam” Oscars segment has its own selection committee, and “is a focus of campaigning.” That’s one reason why a few famous actors get left out every year and a few obscure behind-the-scenes figures always get put in.
• Elisabeth Parker at Addicting Info wants progressives to stop using right-wing catch phrases.
• For fans of old time radio (and of latter-day revivals of same), here’s a site that appears to have .mp3s of every CBS Radio Mystery Theater episode (all 1,339 of ’em)!

• Seattle artist Ellen Ziegler’s mom was a ballet dancer—and a onetime girlfriend of the great Mexican comic actor Cantinflas. Ziegler’s turning this story into a very-limited-edition art book.
• In other news about local women and art and books and images of hotness, Charlotte Austin and Ciolo Thompson have created The Better Bombshell. In it, a variety of writers and artists of both genders contemplate that age-old issue of female role models and what they should be now.
• Online “cyber-bullying” isn’t just for teens anymore. The disgraced now-former Snohomish County executive did it too.
• The Oatmeal explains why “How to Suck at Your Religion.” (Essentially: if you preach brotherhood but practice bigotry, etc….)
• The drive to preserve the Bauhaus coffeehouse’s building, by getting it named an official historic landmark: rejected.
• The lawsuit challenging the Sonics arena scheme: rejected.
• Even Republicans believe Tim Eyman’s “lying whore” comment against Gov. Inslee went too far.
• PONCHO, granddaddy of Seattle arts fundraising groups (and inventor of the “charity auction”), is no more.
• Can private tech colleges, charging $30,000 or more for degree programs, really solve Wash. state’s learning gap?
• Eastern Washington, now with more radioactive sludge.
• Life imitates Portlandia, at least 30 times.
• Chuck Thompson at the New Republic derides microbrews, and the brewpubs who sell them, as icons of silly urban gentrificaiton. But they’re really, really tasty icons of silly urban gentrification.)
• The sad tale of the “food critic on Food Stamps” finally has a happy ending. Ex-Tacoma News Tribune restaurant reviewer Ed Murrieta finally found a job, after spending years among the long-term unemployed. He now writes blurbs for Sacramento’s tourism board.
• In Virginia, a white mom wants white kids not to have to read books about past racial violence.
• I know I’m not the only one who still remembers LaserDiscs, those 12-inch analog video discs that were the best way to see movies at home in their day.
• Here’s an artistic vision of a future car-free Manhattan, funded by (who else?) a car company.

haley young, via seattlemag.com

You really ought to see These Streets, the new play at ACT about five women in the ’90s local rock scene.

Its writers (Gretta Harley, Sarah Rudinoff, Elizabeth Kenny; pictured above) were there. They know of what they speak.

I mentioned in my book Loser how the national media’s false “grunge” stereotype included “no women in sight, not even as video models.”

But in the real Seattle scene, women were involved in leading roles from the start, on stage (Kim Warnick, Sue Ann Harkey, Barbara Ireland) and off (managers, venue owners, photographers, zine publishers, etc.).

Now, the truth may at last become better known.

webclipart.about.com

As the many unattached among us face with dread the day devoted, by Hallmark and other marketers, toward luvvey-duvvey cutesy-poo, comes a new study on “the old man-woman thing.”

Authors Bobbi J. Carothers and Harry T. Reis claim, among other things, that:

• Instead of a clear demarcation of “female” and “male” behaviors and thoughts, there’s more of a continuum among individuals.
• Gender itself is less a factor in psychological differences among people than race, nationality, subculture, etc.

Imagine the possible implications!

• Those men and women who classify the entire opposite sex as the Evil Other-with-a-capital-O are just wrong!
• Attempts to “pink-ify” consumer products, in order to market them as “For Women,” are really just as stupid as they already seem.
• Dating and “speed seduction” courses intended to reveal the mysteries of the opposite-sex brain are big wastes of money. (Which some of you already know.)
• There’s even less of an excuse for movie studios not to create more “active” roles for female characters, or for the rest of corporate America to pay women less.
• And instead of fighting and manipulating and jostling for power as “man” and “woman,” we’re really fighting and manipulating and jostling for power as “people.”

