coregallery.org

If you want me to spend $5,000 for a painting of words outlining an image, the words had better be spelled properly. They should read “More Than Its Weight In Gold.” No apostrophe dammit.

As the eyes of the Earth turn again to Mars, let us look back at one of the most surreal and modern-arty “educational” films ever made, the Disney studio’s animated docudrama Mars and Beyond. Made in luscious color, it premiered in black and white on the Disneyland anthology TV show in 1957, just months after the Soviet satellite Sputnik launched the “space race.”

• The beautiful 1906 former home of the progressive Seattle First United Methodist Church will become the next home of the homophobic, reactionary Mars Hill Church.
• Ezell’s Fried Chicken isn’t Ezell’s fried chicken anymore. Ezell Stephens was kicked out of the operation by now-former business partners. He’s now got a new chicken chain, Heaven Sent.
• Gibson Guitar now admits it did, indeed, illegally import endangered “exotic woods.”
• Companies who treat customers rudely can’t hide in the age of social media. Today’s example: Horizon Air.
• Local singer-songwriter and lush-soundscape creator Erik Blood has a new concept album, all about nostalgia for the days of “porno chic.” Title: Touch Screen.
• Another creative indie music maker, “geek rock” troubadour Jonathan Coulton, wonders out loud what’ll happen when home 3D printers can produce fully functional substitutes for manufactured consumer goods.
• And Smashing Pumpkin Billy Corgan decries the Pitchfork festival circuit as the ruination of any real “alternative” music.

nytimes.com via nytsyn.com

• As a fedora wearer since when fedoras weren’t cool, I frankly don’t identify with Montauk, NY’s demonizing of the midcentury style headgear. It has to do with the old fishing town’s backlash against being colonized by (what the NY Times story about it calls) “hipsters.” But (to use NY-area geographic parlance) the Montaukers aren’t really dissing Urban-Outfitters-clad, emo-listening shoegazers from Brooklyn, but rather Ralph-Lauren-clad, gourmet-cilantro-eating 1-percenters from the Hamptons.
• What’s wrong with residents putting in a common sandbox for neighborhood kids along a “planting strip” between a residential street and its sidewalk? Nothing, except of course it doesn’t look boringly world-class enough.
• Item: “Poll shows Americans are losing faith in religious institutions.” Comment: Oops, there goes another leg of the Republicans’ shrinking “base.”
• On a related note, lotsa local Catholics love ’em those activist nuns.
• Following up on a topic discussed here previously, Jacob Silverman at Slate would like online book critics to be a little more, you know, critical.
• You probably didn’t see “the saddest story in the Olympics.” NBC didn’t really cover it. (It involved the women’s side of  a “second tier” Olympic sport (fencing), in a match that included no U.S. athletes.)
• From Annie Hall to (500) Days of Summer (and even stretching back to Bringing Up Baby), there’s been a particularly American romantic-comedy heroine type which the AV Club’s Nathan Rabin has labeled the “Manic Pixie Dream Girl.” This is the sparkly, spunky force-O-nature who exists, as Rabin puts it, “solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures.” (The sitcom Dharma & Greg can be considered an MPDG premise stretched out.) I can attest that such women do exist in real life, and that relating to them, in my experience, is no trip to eternal bliss.
• Local filmmaker Drew Christie offers a short “animated op/doc” (whatever that means) about Hollywood’s recent “allergy to originality.”

kiro-tv via missy chow

Another Seafair Sunday, Seattle’s own civic holiday, has come and gone.

And this one was a beautiful one.

Everything went as expected. Oberto won the race; but not without some thrills (and thankfully, no spills) along the way.

The weather was beautiful and scorchy.

The original piston-powered thunderboats made a spectacular cameo.

The only thing missing was the Unlimited Light fleet of smaller race boats. The UL circuit folded after last summer, sadly. Taking their place, we had tiny “Formula One” boats brought in. Fun but just not the same.

Let’s try to bring back the ULs in ’13. Seafair itself has had to be fiscally “saved” several times. If local sponsorship could be found for the big boats, it ought to be available for the middle-sized boats.

