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3/92 Misc. Newsletter
(incorporating four Stranger columns)
REMEMBER WHEN THE PAPERS SAID
MISSILE CUTS AND AIRLINE RED INK
COULDN’T POSSIBLY HURT BOEING?
At Misc., we feel Tsongas’ primary success will turn out to be a great boon to the stand-up comedy industry. Imagine: a Presidential candidate who talks like Elmer Fudd! We also finally admit that the “Seattle sound” has arrived after seeing an arena organist playing “Smells Like Teen Spirit” during a hockey telecast. An LA Kings game, natch.
UPDATE: I’ve now talked to more people who saw different parts of January’s Broadway riot. They describe how a few demonstrators and counter-demonstrators acted like jerks, but their consensus is that the cops went bonkers and started beating up on everybody in sight, shoving innocent bystanders into walls, threatening to arrest people who were just trying to walk home. (There’s a lot more on this in the 2/5 Seattle Gay News.) Last time, I chastised those who provoked the bashing; that does not excuse the cops who too eagerly escalated the violence.
CRUELTY, MISTAKEN FOR A VIRTUE: The State Legislature’s playing a sick game of one-downsmanship, with leaders of each party competing to see how many destitute and mentally ill people they can force out onto the streets. Most so-called “welfare reform” does nothing for people, only against them. Beware of any legislation that seeks to institutionalize the bigoted attitude that “those people” must be perpetually disciplined and humiliated. Poor people are not different from any of us, as increasing numbers of us are finding out.
GRAPHIC LANGUAGE: The Weekly‘s new look may be a sign that it’s ready to acknowledge the existence of non-yups. They’re even writing about the black community now (maybe next year they’ll even hire a black writer). But they were never alone in rejecting the Demographically Incorrect. For a decade TV morning shows, magazines, and daily papers have narrowed the definition of their primary community to the point where you only count if you were born from 1945 to 1954, went to college, and can afford the investments discussed in “Your Money” columns. Bush, Clinton, and Tsongas tailored their economic fixes to appeal to the “Your Money” audience, knowing it’d get noticed by editors who belong to the upscale 20 percent. Journalists won’t address the non-upscale population except as “those other people,” because their bosses don’t want their precious demographics sullied by non-upscale readers. Millions have been removed from the realm of political discourse because they’re outside the ad market for luxury products. In a real way, demographics could kill democracy.
THOSE PHUNNY PHOREIGNERS: The Univ. of BC engineering students, who briefly stole the UW Rose Bowl trophy, are known for their pranks. One year, they rigged the lights on Vancouver’s Lions Gate Bridge to flash in Morse code: “UBC Engineers Do It Again.” UBC’s female business students hold an annual Lady Godiva Run, donning bikini bottoms and long wigs to race on horseback through the woods of the university’s Endowment Lands. The event’s always denounced by male writers on the student paper, who tell the women what’s the right and the wrong way to be liberated.
FORGIVE ME: I didn’t fill out the opinion survey for the Boeing/P-I/KIRO Crisis in the Work Force: Help Wanted project. I couldn’t answer its questions except with more questions. The first page asked, “What’s causing our problems?”; its choices were “Too much government regulation,” “Decline in American work ethic,” “Businesses taking a short-term approach instead of planning for the future,” “Rising rates of illiteracy in the U.S.,” “The federal budget deficit,” “Demands for higher wages by American labor unions,” etc. I didn’t get to write in “Weighted questions on opinion polls.”
THAT `N.W.O.’ PHRASE WON’T GO AWAY: Leftists still utter those three words in every second sentence, a year after Bush said it just once as a throwaway line. Stuck-in-the-sixties left-wingers, as much as demagogic right-wingers, yearn for the good old days of American imperialism. Neither wants to believe that we’re in relative socioeconomic decline. Instead of seeking today’s answers, they’d rather pretend we still had yesterday’s problems. Kuwait was not Vietnam. We weren’t colonizing anybody; we weren’t claiming to bring them “democracy” or even “free enterprise”. We sent an army-for-hire to restore a 70-year-old mercantilist monarchy on whom the western economy had become dependent. If there really is a new world order (that’s questionable, considering how disorderly the world is getting), its nexus isn’t in Washington, D.C. but in Tokyo and Berlin. This doesn’t mean the end of America. It could be our renewal. For moral-righteousness types, there are advantages to a country off the cutting edge of world dominance. It’s easier to make your ideals into your country’s national policy when you’re in a backwater to the currents of conquest (cf. Sweden).
NEWS ITEM OF THE MONTH (P-I, 2/14): “…the Canadian government measures, aimed mostly at consumer electronics and small appliances, won’t stop the flow of about 30 million Canadians who cross the border into Washington state every year. Most are shoppers.” An impressive figure, except there aren’t 30 million Canadians.
SPURTS: It may be better that the M’s produce their own telecasts, as they’re threatening to, instead of leaving it to Prime Sports Northwest, whose offer is hitting delays. I recently saw a PSN repeat of a UW-WSU basketball game that ended abruptly with a minute to go and the outcome in doubt. An announcer hurriedly apologized for technical difficulties and read the final score…TheOregonian will no longer mention sports team names that allegedly demean native Americans. The editor calls such names “stereotypes that demean the dignity of many people in our society.” They’ll still print the name of the Oregon State Beavers.
LOCAL PUBLICATION OF THE MONTH: P.O.V. is the monthly newsletter of the Pacific Northwest Film and Video Association. The Feb. issue contained a fascinating piece on the economics and politics of high-definition TV. While HDTV might eventually make film obsolete, P.O.V. sez the short-term result of the changeover will be to increase TV/video work shot on film. The new technology will eventually be the standard, but it hasn’t been perfected yet. Therefore, the only way to be sure your production will transfer well to hi-def is to shoot on film and transfer later to whatever HDTV system we eventually get.
GUY STUFF: After I saw SAM’s opening night, I was just as impressed by the photo show at Benham Studio across the street, including male nudes by female artists. I’ve since seen two films by R.E.M. videomaker James Herbert that used male bodies as the chief images in hetero-erotic scenes. Finally, there was the life-size male nude sculpture smiling from inside the window at the Donald Young Gallery (a cheesy mannequin to which a Calif. artist stuck on hyper-realistic fiberglass genitals). I concluded that I was attracted to female images that represent people I’d like to be with, and to male images that represent people I’d like to be. In most art and literature by both women and men, the female body is the land where sex lives, while the male body is portrayed as the instrument of work. Our strongest non-gay male images are of muscular action: athletes, rock stars, socialist working-man art, SAM’s Hammering Man. It’s only since ’70s porn that we’ve had straight male sex objects, viewed with admiration by other straight men. While the porn business treats men as soulless stimulus machines (a view it shares exactly with the anti-porn crusaders), it led to men looking at other men as sexual creatures. Contemporary artists are going further in demystification, showing that a phallus is an awkward work of biology, not the iron rod or missile invoked by sexists of both genders. These artists are affirming that men are people too.
WIRE, 1982-1992: For three years, back while the now-acclaimed Seattle music scene was really a promotion and art-direction scene, Denis Twomey and his editors ran a local music magazine that was about music more than about style or attitude. It’s tough to discuss aural art in print; even the prosperous UK music papers emphasize celebrity (sometimes in the guise of “alternative” celebrity). But it never recovered from devastating debts, including an ad default from Sub Pop.
AD VERBS: AT&T promoted its new TTD public phone/computer terminals for the deaf with a totally soundless commercial. The most attention-getting device yet; why didn’t anyone think of it before?… KIRO sold sponsorships for its “bumpers” updating what would be on each night’s Olympic coverage. To my knowledge, no other station’s sold advertising during its own advertising. Maybe we’ll get back to the old days when every nonfiction show would have sponsor logos decorating the scenery…. Plymouth has commercials with talking cars, under the slogan “The Intelligent Choice.” Need we remind you what make of car Christine was?
FREDERICK & NELSON, 1890-1992: Department stores were the retail flagships of mid-century America. They set the aesthetic/cultural tone for their towns, both in the styles they promoted and in the newspapers their ads supported. Seattle had the middlebrow Bon Marché, the lowbrow Penney’s and Sears, and the also-rans Rhodes, Best’s, and MacDougall-Southwick. But Frederick’s was the queen, the setter of style. Its distinction wasn’t just Frangos or a doorman. In our rough-hewn port city it was a bastion for the traditionally feminine arts of fashion, decorating, interior design, food, and society. It was headquarters for a clientele of women with upbringing and money but not jobs. It was considered such a female institution that it set up a special Men’s Grill where gentlemen could take a respite from shopping among all the ladies. Its decline was predicated on a series of tightfisted owners (starting when longtime owner Marshall Field’s wouldn’t let it build a Northgate store). But its dominance really passed in the ’60s when Nordstrom expanded from shoes into clothes, selling flashy career outfits to women who had more to do during the day than sit in Frederick’s tearoom. Frederick’s reacted by turning inward, taking pride in its refusal to change with the times. (It only admitted blue jeans in an obscure corner under a plain “Today Casuals” sign.) The store was made weak, prime for a series of raiders to bleed it dry. But now, maybe too late, people are looking back fondly at a store that had real standards of quality and service, without the designer-trash styles and motivational sales-zombies found across the street. No matter what happens to the store buildings, the impending loss of Frederick’s is a major turning point in our history.
‘TIL NEXT TIME, see the gorgeous Until the End of the World, and ponder role-playing-game creator Steve Jackson‘s policy on not depicting fantasy swordsmen/women in G-strings: “Battle is not the place for recreational nudity.”
PASSAGE
Swedish author Par Lagerkvist imagining the sayings of a Delphi oracle in The Sibyl (1956): “We gather knowledge which we call truth from those in whom we least believe, and unconsciously let ourselves be led by what we most heartily detest.”
IMPORTANT NOTICE
This may be your last free issue of Misc. With the Stranger now running weekly excerpts from the report, I’m severely cutting back on the number of drop-off points for the main newsletter. It’ll still be around at about 20 spots, but the rest of you really ought to subscribe.
WORD-O-MONTH
“Obstreperous”
2/92 Misc. Newsletter
Love Songs for Vacuum Cleaners
Welcome to another morosity-packed edition of Misc., the pop culture report that believes all Presidential candidates, just to be fair, should have to eat (Times, 1/9) “marinated raw salmon, consommé with mushrooms, filet of Japanese beef, cooked vegetables, salad, passion fruit and ice cream with strawberry flavor.” If Brown wants to forego the beef, he can substitute stale bean curd.
UPDATE: Puget Sound Bank indeed cut funding for local arts on public TV, but both the bank and the station insist that the decision came long before they saw the Seattle Men’s Chorus show. So don’t call ’em homophobic. If you must complain, complain that as a proud urbanite you deplore last year’s commercials where PSB showed itself as the bank of wholesome white suburbia while associating its out-of-state competitors with evil inner cities (even using Manhattan images to bash Albany, NY’s Key Bank).
GOOD BUY, BASEBALL!: Nintendo of America singlehandedly brought an entire industry back from the dead. It may be the shrewdest entertainment marketer in the world today. I can think of no higher qualification for a Mariners owner. Besides, it couldn’t hurt the team to adopt some of the philosophies in those zen-of-baseball books or in the Asian-American Theatre’s play Secrets of the Samurai Centerfielder. As I write this coming home from a sold-out SAM retrospective of Yoko Ono films, I think of how this town is socially closer to Japan than it is to certain other US regions. Not only are Boeing and the timber companies among the nation’s top exporters, we’ve got the Nissan and Subaru docks. Hardly the “xenophobia” attributed to us by nature writer Andrew Ward… The 1/27 “Morning” (née Tacoma) News Tribune had a headline, “M’s deal shows where the action is: in Seattle’s suburbs.” The paper, whose current circulation push is into those suburbs, noted that none of the would-be buyers works in Seattle. It didn’t note that the government and business leaders who brokered the deal are all downtown.
IN THE STREETS: I witnessed the anti-hate-crime march on Broadway 1/25, but didn’t catch the start of when it turned violent. People who saw part of it put the source of the roughness at provocations toward cops by the Revolutionary Communist Youth Brigade, run by Bob Avakian, who claims to be a purer Maoist than China’s current leaders. For 12 years, I’ve seen the RCYB as the smallest, loudest part of any protest march, ready to move in on any movement and pretend to be leading it. Members of another of his groups started that whole flag burning fuss. They know how to make precise, irrelevant acts that provoke the most fiery backlashes. This is not the same skill as building a real movement to empower real people.
STAGES OF LIFE: A major hit of the London theater season is A Tribute to the Blues Brothers, starring Aykroyd/Belushi impersonators ripping off their ripoffs of R&B greats. Ads quote a Times of London review: “The most slickly staged concert since the last Madonna tour, and much more fun.” Maybe somebody could do a tribute to it, so you’d get a ripoff of a ripoff of a ripoff (or politely, a tribute to a tribute to a tribute).
IMPRESSIONISM: Behind all the hoopla surrounding the end of the Reds, there was a little item about how the freedom movement survived at its nadir, thanks to one of my favorite things in the world, self-publishing. Newsweek sez that during the ’81 crackdown on Solidarity, the Polish underground fashioned a printing system using inks made from detergent and silkscreens made from elastic from men’s underwear. Imagine: the Soviet Union undone by union suits.
DEFENSIVENESS: The Weekly immediately followed its sensational date rape cover (proving just how hard it is not to get tabloidy about the subject) with an equally tabloidy self-defense story, with circulation staffers studiously removing the “This Image Offends Women” stickers from the vending-box windows. Let’s hope they find another reason soon to have two non-restaurant covers in a row…. And what’s this new pseudo-Rocket logo, anyway? The old Weekly logo was no award-winner, but it was a mark of design evolution going back to the paper’s founding in ’76 — when it ignored people too young to be “from the sixties,” instead of scoffing at us like it did in recent years. Now, the paper can only maintain its circulation/ad base by reaching out at last to us Generation X-ers. Natch, it does this in a patronizing way, with an uninspiring pomo logo that looks like what out-of-it oldsters think “those kids” will eat up. (I may have a totally diff. opinion a month from now.)
BUSH CAMPAIGN HEAD WILL PETUS (in USA Today, 1/12) insisted the campaign was not hopeless by saying, “George Bush has been declared dead more times than Elvis Presley.” The thing is, Elvis was declared dead just once, accurately. It’s the folks who declare him undead who are insistent and wrong. Which is the better metaphor for Bush’s chances?
PHILM PHUN: The Seattle film-production community is growing to the point of extensive postproduction facilities. This means we get such spectacles as Rebecca de Mornay, dubbing her lines from The Hand that Rocks the Cradle, telling techies how proud she is of how her breasts look in one scene. Forsaking us for cheap Vancouver filming are the producers of This Boy’s Life, based on Tobias Wolff‘s Skagit County coming-O-age saga that’s the closest anybody’s come in nearly years to the Great Northwest Novel. R. DeNiro and E. Barkin star.
LOCAL PUBLICATIONS OF THE MONTH: Commas Are Our Friends is English teacher Joe Devine’s “painless, fearless, and fun-filled approach to the rules of grammar.” At last: somebody who doesn’t use the language to belittle his inferiors, but who communicates the importance of communicating, the elegance of well-designed writing that leads to (and from) well-designed thinking…The Cereal Killings is Stranger cartoonist James Sturm’s new comic book that uses a standard murder mystery to ponder what if breakfast talking animals were real (and not like Roger Rabbit but like any sensitive artist forced into the compromise world of advertising). The premise brings a whole new dimension to the American iconography of spokes-critters. You could even stick in an analogy between black customers not allowed into the Cotton Club and the Trix Rabbit never getting the cereal with his own face on the box. (Well, maybe not.)
THOUGHT WHILE LISTENING TO KNDD replay the greatest nonhits of my youth: The punk/newave era can be said to have begun in ’76 with the first Ramones LP. Its end is somewhere between Angry Housewives, Duran Duran, and the LA hardcore bands that made punk orthodox and stale. But the real deathknell came with the emergence of rap, which fulfilled what the bebop guys had set out to do: create a black music that didn’t need white people to “popularize it” (i.e. muscle in). The whole century-old premise of what it meant to be a hip white boy was dislodged. (KNDD, by the way, is using its mention in last month’s In/Out List in its sales brochures. They didn’t mention my earlier, less nice, piece about ’em.)
EVENTS WE OUGHTA HAVE: Chicago’s Berlin Club advertised an “8th Annual Anti-New Year’s Party…No midnight announcements. No party favors. No cheap champagne. No `Auld Lange Syne.’ No more Father Time to kick around. We’re going to be covering all watches with tape at the door to prevent cheating.”
COLOR ME BEMUSED: There’s a distinct color-scheme generation gap. Yuppies (and yuppie ad agencies trying to appeal to teens) are into bright, gaudy, neony colors. Teens themselves are dressing in black and watching b/w music videos…Why is it that the kids who are supposed to be the New Chastity generation strut about in skintight spandex and black bras, while the newly middle-aged who still boast of their wild swinging pasts wear ugly grey sweaters and shapeless faded jeans?
CATHODE CORNER: Who at NBC saw to place a Teen Spirit deodorant ad in Sat. Nite Live‘s last network commercial slot (separated by two local slots) before Nirvana’s network debut of “Smells Like Teen Spirit” (whose title wasn’t mentioned in the intro and isn’t in the lyrics)?…Some of the 71 Awards for Cable Excellence categories: “Directing live sports events coverage special or series. International educational or instructional/magazine/talk show special or series. Business or consumer programming special or series. Extended news or public affairs coverage. Entertainment host. Program interviewer. Stand-up comedy series. Game show special or series.”
REWIND: I’d like to advise you to avoid Blockbuster Video stores. You may already know that they’re trying to drive indy video stores out of business (exec Scott Beck in Video Business: “We’ve done our best to eradicate as many as we can, but they just stick with it”), that they’ve banned NC-17 movies while amply stocking repulsive slasher and shoot-em-up flicks. Now, film zine Ecco sez BBV’s imposed chainwide buying (preventing local stores from choosing anything), and has cut back sharply (some sources say entirely) on independent, foreign or classic films. If you don’t want the video revolution to die, don’t go there, or else we could end up with nothing to see but action hits.
JUNK FOOD OF THE MONTH: Gosanko Chocolate Art makes chocolate baby coho salmon, $5 at fancier non-chain candy shops near you. Since the same molding process can be used to make both candy and plastic toys (indeed, a Quaker Oats division sells “industrial chocolate” to candymakers), sweetness can be made in virtually any 3-D shape. We’ve already mentioned the Ken Griffey Jr. bar, the Space Needle on a stick, and the skyline-of-Seattle collection. We can hardly wait for the Stars of Grunge Rockcollection.
NO DIRTY WORDS: Thanks to my antique-dealer mom, I now have a copy of Songs of Regina, a 1931 songbook for door-to-doorvacuum cleaner salesmen. The lyrics, written to the tune of popular songs of the day, were presumably to be sung at motivational sessions. “Glory, glory what a cleaner/Yes, the name of it’s Regina/And the money it will bring ya/As we go marching on.” The company survived the depression, perhaps due in part to these pep-rally songs. But it couldn’t survive the ’90s recession. The brand recently disappeared in a merger.
