widescreenmuseum.com

The next big thing in cultural preservation: indie and art-house cinemas, and their need to buy (and maintain) costly new digital projectors.

As with many adapt-or-die technology transitions, it’s partly propelled by money. In this case, it’s the money of the big Hollywood studios.

They now spend more than a billion dollars each year making and shipping film prints. They’d rather spend that on supporting artistically ambitious but less commercial filmmakers cocaine and whores.

The studios want all theaters to convert to digital, as quickly as possible. They’re offering financial incentives to theaters who accept movies on hard drives instead of 35mm reels.

(As I briefly explained a few years back, the digital formats for theaters are called “2K” and “4K.” The latter offers about four times as many pixels as Blu-ray discs, or about 10 times the detail of DVDs. Theaters receive “digital prints” on hard drives, inserted into specially made projectors. The exhibition side of digital cinema is called “DCP” (for “Digital Cinema Package”.))

Already, the studios are refusing to rent out 35mm prints of many classics. Within three years, they might not send out any films on, you know, film.

Even with the studio incentives (which come with significant restrictions and which smaller distributors can have trouble matching), the transition’s tough enough for the big chain cinemas (where attendance is the lowest it’s been since the mid 1990s).

For the smaller operators and the nonprofit exhibitors, the cost could be fatal. But if they stick with only analog equipment, they might have nothing available to show on it.

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And if film factories and labs lose the business of theatrical prints, it might not be financially feasible to make and process 35mm film for movie cameras.

Which brings us to the other end of the process.

Many directors (not just the George Lucases and James Camerons) now prefer to shoot their movies digitally.

It’s more versatile than film. It reduces the time needed to set up a shot. It makes 3D and other special effects a lot easier. It allows more and longer shots (including the single continuous take that is Russian Ark). The equipment’s smaller, less delicate, and easier to learn. Outtakes don’t waste costly film. Directors can shoot more “alternate takes,” then decide during editing which ones best fit a film’s overall pacing.

Digital shooting has also been a godsend for documentaries and indies. The whole Seattle independent filmmaking scene of the past decade has relied almost entirely on digital shooting.

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But the technology that’s a boon to people who make indie movies is a burden to people who show them.

Nationally, about two thirds of all theaters have DCP gear. The two SIFF Cinemas are already digitally equipped, as are the chain-owned theaters SIFF uses during the festival. (Though the process has had its hiccups.)

As for the rest, they could settle for showing digital movies (from non-major distributors) on lower-res Blu-ray or even-lower-res DVD discs. (This is what the Northwest Film Forum’s apparently doing, at least for now.) For smaller rooms with smaller screens, Blu-ray output might be good enough. It displays almost as many pixels as the 2K digital-cinema standard (but doesn’t have the extra-tuff copy protection and other Big Brother features the big studios demand). And because Blu-ray uses mass-market gear, it’s a lot cheaper for both exhibitors and distributors.

Or they could combine hi-res projectors with hi-bandwidth Internet connections or satellite dishes, to get programming direct from the distributor. (That’s what those cinema airings of live Metropolitan Opera shows use.)

Or they could spring for DCP, even with its cost and its studio-decreed operational restrictions. Some nonprofit art houses might need special fund drives for the gear, which starts at around $60,000 without 3D capability.

Or they could just close up shop.

One industry analyst guesses maybe 5 percent of the country’s current 5,700 cinemas could close due to the digital transition. Many of those could be small-town theaters and drive-ins, whose big-studio fare will become available only via DCP.

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Then there’s the little matter of storage and presentation.

Digital editing and retouching have done wonders for film restoration.

But nobody knows yet how long the physical media on which the digits are stored will last.

Or whether the machines to play them will still exist in future centuries.

For foolproof long-term keeping of movies, there’s still nothing like real film.

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P.S.: I’ve linked to this before, but this post is the perfect excuse to re-link to it. It’s my favorite work of “technical writing,” a pinnacle of depth and clarity. It’s a 1930 RCA instruction manual for movie theater operators, teaching them how to properly present those newfangled talking pictures.