visual.ly

• According to the “Geek Zodiac,” I belong to the Year of the Astronaut. (I always liked astronauts.)
• Forbes.com freelancer Zach Slaton traces the roots of Seattle’s soccer mania back further than the 1974 NASL Sounders, to British and European immigrants who’d come here starting in the 1950s.
• A southwest Wash. man was recently discovered attempting to pass some particularly “high quality fake money.” Who says Americans have lost their manufacturing edge?
• More than 80 million Facebook accounts are really spambots or other varieties of fake, Facebook management admits.
• The Seattle Times (an old-school advertising medium) disses new-school advertising medium Yelp.com. The paper alleges that the “customer review” site promises to promote positive reviews of shops and eateries that buy ads on the site, and threatens to promote negative reviews of those that don’t buy ads on the site.
• It’s crop circle time again!
• Frank Elaison at Social Media Today would really like Net users to “focus on being positive,” and stop brutally insulting people they’ve never even met.
• The Onion (with which the Stranger has a shared pre-history) has found today’s third rail of bad-taste humor.
• Back in 2005-2006, a locally-owned small town daily in eastern Idaho (an area more heavily Mormon than Utah) ran an exposé of a boy-abuser within the adult leadership of the local Boy Scouts. The local business and governmental leadership quickly jelled their outspoken support—not around the victims or their families, but around the Scout leaders who’d conspired to cover up the crimes for years. It’s news now because one of the conspiracy’s most outspoken defenders, the head of the area’s biggest company, is now on Romney’s fundraising team. And he’s doing to Romney’s critics what he did to the newspaper back then—threaten to sue them into oblivion.

google earth via rhizome.org

• Clement Valla at Rhizome.org finds beauty and “the universal texture” within the mistakes of Google Earth’s 3D geographical simulations.
• The musicians’ union would like to create “sustainable” opportunities for local club bands (i.e., gigs with decent pay). Considering how fiscally precarious so many bars and clubs are, this may be a challenge.
• Amy Rolph at SeattlePI.com, trolling for weird items on Amazon to laff at, found a CD of “lullaby renditions of Nirvana songs.” Rolph calls the electronically-rendered music “creepy.” I call it more like a failed attempt to update the shtick of Raymond Scott’s old Soothing Sounds for Baby LPs.
• It’s not that “oldies” music is selling more these days. It’s that present-day music is selling less.
• When classic films meet know-nothing online reviewers, magic happens.
• Apple has again become the world’s #1 personal-computer maker, if you count iPads as computers.
• At last, a new job in this town that doesn’t require programming experience. It’s the making of fake poop, to demonstrate new third-world toilet designs for the Gates Foundation.
• Steven Rosenfeld at AlterNet believes today’s Republicans are “a truly toxic aberration,” an outfit that can only win elections by voter-suppression and other dirty tricks.
• The “future of news” gurus have long claimed that media companies only needed to hustle for all the web hits they could get, and ad revenue would naturally follow. That’s turning out to not be the case; especially with tablet and smartphone users.
• Here’s one Russian guy’s idea of how humans could live forever, for just $50 billion in startup costs:

1. First, invent remote-controlled, humanoid robots.
2. The next generation of the robots would contain transplanted human brains.
3. By the year 2045, people’s memories and personalities would be transferred as software into robotic brains. (As we always say with stories like this, “Nothing can possibly go wrong….”)

perfect sound forever, via furious.com

• It was my first real lesson in how to make a print periodical that was neither a corporate “slick” nor an amateur “zine.” It was my entree into several musical worlds, most importantly that of U.S. indie pop/rock. Let us remember the brief, glorious life of New York Rocker.
• Can Washington’s state parks really survive if they have to become self supporting?
• Correction of the day (NY Times):

An earlier version misstated the term Mr. Vidal called William F. Buckley Jr. in a debate. It was crypto-Nazi, not crypto-fascist.

• In the Matrix movies, identity is easily transmutable and fluid. Think about that when you learn that director Larry Wachowski now wants to be known as Lana.
• How do all those “rugged individualist,” “rebel” Tea Party operatives act and sound so much alike? They get special training in exactly what to say, do, and believe.
• Meanwhile, “Conservative Movement” operatives are finally starting to turn against one another, using the same tactics of loud lies they’ve always used against progressives and centrists.
• The latest winner of one of those dumb magazine declarations about “America’s coolest city”? Houston.
• If a Waterworld dystopia ever comes to be, expect the One Percenters to hole themselves up in fancy-as-all-heck “floating cities of the future.”
• Human waste off the Northwest coast, now with extra caffeine.
• The anti-“social media” backlash is fully underway. One disgruntled Facebook advertiser says it was charged for “clicks” on its ads that turned out to have been mostly generated by “bot” programs. And Ewan Morrison at the Guardian implores self-publishing authors to spend less time incessantly hawking their “brands” on Twitter, Facebook, et al., and more time actually, you know, writing.

If you’re going art-crawling this next First Thursday, be sure to see a mini version of the digging machine that will create the Viaduct-replacement tunnel. Go see it even if you normally find such things to be, er, boring.