THE WORKS: A sense of realistic despair fell over the country rather swiftly, after years of strained overconfidence and hip nihilism. America’s hi-tech/service sector future was replaced by visions of a nation of glorified temp workers with no pensions, no insurance, no futures, no ability to buy the luxury goods and services that our economy was restructured around. What little investment was made in this country was made in the expectation of an affluent professional class that the rest of us would serve. That class is now shrinking, and nobody’s making anything for any other class. We’re reaping the fruits of the cynical ’70s-80s, from non-voting liberals to conservatives who’ll sell themselves (and the country) to anybody. From speculators who buy companies to loot their them, to CEOs who annihilate their workforces (decimating the consumer wealth needed to support their own companies’ products).
MAILBAG: Michael Protevi sez, “Misc. is wonderful. I can’t wait to show my friends/family back East. I really appreciate `The Real NW.’ It’s refreshing to hear news of the old Seattle, the pre-deluge. It always bothered me that they would tear down so many great buildings (Music Hall, etc.) and then pat themselves for being the most environmentally conscious (`recycling,’ etc.). What a crock! Obvious where the real power lies (and lies).”
‘TIL OUR RITE-O-SPRING March ish, vow to ask the next would-be tuff guy on the street in an LA Kings jacket if he’s ever in his life been to a hockey game, see the Museum of History & Industry’s five wooden-ship maidens on a stairwell wall (all sealed up in plastic packing wrap like seabound Laura Palmers), visit the new Signature Bound bookstore on 2nd, and recall the wisdom of child-development expert Joseph Chilton Pearce (from the Canadian journal Edges): “Intellect alone has never changed anyone. All change comes from the heart.”
THE GOOD OLE DAYS
Time, 9/15/61: “The ban the bomb campaigners…are dedicated to the dubious proposition that any political fate is preferable to the horror of atomic war.”
REPORT
Thanks to the person who listened to my KING radio appearance on 1/15.
The format of Misc. will remain stable for the near-term. Should I find a way to reduce the number of other things I do in order to support this, a bigger newsletter may ensue (maybe with ads, graphics and/or a cover price).
“Fueilletonist”
JUST CUZ WE MAKE CARS TOO BIG FOR JAPANESE CITIES,
WITH THE STEERING WHEELS ON THE WRONG SIDE…
12/91 Misc. Newsletter
(incorporating the first four Stranger Misc. columns)
Elegance? What Elegance?
Welcome back to the sixth year-ending edition of Misc., the newsletter that hopes the end of the cold war will mean the end of gratuitous mushroom-cloud shots in experimental films. And despite recent tragic events, we still root against all LA sports teams.
Silence = Debt: You may have heard how KIRO’s top brass censored a report on 7 UW football players with police records (basic jock crimes like speeding and assault). You may not have heard another TV censorship tale. The KCTS Arts and Performance Group had its entire funding cut by its sole patron, Puget Sound Bank, after a Seattle Men’s Chorus show with transvestite segments. (The bank and the station denied any cause-and-effect accusations.) The unit must now hustle for funding for individual events (insuring more conformity to corporate tastes). It may be about time to give up on allegedly “public TV,” set up financially by the Nixon administration expressly to be beholden to big business. KCTS has shunted documentaries like Tongues Untied to the wee hours, while devoting prime time to animal shows, Kissinger interviews, and Lawrence Welk reruns. The ’90s, the one regular forum for true independent points of view, is now only seen on KCTS at 3 a.m. Thursday mornings. Nationally, shows that don’t suck up to corporate America don’t get (or stay) on. Mobil asserts a lot of creative control over Masterpiece Theater and Mystery serials; nothing goes on that doesn’t support the British class system as a model society. It’s time to find a real alternative distribution system for professional, independent video.
The Fine Print (card wrapped with a Chip n’ Dale Rescue Rangers figurine in a Frosted Flakes box): “Parents: The toy in this package meets or exceeds currently applicable government and voluntary toy industry standards. As with any toy, we suggest you provide guidance to your children regarding proper use.”
Notes: The local media made a big to-do about Nirvana having to buy out an LA band’s claim to the name. In fact, this sort of thing happened a lot in the punk days. The beloved late English Beat was known as just the Beat everywhere but in North America, where a lame Calif. band had already released an LP as the Beat. A fledgling Seattle band had to stop calling itself The News after Huey Lewis’s lawyers showed up. In 1979, there were unrelated bands in NY, SF and Detroit all called the Mutants… For two minutes of video airtime, M. Jackson ceased to be a bland, commercial imitation of weirdness and became a real provocateur. Of course, that footage had to be dropped.
What’s In Store: The downtown Bon has been running this big “Return to Elegance” ad campaign. Seattle’s newcomers might be fooled into thinking this was some grand dame of merchandising that had lost its focus before recovering its past glory. But we know better. We know this is the same place that used to have flannel fabrics and a great homely budget floor and acres of Qiana and stretch pants and a quintessentially 1977 boutique called “Annie’s Hall.”
News Item of the Month (P-I correction, 10/24): “The jicama is a brown, crisp-fleshed tuberous vegetable; the kiwano is a fruit with orange, spiky skin and green, seedy pulp. Due to a typesetting error, a story in the Oct. 16 editions confused the two.”
Ad Verbs: There was this wonderful USA Today story on 10/31 about national ad campaigns that didn’t make it. Along with the usual everyday rejections (a 3 Stooges fax-machine ad rejected by the Japanese product manager who never heard of the Stooges), there was an ad that would’ve warned against taking an inferior 4 x 4 into remote rugged terrain where it might leave you stranded: “Drive a Landcruiser or drink your own urine.” Then there was a magazine ad with a simple before-and-after equation, with a tube of Clearasil photographed on the Before side and a wrapped Trojan on the After side. Wrote the Clearasil managers: “This promise cannot be substantiated.”
Xmas ’91: One place you might not think to look for gift ideas is the American Bar Association Journal. There you can find a sweatshirt bowdlerizing Shakespeare to read, “The first thing we do, let’s kiss all the lawyers.” Another outfit, Legal Artworks of Chester, Conn., offers framed reproductions of “distinguished works of art with legal subject matter: trial scenes, lawyers, jurors, etc. by Daumier, Thomas Hart Benton, others.”
Still Earning Their 10 Percent: The Curtis Publishing Co. (the Indianapolis right-wing couple who run the nostalgia/revival version of the Saturday Evening Post) now has a subsidiary, the Curtis Management Co., merchandising agents for about 100 sports and entertainment celebrities, most of whom are dead (Twain, Abbott & Costello, Buckwheat, Bogart, Garland, Belushi, Hank Williams Sr., Satchel Paige, Babe Ruth). The company’s PR documents identify its living clients (the third Benji and some ex-football players) with an asterisk denoting “Available for personal appearance bookings”).
When Will the Madness Cease?: Thenext victim of upscaling is the legendary Valhalla Tavern in Ballard, now the Old Pequliar Ale House.
Getting Mighty Crowded: I’ve had little positive to say about Joe Bob Briggs, the redneck-pretending to be a yuppie-pretending to be a redneck who writes lovingly about bad movies. But in a recent issue of his We Are the Weird newsletter, he noted that “in Seattle, which used to be one of the friendliest places in America, people will very openly tell you how much you are not welcome there, especially if you intend to build a house, open a new shopping center, or for that matter just move there to live with your idiot cousin.” His advice to Seattle and other “anti-growth” places: You don’t have to sell a house. Don’t say you’re against growth and then beg United Airlines to move its HQ to your town. If you don’t want more traffic, don’t demand that builders include so many parking spaces. And “watch it with the `I was here first’ syndrome. Seattle, after all, is a man’s name. He was an Indian.”
Junk Food of the Month: Fun Food Inc. of Portland offers a line of kiddie microwave breakfasts, including mini-servings of “wacky” waffles, French toast and pancakes (all with turkey sausage) and an egg-muffin sandwich. The foods are moist enough to eat without syrup; the names include My Dream Breakfast and SuperSports Breakfast.
Local Publication of the Month: Where’s Dan Quayle?, the The Waldo-parody drawn by Puyallup’s Bron Smith, is the first non-Trudeau political-cartooning book on the bestseller list in recent memory. Like the Waldo books and Quayle himself (and unlike traditional political cartoons), it’s obsessively “light.” I’ve said that mandatory “happiness” is a hallmark of sleaze; the book’s creators display this more effectively than any blatant editorial cartoon ever can.
Art in Form, 1981-91: It lived and died as a store selling fancy (often costly) books on progressive art and art theory. Its greater value for 10 years was as a gathering place for smart people. The merchandise is being cleared in a “deconstructing” sale. The space will live as a world-music shop serving the same clientele, but it won’t be the same.
Painful Realization for the New Millennium: By the time I’m 60, tourist towns will hold upscale rap festivals with mostly-white casts and all-white audiences sipping wine and basking in what they’ll call the first art form of the 21st century. The music will sound like Gilbert & Sullivan patter songs backed by bad jazz. Already, a jazz combo has covered Grandmaster Flash’s The Message.
Sign of the Month (on a city Landscape Dept. truck): “A city without trees isn’t fit for a dog.”
The Drug Bug: The new Pay n’ Save on 2nd & Union has Seattle’s first inside drugstore espresso bar. And I still remember Seattle’s last drugstore soda fountain…
Happy Returns?: The Init. 120 turnout helped Seattle gain its first predominantly-female city council. The networks chose not to cover this election; CBS preferred to run a cheap made-in-Vancouver movie about three women (why do women in TV movies and modern novels run around in packs of three?) who defy possessive boyfriends by posing for Playboy…. As the next “on-year” election approaches, the Repo men insist that the recession’s over, based on obsolete “leading indicators” and other financial data that don’t relate to real un-/underemployment or shrinking real wages. A pro-business government that’s good at nothing but doling out favors, borrowing money, and destroying people/things is a perfect match for an economy that’s good at nothing but advertising, distribution, and “earning” paper profits.
Another Local Publication of the Month: Adam Woog’s Sexless Oysters and Self-Tipping Hats: 100 Years of Invention in the Pacific Northwest is the kind of book I’ve always wanted to write, but could never get away from the need for a day job long enough.
The Mailbag: About a dozen of you responded to my plea for suggestions on turning this into a more self-sufficient enterprise (thank you). Zola Mumford said I should market Misc. to young adults about “to make Kerouacian journeys westward…for Seattle’s `Golden Country.’ You could sell Misc. to them before they come here, and they can be just as hip as you and me.” Thanks, but I don’t run a Hipster Chamber of Commerce. I’m here to expose harsh realities, not for smug boosterism. Besides, the Northwest is not, nor has it ever been, Paradise. I mean, the Elks lodges started here. How hip can we be?
Writes & Wrongs: In my day job at the Comics Journal, I was phoned by a Univ. of Chicago intellectual writing an article on “the declining role of words in American society.” He pumped me for any info that would support his presupposition that we (or our younger peers) have become non-reading, non-writing, non-talking image addicts. I replied that we’re really more inundated with words than ever: in little publications like this, piles of documents in schools and offices, computers and fax machines, hundreds of specialty magazines, thousands of paperback novels. Talk radio, phone sex, rap, and virtually all TV (except commercials and music videos) depend on the spoken word. My caller refused to consider my arguments. He sounded like one of those non-thinking highbrows who blissfully assume that “those kids” have all gone to hell since his generation was in young-adulthood (whether his generation is that of 1945 or of 1968 doesn’t matter; the syndrome’s the same). So-called “serious” writers can be the most reactionary people in the cultural world, so pathetically conservative about everything in life except politics.
Philm Phun: The Addams Family, despite pans by fuddy-duddy critics, is the best macabre comedy since Young Frankenstein (or at least since Santa Sangre). It could’ve been an all-time classic if it hadn’t been ruined by product placements and the obligatory out-of-place hit songs (by Hammer). It’s intensely appropriate that Grandmama was played by Judith Malina, a founder of NYC’s Living Theatre, which believes in unleashing desire and imagination to defeat conformity and free the human spirit. Just the message of the most life-affirming Hollywood movie of the year.
We’ll return in the next year with our annual In/Out list. ‘Til then, be sure to visit Castle Cash and Carry on U. Way and Mr. Haney’s Curio Emporium on Ballard Ave., and recall the words of archy and mehitabel creator Don Marquis: “When a man tells you he got rich through hard work, ask him whose?”
Harvard Russia-watcher Russell Seitz, in the 11/4Â NY Times, on the USSR’s increasingly desperate deals to sell any technology that might attract hard currency: “Nobody ever contemplated that the Soviet military-industrial complex would end up in Chapter 11. It’s the yard sale at the end of history.”
For an undetermined amount of time, excerpts from recent Misc. issues will be reprinted in The Stranger, giving thousands more potential readers a glance at the wonders to be found here.
If anyone can help me distribute future newsletters, please leave a message at 524-1967.
“Indivuous”
IS THERE ANYTHING MORE STUPID LOOKING
THAN FOOTBALL UNIFORMS WITH BARE MIDRIFFS?
11/18/91 Stranger Misc.
(the first Stranger Misc. column)
The Misc. Statement of Purpose
Hi. My name’s Clark and I’m going to be your columnist today. Since 1986 I’ve been writing Misc., the monthly newsletter on popular culture in Seattle and beyond. I write a lot of little segments about a lot of different topics. I have a very individualistic sensibility, but I don’t try to be contrary for its own sake. I have certain underlying beliefs. Among these are the following:
1. The Pacific Northwest is not, nor has it ever been, Paradise. It’s a real place with real people and real problems. It did not suddenly come into existence when you moved here, nor even when the first white people moved here. I’m from here, so I have no illusions about the so-called “Northwest Lifestyle” that was invented in the mid-’70s.
2. Seattle is a major American city, damn it, and ought to start acting like one. We need people who are willing to make it a better city — people willing to work in the arts and community service. We don’t need any more people who just want to go to the mountains for the weekend or buy a million-dollar waterfront “cabin.”
3. I’m a leftist but I’m not a hippie. I want a better world, a more compassionate and just world. The only way to get to that is to build movements, to reach out to people, not to sit around and mourn the end of the ’60s or to treat everybody except yourself as a hopeless square.
4. Television and male sexuality are not automatically evil.
5. Popular culture is a far more accurate portrayal of a society than highbrow culture. You won’t find the real character of England, for instance, on Masterpiece Theatre. You’ll find it in cucumber sandwiches, fish and chips wrapped in newspaper, and the horrid things they make out of the variety meats.
6. On the other hand, popular culture isn’t an exact replica of popular beliefs. The millions of women who buy sleazy crime books don’t necessarily want anything in the books to happen to them.
7. Our country’s totally screwed up in its attitudes about work, sex, democracy, and ethics. But so’s most every other country, in its own way.
8. Lame parody is the death of real humor. J. Webb’s Dragnet was a helluva lot funnier than D. Aykroyd’s.
9a. Hardcore fascist kitsch is not cute. I’m not a consumer of TV evangelists, wrestling, big-budget violence movies, or the Weekly World News, not even to laugh at them. I hate those things.
9b. When I say I hate something, it doesn’t mean I really like it. It means I really hate it.
10. George Bush is like those small-town lawyers on Scooby Doo after their ghost masks are taken off. The difference is those characters were businessmen pretending to be monsters. With George, the reverse is true.
11. I believe in the power of the written word, though I have a healthy respect for its limitations. I don’t believe in “serious literature,” nor in the lifestyle and belief system “serious” writers are expected to conform to. Writers are some of the most aesthetically reactionary folks around, so pathetically conservative about everything in life except politics. If only modern novels had one percent of the vitality found in the best modern music, dance, and visual art.
12. The only real way to make an artistic or political idea accessible to the general public is to present it in the most lively, compelling way possible;Â not to make it bland and soft.
13. The three-dot newspaper column is a dying American art form, one which Misc. tries to keep alive.
Here are some of the things you’ll see in Misc.: Junk food. Giant public art works crashing to the street. Local publications. Capsule comments on film, TV, politics, and other lesser arts. Quotable quotes. Celebrations of great new ad slogans and new products. Words and word usage that deliberately contradict academic standards. No sex gossip or spoofs.
Selections from Misc. begin in this space in the next issue.
11/91 Misc. Newsletter
Clarence the Cross-Eyed Judge
A cool-weather greeting from Misc., the newsletter that couldn’t afford to go to the $295 Nov. 14 touring seminar on Producing, Designing & Writing Newsletters by a Georgia consulting firm. We’ll have to get along without learning what the flyer called “the 27 essential elements of all good newsletter copy which increase readership, credibility and motivation.”
Sign of the Month (taped to the inside of a Magazine City window): “Please don’t support the belief that panhandling supports drug abuse. The fact is, most `homeless’ people don’t have the mental capacities to get on government legal panhandling programs like welfare and food stamps. Besides, it’s your money and your decision right?? O.K. Pal… Thanx, `a homeless person.'” Runner-up (orange posters on Roosevelt Way light poles): “This is a Totem Pole. This pole is talking.”
Ad Slogan of the Month: “Fits like a glove. Feels like love.” The product: Side 1 tennis shoes.
When’s A Critic Not?: P-I art critic Regina Hackett, quick to denounce any work she doesn’t like, provided an unquestioning piece on 9/28 toward controversial writer Andrea Dworkin. You could almost learn that Dworkin has, over the years, denounced all heterosexual intercourse as rape, written novels about totally-good women and totally-bad men (except those who pledge never to confront a woman with an erection), and provided true believers with a drug-free high based on the intense power of martyrdom (a universal feeling, one I’ve experienced through other means and found dangerously addictive). Her most famous assertion is that virtually any image of a woman designed for men or by “male culture,” no matter how sweet/bland/loving/silly, is a statement of violent domination against all women. There is no love in Dworkin’s world, no humanity, only rage. Her only solution to old repressive stereotypes is to create new ones. Anyone who knows anyone who doesn’t conform to her archetypes knows her worldview is incomplete; but unlike many feminists, Dworkin doesn’t appeal to reason but to passion. She exploits a very real pain and fear held by many women. They find a recognition of their pain in her that they don’t find anywhere else. Yet she offers no way out, only the same compulsion for censorship and vindictiveness I abhor in right-wing males. Speaking of whom…
Here Comes the Judge: The Thomas/Hill debate was like a 12-hour episode of LA Law, without the comedy relief. It was exquisite that ABC’s Day 1 coverage led into Family Matters, the sitcom about a teen geek who mistakenly thinks he’s a great lover. The behavior charged to Thomas (and charged to others in acres of local-angle stories) is one aspect of office hustler behavior. From J.R. to self-styled “right-wing rebels,” a strain of American culture has mistaken obnoxious and contemptuous people for “winners.” This attitude embodied most of the Reagan White House except Reagan himself, and was taught in seminars and self-improvement courses (including the book Winning Through Intimidation). Nobody specifically endorsed sexual harassment, but they promoted an atmosphere of arrogance that incubates many expressions of rudeness. (These men also harass subordinate men in non-sexual ways, that feel psychologically like a schoolyard beating, not rape.) This is why I say we’ve got to get rid of all bigotry, all stereotypes, all dehumanizing, or you’re just emulating the behaviors you claim to hate. Oh — and Thomas was wrong when he said, “This isn’t America. This is Kafkaesque.” Don’t be silly: America is Kafkaesque.