P.P.S.: Even with digital’s cost advantage, many filmmakers defiantly still film and edit on actual film. And now, for the first time in 50 years, a film is being made in original three-strip Cinerama!

Jim Bracher at the Seattle Backpackers Magazine site offers a mostly-positive review of our somewhat-new book Walking Seattle:

The author’s knowledge of Seattle is extensive, comprehensive, and impressive. I didn’t realize part of Perkins Lane is still closed after the mudslides in ’97 (p. 64), and I’d forgotten the horror that dominated the news after the murders at the Wah Mee club in ’83 (p. 79). He also reminded me of The Blob (p. 58), a building I’d forgotten even though I used to walk by it almost daily.…

This guy knows architecture. I know bungalows from Queen Anne, but he knows Art Moderne from Beaux Arts.… Architecture helps tell the story of a city. The current downtown Seattle Library is a statement about what we want the city to be, what we want others to see when they look at us, and what sort of buildings we want to see when go out. All the buildings of Seattle’s past were designed for the same purpose. The bungalows, the big homes of Queen Anne Hill’s past, all tell the story of what was going on in Seattle. It’s a cool history. I wish Humphrey had told more of it.…

He’s a good writer. The prose flows. Reading through the tour descriptions is easy and clear…. I’d love more story-telling. He’s capable of it and the book shows he knows it.

Bracher also has some dislikes about the book. Almost all of those relate to the publisher’s series format (page size, layout, etc.).

And he wishes there was a smartphone app for it.

Guess what? There is! It’s an add-on virtual tour guide that works within the iOS/Android app ViewRanger.

But on the whole, he likes Walking Seattle.

And you will too.

Some recent developments in the Apple/Amazon/big book publishers/Justice Dept. rumble:

• Carl Franzen at TMP believes Apple and the two remaining publishers in the suit still have a chance of prevailing, and preserving their “agency model” e-book pricing system.
• PaidContent.org has a debate on the issue with two of the site’s staffers. Mathew Ingram supports Amazon’s price discounting as good for the reading public, and believes the publishers’ legal arguments are untenable. Laura Hazard Owen defends the publishers as standing to preserve competition.
• Matthew Yglesias at Slate begins by defending the publishers’ stance, but then goes on to say they’ll still have to start adapting to the new market conditions and soon.
• At the same site, Farhad Manjoo offers a brash statement some of you may liken to denouncing mom and apple pie. Manjoo trashes independent bookstores! He calls them “some of the least efficient, least user-friendly, and most mistakenly mythologized local establishments you can find” and “cultish, moldering institutions.” Yep, the piece has gotten a lot of comments (over 1,500 last I looked).

david eskenazi collection via sportspressnw.com

And a happy Friday the 13th (first of the year) and Mariners home opening day to all of you!

• Richard Beyer, 1925-2002: The Waiting for the Interurban sculptor didn’t invent Fremont’s image as a funky/artsy neighborhood. But his work publicized this image as much as anything.
• Something You Might Not Have Known Dept.: Seattle gets a small but impressive portion of its electricity from methane at an Oregon landfill.
• You’ve got two more chances to have your say about Metro’s plan to ax the downtown Ride Free Area, at County Council meetings on the 16th and the 25th. Let ’em know you want/need/demand robust free downtown transit service.
• Third Avenue in Belltown now has those “daylight-like” street lights. Next step in resurrecting Third: making the street and its buildings look cleaner.
• With the legislative session finally over, Rob McKenna can legally raise campaign money. Thus, Washington’s gubernatorial campaign is now truly underway. Watch for McKenna to simultaneously run with and against the national Republican agenda—something Jay Inslee will try to stick onto McKenna at every opportunity.
• St. James Cathedral is among the churches that won’t take part in the Catholic archdiocese’s initiative petition campaign to overturn gay marriage.
• When can you start getting a legal drink in Wash. state after 2 a.m.? Perhaps in November (just perhaps).
• Bizarre Patent Application of the Day: GeekWire says Microsoft wants to patent “monetizing buttons on TV remotes:”

It’s called “Control-based Content Pricing,” and the basic idea is dynamic pricing of video content, based on the preferences of the user at any given moment—essentially setting different prices for different functions of the TV remote.