• Welcome Valentine’s season with Mitch O’Connell’s array of 100 unintentionally “unerotic vintage pin-up modeling photos.” (Note: The hereby linked page is, as the kids say, “NSFW.”) Speaking of the un-erotic….
• Emily Nussbaum at the New Yorker likes how HBO’s series Girls reinvents the late-night-cable sex scene, that most hackneyed of video tropes, into farcical pathos.
• The John Keister/Pat Cashman “comeback” show The [206] disappeared after two episodes (which had been shot in one taping, as a pilot). But it will return in April.
• Would you buy your coffee wherever “The Bitter Barista” works next? (He was fired after his employers found out about his blog.)
• The Seattle Transit Blog explains when the new Car2Go company is a better value than Zipcar and vice versa.
• It’s harder to sneak past the NY Times website’s paywall these days, but may are still trying.
• Things people feel nostalgic for these days include VHS tapes and the manual paste-up of newspaper pages.
• Sam Tanenhaus at the New Republic explains just how the Party of Lincoln became “the party of white people.”
• Esquire‘s cover story about “The Man Who Shot Osama Bin Laden” didn’t mention that “the shooter” (the only name the article gives him) does have health care for the next five years, and would have had more benefits if he’d just retired a year and a half after he did.
• On the 50th anniversary of Betty Friedan’s The Feminine Mystique, Ashley Fetters at the Atlantic unearth’s bell hooks’s argument that the book treated the problems of white “leisure class” housewives as if they were the problems all women faced. Fetters then adds Daniel Horowitz’s 1998 snipe that Friedan, under her birth name Betty Goldstein, had been a prolific NYC radical essayist, and hence knew she was deliberately ignoring the plight of non-affluent women.
• The Museum of Vancouver is opening an exhibit all about that city’s cultural history of sex. Yes, it includes the black-cat silhouette that signified adults-only movies in B.C.

boingboing.net

• Seattle artist Shawn (“Beatkit”) Wolfe’s simple absurdist gag about tech product hype, the “RemoverInstaller,” is 20 years old and still going strong in a new “anniversary edition.”
• Alden Mason, 1919-2013: The master Northwest landscape painter deftly switched to beautiful yet playful abstractions, then again to cartoony acrylic works that fit right in with the “pop surrealist” movement (yes, that term again). The point is, he kept looking for something new to do, and always did it well.
• Even before it’s digested Seattle Weekly, the Canadian-owned Sound Publishing has bitten off its biggest local media morsel yet, acquiring the Everett Herald from the Washington Post Co. Not included in the sale are the Herald’s building or its printing plant. (Sound already has a plant in Everett that prints its assorted suburban and small-town weeklies.) The Seattle Times now runs the Herald’s home-delivery operation.
• Surprising nobody, Chris Hansen’s group has officially applied to the NBA to move the Sacramento Kings (which Hansen’s group has already applied to buy) to Seattle.
• REI boss Sally Jewell is, barring Republican obstruction tactics, the next Secretary of the Interior.
• City Councilmember Sally Clark participated in the “One Night Count” of Seattle’s homeless. Her team found a dead woman.
• Does everybody on a gluten free diet really need to be?
• Budapest’s current nightlife fad, that of “ruin pubs,” is threatened both by upscale development and by commercialized fake ruins.
• The Society of Illustrators thought it got a good deal when it contracted the printing of its latest Annual of American Illustration to a Chinese printer. That was until the plant refused to print a page containing an unflattering caricature of Mao. The society got its book copies with a blank page where that piece was supposed to be. It was later printed separately and hand-inserted into each copy.

alex nabaum’s 'the evolution of china'

In gender income equality, Wash. state ranks 48th out of the 50 states plus D.C.:

The median weekly earnings for full-time and salaried women was $743 compared to $997 in median weekly earnings for men.