Dough Boys: There was a great Times piece 9/29 on corporate debt. The same politicians who used to scream about government deficits arranged the regulatory policies that led to the funny-money economy of the late ’80s. The same business advocates who bitched about public debt eagerly built up the private debt that strangulates the economy. Companies can’t borrow or spend out of the recession; they’re too busy paying for funny-money takeovers. Laid-off workers, consumers who face fewer choices at higher prices, callers cut off because AT&T cut its maintenance budget, bank depositors, and all the rest of us are paying for the games of corporate predators. A UN study shows that this is the first year since ’45 in which world industrial output declined. Some of that is due to the collapse of the Soviet economy (a different type of funny-money), but a lot of it’s due to the damage by the western world’s speculator joy-riders.
One More Reason Not to Live in LA: The music video for Fun Day, shot on the streets of LA, shows Stevie Wonder driving.
Block That Metaphor (Paul Gregutt wine col. in the Weekly, 10/16): “This takes Brusset’s Cairanne to another dimension. It’s like the difference between Star Trek on TV and Star Trek in the movies…a voyage where no palate has gone before. Berries, sage, tannin, and acid explode from a wine that might be described as a zinfandel recruited by Hell’s Angels.”
The Hammering Man Crash: I wasn’t there at the time it fell, but got to see the massive wreckage. One can question whether the Seattle Art Museum should have spent $400G on a clone sculpture from LA, the town whose business is imposing its culture onto the rest of the world. One can question the smug condescension implied in a self-styled tribute to the Working Man at a development that represents the expulsion of working-class labor from downtown, overlooking the waterfront that now represents the expulsion of working-class labor from America. (I’m reminded of Vancouver author Brian Fawcett’s assertion that malls and subdivisions are typically named after the real places they replaced.)
Yes, But Is It Alive?: Belltown Inside Out was billed as a celebration of the “artistic neighborhood;” it turned out more like a wake. The big exhibit was highlighted by people who used to live and/or work downtown, before the arrival of the real estate speculators. The new and “restored” apartments and condos on display were shoddy-to-average pieces of construction, gussied up with thick rugs, goofy light fixtures and weight rooms. The image of an art community is considered important by the developers who are driving out all the artists (one brochure touts “Sidewalk cafes, galleries, pubs, the market and the most vibrant downtown north of San Francisco”), so expect more such events. The area was swarming with cops that Fri. nite, like the tower-dwellers’ political lobby has wanted for some time; only they didn’t seem to be going after any dealers providing pharmaceuticals for the fratboy-disco clientele, but just stood near the gallery spaces looking reassuring. It was also the first weekend of the Donald Young Gallery (nothing from here; nothing anybody here not named Gates can afford) and the last weekend of the Belltown Film Festival at the Rendezvous (a program and space virtually made for one another). The promotion seems to have worked overall; as of the first week of the UW fall quarter, the 1st Ave. bars were overflowing with the fresh faces that make old hippies squirm in disgust/jealousy. Seattle’s various hipster scenes over the decades never fully capitalized on the largest student population west of Austin. It’s happened now, for good or ill.
Yes, But Is It Mutating?: Seattle artist James L. Acord Jr., who makes “nuclear sculpture” using old luminous, uranium-containing Fiesta Ware, received a giant 2-part profile in the 10/14 and 10/21 New Yorkers, with an apparent first for that mag’s editorial pages: a color photo. (Color has occasionally been in New Yorker cartoons in recent years.)
Stages of Life #1: Penta, who as Leslee Swanson sang perky pop tunes with the early-’80s band The Dinette Set, has returned momentarily from NYC with a husband, a baby, and a street-theatre company. The Alchemical Theatre collectively creates and choreographs song/dance/chant/rant rituals to promote nonviolent anarchism. It sounds heavy and didactic, and some of it is; but parts of their work are also stirring indeed, as the seven performers mingle with the audience to seek a world without violence, hate or wasteful work. Their next piece will touch upon “desire, technology, pleasure, and revolution.” Look for it in a Pioneer Square cellar near you, or call 682-9359 or 447-1566 for reservations.
Stages of Life #2: It’s appropriate that Intiman’s Mary Traverse keeps the heroine clothed while stripping her mate during an abstracted simulated-sex scene. Nudity is oft used in film to strip the male hero’s girlfriends while not exposing him. Here, the heroine (who presumably knows what her own body looks like) offers her reaction to seeing a man’s body. Demystifying the male body would be a step toward more sexual honesty. Maybe those “butt shots” in male-action movies are a positive sign.
Cathode Corner: There’s a peculiarity to listening to football on the radio while watching the same game on TV. The TV signal is bounced off a far-away satellite, so we see the outcome of a play a second after it’s told by the radio announcers…. Al Owens is slowly growing into his job as KSTW entertainment reporter. His rhetorical reach still exceeds his grasp, but it’s still entertaining to see what his next overblown comment is going to be.
Fashion Plate of the Month: The woman on Broadway with a denim jacket, painted in blue with the slogan “Read Chomsky.”
Get a Life Dept.: A man was convicted for continually trespassing at Ann Wilson’s house. Maybe he could get hitched up with Letterman’s female trespasser and they could invade each other’s homes and stop bugging others.
Deconstructivism: The Music Hall’s back wall looked forlorn this past month, with a giant Jerry Mouse hole cut into it to let the demolition machines in. A tragedy that should have been permanently prevented years ago, when credit wasn’t as tight.
Steven Jesse Bernstein, 1951-1991: Didn’t really know one another that well (he sometimes confused me with ex-local writer David Humphries). I knew him well enough to chat up with him outside the Bon circa ’82 while waiting for his fiancée to come out. He talked all hopeful about the forthcoming marriage ;watching from inside a bus a minute later, I saw him cussing out loud for her to get out already. I kept wishing his work would show more discipline, more coherence.But people loved his incoherence, and his reality. He appealed to a punkoid audience who play-acted at despair, because he displayed real despair. For more than a decade, he alternated between periods of fpopular readings and periods of withdrawal (including visits to the U Hospital psych ward, to keep his emotions in check and to stay off drugs, a battle he lost months before ending up with a slit throat on Neah Bay).
‘Til our gala year-closing December saga, see the new SoDo Center (the good-ol’ 1st Ave. Sears plus Bizmart discount computers-n’-things), ask the folks putting up Anita Hill for President posters if they remember that she’s still a conservative, and ponder whether it’s time to listen to something else when those Silent Radio electric signs add a “Top 5 World Music LPs” chart.
Walter Kendrick in The Thrill of Fear: 250 Years of Scary Entertainment: “Our next age is the first in human history that will have all prior ages to gaze upon at will.”
Not a single person responded to my request for ideas on turning this into a less unprofitable venture. If I don’t think of something, I may eventually have to reconsider this whole thing (at least in its present form).
My computer novel, The Perfect Couple, is apparently going to be out sometime this winter. More info when I learn it.
“Impecunious”
HALLOWEEN IS SUPERFLUOUS WHEN
TODAY’S SCARIEST CREATURES LOOK THE MOST `NORMAL’
9/91 Misc. Newsletter
Bug-Proof Pantyhose
Welcome back to an autumnally-seasoned edition of Misc., the pop culture newsletter that’s fond of noting that in the Robt. Venturi design with its vertical relief stripes, the name SEATTLE ART MUSEUM appears to be spelled with dollar signs.
THE RED SQUARES: On Mon., 8/19, I wrote in my ongoing computer file, “There are moments in the life of the world that make it tough to be a humor writer, even a world-weary, cynical humor writer.” Then the attempt at bringing back eight men’s sorry vision of the “good old days” disappeared faster than the stock at a Russian butcher, and I could retain my generally hopeful worldview about democratic progress in all countries except mine. I also reaffirmed how much I can hate public radio sometimes: call me a traditionalist, but world-crisis bulletins shouldn’t be combined with easy-listening background music (I refuse to call that Windham Hill-style music they use “jazz”).
A MOVING EXPERIENCE: Within weeks of the Weekly “discovering” my neighborhood, my landlord raised the rent significantly. Don’t let this happen to you! Took the increase as an opportunity to move (for only the second time in seven years; more desperate finances made me run from the upscalers eight times from ’81 to ’84). I will miss parts of the Broadway neighborhood, but will not miss the BMW car alarms malfunctioning at all hours or the ceiling that became a giant loudspeaker for the upstairs apt.’s stereo.
FILM TITLE OF THE MONTH: Child’s Play 3: Look Who’s Stalking.
FRAMED IN PUPPETLAND: The hoopla over Pee-wee, and all the child psychologists talking about how to tell your kids the sad news, is pathetic. The poor idol of millions hasn’t even been convicted yet. You’ve got to remember this was in south Fla., home of the 2-Live-Crew-busters, where there may have been official pressure to track down a white celebrity to harass in order to maintain a pretense of impartiality. Actually, it turns out that the arresting officer was part of a three-man squad assigned solely to make arrests for the most victimless sex act of all. (It’s such a Pee-wee sort of activity, too; self-possessive, compulsive, fantasy-possessed). For the record, he was watching straight porno films; a semiotics book a couple years back noted that the Pee-wee’s Playhouse characters are based on common gay-camp personas.
WILD IN THE STREETS: KING and KIRO dumped Sat. AM cartoons for news (and local commercials). Now, when there’s violence on Sat. morning TV, the victims won’t be alive in the next scene. Both newscasts are heavily supplemented with filler satellite footage from other stations around the country. The stations chose just the right week to start their Sat. morn news, the morning after the traditional biggest Fri. night of brawl of the year. The Seafair riots are wimpy compared to riots in other cities for more substantial celebrations such as winning a Super Bowl, but our minor street brawls and our hydro-drunks keep the old rowdy Seattle spirit alive despite the annual proclamation that Seafair has, at last, become a “true family event.” The expectedly strident pre-parade anti-war rally was met by a Christian country-rock band sponsored by KMPS, singing “I love A-Mair-i-Kuh / I love the U-S-A” (with a military snare-drum riff) and shouting afterwards, “You know the line, if you don’t like it you know where the door is.” The TV stations, also expectedly, allowed no significant time for the protesters to tell why they were there and plenty of time for officials to insist how everybody besides a few foul-mouths is in total unquestioning obedience to our national authorities.
CATHODE CORNER: Employees of Telemation, once Seattle’s biggest video production facility, spray-painted the outside of the building the Fri. night after the company was shut down by its out-of-state buyer, the Home Shopping Network. By early Mon. morning, all offending statements (including the blacking-out of the parent company’s name) were whitewashed over….
On 8/15, KING discovered a Northwest angle to the latest Royal scandal: Di’s petite 2-piece bathing suit (that made the cover of every UK tabloid) was designed by Oregon’s Jantzen. (In The Mouse on the Moon, the film sequel to The Mouse That Roared, a BBC announcer proclaimed a British connection to the Grand Fenwick space program in the form of the astronauts’ wristwatch.)
MODULATIONS: KNDD (“The End”), the new “cutting edge” format on the old KRAB-KGMI frequency, is like Old Wave Night at the Romper Room. Instead of the greatest hits of Phil Collins, they play the greatest hits of U2. Their last format was for folks whose musical tastes stop at 1970; this is for folks whose tastes stopped in ’87. (At least they play Thrill Kill Kult in light rotation.)
TRUE CRIME: A Montana fugitive was spotted on 8/1 by his old warden when they inadvertently met at an Ms game. In any previous year he’d never have had to worry about anybody finding him there.
HOBSON’S CHOICE ’92: Rebecca Boren and Joel Connelly are reportedly feuding over who’ll get to cover the ’92 US Senate race for the P-I. On KCTS panel shows, Connelly has shown to be fond of possible Republican candidate Rod Chandler and unfond of possible Democratic candidate Mike Lowry.
AD VERBS: NutriSystem’s running flashy ads pointing with pride to an endorsement by Healthline magazine. Weight Watchers announced it was promised the same endorsement, but refused to pay the magazine for favorable coverage.
NEWS ITEM OF THE MONTH: The NY Times piece (8/6) on minor Florida theme parks: ones you might not know (Flea World, the Elvis Presley Museum, Gatorland, and “Xanadu, Home of the Future”), are in the works (the Transcendental Meditation park “Maharishi Veda Land” planned by magician/TM devotee Doug Henning), the USSR/US friendship park Peristroika Palace), and ones that never made it. The latter included Bible World, Western Fun World, Hurricane World (“a glorified wind tunnel that could transport tourists into the eye of a storm”), Little England (“a grandiose re-creation of an ancient British village,” sounding like an old G. Vidal story about Disney buying all of England), and Winter Wonderlando (“skiing in central Florida. Great name. Lousy concept”).
Runner-up: The 8/1Â Wall St. Journal report that “Kanebo Ltd. in Osaka plans to test US markets this year for pantyhose embedded with microcapsules that moisturize while the wearer walks. It sells scented pantyhose in Japan, where it just introduced insect-repellent hose.”
SIGN OF THE MONTH: The Ballard law office storefront “Mullavey, Prout, Grenley, Foe and Lawless.”
AGIT PROPS: The Downtown Seattle Assn. call for censorship against one of the In/Public sets of artist’s aphorisms, echoing a woefully ignorant and arrogant P-I editorial calling the project “not art but arrogance,” is itself an arrogant act.Bold verbal statements are indeed an artform. They have been so at least since the 10 Commandments were etched in stone. The postmod incarnation of this art takes the boldness of current T-shirt/bumpersticker philosophy and turns it around so it challenges, instead of reinforces, the consumer culture (perhaps the real reason the retailers hate it). It demands the right to not be “cheerful” or “colorful,” as a merchant spokesperson described his idea of good art. In an allegedly image-drenched era, it affirms the power of the written word. It has it limits, though, as evidenced by theGuerrilla Girls posters at the Greg Kucera Gallery. The GGs really to nothing to help female and minority visual artists; they just point out that nobody else in the mainstream art elite does. It could also be argued that declaring all female artists to be one class or even one genre, regardless of what any of them does, only keeps the artists’ own voices stifled.
A SUCCESSFUL WOMAN THE GUERRILLA GIRLS WOULDN’T LIKE: A new bio claims Time-Life heiress Claire Booth Luce, archetypal career woman and wielder of unprecedented power in politics and publishing, obtained a great deal of her influence by sleeping with politicians, editors other than her husband, generals, theatrical producers, etc. A first reaction might be that she’s betrayed, from beyond the grave as it were, the millions of women who came after her fighting for a similar degree of influence on the basis of merit alone. But if she hadn’t done what she did, would there have been as much opportunity for those who followed her? (Probably.) Will today’s women live without her for a role model? (Undoubtedly; the Republicanism she espoused is the nemesis of current feminists.)
STOP THE PRESSES: At least three Misc. readers have been sending me clips from that awful Dave Barry, the “humor” columnist whose one-note theme is “Yeah, so I’m an affluent, dull white guy, so what?” Once, humorists had fun getting involved with the exciting parts of their cultures (jazz, early movies, wild fashion) and sneering at the dull and complacent. Nowadays, dorks like Barry and R. Baker take pride in their geezerdom and sneer at anything or anybody with real character. They pander to the whitebread suburban mentality of most newspaper editors, who keep making papers duller and more irrelevant while blaming the resulting circulation losses on public apathy.
LOCAL PUBLICATION OF THE MONTH: Misc. subscriber James Koehnline is planning a World’s Columbian Jubilee Calendar of Saints, to celebrate the 500th anniv. of Columbus by proclaiming an end to “the Work and War Machine.” Koehnline is looking for names of cool people for saint’s days on the calendar (“no living persons, no Popes, no heads of state”). For info send $1 to Koehnline, Box 85777, Seattle 98145-1777.
CHAINED: QFC wouldn’t display the Vanity Fair pregnancy cover, claiming the image of a woman with child wasn’t “family oriented” enough (!), unfit to belong in the same store with the beer and cigarettes they sell every day (or on the same periodical racks with tabloids, serial-killer paperbacks, and rich-bitch novels).
JUNK FOOD OF THE MONTH (from the Wall St. Journal, 8/13): “Calgene Inc. wants federal regulators to declare its genetically engineered tomato officially ‘food’…. The tomato, named the Flavr Savr, includes a gene that blocks the production of an enzyme that causes them to soften and rot.”…
Calif. now has a snack food sales tax, and is trying to figure what’s junk and what’s untaxed “real” food. On which side would you put fructose-laden “energy bars”?
THE NAKED TRUTH: The long articles in the Times and the Weekly about table dancing clubs sold sex more sneakily than the more honest commerce of the clubs themselves. The sleaziness of the clubs’ operators, as described in the articles, seems little worse than that of some mainstream entertainment promoters I’ve known and/or read about. Nude dancing can be seen as a metaphor for our entire consumer culture (all tease, no fulfillment); the sadness that pervades those places, beneath a screaming air of mandatory “happiness,” betrays a deprivation of true connectedness in such a culture.
‘TIL OCTOBER presumably finds us much cooler, celebrate the 10th anniv. of KCMU (it’s actually longer; Robin Dolan and I were playing new music there in 11/80), and heed the wisdom of Gracie Allen in The Big Broadcast (1932): “If I died I’d like to come back as an oyster, so I’d only have to be good from September to April.”
Restroom sign at a Frisco coffeehouse: “In a society that replaces adventure with mandatory fun, the only convenient adventure left is drinking good coffee.”
Please note the new address below for subs, orders for my novel The Perfect Couple on Mac disks ($10), and other correspondence. I’m still soliciting suggestions or investors toward turning this into a self-supporting enterprise.
“Terpsichorea”
WHY ARE MOST JAZZ FESTIVALS HELD IN ALL-WHITE TOWNS?
6/91 Misc. Newsletter
(fifth anniversary)
THE M’S CONTENDERS? I CAN’T TAKE IT!
MY REALITY SYSTEM IS SHOT TO HELL!
Welcome back my friends to the show that never ends, to the glorious and simply lovely fifth anniversary edition of Misc., the pop culture newsletter that since 1986 has refused to (1) die, (2) drop all local content in the hopes of syndication, (3) cut back to a more leisurely schedule. We’re still here, on the weekend before the first Thursday of every month, telling you what’s hot, what’s cool, and what’s frozen solid.
AS I PERIODICALLY STATE, this report has a few ground rules: No sex gossip. Nothing from supermarket tabloids (especially that one that the hipsters love to laugh at). No references to Seattle by the “E.C.” slogan (and I don’t mean old horror comics). No nature poems. No spoofs, like it sez at left. And we still don’t settle wagers.