• Geoff Tate and the other members of local hard-rock legends Queensryche aren’t making up any time soon.
• The City Council thinks it might be a good idea to use part of any new-basketball-arena revenues to help fix traffic in the area; thereby agreeing with what I wrote here weeks ago. Would-be arena developer Chris Hansen doesn’t wanna pay for road-building himself, though. And I agree with that too; the Port of Seattle’s traffic woes in the area already exist, and would continue to exist with an arena or not. The trick is to channel some of the revenue the arena will earn to the city and state (via sales and admissions taxes mostly) into road improvements.
• There’s a “Support the Sisters” march here on Aug. 12, backing activist nuns who’ve run afoul of Vatican dictates.
• Today’s headline-O-the-day, from the Oregonian: “Car thief who was high on drugs and masturbating when he plowed into Portland crime scene will not have to register as a sex offender.” (I’m sure the headline was shorter in the print version.)
• Conor Kilpatrick basts modern libertarianism as being, in part, an effort to make rapacious corporate greed seem “hip” and “cool.”
• If your call to a U.S. company’s call center didn’t go through today, it could be due to the severe power outage in India.
• Seattle law firm Perkins Coie’s major corporate clients include the officially nonprofit Craigslist, which sends lawyers regularly to crack down on “add-on” sites.
• Chris Marker, 1921-2012: The great French maker of philosophical films did a lot more than just “influence” Anglophone productions such as 12 Monkeys. His works are worthy in and of themselves, using sci-fi memes not as a premise for action-adventure but to meditate on the human condition.
• Gore Vidal, 1925-2012: The prolific novelist, essayist, playwright/screenwriter, film/TV cameo actor, Al Gore cousin, sometime failed political candidate, and ever-lucid critic of the American political-industrial complex (“a society that bores and appalls me”) always seemed to glide from highbrow to low; from serious historical works (Burr, 1876, Lincoln) to utter farce (Myra Breckenridge); from major cultural contributions (The City and the Pillar, one of the first U.S. mainstream novels with gay-male protagonists) to for-the-money tripe (co-writing the Caligula screenplay). To the end he remained “complacently positive that there is no human problem which could not be solved if people would simply do as I advise.”

ioffer.com

The first Spider-Man cartoon series (ABC, 1967-70) is fondly remembered by the geekerati, not only for its low-budget thrills but for its bold, saucy, spooky music.

You know the theme song, perhaps from its many remakes and cover versions. (It’s the only song the Ramones slowed down when they covered it!)

The background music has been a lot harder to track down.

Among the reasons why:

• No soundtrack album was made at the time of the original series run.
• The series had two different production companies, one of which folded after the first season.
• The animation was produced in New York, but the soundtracks were produced in Toronto (for budget reasons).
• Nobody held onto any detailed production notes.

Fans eventually figured out that most of the music cue for seasons 2 and 3 came from KPM, a “library music” provider based in London (and now owned by the about-to-be-dismembered EMI).

Once KPM put up a website with samples of its library, these fans sorted out which tracks had been used on Spider-Man, and began to post some of them online.

But that left the season 1 background cues, composed expressly for the show by Ray Ellis and Bob Harris.

As this 2007 story on WFMU’s blog goes, some longtime fans of the show tracked down Ellis in L.A. He told them he’d left the original tapes behind when he moved from New York, but would track them down the next time he went there. Ellis died in 2000, before ever making that trip.

Other fans later reached Harris’s widow, who said she had no idea about the Spider-Man music tapes’ existence.

Not only were the original recordings a dead-end, no M&E tracks (music-and-sound-effects soundtracks, which some studios keep for foreign-language redubbing) were around either. Only the dialogue-heavy final episodes.

Dan O’Shannon, a writer-producer who’s worked on Cheers, Frasier, and Modern Family, is another of the ’60s Spider-Man‘s lifelong obsessive fans. O’Shannon’s taken it upon himself to reassemble the first-season cues.

So far he’s posted 34 tracks. He’s mixed and matched sections of the same tunes from different episodes (or different parts of the same episode) to avoid the dialogue.

O’Shannon hasn’t, however, been able (or wanted) to edit out the frequent THWIP! sound effect of Spidey’s web shooters.

Let’s face it, my fellow futurists.

Outer space is boring. Or rather, being out there would be boring.

No air, no water, nothing to do for light-years.

This is the expression held by German music hall star Marika Rökk (1913-2004) in her big production number “Mir Ist So Langweilig” (“I Am SOOO Bored”). It’s from the 1958 revue film Bühne Frei für Marika (“Stage Free for Marika”).

She portrays an ice princess on some desolate planet, surrounded by a family of male toadies. She langorously sings of yearning for something to do that’s not the same old same old.

She peers out her space telescope, sees happy Earthlings dancing, and immediately sets forth in an amazing gyroscope/spaceship (!).

The ship takes her to a quasi-racist German depiction of an African jungle.

She picks up a (real) snake and dances with it, lying down and spreading her legs (!).