Two potential reasons: vastly overpaid tech CEOs, and the relative paucity of women in tech careers.

via imcdb.org

• What was that car in that movie? There’s an online database for that.
• As we patiently await the NBA owners’ vote that will likely bring back the Sonics, there’s word of a hockey team that may be in need of a buyer and/or new home. Seattle, alas, doesn’t have an NHL-ready space. The hockey configuration of KeyArena is too small and awkward. Until a new arena’s built, the closest thing we’ve got is the Tacoma Dome, whose ice-making gear was removed and would need replacing.
• City Councilmember Jean Godden vividly explains why we cannot, dare not, return to the bad old days before legal abortion.
• A homeless camp in Bremerton was shut down after five years.
• Charles Mudede finds sublime meaning in Macklemore’s “Thrift Store” rap.
• KOMO has kind words for Jet City Stream, the new all-local online radio station.
• The recently-deceased dad of local music-scene vet Ben London was an innovative avant-garde composer.
• One of those online coupon dot-coms doubled its sales and still lost over half a billion.
• The return of vinyl has inevitably led into the return of cassette-only music releases and evrn cassette-only labels.
• Zoe Triska at Huff Post really hates classic novels with inappropriate, “commercial” covers tacked on, especially when they’re aimed at teen girls:

• First the B&O Espresso shutters. Now, another outfit you’d think would thrive with legal gay marriages instead goes away. It’s Brocklind’s Formal Wear and Costume Supply. It’s closing up shop after 106 years (the last 20 or so years residing on E. Pike).
• In related news, gay mag The Advocate claims Tacoma is “America’s Gayest City.” I can actually imagine this being true. Lots of military and truck drivers, and a “tuff’ civic culture that extends to women as well as men.
• The faculty at Garfield High has chosen, collectively, not to administer the “Measure of Academic Progress” (MAP), the Seattle School District’s standardized tests in reading and math, to ninth-grade students this month. The teachers’ statement claims the test “wastes time, money, and precious school resources… It produces specious results, and wreaks havoc on limited school resources during the weeks and weeks the test is administered.”
• Nate Silver, who wowed ’em by accurately predicting November’s election results, now says the Seahawks will meet the Patriots in the Super Bowl (but lose).
• State Sen. Rodney Tom, the pseudo-Democrat who wants to turn control of the Legislature to Republicans, got a stinging rebuke by his own party in his own district.
• Pundit Tom Esdall believes an “Obama coalition” of women, minorities, working-class folk, and “99 percenters” stands a chance of really challenging “corporate America’s” control of the federal political process.
• Young-adult evangelicals these days love Jesus but don’t love gay-and-woman-bashing.
• There’s a new industry that actually pays people to write online! Unfortunately, they’re being paid to be right-wing “comment trolls” on opinion blogs.
• Print book sales may be down, but no further down than last year. (And they’re still holding their own better than CDs and DVDs.)
• I usually like to watch the Australian Open, even though I’m not a hardcore tennis fan, just to be reassured that, somewhere in the world, it’s warm now. But this year, it’s too warm there. By a lot.

via nutshell movies

For the 27th consecutive year (really!), we proudly present the MISCmedia In/Out List, the most venerable and only accurate list of its kind in the known English-speaking world.

As always, this is a prediction of what will become hot and not-so-hot in the coming year, not necessarily what’s hot and not-so-hot now. If you believe everything hot now will just keep getting hotter, I’ve got some Hostess Brands stock to sell you.