EVERY WOMAN’S IDEAL?: A Blockbuster Video spokesperson tells the LA Times that Pretty Woman is a favorite video among 13-year-old girls. Can’t you just hear the pleadings in living rooms throughout America: “Mommy, I wanna be a streetwalker when I grow up. Can I mommy, Please?!? But Mommy…” (More recently, Disney advertised the video as “the perfect Mother’s Day gift”.)
BOOK BLEAT: Disney’s new Hyperion Books division is to issue The Doors: The Complete Illustrated Lyrics, with a Grateful Dead retrospective book to follow. There’s also a “Live from the `60s” stage show at Disneyland this summer, with cover bands performing Beach Boys and CSN&Y songs while dressed in the hippie garb that people were refused admission to Disneyland for wearing back then. Maybe guys with Mohawks will be let in in 2015.
SIGN OF THE MONTH (at University Hair Design): “Someday we will live in a world free of shallow people who make judgments based on physical appearance. Until then, make your perm and color appointment today.”
WHAT’S IN A NAME?: The Western Washington Native American Education Consortium spoke out recently against high schools using Indian team mascots. One of the high schools I went to had the Tomahawks, whose mascot was an anthromorphic ax with the face of a stereotypical Indian warrior and a feather headdress. As I’ve written before, we were adjacent to a reservation, so even before K. Costner and new age shaman-mania we knew all the YMCA-style “lore” associated with Indian mascots was a hoax. This was the downtown school; the year after I left, it closed and everybody was shipped off to the suburban school that had the Chargers (a team with the same name as a Dodge muscle car was extremely appropriate for working-class exurbia).
TO HAVE & HAVE NOT DEPT.: Seattle-born actress Mariel Hemingway was sued by investors in her string of fancy restaurants. Seems they were financed like Hollywood movies, to make big money off the top for her and her hubby while showing official deficits to those in line for net profits. Now we know what she meant by her most famous film line, “But everybody gets corrupted.”
JUNK FOOD OF THE MONTH: It’s not being sold here, but Paul and Linda McCartney are launching a line of frozen vegetarian dinners in the UK. Entrees include lasagna, beefless burgers, and ploughman’s (cheese) pie. I don’t know if they’ll be called “Junior’s Farm” or if they’ll be served in the dining car of Ringo’s train.
TOM DAVIE, R.I.P.: KING’s third and last “cartooning weatherman” died of cancer April 13. A hard-working contributor of gag cartoons during the declining years of national magazines in the 1950s and ’60s, he was best known for seven years as a raconteur and drawer of gag cartoons about the day’s weather. Weather cartoonists were a local institution launched in the early days of TV, when local stations like KING had precious little film footage (Davie’s predecessor Bob Hale is still active in ad art; KING’s first weather cartoonist, Bob Hale, passed on several years back). Their nightly visits undoubtedly inspired area kids L. Barry and G. Larson to take up cartooning. Davie’s replacement in the early ’70s by a real (but forgettable) meteorologist marked another step in the concurrent attempts of Seattle and the TV news business to renounce their freewheeling pasts in hopes for respectability.
WORKS ON PAPER: KIRO reported 5/15 that Seattlites are recycling plenty of paper, but that the city and collection firms can’t ship the stuff out of town. Seems there’s been a shortage of available cargo containers since the war-related disruption in shipping patterns; ships and barges are refusing paper in lieu of more lucrative shipments. Old-growth log shipments to the Far East continue unabated.
CATHODE CORNER: Months before the new owners are set to take over, KING’s once proud news reputation can be considered a thing of the past. The 11:00 show is now so chock-full of happy-talk features and plugs for NBC entertainment shows that there’s barely time for maybe six minutes of actual news. They’ve become just like KOMO (except for a slightly larger vocabulary). And Seattle Today finally expired after some 40 years under different names. Compared to the likes of Geraldo, features on how to save money by eating less just didn’t bring ’em in anymore… The Fox News Update is just like the Fox Movietone Newsreels hadn’t ended in ’58. Quick visuals, rousing narration, heavy bias — just like the old days…. Wonder why all the stations covered a single rape case as the top story for three consecutive nights? Could be a combo of ratings “sweeps weeks” and the ghastliness of the particular crime (the victim was eight months’ pregnant); more likely, it seemed more newsworthy because it was in a “nice” white upper-middle-class suburb, a place where TV news producers might live, where such things aren’t supposed to happen (but they do, often unreported)…
GAME OVER: As Nintendo prepares to clear out its stock of old game machines and cartridges in advance of a fancy new video unit that won’t play the old games, another Japanese-owned company is recalling the board game Bacteria Panic, in which players tried to discard cards bearing the names of deadly diseases. Instructions clearly stated, “Never play this game with the real victims of diseases”….About 140 neo-Nazi personal computer games are being circulated clandestinely in Germany and Austria. Beyond the shock newspaper headlines, this development only naturally follows the evolution of the video-game art form. Behind all the fancy graphics and sound effects of today’s games, they remain exercises in achieving adrenaline highs via the hunting and destroying dehumanized enemies.
DEAD AIR: A piece of radio history died last month when the last KVI DJ signed off. KVI had been Seattle’s premier adult music/talk/entertainment station for three decades, until a program director brought up from Frisco gave the whole evening rush-hour time to his girlfriend, a “dream analyst” who didn’t even move here but just phoned in her whole show. The station quickly went deeply into the red, and an inexpensive oldies format was instituted. Now with competition from at least five all-oldies and four mostly-oldies stations, management has sacked the local staff and subscribed to a satellite programming service. The FCC, meanwhile, wants to let big companies buy as many AM stations as they want to; the official excuse is that the mega-chains would somehow keep AM alive and “increase programming diversity,” when we all know just the opposite will occur.
(latter-day note: I should have been grateful for a KVI oldies format, considering the all-demagogue talk format it has now.)
THE NOSE KNOWS: A “brilliant scientist” in Houston, allegedly frustrated by the loss of funding for his research into the preservation of human tissues, was charged with trying to kill a colleague by putting poison into the guy’s nasal spray.
THE GRIND: Apologies to Café Olé, the free espresso magazine, which has indeed written about realities in coffee-producing countries. They also reported the “disillusioning” news that Tacoma’s famous Java Jive restaurant, while built in the shape of a giant coffee pot, has never been an espresso bar. They wouldn’t have had expectations otherwise had they been reading Tacoma (er,Morning) News Tribune columnist Gary Jasinek, who has used “espresso and its derivatives as shorthand, stereotyping emblems for things snooty, arrogant, and Seattle” — until he saw a line forming at the espresso stand during a Tacoma Tigers game in Cheney Stadium. (Our military correspondent notes that a Starbucks stand has opened within Ft. Lewis.)
THE DRUG BUG: Newsweek reports that “Death” brand cigarettes are being test-marketed in LA. The promoter says they’re supposed to drive home a message about the deadliness of all cigarettes, but the black boxes with the skulls on them look too cool in a speed-metal sort of way. The same page of the same issue talked about U.S. Bank‘s “fourth wall” ads using commercial parodies to ask people to use credit wisely; the magazine noted that a bank is hardly interested in getting people to not use credit cards, just as beer companies’ “drink wisely” spots aren’t really about encouraging less drinking.
STIMULATION SIMULATION: In an experimental aversion shock-therapy program, Seattle patients are being given a newly-patented artificial cocaine. Gee, everything’s being made with artificial ingredients these days (sigh)…
NEWS ITEM OF THE MONTH (David Landis in USA Today, 5/20, on the Miss Universe pageant): “As usual, the universal competition included a large contingent — 73 — from Earth, but no contestants from any other planet or solar system.” Runner-up: The Times 5/24 notice about the TV show Rescue 911, mistakenly printed TWICE as “Rescue 711.” That must be the prequel, where a guy stuffs himself on convenience-store fatty foods before getting the heart attack…
MORE WORKS ON PAPER: The P-I suddenly dropped eight comics. I can’t remember what any of them were, except for Agatha Crumm and When I Was Short…In case you’re keeping track, the Times won’t print the rock-band name Butthole Surfers; the P-Iwill.
PRESS RELEASE OF THE MONTH: “Mealy mouthed red wrigglers are the latest attraction at the Kingdome. Not a rock group and not part of the new Astroturf carpet, red worms of the Esina foetiedia variety, which thrive on organic materials, are joining the stadium’s recycling program.” The release explains that the worms are housed in three composting bins, where they “will be munching vegetable and fruit wastes, grains, breads, coffee grounds, egg shells and the like.” Could feeding animals (even worms) from Kingdome food-service products be considered inhumane treatment?
OVER-BYTE?: The real threat to Microsoft’s dominance of the computer industry may not be antitrust action (a tiny matter of collusion with IBM), as the P-I reported so eloquently, but Sun Microsystems and its increasingly affordable UNIX-based “workstation” computers, machines scaled down from bigger computers (unlike today’s IBM PCs, which were scaled up from less productive models). Sun’s machines, which don’t run Microsoft’s MS-DOS operating system or any of its applications, are taking more of the corporate market away from computers that run MS’s programs.
LOCAL PUBLICATION OF THE MONTH: The Slice, a book collecting Portland Willamette Week columns by Katherine Dunn, collects facts and trivia as only the Geek Love author could collect them, everything from how the coating gets on the M&M’s to the millenea-old question of why men have nipples….Arterial is easily the best looking literary mag this town’s seen in many a year. The written content is still not up to the visual, but that’s been said about a lot of the local scene.
NOTES: Is Sub Pop, the local garage-grunge record company that inadvertently became a “major independent” and defined the “Seattle sound” to the headbanger nation, in trouble? Will its staff have to go back to their old day jobs at the Muzak Co.? Rumors tell of late bill-payments and delayed releases. Two major alternative labels, Enigma and the venerable Rough Trade, have already folded. Surviving indie labels may benefit from a new phone line, Music Access (900-454-3277, 95 cents/minute), with samples of songs by over 600 obscure bands, with complete purchasing info.
`TIL JULY and the launch of Misc. Year 6, be sure to try out Razcal (the raspberry-apple-spice soda with the slogan “Nobody Famous Drinks It”), visit the Horrorbaubles shop (“weird art objects and unusual items”) on NE 45th across from the motel, and keep working for peace despite all the “I (HEART) WAR” parades.
From Aristophanes’ play Lysistrata (to be produced at SCCC this month), a love poem of a Spartan warrior to his lady: “How shines thy beauty, O my sweetest friend! How fair thy color, how full of life thy frame! Why, thou couldst choke a bull!”
EVENT: `MISC. AT 5′
The fifth anniversary of this odd enterprise will be heralded at the Rendezvous Restaurant, 2320 2nd Ave., at 7:30 p.m. Thursday, June 13. Readings from the newsletter and from my fiction, special movies, and a special surprise are in store. The usual no-host bar will be available.
“Exsanguinate”
Jet City Lit:
So Many Seattle Writers, So Few Seattle Books
Article for Wire, May 1991
When I was a kid in a typically underfunded Washington school district, we were always hearing or reading stories about exotic lands like Korea or Harlem. But except for the incisive children’s books of Oregon’s Beverly Cleary (the Ramona series, etc.), we read nothing that took place in our own region. Without it ever being openly said, it was made clear that we were a forgotten corner of the world, stuck out in the west-coast-that-wasn’t-California, the region that didn’t count for anything.
When I was 12, the hope of every young male Washingtonian for national respect, the Seattle Pilots baseball team, left for Milwaukee. I remember national sports writers saying things like “Seattle, with its small-town country atmosphere, is clearly not ready for major league baseball.” Even from the perspective of a country boy who only got into Seattle occasionally, I knew that was mistaken as hell.
In the early ’70s, I discovered Ken Kesey’s two major novels. In the years since, a whole scene of “regional” novelists took inspiration from one of those novels. Unfortunately, they all chose the wrong one. Instead of Cuckoo’s Nest, with its bleak, wry humor and its portrayal of universal themes with a regional twist, they all chose to imitate the stoic machismo of Sometimes a Great Notion.
Nowadays, according to literary scene-chronicler Mitch O’Connell, there are at least a dozen guys (and, in a contrast from most fiction genres, they’re almost all guys) churning out what I consider to be Great Notion clones. (O’Connell actually gave me two dozen names, but he counts rural eastern Montana as “Pacific Northwest;” I don’t.) They’ve got titles like A River Runs Through It, Yellow Fish, and Honey in the Horn. They’re about hard, quiet men who live off The Land. Mainly, they’re romanticized fantasies of how noble and stoic Western farming is supposed to be. They’re upscale Westerns, and like most Westerns they’re fantasies created for Eastern consumption. The only member of this crew I’d recommend is Craig Lesley, who uses Native American mythology to contrast the romanticized memories of his people’s forbearers with the often harsh realities of modern Native life.
From what I’ve been able to piece together about my grandparents’ existence on the wheat ranches before World War I, it was a milieu of despair, disease, alcoholism, the frustration of staying married to somebody you hated, and the madness or weirdness that derives from all of that and gets passed on to future generations. It’s no wonder pre-WWII Eastern Washington seemed to be all Calvinist, Lutheran, Catholic and Mormon. Only people who believed in an eternal reward for present suffering would stick around. That solemnness was not a mark of centeredness but a mask hiding a world of unfulfilled desires. Housekeeping, Marilyn Robinson’s eastern Washington saga that became a 1988 film, shows this off quite well. So does This Boy’s Life by Tobias Wolff, set in the beer-guns-and-cars teenage scene in the town of Concrete.
The Egg and I, Betty McDonald’s 1946 comic novel of a city slicker trying to make it as born-again farmers, not only tells a lot about the area as it was then but also launched the legendary low comedy of the Ma and Pa Kettle movies.
Oh yeah, there’s also that Tom Robbins guy, whose books contain at least portions set in the back-to-nature fantasy that his fellow ex-hippies think Puget Sound and the Skagit Valley are or were.
So far, all the stories we’ve talked about had to do with Oregon, Idaho, and rural or pseudo-rural areas of Washington. I asked O’Connell if anybody wrote about places like Seattle and Tacoma; he was confused about why I’d even ask. “This is a literature about man and the environment. If people want to read about a city, there’s a million books about New York.” (As if that pair of islands off the Atlantic coast had anything in common with any mainland American city!)
In recent years, the Seattle area has become the home for many bestselling writers of stories set elsewhere. In the cases of Charles Johnson, Mark Helprin, and Pete Dexter, I’m proud that writers of their stature and quality are here. I hope they can inspire young writers to stick around. Writers who leave Washington tend to leave virtually no fictional record of their having been here. There’s little or no area content in the works of Frank Chin or the late Richard Brautigan, who both became known (in different decades) as San Francisco writers who happened to have lived here prior to their fame. Thomas Pynchon wrote much of his first novel, V., while living in a cheap U-District rental unit. (Surprisingly with the district’s recent massive development, it’s still standing.) The only piece of Seattle that’s in it, though, is the Yoyodyne Company, a lampoon of Boeing (where Pynchon worked as a technical writer).
I know of a 1987 local playwrights’ workshop at the New City Theater, where the instructor specifically told the writers not to set anything in an identifiable Seattle, because it was such a “given” that Seattle wasn’t worth talking about. Compare that to the situation in Portland, where novelist Katherine Dunn andfilmmaker Gus Van Sant aren’t afraid to confront the urban realities around them.
I don’t know more than a couple of people who are even trying to write fiction or drama set in Seattle, other than formula romances and mysteries with fill-in-the-blanks local landmarks. It’s refreshing to read a J.A. Jance or Earl Emerson whodunit just to read about fictional characters eating at the Dog House, but I soon tire of the mystery genre’s predictability.
There are also a few romantic histories, such as Jane Adams’ Seattle Green, or Seattle by Charlotte Paul (“a passionate American saga of men and women fighting for the wealth and power of their chosen land…by the bestselling author of Phoenix Island“). Both feature the sort of billowy, porcelain-skinned woman who wouldn’t have lasted three weeks on the frontier. The early local white women were more like Norman Reilly Raine’sTugboat Annie stories in the Saturday Evening Post. While the stories (set in the fictional city of Secoma) really creaked along in Raine’s proto-sitcom style, the Annie character is quintessential Seattle: a woman who can work and drink as hard as any man, without needing to make a fuss about it.
Any look at the scores of nonfiction Seattle books shows a wealth of stories and story ideas. There’s quite a lot that remains to be documented about the last “real” city built in America before the suburban era, about a city just over a century old whose history is already being forgotten, about a city now considered a role model of tolerance but which was the birthplace of the officially racist Elks lodges, about a region that was a hotbed of radical labor movements (violently crushed) but later became obsessively middlebrow with the rise of Boeing’s corporate culture, a place that in the midst of being turned into a laid-back yuppie theme park has spawned the angry, passionate rock music discussed in other pages and issues of this magazine.
One of the most enduring nonfiction Seattle books is Jim Bouton’s Ball Four, the story of the Pilots. The economic forces that led to the birth and sudden death of that team tell a lot about a city trying too hard to become “world-class.”
I’ve met Weekly cover boy Jonathan Raban, whose new book of travel essays, Hunting Mister Heartbreak, includes a passage on why Seattle would be an ideal setting for a novel (its size, youthfulness, ethnic mix, Far East connections, last-frontier dynamic, etc.). Raban is a tall, affable middle-aged fellow with a Masterpiece Theater London accent. He offered several observations that would make great story fodder, such as the ludicrousness by Euro standards of a city whose “oldtimers” go back no more than three or four generations, whose “classic” era of architecture means the 1920s.
While “serious” writers disdain local subject matter, area cartoonists such as Portland’s John Callahan and Seattle’s Peter Bagge have no problem telling vibrant, personal stories of dark humor about themselves and the societies around them. The foremost of these cartoonists, ex-Seattleite Lynda Barry, has built her memories of her multiethnic Central Area childhood into a weekly comic strip, a bimonthly short-short story in Mother Jones magazine, and her novella The Good Times are Killing Me. A play based on her book has been running to good reviews in New York, where nobody apparently minds that it takes place in a mainland city.
Indeed, for the past year or so an obsessive cult following has gathered around a TV series about (among other things) the social structures of a typical Washington town. My sawmill-town home overlooked the mouth of the river fed by the Twin Peaks waterfall; I can assure you that virtually all the characters and stories on that show are a lot more naturalistic than you’d ever believe. While the show’s future is uncertain at this writing, it has proven that there is a culture here worth discussing and people eager to hear about it. It also showed me how to appreciate my culture in ways my grade-school teachers never dreamed.
5/91 Misc. Newsletter
GOOD THING DANNY PARTRIDGE HAS
A SISTER WHO’S A LAWYER NOW
A hearty welcome to Misc., where we’re perfectly willing to pay a little more for our hydro power and our agribusiness-raised produce in order to save the dam-threatened Columbia River salmon. You’ve gotta love a creature who’ll go upstream a thousand miles or so just to squirt onto some eggs.
WHAT’S YOUR SIGN?: The North Broadway 76 station was demolished, ending an era when the street began and ended with turning 76 balls. I’ll never get to live in the second-floor apartment on 10th Ave. E. that directly overlooked that sign, its bright orange globe turning outside like a postmodern successor to the blinking neon signs outside every seedy film noir hotel room.