She cavorts for a while with some “natives” and a (real) elephant. (She rubs the bare chest of one of “native” males to see “if the dirt comes off.”)

But even that’s not enough to slake her boredom for long.

(Thanx and a hat tip to Mr. Dante Fontana’s Visual Guidance Ltd.)

The Seafair Torchlight Parade is more than a relic of “a simpler time,” or an opportunity for Seattle merchants and restaurants to make money from visiting suburbanites and exurbanites.

It’s an opportunity for all of us to get back in touch with the values and aesthetics that helped make this city great.

At a time and place where these values are often scoffed at, Seafair proclaims there’s still plenty to admire in squareness.

Squares gave us the Space Needle. Squares gave us Boeing (and, hence, the “international jet set”). Squares gave us computers and software.

Towns at at least a little removed from the metro core still understand the positive aspects of squareness, and revel in them. I come from one of these.

Remember: Square DOES NOT necessarily equal boring or white. Values of family, tradition, and togetherness cut across all ethnic and subcultural lines.

There are three special things to mention about this year’s parade. The first is the Seafair Clowns’ heartfelt tribute to Chris Wedes/J.P. Patches.

The second thing was something I’d previously noticed last month at the gay parade—spectators using cam-equipped iPads to get a better-than-the-naked eye view of the proceedings.

And finally, what was Grand Marshal (and Fastbacks drummer #2) Duff McKagan doing in a horse and buggy? Wouldn’t a bitchin’ vintage muscle car be more his flavor?

The Burke Museum has posted a lovely You Tube video showing how the Pioneer Square area was not only settled by Seattle’s founders but altered, filled in, and transformed from a little isthmus into the historic district it is today.

• A B.C.-based blogger about classic cartoons offers his own tribute to J.P. Patches, on whose show he first saw many of those shorts.
• Meanwhile, sometime Seattle musician (and this year’s Seafair grand marshal) Duff McKagan cites the Patches show as exemplifying/promoting a quirky, particularly “Seattle” sense of humor.
• Paul Constant believes the Seattle library levy would stand a better chance of passage if its promoters expressed more appreciation toward librarians, not just toward buildings and acquisitions.
• The Dept. of Justice deal with the Seattle Police includes a court appointed monitor and strict reporting of “uses of force.”
• You’ve got about a month to get your needles together for the big quilters’ convention.
• A Florida renegade Republican claims his state party has deliberately tried to suppress the black vote.
• Paul Krugman suggests Mitt Romney’s wealth, and the insularity that goes with it, is his potential undoing.
• If you don’t have health insurance, today’s Republican Party officially doesn’t give a flying frack about you.
• The number of “swing states” in this Presidential election: 8. That’s it.
• Pat Buchanan really needn’t worry about the Republicans facing long-term oblivion as America becomes steadily less white. Some future generation of GOP operatives could easily dump the racism (disguised and otherwise), and instead proclaim that passive-aggressive fealty to Big Money is for everyone.
• Roger Rosenblatt wants writers to “write great;” that is, to go beyond the merely personal and embrace reality’s greater issues.
• In the opposite direction from “writing great,” there’s now an online Fifty Shades of Grey-esque cliché generator.
• And finally, this day’s most incisive, most informative piece of Seattle Times reportage:

1931 soviet book jacket; new york public library via allmyeyes.blogspot.com

• Love old timey design elements in photography, fashion, furnishings, books, posters, ads, packaging, and everywhere else? Then you’ll love Linda Eckstein’s fastidiously curated site All My Eyes.
• Conversely, Angela Riechers at Print magazine’s site disdains all this obsessive old-schooling. Riechers claims the world of graphic design, and perhaps the world as a whole, is becoming infested with “toxic nostalgia.” Among the symptoms she sites is Churchkey, the Seattle microbrew beer that comes only in cans that require an opener.
• Amazon’s sales rose 29 percent over the same quarter last year. But the company reported almost no profits, thanks to big investments in robotic warehouse systems. (Remember what we always say when robots are in the news: “Nothing can possibly go wrong….”)
• David Brewster found someone to take over management of the local-punditry site Crosscut. He’s a longtime functionary at the Gates Foundation. Let’s see how well he can transition from a nonprofit that doesn’t have to raise money, to one that needs to do a lot of that and soon.
• At the end of a long rant, Paul Constant describes Mitt Romney as:

A cowering man in a suit on the screen, waving his hands in front of his face and begging Robocop not to kill him for profiting, for draining the United States dry and exploiting the pain and hard work of others, for doing what businessmen do.

• Meanwhile, Devin Faraci at something called Badass Digest describes The Dark Knight Rises as feeling “like it is composed entirely of knee-jerk conservative nonsense.”
• A (non-cable-dependent) TV network tells you how you, too, can cut the cable.