• Frances Cobain still can’t get away from her mom’s meddling.
• A Spokane nursery put up a billboard reading “Pot Dealer Ahead.” The ad was complete with an image of some flower pots, in case people didn’t get the joke (it being Spokane and all). Some people are vocally not amused (it being Spokane and all).
• The U.S. Border Patrol in this state continues to behave like a gang of racist tools.
• North Korea just can’t keep it up.
• Reversible male contraception is finally in the domestic testing stage, despite Big Pharma’s longtime disinterest.
• Jed Lewison at Daily Kos parses the anatomy of a Mitt Romney lie, that over 90 percent of U.S. job losses have gone against women. In reality (instead of Fox News Fantasyland), most folks laid off in the Great Recession were men. But new or revived jobs the past two years have also gone mostly to men (56 percent).
• The Murdoch media empire’s phone and email tapping scandal is reaching the U.S. But Murdoch’s domestic properties are not implicated, at least not yet. This is still about Murdoch’s U.K. papers, tapping into Hollywood celebrities’ phones and emails.
• Ari Rabin-Havt at HuffPost claims right wing racism no longer bothers with coded “dog whistle” messages, but now spews its hate openly and proudly.
• What Omar Willey says about seeking good web comics applies to just about all web “content”: “How do you find all this stuff?” (The stuff worth reading, that is.)

gjenvick-gjonvik archives

Three of the Big Six book publishers (Hachette, News Corp.’s HarperCollins, and CBS’s Simon & Schuster) have settled with the U.S. Justice Dept. in the dispute over alleged e-book price fixing.

The publishers still insist they’re innocent; but they agreed in the settlement to not interfere with, or retaliate against, discounted e-book retail prices.

Apple, Pearson’s Penguin, and Holtzbrinck’s Macmillan have not yet settled; they also insist they did not collude to keep e-book prices up. Bertlesmann’s Random House was not sued.

This is, of course, all really about Amazon, and its ongoing drives to keep e-book retail prices down and its share of those revenues up. The big publishers, and some smaller ones too, claim that’s bad for them and for the book biz as a whole.

In other randomosity:

• Thanks in no part whatsoever to regressive cuts-only Republicans and their pseudo-Democrat enablers, Wash. state has a budget, and not nearly as horrid a one as we could have had. The real issue, fixing the state’s ultra-regressive revenue system, was again kicked down the road.
• The Legislature also failed to approve new means to pay for transit. However, it turns out Seattle still has the transit-funding mechanism approved a decade ago for the scuttled monorail campaign. That’s what the group called “Seattle Subway” hopes to use to fund more in-city rail miles (which, despite the group’s name, wouldn’t necessarily be below ground).
• Emily Pothast has unkind, not-nice, really un-positive things to say about the Kirkland developers who want to gut Pike/Pine’s anchor block.
• At the formerly Microsoft-owned Slate, Tom Scocca explains, in detail, just why today’s iteration of Microsoft Word so greatly sucks.
• Matt Groening reveals, 22 years later, that yes, The Simpsons‘ Springfield is based on Springfield, Ore. (also known as Eugene’s evil twin).
• Another crack in the edifice of Homophobia Inc.: The guy who first promoted the idea of “curing” gay people through “therapy” says he now believes it’s a crock of shit.
• Meanwhile in the world of Incarceration Inc., two Penna. judges admitted they took bribes from a private prison operator to sentence juvenile suspects to terms at said private prisons.
• A 25-year-old bride got herself a lavish wedding for free by pretending to have terminal cancer. The marriage has already crumbled; jail might be next.
• Someone’s posted to Facebook a cartoon chart-graphic about “How to Focus in the Age of Distraction.” Rule #1: Get the heck off of Facebook.
• Sometime in the mid 1990s I made a throwaway music-scene prediction, as part of a larger rant that the future is seldom linear. I said, “There could be a big hammered dulcimer revival in the 2010s, causing teens in the 2020s to yearn for the good old days of techno.” Speed up the timeline, substitute the recent “beard bands” for the dulcimers, and we seem to have gotten there.

vintage seattle bus on 'ride free day,' available at allposters.com

Bad idea: King County Metro still plans to axe the downtown Seattle Ride Free Area in September.