STRUNG OUT: Palm Springs, Calif. mayor Sonny Bono tried to ban string bikinis. Now we know why his wife left him….
LOCAL PUBLICATION OF THE MONTH: Generation X, Tales for an Accelerated Culture is a neat disjointed narrative by Vancouver’s Douglas Coupland about three young nihilist-ettes trading fanciful stories of rootlessness and sexlessness in between their no-future “McJobs.” St. Martin’s Press did a too-cute job on the design and illustrations, but the text itself is one of the first to treat people born since 1960 as having brains.
OPEN LETTER TO ANDREW WARD: Not all of us Northwest natives are “xenophobic” hicks as implied in your book of sentimental essays, Out Here. We just don’t like smug yuppies from the East coming here and expecting us to kneel to their alleged intellectual/aesthetic superiority. And this region is not the chichéd billowy paradise you imagine. It’s a real place, with real people and real problems. Wake up!
CATHODE CORNER: In Living Color, normally the most astute sketch show on TV, ran an “Iraqi fashion show” segment with women totally draped in black, including their faces. The catch is that Iraq had been one of the secular Arab states, eager to round up all political opposition but ambivalent towards modern clothes. It’s our friends in Saudi Arabia and our once-and-future friends in Iran who jail women for showing their faces….The Comedy Channel and Ha!, two cable comedy networks not carried locally, have merged to become CTV. The name is a takeoff on MTV (whose parent company partly owns the new venture). But there’s already a CTV in Canada (unofficially standing for Commercial TV, as opposed to the public but ad-bearing CBC). On Seattle cable until 1987, it mainly carried Hollywood shows with Canadian commercials. Its mandated quota of (really cheap) domestic programs included a lot of the schlock shows directly parodied on SCTV.
BUT DID HE EVER INJECT HIM WITH WINDOW CLEANER?: Merv Griffin, pal of the Reagans and rival of Donald Trump, was sued for $1 million in “palimony” by a male ex-driver who claims to also be his ex-lover. But what does this mean about lovable late sidekickArthur Treacher?
THE DIRT: The City of Seattle used to sell cedar-shingle composting bins at the subsidized price of $8 for the first box, $26 thereafter. Now the city’s distributing bins made of recycled plastic, and selling the wood bins for $49.50 through Smith & Hawken, the garden-supply catalog for rich snobs who’ll gladly pay twice what something’s worth just so they don’t have to be seen entering Sears.
MORE DIRT: A minor cause celébre occurred during the closing of seven Seattle artists’ joint installation Earthly Delights at the Bellevue Art Museum in Bellevue Square. During the month the exhibit was up, visitors were asked to fill out questionnaires about themselves, their biggest fears, the things they liked most about the mall, and their opinions on compost and whether a wink was better than a handshake. They were then to tear off one sheet of the carbonless forms on which the questionnaires were printed, and to fold that copy into a paper airplane. But on the day before the closing, mall management canceled the scheduled launching of the 1,300 collected planes from the museum’s mezzanine into the main mall space. The official notice stated “there will be no artist presence in the mall.” Instead, organizers invited the 50 or so people at the closing party to take a folded questionnaire home as long as they treated it respectfully, “like a fine sculpture.” In order to exit through the mall without danger, partygoers were given stickers boldly stating NOT AN ARTIST. The six-part installation utilized video monitors, displays of old household goods, compost, trash bags, weaved-together plastic spoons, a glass-encased array of rotting food items in the arrangement of an American flag, and a Terry Amadei sculpture of a face-down child figure surrounded by moss. It was a pointed comment on how suburbanites delude themselves into believing they’ve moved to a “natural, country” lifestyle when they’ve really isolated themselves (perhaps due to fear of biological reality) with their cars, parking lots, malls, tract houses, and glassed-in buildings.
OPUS TWO: Everybody’s favorite living political-funny-animal cartoonist Berkeley Breathed is now living on Vashon Island, where he draws the weekly best-of-Bloom-County strip he still calls Outland, and works on an animated TV script for Steven Spielberg.
JUNK FOODS OF THE MONTH: Mikakuto Pudding Candy is little caramel custard-flavor drops with a maple-flavored liquid center. It’s sold only at little Japanese convenience stores in the International District (where you can also sometimes get Felix the Cat Mystery Candy, whose pieces have different fruit flavors but are all colored black)… Vegi Snax are little poly bags of carrot and celery sticks selling for 69 cents, from a company called FreshWorld, described by the Weekly as a joint venture of Du Pont and something called DNA Plant Technology Corp.
OPENING THE AMERICAN MIND: Multicultural education is NOT a force for intolerance, as a coordinated right-wing push of articles in Time, the New Republic, the Atlantic and elsewhere suggests. Just the opposite: it recognizes the white-Euro “canon” of literature as the philosophy of our country’s dominant culture to date, but insists that the cultures of the rest of the world must also be studied, because we must live with those other lands and because America is becoming a “majority of minorities”. It’s the guys trying to keep non-white lit out of the classroom who are the real “new McCarthyites”. I wished I’d had more ethnic studies when I was in college. In grade school and junior high we did get to hear/read a lot of stories about Harlem, Korea, and Africa. (But, except for the works of Portland’s Beverly Cleary (Ramona, et al.), we never read a single story set in the Northwest. More about that in the June Wire.)
(latter-day note: The referenced article is `Jet City Lit,’ available from my essays index.)
OUTSIDE DIAMANDA GALAS: Some people at her show were moved to tears; others were bored to them. The screeches and moans she sang in her AIDS/Biblical-metaphor performance piece reminded some of actual cries of AIDS patients; others in the audience told me they thought she was just loud and pretentious. But nobody I spoke with or overheard after the show, save one, mentioned her topless evening gown. Any woman who performs solo (her music was recorded) while revealing her body, yet drawing all attention away from it, has a rare control over her audience indeed.
THE MALL OF FAITH: ABC ran a fascinating item on mega-churches, huge suburban facilities (the early ones were evangelical; most now are nondenominational) with arena-sized sanctuaries, complete lifestyle facilities (including bowling lanes and soft-rock concerts), few crosses or other childhood-church reminders, and noncontroversial doctrines designed to please as many boomer families as possible. One Colorado institution transformed itself from a Full Gospel Church/Assembly of God into “The Happy Church” (complete with happy face signs).
ONLY IN NYC: Several boxes containing severed human heads were stolen from a dissection-class instructor’s car. The crooks dumped their loot about a block away; an alert nearby cab driver picked up the parts and kept them in his cab until the doctor returned.
ONLY IN AUBURN: A 21-year-old was asked by a 17-year-old in a restaurant parking lot, “Where’s the party?” The young man told the stranger, “You’re not invited.” According to the Tacoma News Tribune, the teen slugged and threatened to kill the man, and engaged other nearby youths in the assault.
ONLY IN FEDERAL WAY: Someone has been randomly shooting at cats in house windows, killing five. Stuffed decoy cats have been placed in houses in the so-far futile hope of catching the sniper.
FROM THE LAND THAT TRIED TO BAN 2 LIVE CREW: The AP reports that a former aide to a Florida legislator charges that he regularly insulted and harassed her, and at a 1983 staff party tore the front of her dress off of her “in front of dozens of people.”
AD VERBS: Ivar’s first “Dances With Clams” commercial was withdrawn at the demand of Orion Pictures. What do you expect from a studio owned by a guy named Kluge (a computer term for an awkward, clumsily-designed system)?…Here’s one rock song you never expected in a commercial: The Ramones’ “Blitzkrieg Bop” (without the title line) for Bud Light.
THAT EXPLAINS HIS LAPSES IN MEMORY: Biographer Kitty Kelley romantically linked Nancy Reagan with the subject of her last book, Sinatra. More startingly, Kelly claims the Reagans once smoked pot while Ron was the staunchly anti-hippie Calif. governor. If true, it disproves a famous assertion in the ’60s book The Greening of America: “If a `straight’ college athlete, with little interest in politics, tries marijuana, it will inevitably lead him to social and political concerns.”
FERRY TALES: Talk of a new Everett-Seattle walk-on ferry brings back memories of growing up in the vicinity of that sad little city, and also the memory of my first writing teachers at North Seattle Community College, all ex-hippies (in 1976) who all responded to learning of my origin with variations on the phrase, “But every-body hates Everett.” It was my first discovery that hippies, despite claims to being the apex of intellectual/moral superiority, were no more immune to bigotry than anybody.
DID YOU KNOW?: The New York Public Library Desk Reference lists a visual symbol for “Weapons Needed.” It’s virtually identical to the two-piece Chevron logo in use since 1974.
NEWS ITEM OF THE MONTH (NY Times correction, 4/12:) “A picture caption yesterday about a concert by the Pet Shop Boys misidentified the theater where it took place. It was Radio City Music Hall, not Carnegie Hall.”
SIGN OF THE MONTH (one one side of the tunnel-project clock at 5th and Pine): “Clock under repair. Meanwhile (options): Call 526-7777 (time). Consult your watch. See other side. Correlate the sun’s position with today’s date. OR, slow down and relax.” Runner-up (Puget Sound American Atheists’ billboard in Central Area): “Atheism: It’s Not What You Believe.”
TEACHER’S FRET: The statewide teachers’ strike came during National Education Week, with all the sitcoms showing reruns of learning-related episodes and with all sorts of public service spots along the lines of “Don’t be a dope. Stay in school.” One teachers’-union lobbying ad on KING came right after an ad for college loans by Pacific First Federal with the slogan “We Fund Reality.”
‘TIL OUR GLORIOUS 5TH ANNIVERSARY issue in June, be sure to watch The ’90s Sun. nights on KCTS, check out the Bible Adventures cartridge for Nintendo, and learn Amy Denio’s new word “Spoot,” meaning her concept of spontaneity and of music as a shared experience of player and listener.
From W. Somerset Maugham’s introduction to The Razor’s Edge (1944): “I have a little story to tell and I end neither with a death nor a marriage. Death ends all things and so is the comprehensive conclusion of a story, but marriage finishes it very properly too and the sophisticated are ill-advised to sneer at what is by convention termed a happy ending. It is a sound instinct of the common people which persuades them that with this all that needs to be said is said. When male and female, after whatever vicissitudes you like, are at last brought together they have fulfilled their biological function and interest passes to the generation that is to come.”
The fifth anniversary of Misc. will be celebrated next month with a special reading, to be held the second week in June (after the Film Fest). For details on that or on ads in Misc., leave a message at 524-1967.
Misc. received a “Publisher’s Choice” citation from the small-press review mag Factsheet Five. “A fine observer of the cultural scene, with comment and quote to amuse and provoke,” sez FF’s Mike Gundelroy. “His commentary is light and witty, though he can get serious when the matter warrants.”
“Badinage”
4/91 Misc. Newsletter
ENNUI IS: FINDING ZIPPY’S SLOGAN
“ARE WE HAVING FUN YET?”
ON A GARFIELD POST-IT NOTE
We open the unsafe-at-any-speed 55th edition of Misc. with a wake for the beautiful Ness Flowers neon signs, a University Way landmark immortalized in a lovely postcard by John Worthey. The store has moved to an earthier-looking space up the street. Nearby, Peaches Music (where you can still buy records!) has torn up its Walk of Fame for an espresso cart; while the University Bistro joins the hundred or so other members of Seattle Club Heaven.
CATHODE CORNER: You could tell it was all over when The Tonight Show came on at 11:30 again….I’ve dissed KOMO in the past, but now must congratulate them on being the last local station to hold out against program length commercials. KING even ran one instead of a network war bulletin.
LOCAL PUBLICATIONS OF THE MONTH: During the six-day-war-times-seven, many instant publications appeared. The most professional looking was The Peace Pulse, the two-page weekly bulletin and event calendar from the Seattle Coalition for Peace in the Middle East. Associates of the PeaceWorks Park movement put out three issues of Time for Another, including one extensive survey of conscientious objection and draft resistance. An independent anarchist group put out No World Order, labeling Saddam and Bush as “two sides of the same coin” and reprinting scathing statistics on the official Saudi and Kuwaiti repression of women. Another group, the Peace News Network, created five issues of Peace News, gathering short bulletins of under-reported events with reproduced pages from other sources, including letter-writing lists. Anonymous zines included Stop This War Now (amazingly well-photocopied photos and statements from different sources, including the anarchist punk band Crass) and Read My Lies (a simple listing of contradictory Administration quotations). One pro-war zine was the metal mag The S.L.A.M. Report, listing Saddam twice as Asshole of the Month.
STILL ENGULFED: We have killed perhaps as many as 100,000 people to save a country of fewer than 600,000 citizens (plus 1.5 million resident workers). Do not ask me to be proud of the deliberate massacre of an already-defeated army, or of the preceding destruction of cities far from Kuwait. It’s no more noble a victory than my ancestors’ slaughter of the original Northwesterners. (Yes, I also condemn the Iraqi invasion, occupation and pillage; I’m just insisting we could have resolved it less hypocritically.)… Ackerley ran a “Support the Troops” billboard on Aurora until somebody defaced it with a spray-painted “Bring Them Home Alive.” Within a day, it had been replaced by a new image, from the company’s artists-at-work series…. I’m still baffled by a term consistently used in letters-to-the-editor to stereotype anti-war protesters. Just what is an “ultraliberal“? I know liberals, and I know radicals, but I’ve never heard anybody describe themselves as an “ultraliberal.” Is that somebody who wants to smash the state but keep the Weather Service? Or somebody who wants to demolish multinational corporations but only if he can still get Kenyan coffee and keep his Walkman?…. NBC News v.p. Timothy Russert on C-SPAN acknowledged that the Pentagon was not restricting news access to protect military secrets but to ensure good news. “This was managing the news, pure and simple.”
TURN OUT THE LIGHTS: MTV’s hype show about the premiere of the Doors movie was co-sponsored by De Beers, the diamond monopoly based in South Africa. But then, Morrison’s approach was to the bohemian-aesthetic side of his era, not its political side; and the Doors’ relationship to black America was that of all hip musicians, to quarry from the blues/jazz mine while retaining Caucasian socioeconomic privileges.
A FRIEND WRITES: “Sometimes I don’t know whether to admire or abhor the New Yorker, that surviving bastion of northeastern paternalism. But the 3/4 issue had a fascinating Talk of the Town piece about Archie McPhee’s owner Mark Pahlow at the New York Toy Fair, plus two local mail-order ads for costly knick-knacks: a hand-painted porcelain turtle and a miniature marble reproduction of de Rossi’s statue Hercules and Diomede, in which one of the nude wrestling warriors appears to be using a very unorthodox “hold” on the other.”
THE LAST TRADE-IN: Cal Worthington had his “I’m Goin Fishin'” sale, then stayed in business another two years. Now he has suddenly, quietly sold off his Fed. Way dealership. Can’t rightly say that I miss the guy…
STUFF: NBC finally televised a basketball featuring the Portland TrailBlazers, who have had the best record in the league most of the season. The Blazers get so little respect, they can’t even get a national endorsement contracts with Portland’s own Nike.
THE TRUTH ABOUT THE PROVIDENCE JOURNAL CO. (KING’s purchaser): Its titular property is an arch conservative paper that devotes so much attention to the “human interest” angle of every local news story that you end up knowing all the emotions of the story’s participants and precious little info. The company’s owning family includes one patriarch who died in a bicycle accident with many suspicious circumstances, around the time that he was trying to open a printing plant that would have muscled in on job-printing accounts allegedly held by mob-controlled companies. Or so says a former Rhode Islander who claims to have the inside scoop on all this.
TITLE OF THE MONTH: The Stroum Jewish Community Center of Mercer Island’s winter youth theater production, Mazeltov Cocktail: A Musical Explosion!
SOCK IT TOME: A Portland entrepreneur has launched a new line of paperback genre short stories published for $1.99 as “DimeNovels.” They come in 12 genre-flavors from “sensual romance” through “mystery.” The first batch reads a lot like the 1982 No-Name Fiction line, but without the intentional self-parody. They concentrate the bad-novel experience down to the expected plots and spectacles, with none of that annoying stuff like imagination. I’ve long believed that the problem with short fiction is that they always have to fit in with other material in a magazine or a compilation book. Exceptions include the Little Blue Book series at the turn of the century, religious tracts, and two recent illustrated text magazines marketed as comic books, Cases of Sherlock Holmes andBeautiful Stories for Ugly Children. Pulphouse Press plans to launch Short Story Paperbacks in June, publishing sci-fi and speculative stories, one story at a time.
MORE PROOF THAT LITERATURE IS THE MOST OVERRATED ART: A Calif. computer expert claims to have programmed Jacqueline Susann’s writing style into a Macintosh and churned out a complete artificial-intelligence-generated novel, entitled Just This Once.
OFF THE MAP: Pacific Northwest magazine, having absorbed the slightly-better Washington mag, is abandoning its one reason for existence — to cover the region specified by its title. Letter writers in the Feb. issue complained about a wine article that included the main wine regions of northern California as part of the Northwest wine biz. The article’s writer, John Doerper, responded with a ludicrous passage claiming that anything from Alaska to San Francisco is Northwest, based on native species of trees, foliage, and grasses. Maybe that excuse would’ve worked when it was a nature mag called Pacific Search, but not for a publication about human societies. He goes on, “No chasm separates us. Northern Californians share our tastes and desires and espouse our unique outlook on life.” No county within the banking or media zone of San Francisco can by any means be called Pacific Northwest. Unless he’s thinking about the generic western-upscale culture of smug attitudes, made-up “traditional” cuisines, and revisionist history shared by Bay Area transplant colonies from Santa Fe to the San Juans.
JUNK FOOD OF THE MONTH: Somebody has to tell you that Ultra Slim-Fast, the shake mix diet plan endorsed by Chuck Knox and many others, is mainly composed of sugar. It’s like having a vitamin-enriched candy bar for two meals a day, with chemical fillers added to make you feel fuller after consuming it. (Anybody remember what was in its predecessors from other companies, Metracal and Sego?)…The soft drink bottling industry usually comes to Olympia only when there’s a bottle-deposit bill to be defeated (they all have been), but now is lobbying to repeal a one-cent-per-container tax imposed last year to fund anti-drug programs. Instead, the bottlers suggest the tax be taken off pop and put onto candy and bakery products. It’s about time we recognized sugar and carbos as drugs.
LIFE IMITATES COMICS: A reader said, “You’ve got to print this: A certain Seattle woman was suddenly awakened in bed by her new lover’s estranged wife. The woman tried to cordially introduce herself, but that was a very difficult thing to do when one is covered only by a sheet. It was the weirdest experience I’ve ever been through.” My response to her: “But it can’t be that unusual. According to the cartoons in Playboy, it happens all the time.”
NOTES: Tad was forced to recall an album cover that contained a “found photo” (from a yard sale) of a nude middle-aged couple. The real people found out about it and threatened to sue. The Rebellious Jukebox on E. Pine (another store where you can still buy records) displayed posters with the now-forbidden image replaced by pictures of grocery products (a presumed reference to Tad’s famous girth)…. I used to say when asked my favorite music, “12-inch disco remixes of Gregorian chants.” Now, a brit unit called Enigma has actually done one and it made the us charts!