capitolhillseattle.com

• After years of redevelopment-related doom staring it in the face, Capitol Hill’s beloved B&O Espresso and Bistro finally closed last week. B&O will live on, however, in a soon-to-open Ballard location, and might return within the new mixed use structure to be built on the old site. Word is another Hill coffee institution, the Bauhaus, might also resurface in Ballard.
• The pairing of Paul McCartney with the remnants of Nirvana turned out to be an original composition, which was not all that bad. Overall, though, that all-star (and mostly old-star) benefit for Hurricane Sandy victims could have had a little more variety on stage, such as even one woman.
• Some dude at Buzzfeed put up a supposedly shocking exposé of local web comix king Matthew (The Oatmeal) Inman. Once you take out the stuff that’s either exaggerated or based on a fake online profile made by somebody else, you’re left with the hardly reputation-killing facts that Inman is thinner and more athletic than the alter-ego character in his strip, and that he once had a day job in “search engine optimization” (the pseudo-science of gaming Google’s page rankings).
• A few select Seattle neighborhoods are getting ultra-speed home Internet service some time next year.
• Stupid Republican Tricks, WaState style: Another state Senate “coup” is in the works with two turncoat Democrats’ collusion.
• Are sales of e-book machines really falling victim to tablet-mania, or is this just another overhyped “trend”?
• You know you want to read every fake newspaper headline that appeared in the first 16 seasons of The Simpsons.
• Gawker lists 22 “terrible things that must end in 2013.” Among them: “twee framed sayings,” “fake Twitter accounts,” and “the word ‘swag.'”
• Feminist pranksters in Baltimore made a clever send-up of a Victoria’s Secret panty ad, complete with “No Means No” slogans.
• Urban Outfitters “buys yard sale clothes in bulk and resells them to hipsters as ‘vintage.'”
• Dan Mascai at Fast Company really hates silly media stereotypes about his own “millennial generation.”
• Another venerable mag leaving print behind for an online-only future: The Sporting News, the “bible of baseball.” While it expanded its coverage into the other big U.S. team sports, its prime asset is its record of every major and minor league baseball game ever played in the U.S. and Canada. That alone is an ongoing endeavor worth keeping alive somehow.

Aw shucks, guys n’ gals.

You gave me most of what I wanted for Election Day.

Obama won both the Electoral College and pop-vote. He won the EC by a margin that was both Ohio- and Florida-proof. He won every so-called “battleground” state except North Carolina, some by substantial margins.

The Dems kept the Senate, and added some nice new faces to it (hi, Elizabeth Warren!).

The House stayed Republican, alas; ensuring a continuing forum for obstruction by John Boehner and the other galley slaves to the One Percent.

Here at home, same-sex marriage and recreational pot are both leading, as is Jay Inslee’s bid for governor.

They ought to be leading bigger.  The “Cascade curtain” needs some shoring up. Dems need to strengthen their traditional labor-based holds in Pierce and Clark counties.

And, alas, Tim Eyman’s latest “initiative that sounds hot on talk radio but is disastrous in real life,” to prevent any real reform of the state’s regressive tax system, is also ahead.

All the hard work continues tomorrow.

But for the most part, life on the day after is cool.

Keep up the good work.

ward sutton

‘Tis election day. The most infuriatingly nervous day of the year, or in this case of the quadrennium. (I believe that’s a word.)

The polls, even the progressive leaning polls, predict a tighter race than I want. I want Obama across the board over Mr. Lying One-Percenter Tax Cheat Hypocrite in previously “red” states, and all victorious long before the Pacific Time Zone results show up. If I can’t get that, I at least want an Obama victory big enough that even the partisan-hack dirty tricks in Ohio and Florida (and even here) can’t threaten it.

Back to randomosity:

• Lynn Stuart Parramore at AlterNet insists that liberals need to expand their potential base, to reach out to the whole of America. Yes, even to stop stereotyping white male Southerners.
• Postcard collector Lisa Hix has some lovely examples of cartoony “attack ads” from the women’s suffragist era.
• Bob Quinn, who started a one-man needle exchange program in the U District in the 1990s, has apparently died. I have no further information on this, however. (UPDATE: Here’s more.)
• Microsoft staged a real-life fake “invasion” theater piece to launch the newest version of its Halo video-game series. The mock battle essentially involved all of the European micro-state of Lichtenstein. Cue references to the Bloom County version of Bill Gates trying to get a date by boasting about owning Norway.
• UPDATE: The Cobain-Love stage musical, threatened last month, is now an official no-go.
• The state Dept. of Transportation is holding a naming contest about the big machine that will dig the tunnel to replace the Alaskan Way Viaduct. All entry names must be female, presumably to avoid the obvious phallic jokes.
• Boeing’s next jetliner model might have folding wings, to fit in better at crowded airports.
• Thirty-six percent of the cigarettes sold in Wash. state may be “contraband” (i.e., sold without state taxes). These will, of course, kill you just as dead.
• John Naughton at UK weekly The Observer says the big book publishers have played into Amazon’s hands in the past decade or so. Actually, they’ve played into the hands of their own conglomerate owners who cared only about the short-term Almighty Stock Price, to the long-term detriment of the business itself.
• If Disney buys Hasbro, as has been rumored, they’d not only get the rights to Battleship remakes, but also to the role-playing game franchise Dungeons & Dragons. You’ll recall Hasbro bought Renton game company Wizards of the Coast, which had bought D&D during its peak years.
• R.I.P. Mac Ahlberg. The famed Hollywood cinematographer had directed a few of his own films while still in his native Sweden. One of these was the erotic classic I, A Woman and its two sequels.
• Occupy Wall Street protesters had rigged together some bicycle-powered generators during their marathon protest. These devices proved handy for neighbors during the Hurricane Sandy blackout.
• Today’s lesson in the folly of marketing products “For Women” is brought to you by Honda.

priscilla long, via the american scholar

• Priscilla Long takes you on a geological tour of North America without leaving downtown Seattle, simply by exploring the marble and other stone claddings on our office buildings.
• John Koster, a Republican candidate for the U.S. House in Washington’s revamped First District, says he’d oppose abortions even in cases of “the rape thing.”
• An out-of-state right-wing “SuperPAC” is sinking millions into sleazy attack ads on behalf of Reagan Dunn’s campaign for state attorney general. The Politico site seems to approve.
• When I first heard about this issue, I said I understood. I told the guy I preferred Thelonius Monk myself. Then he told me he was really criticizing a “coal train.”
• When is a nude woman in public not cool? When she punches and strikes a chair at a (clothed) elderly woman in the same apartment building.
• Thankfully, Puyallup’s organized diaper theft ring has been caught.
• As the World’s Fair anniversary winds to a close, Jon Talton wonders whether Seattle can hold its own economically in a 2062 world that could be dominated by global “alpha cities.”
• A self-proclaimed conservative Christian from Tacoma pretended to be gay for a year. Insights on humanity and understanding ensued.
• Did all those hours upon hours of “parka boy” standups by cable TV news reporters help anyone understand Hurricane Sandy’s impact? Probably not.
• David Letterman and Jimmy Fallon’s Monday night shows, performed without studio audiences, may be the greatest non-election, non-hurricane TV events of the year.
• Yes, the polling companies are still under-sampling people who only have cell phones, not landlines. The probable result: a supposedly “close race” that may really be more Obama-leaning than it appears.
• Rolling Stone’s Tim Dickinson reminds you that Mitt Romney really is as awful and amoral as they say he is; while HuffPost’s Michelangelo Signorile’s dug up some video of Romney spewing the most hateful anti-gay bigotry. And Christina D’Angelo claims the GOP’s devolution into a home for virulent racists is like “lynching Lincoln.”
• New Yorker book critic Arthur Krystal attempts to claim the superiority of “literary fiction” above so-called “genre fiction.” As if highbrow weren’t really just another genre.
• Chris Wade at Slate wants you to learn to appreciate the Speed Racer movie.
• Disney, having already digested ABC, ESPN, Pixar, Marvel, and the Muppets, is now taking over LucasFilm and the Star Wars properties. Immediately, a new Star Wars feature film is being planned. What I want to see is a mashup concept involving all these “universes.” Bonus points if you write this as a story for a Lifetime TV movie (half-owned by Disney).