Worse idea: The county and the city plan to replace this valuable service, not with a full equivalent service but just with an infrequent “short bus” circulator route, intended strictly to help poor residents get to social-service offices and medical appointments.

Not nearly enough.

Not even nearly nearly enough.

Free downtown bus service has been used here since the 1970s by all economic castes.

Before that, Metro and predecessor Seattle Transit ran a “dime shuttle” looping around downtown.

This kind of service can and should return.

First, the current #99 route, looping Alaskan Way and First Avenue, should become a more frequent, all-day, free (or lower-fare) service.

Second, another free (or lower-fare) route should go up and down Third Avenue, from Seattle Center to Pioneer Square and doglegging to the International District.

(Alternately, this could be two routes; one looping north on Fourth and south on Third, the other looping north on Third and south on Second. That would so help people avoid downtown’s steep slopes.)

If the county and the city can’t fund this service themselves, bring in the Downtown Seattle Association and the Downtown Metropolitan Improvement District to pitch in.

Because this is a service to the shoppers, diners, workers, and residents of greater downtown (and also to human-service-agency clients).

It reduces auto traffic, and helps people avoid costly parking.

It makes downtown a better place to be in and to live in.

If it can’t be in place when the Ride Free area ends in September, it could at least get instigated by the Xmas shopping season.

Let’s get this vehicle on the road.

reramble.wordpress.com

• Even I, in my near-encyclopedic knowledge of classic TV, could only guess nine out of a group of 15 modern and vintage series represented by three iconic images each.
• My ol’ UW Daily staffmate Pete Callaghan has a zinger accusing the Mariners of calculated hyprocisy about the basketball/hockey arena scheme. Callaghan says M’s bosses “seek to hog the pubic arena trough.”
• Lisa Arnold at Crosscut believes nonprofits that serve poor people ought to more actively pressure local governments to do more for these folks.
• In the whiter but not safer suburbs, there’s a new robbery shtick going down: (1) Break into a car in a movie-theater parking lot. (2) Fish out the car’s registration papers. (3) Go to the listed (and probably unoccupied) house and rob it.
• The scheme to essentially stifle the use of Seattle Community College campuses as protest sites? Scuttled, at least for now.
• All this Internet data you’re getting these days is stored on and fed from mighty “server farm” installations. The ones around here run on clean, nonpolluting hydro power. Except when they don’t.
• The big book publishers and Amazon are at less than palsy-walsy terms again.
• Meanwhile, various parties have tried to set up indie e-book sites that would sell the big publishers’ titles as well as indie product. But the big publishers insist on using restrictive copy-protection codes, which require costly technical resources on the server end, which these small e-tail operations can’t afford.
• The Republican Presidential nominating race is over. The sincerely bigoted demagogue is gone, leaving the out-of-touch smarmy zillionaire who’s pretended to be a bigoted demagogue. Get ready for the Super PAC-driven, ultra-negative attack ads and the whispered “dog whistle” scare tactics to begin in 5, 4, 3….
• Elsewhere in politics-of-hate-land, one of the authors of the “Defense of Marriage (a.k.a. anti-gay-marriage) Act” has come out as a lesbian and has renounced her past public stance.
• Economist Jonathan Schlefler claims the “invisible hand,” 18th century writer Adam’s Smith’s concept of a natural equilibrium that settles in when free markets are free to do as they will, does not exist. In macroeconomic circles, this is akin to Copernicus saying the sun doesn’t orbit the earth.
• Some folks imagine themselves to be so close to the celebrities they follow in the media, that they see nothing untoward about asking them to be prom dates.
• The City of Vancouver Engineering Department, which apparently has jurisdiction on all street and sidewalk use there, has banned bagpipe buskers (Say that five times fast!). The excuse: they’re too noisy. The Scottish-descended mayor, who got sworn into office in a kilt, vows to overturn the rule.