THOSE PHUNNY PHOREIGNERS: Peter Oakley reports that among South African whites, ” `jazz’ is a slang term for going to the bathroom.” To associate what many believe is the highest achievement of black American culture with a toilet says more about South African racial attitudes than all the apologetic white-liberal books from that country put together.
VICTORIA’S SECRET: Not only is the B.C. government clearcutting its old-growth forests faster than they can be replanted as ecologically inferior “tree farms,” but it’s dumping millions of gallons of sewage daily into the Strait of Juan de Fuca; all while it’s running U.S. cable ads selling tourists on the area’s natural beauty….Johnson & Johnson, though, is trying to reduce its use of wood products by test-marketing in Canada a new sanitary napkin made from sphagnum (processed peat moss).
SPROCKETS: While I hinted last time about my misgivings toward Dances w/Wolves, I had to love its Oscar sweep for (1) the screenwriter calling Exene Cervenka (once of the punk band X) as a poet who had greatly inspired him, and (2) Chuck Workman’s clips of celebs talking about their favorite movies with Reagan saying he loved westerns “because they were always good against evil and good always won” during a show that celebrated a western that denounced the values of those films.
END OF THE ’80S ITEM #5: One Larry’s Market has been replaced by something called Price Choppers.
PHASHION PHUN: Mademoiselle sez a group of trendy Chicago club people are calling themselves the Fashion Police, issuing “citations” to people caught in public bearing such fashion violations as “fake Rolexes” or “helmet-head hair.”
‘TIL WE GATHER AGAIN in the merry merry month of May, don’t buy a car at Costco, make bets on whether Yugoslavia will break apart faster than a Yugo car, and don’t forget these words from Yugoslavia’s own Milorad Pavic’s novel Landscape Painted With Tea: “There is no clear borderline between the past, which grows and feeds on the present, and the future, which, it would seem, is neither inexhaustible nor incessant, so that in some places it is reduced or comes in spurts.”
The entire official disclaimer at the start of American Psycho: “This is a work of fiction. All of the characters, incidents, and dialogue, except for incidental references to public figures, products, or services, are imaginary and are not intended to refer to any living persons or to disparage any company’s products or services.”
The fifth anniversary of this here Misc. thing is coming up in June. A big public bash is planned. More details in our next report.
I also write the news section of The Comics Journal, occasional Times book reviews, and a pro-junk food essay in the current Wire.
Please note that, due to postal and other price increases, a one-year Misc. subscription has been $7 since February (cheap at twice the price). Smaller payments will be pro-rated (i.e., 10 months for $6).
“Approbation”
3/91 Misc. Newsletter
Think We’ll Ever See A Sensitive, Reverent Film
About Indiginous Americans Without A White Hero?
Welcome to the in-like-a-lion March Misc., the newsletter that liked Sofia Coppola no matter what anybody said. We begin by mourning the end of Kitchy Koo, the 11-year-old boutique of waveoid fashion (and, in its peak years, the world’s coolest Post Office contract station). We’re also trying to figure the mysterious message taped to bus shelters: “Please don’t buy vegetables, furniture, clothing, toys or gifts. Buy fruits, food, and necessities only (for 4 months).”
Engulfed: At this writing, the war had been “won” but our units were still occupying a lot of Iraq, as if awaiting a march to Baghdad (like our 3-year attempt to overthrow N. Korea after quickly retaking the south). When will enough butt have been kicked? When will Bush stop acting like a wimp trying to prove his toughness? Vengeance does not stifle barbarism, it sets the stage for more… Pro-war spectacles grabbed the lion’s share of TV coverage, including a rally staged outside ABC’s LA lot by the Rick Dees show (one more reason the ex-Disco Duck sucks). Locally, KOMO loaded a Town Meeting with a one-sided audience and charged that protesters were smoking pot outside the Federal Building (they were burning sage, a memorial to those who would die in the war)… KING referred to the ground assault as a “lightning war.” In what language have we heard that phrase before?… CBS had one of its commentators, Gen. Michael Dugan (from East Texas?) run battle diagrams on a Kuwait map with the John Madden CBS Chalkboard… A new paper, War News, claims nearly all the network expert commentators come from the same conservative think tank that created the theory claiming the USSR was behind the attack on the Pope… CNN’s war theme music started out as solemn drumbeats the first week, then became more “upbeat.” By week 6, it was a brassy fanfare.
On the Lighter Side of Armageddon, the Rio de Janiero Carnaval canceled its “Night in Baghdad” party, a tradition going back 40 years. Woody Harrleston (Cheers) became the first actor blacklisted due to the war, when a Mardi Gras committee withdrew an offer for Harrleston to lead a parade after he appeared at a peace rally. The All-Breed Dog Show scheduled for the Sand Point Naval Station was scrapped “due to threat of terrorist attack”… Network newscasts replaced canceled ads with public service spots– including a cartoon reminding young men that if they don’t register for the draft, they’ll lose scholarships and will be losers the rest of their lives…Iraqi disinformation claimed U.S. troops on Muslim holy territory were entertained by thousands of Egyptian prostitutes — and, worse, by the dreaded Madonna.
Overheard on a Bus: Two fashion workers discussed how the war will affect home-front tastes: “Fluorescent nylon is out. What’s in is tough and practical clothes for people facing nuclear annihilation.”
Eastern Airlines, 1928-1991: Remember, airlines are dying and nobody can afford lots of bombers at every model change (this war is being fought from “inventory”), but Boeing will not be affected. Sure.
Cathode Corner: The Nostalgia Network, cable home for a re-titled version of KING’s Seattle Today, turns out to be owned by associates of Rev. Sun Myung Moon. The Fox network of Moon’s fellow conservative Rupert Murdoch canceled Haywire, a half-hour combining routines from KING’s Almost Live with astoundingly lame LA-produced skits…. The “lost episodes” of The Avengers on A&E with Honor Blackman may be cooler than the famous Diana Rigg episodes. The Blackman shows were taped without US money in a small studio, usually in one take. These disciplines enhance the show’s basic tensions, between good and evil and between weirdness and straight espionage. (Earlier episodes, where Steed had a male partner, aren’t being shown)… TBS’s Voice of the Planet is, so far, the great cheesy educational show of the year. It’s hard to describe the voices of Faye Dunaway and William Shatner out-over-emoting one another, making a mockery of the environmental disaster footage shown under the narration.
Deja Vu Isn’t What It Used to Be: Just as another unjust war re-divides American opinion, CBS trotted out retrospectives of three TV series that defined the era of the last war. At the war’s start, Ed Sullivan depicted a mass culture united by big bands and clean comedy, with a little guitar-pop mixed in for the kids. By 1970, Mary Tyler Moore showed a middle class pretending all was still holding center (its shock was a 30-year-old woman in no hurry to marry). Four months later, All in the Family (an off-Broadway play made for TV) broke through witha non-cute hippie and a foul-mouthed, beer-swilling lead. While embodying Hollywood’s stereotype of the “typical” TV viewer, the concept was based on a British show; the chief UK influence was the idea that political and class issues were a recognized part of everyday life. Seen anything like that on US TV lately?
Local Publication of the Month: The Protagonist is a quarterly newsletter produced by Tsao Lagos, Washington’s most famous Spy letter writer, on behalf of an outfit selling screenwriting courses… Deja Vu Showgirls is the first Seattle-made commercial nudie mag. Most of the models are local women you see every day in the malls, aspiring actresses, single mothers, laid-off word processors, your classmate who left school for a brief marriage… The Seattle Sourcebook by Roy F. Peterson Jr. superficially looks like an ordinary lifestyle guide. It even has “ads” for familiar restaurants, some of which went out of business since it was printed. Then you notice the pyramid behind the Space Needle on the back cover, or the spaceship chased by a flying dragon on the front. The book turns out to be an accessory rule book for Shadowrun, a role playing game that, behind the cute facade, seems to be the same old fantasy-action cliches.
Correction: Homer Spence was a UW instructor in marketing, not politics as said last time (as if you can tell the difference these days).
Computers Are Our Friends (letter in the computer magazine Macworld): “A spelling check on a recent document I was working on questioned my use of the word childcare. The editors of Microsoft’s dictionary, however, were able to offer only one alternative: kidnapper.”
Sign of the Month (inside the Pendelton store on 4th) “As long as sheep fall in love, there will be wool.” Don’t know how long the sign’s been there, but I noticed it the week after an NY Times feature about research into sheeps’ mating/nurturing hormones.
Airing It Out: Sandy Bradley’s Potluck, a folk hour on KUOW, included on 1/26 a “folk rap” (more like an ethnomusicologist’s attempt at a square-dance call) promoting an adult-supervised youth group called “Graffiti Busters.”One middle-class white guy simultaneously denigrated three authentic American art forms, turning two of them into smug pabulum… In Cincinnati, there’s a battle over what radio stations call themselves. WKRQ has sued to stop a rival station from using WZRQ.
The Fine Print (from the Wild Orchid video box): “This unrated version contains explicit `footage’ not included in the R-rated version released theatrically in the United States. Discretionary viewing by minors is strongly advised.”
True Crime: An Everett woman applied for a waitressing job, to receive a counter-offer from the restaurant manager to become his mistress for $3,000 a month. “He said she couldn’t get a better paying job with her credentials,” said a cop, who arrested the manager on solicitation.
School Daze: The Longview School Board voted to keep on its high-school reading list Stotan!, a novel about a Spokane swim team. A teacher said it had “vividly detailed descriptions of sadistic and erotic acts, vulgar names to degrade black women, put-downs about special education students, jokes about fornication and morally bankrupt philosophies.” In other words, it’s just like school itself.
Ad of the Month (newspaper insert): “A President’s Day Offer: Free Broccoli when you buy Cheez Whiz.” The ad shows a tiny, grinning G. Washington pouring pasteurized process cheese spread atop an oversize plate of the vegetable.
Archi-Text: John Graham will be remembered as the designer of Seattle’s best known structure (the Space Needle) and its most destructively influential (Northgate), but not for dozens of nondescript buildings that kept his firm in business, buildings that marked the true postwar Seattle spirit or lack of same.
Striking: So the M’s are getting yoga instruction. Maybe they’d be better off with zen, particularly the proverbs where the hapless loser of the class is proven to be the wisest of all…Â Chuck Jones has drawn a set of Looney Tunes baseball cards, and made Daffy Duck a Mariner!
Ever So Humble: I’ve talked in the past about my hometown of Marysville, a place that once meant sawmill workers in dark taverns, clutching beer mugs with all seven remaining fingers. It has since become a Boeing suburb. But the Tulalip Reservation across I-5, home of several tribes “united” by Federal edict (and of the Boeing test site where live chickens are blasted from cannons onto windshields) is nearing approval to expand its bingo parlor into full casino gambling. While there won’t be any Vegas nightlife, it’ll still be the most exciting thing there since the Thunderbird Drive-In used to show sex flicks, fully visible from I-5.
Junk Food of the Month: A chain of burger kiosks has gone up in the streets of Cuba, where meat has not been in significant supply for several years. The official newspaper Granma insists that the burgers are “highly nutritious” and contain “a minimum of 60 percent pork.” Says The Economist,” “Granma failed to mention what is in the remaining 20 percent.”… Prior to the second Teenage Mutant Ninja Turtles movie, there are Turtles Pies (“Fresh from the sewers to you!”) and Turtle Eggs. Since there are no female mutant turtles, I don’t know where the eggs come from; the pies have “vanilla puddin’ power” within the famous Hostess crust and green frosting.The “vanilla” probably came from a 42-year-old Seattle plant that made over 3 million pounds of vanillin a year, extracted from sulfite-waste liquor from wood pulp, processed with sodium hydroxide and used for important drugs as well as flavoring. It’s being replaced by a Sunbelt plant that will make a synthetic substitute — an imitation imitation. (No grumblings about how unappetizing this sounds. Vanillin is chemically identical to vanilla from a bean. Besides, some food purists drench pancakes with concentrated tree sap.)
Stuff: Women’s basketball gets corrupted by a 6-team pro league, the Liberty Basketball Association, featuring smaller balls and courts, shorter hoops, and “form-fitting uniforms.” The opposite of the no-nonsense attitude of women’s college basketball (about the only sport where women compete directly in the same space).
‘Til April, see Fantagraphics’ cartoon art exhibit Misfit Lit starting 3/15 at COCA; heed these words from Misc. subscriber Steve Shaviro’s book on social theory, Passion and Excess: “Power itself never notices, but the one thing it cannot regulate or pacify is its own violent arbitrariness, its own quality as an event;” and keep working for real peace.
The only memorable lines in Manoel De Oliveira’s obscure 1983 Portugese film Francisca: “Men have hearts like dry bread”; “I love you like God loves sinners.”
Wendy Brauer of NYC says “I’m quite amused” by Misc., but complains that “there’s a boycott on of those non-recyclable, waste-paper-backing stamps.” What? Recycle this? I thought you were all storing them carefully, waiting for me to offer deluxe collector’s portfolios. Don’t have those yet, but I do have ad spaces at $15 and $25 (first come first served); call 524-1967 for info.
A Mass. software firm might issue my novel this year. My second live reading was well-received; expect another one this summer.
Fax subs: $9/year.
“Integropalliate”
1/91 Misc. Newsletter
`IT’S A WONDERFUL LIFE’ RERUN COUNT,
NOV.-DEC. 1990: 22
Welcome to the first 1991 edition of Misc., the pop-culture report that can’t help but wonder what was the last comedy Norman Cousins saw before he died, and whether its makers are responsible for making him insufficiently lighthearted. It couldn’t possibly have been Haywire.
SNOW STORIES: For the first time since I was 8 or so, Xmas looked like the cards and ads always said it was supposed to look like. Astounding! (Of course, in those New England Colonial days, people simply understood they’d be home from Nov. thru March)…A guy on KPLU mistakenly called convergence zone a harmonic convergence…A whole mature elm on the east slope of Capitol Hill fell over and took a Honda with it…People who commute out to the suburbs took 5 hours to get back into town the night of 12/18. I went to a bus stop on Roosevelt Way at 4 p.m. and got right on a bus — a 2:20 bus — only to be unceremoniously booted off by a defeatist driver on Eastlake and Roanoke an hour later…The roof caved in at Northgate, the original shopping mall; what a symbol for reality crashing in on the nice-day artifice of modern commercial America…70 abandoned school buses were officially missing as of 12/21. Did the drivers tell the dispatcher that the dog ate them?…
THAT SINKING FEELING: Could Tugboat Annie have saved I-90? Don’t know, but I do know that even the 20-year flood spared my mom’s antique shop in downtown Snohomish (though she’ll probably retire before the next threat)…The end of the Stena Line to Victoria follows the end of the beloved Princess Margeurite (named for a Dutch princess born in exile in Canada during the war), now seized by the BC government on behalf of Stena creditors.
ARMED FOR ACTION: Will ’91’s big fashion thing be a sleeveless dress that lets you fully show off your contraceptive implants?
LOCAL PUBLICATION OF THE MONTH: Before Columbus Review is a newsprint journal produced on the UW campus, involved in not just indigenous American cultures but a variety of ethnic issues…The Everett Herald wins praise (and a church-organized protest campaign) by listing gay and lesbian “marriage” ceremonies in a new Celebrations section. Makes me almost proud it was my hometown paper.
CATHODE CORNER: On the 10th anniversary of J. Lennon’s death, the Bon unveiled a commercial with cherubic tots singing his “Merry Xmas (War Is Over).” Wake me when they make a spot out of “Imagine no possessions…”…A Penn State psychologist claims some kids are genetically predisposed to become “chronic TV watchers.” I wonder if anybody’s born to become a maker or reader of silly pseudoscientific surveys?…Night Flight, once the hippest show on cable, is now syndicated (on KING 2:30-4:30 am Fri nites/Sat morns). Segments include the “poignant serial” Twin Geeks (really scenes from the infamous siamese-twin exploitation film Chained for Life).
AD VERBS: The original British Boy Scouts are selling sponsorships on merit badges and accompanying manuals. The “Hobbies” badge bears the logo of Dungeons & Dragons games; sports badges carry the trademarks of equipment and shoe companies.
Revenge or Set-Up for Conquest?: As 1/15 approaches, Newsweek says ABC hired a private spy satellite and found no evidence of a massive Iraqi buildup in or near Kuwait; you know, the buildup that was supposed to have one Iraqi soldier for every Kuwaiti.
CLIPPED WINGS: We’re extremely disappointed that Pan American Airways probably won’t exist any more, ‘cuz we won’t get to ride a Pan Am passenger space shuttle in the year 2001. (That was perhaps the first paid “product placement” in a movie, unless you count De Beers Consolidated Mines paying Ian Fleming to use the title Diamonds Are Forever for a novel that became a movie). Meanwhile, Black & Decker is suing 20th Century-Fox for cutting its product-placement scene from Die Hard 2. I’d be glad to have not been in that loser (but then, I wasn’t). Besides, the company doesn’t need any more association with murder and mayhem. In late-’70s Europe, “to Black & Decker” became a verb for applying a power drill to someone’s knees. (Don’t try this at home.)
SPROCKETS: The foreign control of Hollywood studios won’t affect the (largely horrible) state of movies, because films are already increasingly controlled by Asian and European investors. The Teenage Mutant Ninja Turtles movie was financed by a Hong Kong firm that normally backs regular ninja movies; Disney’s relying on a limited investment partnership based in Japan. These syndicates want films for a worldwide audience — stateless fantasy and male-violence films…The historic Ridgemont Theater is slated to be replaced by (what else?) luxury condos. To think of all the couples who fell in love during the year and a half that A Man and a Woman played there, not to mention all the divorced guys who relieved their loneliness during the year it was a porno house, when the comedy-tragedy masks on its marquee were changed so they were both smiling (mandatory, unrelieved “happiness” is an identifiable mark of sleaze). Cineplex Odious is closing the Market Theater this month, but at least one party wants to reopen it and return to alternative programming.
SIGN ON AURORA: “Olympic Ballot Theatre Presents Nutcracker.” If nobody showed up due to the snow, would the performance have been a secret ballot?
JUNK FOOD OF THE MONTH: Official Seahawks caramel popcorn, only $2.95 a pound at Frederick’s.
LATE GIFT SUGGESTION: Turning the Tables, a board game created by two Seattle folks, all about waiting tables. The first player to collect $250 in tips wins. Along the way, you have to face, via instructions on the cards, unruly customers, constantly changing “menus,” broken wine glasses, and other fun facets of modern restaurant work. Another impressive local board game: Earth Alert, “the active environmental game”…Parker Bros.’ Careers for Girls game received major flack from Small Business Administration chief Susan Engeleiter. The six “careers” players can choose are Supermom, schoolteacher, rock star, fashion designer, college graduate and animal doctor. Careers in ecology, space, sports, the arts, politics, big business, farming and the movies were in previous versions of the game but dropped for the new edition. The company responded by noting that the game was developed and packaged by an all-woman team.
RE-TALES: Portland now has Nike Town, a 20,000 square foot “shoe experience”. Each line of shoes has its own “environment,” complete with background music and stereo sound effects for a particular sport or activity. The hottest new retail concept for Seattle, meanwhile, is a franchised laundry-tavern combo called Duds `n’ Suds. Cute, but nothing like Miami’s laundry/topless bar (could you wash all your clothes there?)…Pay n’ Pak is the first hardware chain to take the American Express card. I’m reminded of an old radio spot for Amex’s dying competitor Carte Blanche: “After all, why would you pay for a meal in a fine restaurant with the same card you use to have your swimming pool cleaned?”…The Dutch Oven restaurant on 3rd is gutted, now to become a Bartell’s. In its most glamorous moment, in the 1978 TV movie The Secret Life of John Chapman, Ralph Waite (Pa Walton), as a college professor slumming among the working class, walked in front of the Capitol in Washington DC, then turned a corner and ended up inexplicably on 3rd Ave., entered the Dutch Oven, got a job watching dishes, and went home with waitress Susan Anspach.
BLACK & WHITE ISSUES: Seattle photographer Mel Curtis won a $140,000 copyright case against an ad agency that used one of his pictures in a “comp” for a proposed General Dynamics corporate image ad, then substituted a new, almost-identical picture when the ad was published.
UNSUNG HERO: Martha Wash, one of the boisterous 2 Tons of Fun/Weather Girls of “It’s Raining Men” fame, turns out to have been the real singer behind songs credited to Black Box and Seduction, two svelte disco girl-groups assembled by manager-producers on the basis of looks. Ex-Seattle singer Marni Nixon (singing voice of the female leads in My Fair Lady, The Sound of Music, The King and I, West Side Story, and other musicals) was quoted in the P-I as saying, “Voice dubbing will always be with us.” But was it really her saying that, or…?
PUNK LIVES! (SORT OF): The KOMO reactionaries discovered the evils of hardcore again, thanks to a Federal Way thrash-nostalgia band whose only provocative aspect is its name, Date Rape. Everything else about it is really tired — slam dancing, flannel shirts tied around the waist. This stuff’s older now than hippie stuff was when punk started. At least it lets KOMO condemn music by white kids, for a change. Geov Parrish, meanwhile, writes that straight-edge rock (discussed last ish) is four or five years old and “already pretty much played out.” Furthermore, Hare Krishna recruiting out of that scene started a couple of years ago but “the word is spreading and they’re getting fewer converts that way.”
RESPONSE: A postcard signed with a scrawled one-word name beginning with “A” takes issue with my claim that “sci-fi” was an OK term since 20th Century-Fox used it in a corporate ad: “Since when have the ad writers been the arbiters of taste or literacy?” I was almost ready to side with A. when across my desk at The Comics Journal came a catalog for cassettes of “filk,” listing singers whom the catalog’s readers were expected to already know. Nowhere did the brochure describe or define filk. I finally learned that it’s pop tunes with new lyrics poking ever-so-gentle fun at sci-fi movies, TV shows and books, performed by the lyricists at fan conventions. People this obsessed with excessively-serious trash art deserve any nickname I can give.
‘TIL OUR FAB FEB. ISH (when, if we’re at all lucky, we’ll not be out killing people), read The Ascent of Mind by UW neurobiologist William P. Calvin, join our kudos to Charles Johnson for his National Book Award, don’t read American Psycho (more proof that literature is not necessarily the most enlightened of the arts), and stay warm.
The 28 people who attended the first Lite Lit reading 12/16 appeared to have fully enjoyed the experience (except one guy who wrote in later, suggesting I should learn to speak more like the Red Sky poets. Sorry, but monotone rants hurt my throat). I’m sure the audience at the following Wednesday’s reading would have been equally entertained, had anybody shown up. Watch for a re-schedule in February.
VISION OF HELL #2
Being trapped in the chair of a hair stylist whose radio station plays all stupid songs (Bread, America) — and who sings along.
VISION OF HELL #3
Being trapped in the only restaurant open in a small town Xmas Eve, with big-screen TVs blasting continuous NFL Films retrospectives of Super Bowls X thru XX.
“Pish”
INS AND OUTS FOR 1991
Our fifth annual In/Out list follows the same rules as the previous ones: We’re predicting what will become big in the next year, not declaring what’s already big now. In the past, we correctly picked Winona Ryder, Roseanne Barr, plaid, women singers, The Simpsons, pantsuits, Arsenio Hall, minor-league hockey, crystals, fax machines, Anne Rice, nose rings, and minivans.
12/90 Misc. Newsletter
MILLI VANILLA FRAUDS?
NEXT THEY’LL CLAIM ARCHIE AND JUGHEAD
DIDN’T SING THEIR SONGS!
Here at Misc., we’re holding a public wake for the 50-year-old Lacey V. Murrow Floating Bridge (known henceforth as Galloping Gertie II), which reached the end of its life “span” with a bang, not a whimper. Before the sinking, it had become a mile-long, 40-foot-wide construction/demolition project, strewn with a few scattered cars and Honey Buckets. It already looked like it was about to sink (something Boris S. Wart threatened but never accomplished on the J.P. Patches show). (Event info on other side.)
OUT WITH THE OLD, PLEASE!: Nostalgia is going to be the death of America. Every previous fad added something to the national heritage, for good or ill. Nostalgia only subtracts. It boils the flavor and texture away from our past, leaving a gooey syrup of vague memories. It’s getting harder and harder to find a restaurant, store, or beauty salon where the sound system plays any recent music. “Square” places play top 40 hits of 1956-69. “Hip” places play hipper music from that same era (Muddy Waters instead of the Beatles). Only in designer-jean stores can you hear songs by groups whose members are all still alive. And many of them take pride in never playing a single riff that isn’t reorganized Led Zeppelin.
ADDITIONALLY, I’m finding it harder and harder to explain to people that I’m neither (1) a nostalgist for the hippie era nor (2) a conservative. I regard hippie-era politics as a well-intentioned failure. The progressive, populist side of American leftist tradition got smothered by what we might as well call a bohemian aesthetic. There will never be a real left in this country until it stops depicting all working-class people as “the unwashed masses,” as hicks and flaming fascists. The world is not the few enlightened “Us” vs. all the ignorant “Them.” It’s all of “Us.”
NORTHERN REVOLT: The Canadian subsidiary of Popsicle Brands is under vocal attack from children from Victoria, BC (Mile 0 of the Trans-Canada Highway) to St. John’s, Newfoundland (the other Mile 0). According to the Vancouver Sun, the company promised free Nintendo cartridges to kids sending in 15,000 points’ worth of Popsicle sticks; instead, 10,000 kids got only letters of apology claiming that the company’s stock of 6,000 cartridges had been depleted and that substitute prizes would be given to everybody else sometime next year. Still, maybe the kiddie Canucks ought to be grateful to get even that; in a famous mid-’80s essay, Ontario’s ownMargaret Atwood wrote of growing up with Popsicle labels offering wonderful prizes but bearing the fine-print disclaimer, “Offer Good Only in U.S.”
NO FREUDIAN COMMENTS, PLEASE: A staffer at King County Juvenile Hall reports that teenage boys inside there are signifying their gang membership by affixing Dole or Chiquita banana stickers onto their belts.
JUNK FOOD OF THE MONTH: Manna Raisins & Oat Bran Flakes cereal, made in Delta, B.C. and “sprouted for life.” It’s “Certified Organic,” but (oddly, considering the name) isn’t certified kosher.
IS NOBODY INCORRUPT?: The Wall St. Journal (10/29) reports that the Doris Day Animal Fund Inc. spends 90 percent of its income on direct-mail fundraising (billed in official budget statements as “public education”).
AD VERBS: Rainier Light’s “It’s R Light” commercials are much better than the previous ad agency’s work, but they’re still hollow compared to the classic Heckler Associates spots, and for the same reason. While the Heckler ads had real fun in promoting the beer as a beverage for enjoyment, both of its successor agencies fell into the trap of selling a target audience on an image of itself, with the product merely a supporting player in the drama.
NO MORE FUR AT NORDSTROM: This is how an industry dies, when the first PR-conscious retailer proudly capitulates to public furor (and flat market shares). But fur is more than an inefficient source of outerwear; it’s one reason we’re here. The trapping of wild fur animals was the first white industry in the Northwest. The Hudson’s Bay Co. and others subsidized many of the first non-military settlements in Washington Territory. They were supported by sales to the society ladies of Europe, whose essential financial contribution was totally ignored in last year’s books on women in Northwest history.
SAY IT AIN’T SO RUMOR OF THE MONTH: Is the Comet Tavern going to be upscaled?
(latter-day note: It wasn’t.)
HEADLINE OF THE MONTH (Times, 11/14): “A story of 4 kids and how they died/`Anybody who has a teen-ager will related to this’ tale of tragedy.” Now that’s headline writing in the classic manner, almost Victorian in its cadence.
LOCAL PUBLICATIONS OF THE MONTH: It’s a shame that The Facts has such ugly design and typography, because some truly eloquent African-American voices may be found there. For example, hear the bitter “Life Among the Thorns” edition of F. Justina Nubay’s column “Say It With Flowers”: “I wholeheartedly believe that Thanksgiving should continue to be the only day when public spirited people ply the hungry with turkeys, pies, and other filling foods, enough to last them the entire year. Like the howling hyena, the hungry and the homeless, for the time remaining, should continue to gorge themselves on carrion and roam their jungles in wild anguish.”…At Cause is a Christian paper with a difference: A Reubenesque nude drawing on the front page, an essay titled “Party On!” saying it’s OK for Christians to “have exhilaration, ecstasy, bliss” — including being gay and/or transvestite if they wish to be so. (Editor M.F. Whealen seems to be an ex-Scientologist, from the use of certain catch phrases.)…The Oregon-based Sinsemilla Tipsmagazine folds after 10 years. Publishers blame the War on Drugs, which they claim has made people scared to sell or advertise in the mag.
CATHODE CORNER: Does the rash of inside jokes on The Simpsons (Marge’s surprise at “a Simpson on a T-shirt,” the on-air homage to Bart’s Macy parade balloon, his chalkboard message “I am not a 32-year-old woman”) mean the show has passed its peak?…A producer has paid millions for all rights to The Ed Sullivan Show; plans to release several video compilations, including the censored TV debuts by famous rockers and a tape of 50 different people doing the Twist. But will they ever include the peg-legged tap dancer, or the National Model Race Car Championship? (A licensed version of Sullivan’s most popular feature, the puppet mouse Topo Gigio, now appears in Spanish on cable’s Univision.)
KRIME KORNER: A Seattle man was fatally shot by an unlicensed Safeway security guard for allegedly pocketing a pack of cigarettes. Now will you listen to me about the dangers of smoking?… The Martinsburg, W.Va. city council plans to require panhandlers to buy $25 licenses or face jail terms. But how do you get the money to tell people you don’t have any money?
MALLED DOWN: The National Endowment for the Arts gave a $50,000 grant (with a 2/1 matching requirement) to the Rouse Co. to sponsor non-threatening art programs in shopping centers (including Westlake Center). Now we know the true priorities of new NEA head John Frohnmayer. He’s using “bringing art to the people” and corporate matching-fund requirements as ways of rewarding works acceptable to business/marketing interests.
PRESSED: Our news media, presuming us all to be beer-swilling xenophobes, devoted their attention on 11/22-23 to how nothing had really happened in the Persian Gulf lately, and only cursorily mentioned that the last major European dictator fell from power. The beginning of the end might have been foretold in an item from USA Today (11/12): “Richard Needham, British minister for Northern Ireland, apologized for calling Prime Minister Margaret Thatcher a “cow” during a car-phone call to his wife. A paramilitary group in Northern Ireland picked up the call on a radio monitor and sent a recording of it to a news agency.”…What they didn’t tell you about the female, Socialist, pro-contraception Irish president is that the position is largely ceremonial, a sort of elected king. She will be less able to take political stances than when she was in the Irish senate.
SECTION BEE: The Killer Bees may finally be on our way! (Times, 11/3) It turns out that they’re not really that much more vicious to humans, but they are less tameable and they do drive out domesticated breeds.
XMAS GIFT OF THE YEAR: The Dance Aerobics game cartridge by our Redmond neighbors at Nintendo. You can vicariously experience the self-punishment and body-consciousness of aerobics without having to actually do the exercises. It’s one of only two games I’ve seen with a female lead character…. The Trivial Pursuit ’80s Edition is historically inaccurate. It’s got a question about Saturday Night Live’s Mr. Bill, who was on from ’77 to ’80….Lynnwood’s Pacific Trading Cards is drawing national attention for itsAndy Griffith Show card set….Trump: The Game (“It’s Whether You Win”) was marked down from $39.95 to $19.90….Seattle’sGenerra has a “Men’s Collective” shirt line, for junior execs old enough to remember their student-Maoist pasts (they’re even made in the PRC!).
MORE VEGETARIANS IN LEATHER: The Vancouver rockmag Discorder sez the next big thing’s “straight-edge rock,” punk-like bands (including Seattle’s Undertow) who belong to the Hare Krishna movement. Their premise: Just as punk stripped rock of impurities and distractions, so should we do with our lives.
PHILM PHIRE: Remains from the blaze at Universal Studios (soon to be owned by Panasonic) soon became a major attraction on the Universal Tour; the simulated “burning building” attraction was temporarily closed. The sale of Universal/MCA leaves Time Warner as the last major US-owned record company. It also brings Japanese money into US publishing (MCA owns Putnam, Berkley and Ace).
NOT IN STORE: You won’t get to shop this Xmas at B.N. Genius, that land of expensive electronic playthings that you’d never buy but always loved to play with in the store. Meanwhile, the end of the Northgate Woolworth leaves only the downtown store as an inexpensive source for hats, socks, and hobby supplies, not to mention the long shelf of cheesy crossword magazines. (It’s also one of the last places still selling Clark candy bars.)
PICK A PEC: The 11/24 Newsweek (the same issue with the essay that claimed that “Cynicism is alien to America”) reported that trendy LA men are now getting silicone implants to make their upper bodies look more muscular. Look dudes, this recent interest in “men reclaiming the feminine side of their natures” ought to mean taking up the smart things about womanhood; just as women’s assertiveness training generally excludes lessons in beer-swilling or sexual harassment.
WE’LL TALK AGAIN in the palindromic year of 1991 (that year which picky purists insist is the real start of the decade), when I’ll count exactly how many times you could have seen It’s A Wonderful Life this holiday season. Until then, watch the astounding South Africa Now 12:30 p.m. Saturdays on KCTS, try to avoid calling the NY Times crossword-help 900 line, appreciate the appropriateness of the big Marilyn Monroe mural inside the Broadway Pay ‘n Save (shouldn’t all drugstores bear the images of people who died from prescription overdoses?), read The Encyclopedia of Bad Taste, pray for snow, work for peace, and consider the words of Frank Zappa on unauthorized musical sampling: “It’s just so cheese-oid.”
NOTICE
Sign at the Wood Shop, Pioneer Square: “Authentic East German nutcrackers. Last chance. Buy now or you’ll regret it the rest of your life.”
It’s been threatened before, but now it’s really gonna happen. I’m holding two live readings this month: Sun., 12/16, at the Two Bells Tavern (10 p.m.) and Wed., 12/19, at the Rendezvous (7 and 9 p.m., with vintage educational films). Each show contains at least some different material; each is a partial benefit for my Perfect Couple novel publication fund. (The novel is still available only on Mac disks, for $6.)
Subscribers may notice a new mailing-label design. My old label program crashed (thank God and Apple I could retrieve the data with the ResEdit program).
“Vituperative”
11/90 Misc. Newsletter
TIMES EDITORIAL, 10/25: ‘ART IS SOMETIMES RUDE’
Welcome to the grand and sumptuous 50th edition of Misc. I began this little venture in 1986 under the guidance of Alice Savage (now on her way to Texas), who kindly offered a regular space in the old Lincoln Arts newsletter for me to use in any manner. The first few editions were typed in and printed out in a tiny office at 66 Bell St.; today I have subscribers in art-lofts in that same building. The feature went from the ill-fated Lincoln Arts to the independent mag ArtsFocus. Just over a year ago, it became the sprightly little self-contained sheet you see here. If things work out, it will continue to grow.
To answer common questions: We don’t run sex gossip, not even involving gallery owners and members of public-art juries. I’m not a put-on like that fictional Joe Bob Briggs; to the best of my knowledge, I really exist. The newsletter’s name is Misc., not “et cetera.” I would consider a new name if anybody offered a better one (nothing to do with rain, slugs, or emeralds, please). The corporate name, Fait Divers, is French and should be pronounced “Fay Dee Vare.” My own last name does not and never has had an “s” at its end.
FOUR YEARS AGO, could anybody have predicted that a chess match would be a major entertainment attraction in New York City (while the musical Chess still has yet to open)? That R.E.M. would provide the theme song to a sitcom on Fox? That there would be such a thing as Fox? (Its owner Murdoch is over-extended, with huge deficits from his home-satellite network in Europe. Now you see why he needs every Simpsons T-shirt royalty.)
UP A GREASED POLL: A national survey (NYT, 10/5) shows more and more people are unwilling to participate in surveys….According to the UK sci-fi mag The Dark Side, by a 33-27 percent margin British males believe Thatcher is more frightening than Freddy Krueger. (Yes, I insist on calling science fiction “sci-fi.” If 20th Century-Fox, the studio of Star Wars, can use “sci-fi” in a Publisher’s Weekly ad hawking foreign novelization rights to Alien III and Predator II, then so can I. “SF” is for those who are (1) too snotty to say sci-fi, or (2) too snotty to say Frisco.)
THE FINE PRINT (from the Star Trek Official Fan Club catalog): “The plot and background details of Prime Directive are the authors’ interpretation of the universe of Star Trek and vary in some aspects from the universe as created by Gene Roddenberry.”
PHILM PHACTS: Samuel Goldwyn Jr., one of the few surviving independent movie distributors (Wild at Heart, Stranger Than Paradise), is buying up the Seven Gables Theaters. Maybe he likes the way the Chesterfields taste here…I wish interactive movies were available. I’d like to have had the option to keep watching the Black musicians in the opening credits of Great Balls of Fire.
WHAT WOULD GARY PUCKETT SAY?: A Union Gap, Yakima County, man’s hand was cut off with a chainsaw by two robbers after his wristwatch and jewelry. Just the sort of event one expects to read about taking place Somewhere Else, in some Evil City, not in the small-town America that National Public Radio keeps telling us is the home of quaint eccentricities and clean, albeit smug, living.
NEWS ITEM OF THE MONTH (Times, 10/8): Urinette Inc. of Pensacola, Fla. announced a new invention, the she-inal, a ladies’ urinal (to be put in private stalls). The best part of the story was the delicate descriptions by the company: “The device resembles the traditional urinal used by men except for a gooseneck hose and funnel. A handle on the funnel allows women to adjust it to the proper position and height. Clothing need only be moved a few inches out of the way. When finished the user simply rehangs the funnel on the hook inside the unit and flushes. Hovering and covering are no longer necessary.”