oldtime (print) proofreading marks; via nisus.se

It’s a couple months old but still a worthy topic of debate. It’s ex-Microsoftie Michael Kinsley bitching about how the Web has brought forth an explosion in written content—much of which is tons of total dreck.

Even a lot of professionally written online stuff, Kinsley gripes, is poorly thought out, poorly constructed, and sloppily assembled.

I say that’s just what happens with an explosion of activity in any “creative” field, from neo-punk bands to televised singing contests to self-published horror novels.

The trick is to (1) have a way to find the good stuff, and (2) encourage folks to strive for better work.

As for the first part, there are tons of aggregation sites and blogs (including this one) that link to what some editor thinks is “the good stuff.”

The second part still needs work.

One problem is that so much of the Web is run by techies. Dudes who know the value of tight, accurate, effective code, but who might never have learned to appreciate the same values in words.

A bigger problem is that, even at sites run by “content” people, there’s intense pressure to put everything online the second it’s written, and to slavishly avoid taking the time or staff money to edit anything.

It would help if more sites felt an incentive to put out better stuff. (A big incentive would be to maybe, just maybe, even pay writers and editors a living wage).

Don’t think of the ol’ WWW as code and wires.

The Web is words (and pictures and sounds), distributed via code and wires.

• Seattle voters will have the chance to bring library service back from several years’ worth of drastic cuts. You know where I stand on this.
• Meanwhile, in the land of Jorge Juis Borges’ surreal library stories, the Argentine government has banned all book imports. The lame excuse is that they could contain dangerous levels of lead. Ebooks and their reading machines, and domestic reprints of foreign books, aren’t affected.
• The local Catholic Archdiocese, once a liberal “social gospel” bastion, has turned hard homophobic.
• Northwest fishermen worry about Japanese tsunami debris showing up in their waters. Talk about your deadliest catch.
• An activist group called Seattle’s greatest family-owned bakery an unfair employer, and staged a protest. Loyal customers staged a counter-protest. Cookies were tossed. Literally.
• The two African Americans who publicly claimed Seattle Police had stopped them for no good reason, got stopped by Seattle Police again.
• A dead orca in Washington waters has caused some to sing “Blame Canada.”
• The UW invented kidney dialysis. Now it’s working on what might replace it.
• The rise in cable-TV subscribers becoming former cable-TV subscribers has attracted even the financial community. One analyst hints there’d be even more cord-cutting, except that many folks are keeping cable subscriptions for Internet access.
• The alleged “liberal media” in a “liberal state” sure don’t seem to like Jay Inslee.
• We’d earlier mentioned that print newspaper ad revenues had sunk to 1984 levels. Someone took those figures, adjusted ’em for inflation, and concluded newsprint ad money is actually at its lowest level since 1950. (The U.S. population then was about half what it is now.)
• Young adults aren’t just not reading print newspapers. They’re also driving a lot less and biking a lot more.
• I’m pretty sure the only people who read the Seattle Times editorials anymore are the bloggers who righteously trash them.
• “In Russia, a lack of men forces women to settle for less.”
• How can something that barely has 10 employees and has not apparently made a cent in profits be worth a billion dollars?

Most folks who tell you to “think outside the box” really want you to think inside another box. A box they’ve made.

wallace in a philip morris cigarette ad, circa 1957

The master of the “gotcha!’ interview had been a journeyman broadcaster since the days of old time radio. He’d been an announcer, a game show host (he hosted the unaired original pilot for To Tell the Truth), an actor in live TV dramas (and the film A Face in the Crowd), and a commercial pitchman for cigarettes and other assorted products.