STAGES OF LIFE: Chicago’s Annoyance Theater is performing, twice weekly, The Real Live Brady Bunch. An actual Brady Bunchscript is performed completely straight by an all-adult cast.
JUNK FOOD OF THE MONTH: The plastic squeeze tube with a representation of a dog’s head on top. Squeezing the accordian-like tube forces a puce-green liquid candy out of the dog’s mouth. This was made by Topps Gum and designed by Mark Newgarden, the respected alternative cartoonist who created the Garbage Pail Kids.
TREAD ON ME: Leaders of the Pacific island nation of Tonga are petitioning Gov. Gardner to speed up the proposed sale of tens of thousands of used tires from Washington. The shredded remains of Arrivas and Tiger Paws will be incinerated to become cheap electricity.
LOCAL PUBLICATION OF THE MONTH: Café Olé is a free slick local monthly that consummates the Weekly’s food fetish by being solely devoted to a single consumption product, espresso. It’s well produced and decently written, but how much can be said about coffee (without getting into sensitive areas such as the lives of the people living in coffee-growing countries).
DEAD AIR: KEZX, another of the once-locally-owned radio stations sold off to out-of-state speculation chains, has dropped not only progressive music but any music worthy of the name. Instead of Richard Thompson and Tracy Chapman, now it will play Carly Simon covers recorded by an anonymous studio orchestra. The station has regressed to its original beautiful-music format of 1971-81, when it made its chief profits from renting “subcarrier” radios to offices and medical reception rooms, pre-set to receive a commercial-free version of its syrupy automation tapes. I wouldn’t be surprised if they’re using the same tapes as before.
LAST CALL: The Central Tavern, Seattle’s longest extant outlet for bands that play their own material, has been sold and will no longer feature live music. At least we have, for the time being, the OK Hotel as a refuge from the grating George Thorogood impersonators at all the other Pioneer Square clubs…USA Today reports of two lawsuits in Los Angeles against selective niteclub admissions. The concept of keeping people out just because they don’t look hip enough dates back at least to the cokehead corruption of Studio 54, and was adopted by the Mudd Club and other NY new wave palaces that were supposed to have been too fresh, too pop for that tired old disco culture. Thank goodness our best clubs don’t do that, at least not too much. Of course, our best clubs are generally desperate to get folks in even if they dress at Clothestime…
FROM THE LAND OF JOHN WATERS: A Baltimore man acquired what sounds just like a Norwegian accent after suffering a stroke. A medical convention report called it the “Foreign Accent Syndrome.”
BIG STOREWIDE SALE: Does Frederick & Nelson’s money-back guarantee apply to the whole store? And when will current owner David Sabey stop whining about the price he paid for the chain and start working to bring back the F&N we knew and loved? At the very least, he needs to bring back the Paul Bunyan Room.
CATHODE CORNER: The P-I notes that the new Seattle Today format, with its rust-earth scenery and long segments of not-necessarily-local interest, is tailor-made for edited showings (under another title) on The Nostalgia Channel, a cable network in the Southwest…Also from the P-I, a Seattle Today staffer bought KING news director Bob Jordan a congratulatory explicit cake by Marzi Tarts, only to see an unamused Jordan smash the anatomical pastry on the selfless giver’s desk.
WHY I HATE HALLOWEEN (the grownup Halloween, that is): (1) Do we really need another excuse for 40-year-old adolescents to get drunk in large groups while regressing to infantility? While dressed as Elvis and Marilyn at that? Or in monster regalia that’s become irrelevant in a society where the real monsters are the “nice” guys in suits? (2) OK, call me jaded. Maybe mass-market macabre has ceased to thrill me. Maybe I’m just burned out on the flavorless manipulations of the S. King/C. Barker/J. Saul books and the tired grim images of the W. Craven/T. Hooper/Friday the 13th movies. Maybe horror just hasn’t been the same since directorWilliam Castle (Homicidal) died.
THE PLANE TRUTH: Northwest Airlines grounded 10 DC-9 planes, after a mechanic mistook liquid hand soap for hydraulic fluid. With some airline soap, it’s hard to tell…
SMOKE GETS IN YOUR EYES: The Camlin Hotel’s legendary Cloud Room had a bad fire, three days after I last visited there. The place hadn’t really been the same since they fired piano player Gil Conte anyway. Though I hope the goofy water fountain on the outdoor terrace survived…
KING FOR A FEW DAYS: A Boston man, 37, wins $3.6 million in a lottery, then promptly dies two weeks later of a heart attack. “Stress,” sez his sister-in-law.
BOOZE NOOZE: Homosexuals’ drug and alcohol abuse rate may be three times national average. This only shows two things: (1) the stress of living a secret or semi-secret life, and (2) the special difficulty of staying sober in a subculture whose social institutions are almost all bars.
WHAT? NO SHEEP PAC?: According to the Christian Science Monitor, the following are minor parties competing in New Zealand’s parliamentary election: The McGillicuddy Serious Party (advocating a return to the Scottish monarchy, under the slogan “A Great Leap Backwards”), the Cheer Up Party, the Blokes’ Liberation Front (“let the women run the country for a few thousand years”), the Wall of Surf Party, the Free Access Socialism Party, the Gordon Dinosaur Party.
‘TIL OUR ALL-STAR HOLIDAY SPECIAL (sorry, no Claudine Longet), vote yes on the growth-management initiative and no on 35, read Mark Leyner’s My Cousin My Gastroenterologist (did I mention this one already?), observe the Berlin Wall-like erection of pillars and concrete slabs along the eastern side of I-5 north of N.E. 50th St., and work for peace.
Graphic novelist Moebius, in the afterword to one of his tastefully-drawn stories of spaceships, pyramids and breasts: “I never give the keys to my stories. My stories are not like a box of spaghetti, they don’t come with the instructions on them on how long you must put them in boiling water before you eat.”
Still no word on getting my novel out (anybody wanna help support a $2600 self-publishing budget?).
“Lachrymose”
LITE LIT
(Excerpts from Wildlife by Richard Ford, transcribed by Gyda Fossland)
Page Passage
2 He was a smiling, handsome man…
8 She smiled at him.
11 “Hello there, Jerry,” the man said, and smiled…
13 …he said, and smiled at me…
14 He smiled at me.
21 …he said, and smiled…
22 She smiled at me…
27 …looked around at him and smiled.
31 He was smiling and looking at me…
34 …my mother smiled at me, a smile she had smiled all her life.
37 She smiled up at me…
37 …he smiled when he shook my hand.
38 …my mother said, still smiling.
38 He smiled as if there was something he liked about that.
40 …and she was smiling.
40 She smiled at him.
44 She smiled and shook her head.
48 She smiled.
52 …she was smiling.
52 …and one of them smiled.
53 …my mother said, and smiled.
53 …and smiled at me.
56 …she said, and smiled at me.
63 She looked around at me and smiled.
70 …he was smiling.
72 …then she smiled at me…
72 She was smiling…
73 He looked at my mother and smiled the way he’d smiled at me the way he’d smiled at me out on the front steps…
75 She smiled…
77 Warren…smiled across the table at my mother.
77 She smiled at me.
82 …he looked up at her and smiled…
82 She looked at me and smiled.
84 He was standing there smiling…
88 …the woman was smiling…
90 She smiled at me.
91 …smiling and fanning herself.
92 My mother smiled.
92 Warren…smiled at my mother.
93 She smiled at him.
100 My mother smiled at me.
101 She smiled at me again.
101 Her face looked different…less ready to smile.
104 She smiled at me again…
110 He was standing…and smiling…
111 …my father’s clean smiling face…
120 She smiled at me…
122 She smiled at me…
123 She smiled…
131 …looked at me and smiled…
133 She looked up at me and smiled…
134 She smiled.
136 She smiled at him.
136 He was smiling.
136 And then she smiled at him again.
137 She smiled at him…
139 My father smiled at me.
143 …smiled at her.
143 …and smiled.
143 …and smiled again.
144 And she smiled in a way that was not a smile.
154 …and he was smiling.
170 I almost felt myself smile, though I didn’t want to.
10/90 Misc. Newsletter
CONNIE CHUNG AND MAURY POVICH:
STOP THEM BEFORE THEY BREED!
It’s time for the big reunification Oktoberfest and time to welcome you back to Misc., the pop-culture newsletter that still wants to know why certain teen and especially pre-teen boys consider male singers with long hair and high voices to be “real men” but dismiss male singers with predominantly female followings as pansies (musical qualities or lack of same being equal). I’m sorry that I had to cut my long Bill Cullen obituary from last month’s issue; the salient point was about finding (at Fillippi’s Old Books) a cheap LP of old show tunes “hosted” by Cullen, shown in a tuxedo on the cover in a dancing pose (from the waist up). A peculiar pose for the game show host who, due to a polio limp, preferred never to be shown walking on stage.
LAME: The long-rumored demise of Longacres at the hands of a land-hungry Boeing, and with it the possible demise of horse racing in Seattle and possibly the Northwest (would the Portland, Spokane and Yakima tracks survive the end of their bigger sibling?), would sadden several subscribing friends of Misc. It’s more than a gambling ritual (albeit one with much better odds than the Lottery). It’s a way of life, for bettors and trainers and riders. (Activists have questioned how great a life it is for the horses, but how well are most non-star athletes treated?)
ALSO IN THE END-O-ERA DEPT.: Twenty years ago, before Tower or Peaches came to town, the prime record store in the U District was Music Street, which became in turn Wide World of Music, Musicland, and finally Discount Records. This store was finally closed in mid-September, following the end of Nordstrom and Jay Jacobs’ Ave outlets. By this time, the top 40 hits that thrived at Music Street had become the nostalgia CDs that Discount Records could not stock or promote as well as other chains could.
DEAD AIR: The recently-publicized payola scandal, in which the Big-6 record labels hired a network of “independent” promoters to pay off radio stations with cash and drugs and hookers, affirms the “radio sucks” attitude of the punk era, the complaints then and now of great songs, even great accessible songs, being buried while hyped-up pablum and soft-rock dinosaurs obtained undeserved hits.
FLAHERTY NEWSPAPERS, R.I.P.: For 30 hellish months, I worked for sub-survival wages with past-death-rate typesetting equipment in Flaherty headquarters, a crumbling shack in the Rainier Valley with weeds rising from cracks in the concrete floor. There, I typed up the alleged “news” sections of seven neighborhood weeklies — smarmy hype stories for advertising merchants, cutesy notices for Catholic schools, a gardening column by an elderly lady who occasionally inserted anti-sex-education sermons, and, always and above all, unquestioned enthusiasm for the Seattle Police. I typed up too many of the squalid police-blotter columns (low-grade tragedy turned into morbid sensationalism), and to this day I lash back at anyone who refers to them as a source of camp humor. The papers were distributed by an ever-changing crew of pre-teens who had to deliver them to every house in a territory and hope some of the recipients would pay the small voluntary fee. Now, the little chain has been bought by an out-of-state takeover artist and will soon be merged with its onetime arch-rival Murray Publishing.
PHILM PHACTS: So far, no major Twin Peaks second-season filming locally. Generally, Seattle continues to be eclipsed in film activity by B.C. and Oregon. Paramount, for instance, has become the second established production company proposing to open a permanent studio in Portland. There can only be one potential logo for such an enterprise: A ring of stars surrounding the remains of Mt. St. Helens.
IS IT THE SHOES?: The Nike boycott by Black activists and the corporate culture of that company (U of O track vets and ex-hippies) are integrally related to the white-bread demographics of that whole-grain-eating city of Portland. That’s where Bill Walton was kept on the TrailBlazers payroll through years of injuries because, some say, laid-back mellow Oregonians would only support a basketball team if it had a white star. The famed progressive politics of Oregon have lately meant stands on environmental, nuclear, and foreign-affairs issues, soft-pedalling the social justice causes that the Left used to be all about. One good sign: The Oregonian has become the only NW daily with a Black editor-in-chief.
STILL MORE FROM SOUTH OF THE BORDER: Iowa artist Bill Witherspoon was charged with scratching a huge geometric pattern in a southeast Oregon desert. The whole thing looked, in news photos, remarkably like those mysterious “field circles” popping up along the English countryside. Maybe some international neo-Druid outfit is making these things and letting people believe they’re the work of spirits or UFOs or such. Maybe he just thought it would look neat…A Portland district judge is trying to keep his job, after he was revealed to have married wife #2 while still wed to #1.
CATHODE CORNER: American Chronicles utilizes artsy highbrow camera work to record the quirky rituals of lowbrow American primitives. In short, it’s a modern Spaghetti western not made by Europeans but perhaps for them. It looks like something really commissioned for Murdoch’s European satellite network……The Pentagon is partly funding Zenith’s research into hi-definition TV, according to a syndicated item in Puget Sound Computer News. Arguably, there might be military applications to more sophisticated video transmission and display systems, perhaps for radar or navigational systems. But essentially we’ve got our government subsidizing private industry, something that happens in every capitalist country but which is often considered a sacrilege to the “American free enterprise system.” What does Zenith think it is, a bank or a basketball team? (In one of his last books, BTW,Buckminster Fuller claimed that “free enterprise” religion was originally a 1776-era reaction to the colonial system of British crown-chartered commerce.)
OUTSIDE PITCHES: It’s hard not to stare incredulously at the Coors commercial with African-American activists working hard to refurbish a storefront community center, then celebrating the job by downing the Beer of Bigots…More songs in commercials: TheHair theme in a shampoo spot; Starship’s “We Built This City” becoming ITT’s “We Built This Company”…From the cable commercial for the compilation CD Those Fabulous ’70s: “Sorry, not available on 8-track”…Advertisers on one page of the Weekly’s 9/26 “adult education” supplement: Cornish College, Griffin College, UW Extension, and The Crypt (“20% Off All Ladies Leather”).
JUNK FOOD OF THE MONTH: Cookie Bowl I (that’s the roman numeral “one”) is a line of cookies in the relief shapes of NFL team helmets (for non-fans, it’s the Cleveland Browns who get royalty checks on the blank helmets). Available in chocolate, vanilla, peanut butter, and shortbread. But beware: They’re intensely male-oriented.
NO FREE RE-FILLINGS: Espresso Dental on Phinney Ridge is almost certainly the first combined coffeehouse and dental clinic in the nation (neck and back massages are also available). Do the lattes come with spit cups?
ON THE STREETS: I survived the biggest assemblage of preteen females in Seattle history, or at least in 25 years: The clean-cut, T-shirt-wearing devotees crowding their way into the Kingdome for the New Kids on the Block concert. That, and the accompanying traffic jam of Bellevue-based station wagons, made the September gallery walk a true navigational challenge. I did not notice the Kidfans directly interacting with the regular art-crawling Pioneer Squares. Had the galleries planned for this confluence of audiences, a little art-ed event might have rescued a few young consumers from a life of plastic culture. Then again, considering some of the works that were hung in those spaces…
LOCAL PUBLICATION OF THE MONTH: The Northwest Network (“Seattle’s Community Newspaper,” though it’s made in Kirkland) is the latest attempt at a serious-progressive local tabloid. The emphasis here is on analysis, re-interpreting the information given by the regular news media. (Seattle Subtext, still publishing after three months, gives you new news on international topics. There’s still nothing here like the Portland Free Press, doing original local investigative reporting.) Still, the presence of another competently written and produced paper, out every two weeks, is a hopeful sign that people are out there wanting to do things.
UNDERGROUND NEWS: The po-mo, engineered-by-committee bus tunnel turns out to be a visual masterpiece, comprising five waiting areas that any corporation would be proud to have as its office-tower lobby. It’s a blast to visit and to ride through. It’s a monument to the pretentions of today’s Seattle, one of those self-conscious boasts of “becoming a world class city.” It’s more successful as a meeting place and art project than as a transportation solution. Amenities sorely lack (subway stations with no newsstands? Unthinkable!). The lack of restrooms was a deliberate decision, by officials who prefer that the homeless relieve themselves in streets and alleys. The whole expensive thing tore up downtown traffic for four years and clearly was meant to appease bus-hating affluent commuters. Most buses running through it (starting next year) will be suburban routes (the reason for the specially built coaches that run on electricity in the tunnel but on diesel on highways and bridges). The layout of the tunnel (just slightly longer than the Monorail) was designed to move buses quickly onto I-5, I-90 and SR 520, not to get them around the city. What we oughta have is a light rail system like our filmmaking cities to the north and south.
HEADLINE OF THE MONTH (NY Times story on the new Germany, 9/25): “Bitterness Sears the Die-Hard Nationalists.” I knew the NY papers were hard up for advertising, but selling sneak mentions in news headlines?
THE LIGHTER SIDE OF A NATION’S COLLAPSE II: As of 10/3, no longer will the Dresden area, heretofore the only part of E. Germany unable to watch Dallas on W. German TV, be known as the Valley of Those Who Know Little.
YOU CALL THAT A FUTURE?: The Puget Sound Council of Governments, an agency whose own future is in peril, released a fancy public report predicting the look of the region in 2020. There are unspecified “rapid transit” systems between downtown and the burbs, and lotsa reclaimed greenbelts; but nowhere the ring of giant plastic-domed cities predicted in ’62 at the Century 21 Exposition…My cyberpunk contacts were outraged at the 9/3 Time mag’s goofy-human-interest piece about a UW-designed virtual reality machine (a computer-video unit in which you can pretend to fly over Seattle by “steering” with an electronic glove). These guys are adamant about making artificial experience work, even if early experiments like this have bugs to be worked out.
AT B-SHOOT: Rumors of the Big Wave found their so-politically-correct-it’s-painful music on the Miller Mainstage, sponsored by an affiliate of Phillip Morris Companies, best friend of the art-world and civil-rights enemy Jesse Helms. “Boycott Miller/Helms = Death” stickers were, however, plastered throughout the Coliseum. And for next year, remember the big sign at the Bumbershoot 1st aid tent: “Sorry. We cannot give out aspirin.”
‘TIL THE MUCH COOLER MONTH (God, I hope) of November, be sure to visit the peace vigil at Gas Works (NOT a quaint relic of the ’60s but people trying to make sure we have a future), watch the new Graham Kerr Show taped at KING, avoid the recently-named conditions “Nintendo thumb” and “espresso maker’s wrist,” and save the junk-mail foil envelope containing a card drenched inNeutron Industries’ mail-order citrus scent spray. The cards are great playthings for cats.
Lawrence Durrell in the Alexandria Quartet: “Our view of reality is conditioned by our position in space and time, not by our personalities as we would like to think. Thus, every interpretation of reality is based upon a unique position. Two paces east or west and the position is changed.”
It’s a year since Misc. became a self-contained newsletter; charter subscribers (you ought to know who you are) need to renew. Fax subscriptions to Misc. are now for $9 per year. The space at the bottom of this page is still available for advertising. Leave a message at 323-4081 or 524-1967 for details.
I’m also raising funds to self-publish my seemingly endlessly-announced novel The Perfect Couple. Any and all ideas welcome.
“Esconce”