Then in 1955, he started a New York local interview show called Nightbeat, renamed The Mike Wallace Interview when it moved to ABC. It established Wallace’s persona as a sensationalistic opportunist, more a tabloidy hothead than a newsman.

This rough edge was sanded down a bit when he became one of the original co-hosts (with Harry Reasoner) of 60 Minutes, putting a real news organization’s resources (including its lawyers) behind his shtick.

The rest is broadcast history.

Including his admission to long bouts of severe depression. The last on-air bit he did was a “CBS Cares” public-service spot about the illness.

Yet through it all he survived.

Now there are even fewer people left from TV’s early years, and fewer still (most notably Betty White) still working.

Seventy degrees on Easter. It felt like the whole outdoors had come back to life.

• Amazon’s PR image within the book biz has gotten to the point where even when it does demonstrably good things, like giving back to literary groups and small presses, its motives get suspected. That’s never a good sign.
• What greater downtown Seattle doesn’t need is a ____ restaurant just like the ____ restaurants of San Francisco. What it does need, and just might get in 2019, is a public school.
• There just might be a deal to settle the Lake City bike rack ruckus.
• More females in the military has come to mean, alas, more female homeless vets.
• Two Washington Monthly pundits hace compiled a list of the “Top 50 Things Accomplished by President Barack Obama.” Yeah, he’s not done everything he said he wanted to do, and even less of what lefties wanted him to do. But what he has done is still a lot.
• We told you State Sen. Val Stevens has been a part of ALEC, the notorious megabucks lobbying group that gives GOP state legislators handmade corporate-written legislation. Now, here’s a list of all the legislators in all the states with shameful ALEC ties.
• RIP Don Foster, who helped run the Seattle World’s Fair and the Seattle Rep, then built the Foster/White Gallery into the city’s premiere commercial art house.
• I thought the indie film scene was about spurning the hype n’ nonsense of Hollywood, such as the obsession with weekend box office numbers. Apparently I was wrong.

casey mcnerthney, seattlepi.com

• Will the student-made, privately-financed, but oversize Lake City Way bike rack be allowed to stay?
• Happier real estate news for a change: El Centro de la Raza’s affordable-housing project on Beacon Hill is finally a go.
• Cornish College to Mike Daisey: No honorary degree for you!
• Sasha Pasulka at Geekwire says Seattle dot-coms really need to brush up on their marketing to users. I have an additional idea, for dot-coms here and elsewhere: Pay a living wage to the people who make the content (you know, the stuff people actually see when they log onto your site), not just the coders and the execs.
• Does anybody really want to live in “America’s #1 city for hipsters“?
• The U District’s Metro Cinemas tenplex has been sold to a Robert Redford-led consortium.
• One of the big Republicans in the State Senate wants to eliminate medical assistance to the poor, while he himself gets monthly disability payments. He sez, of course, that he really deserves the aid; while those pesky poor people are only sick because of “poor lifestyle choices” they’ve made.
• Martin H. Duke at the Seattle Transit Blog offers up one way how non-subsidized, affordable urban housing comes to exist…

…In the long term today’s affordable housing comes from yesterday’s luxury flats, and cutting off the supply of the latter will deny our children the former in the absence of massive, unsustainable public subsidy.

• The “Painter of Light” has now gone into the light.
• In what Jezebel.com claims to be a “revolutionary” business venture, three business students at a German college have placed ads for “the world’s first free sex brothel for women,” with themselves as the volunteer gigolos. They say they’ve had five “clients” thus far, out of 80 email inquiries. I wouldn’t call it a “business” per se, as no money’s involved. Rather, it’s a marketing operation, with these guys promising they’ll satisfy the women while making no demands of their own.
• Looks like it’s going to take court action to stop Michigan’s right-wing monopoly government from essentially turning that state into a dictatorship.
• Mobutu Sese Seko at Gawker decodes decades of right-wing racist-code-word politics, and sees them culminating in the backlash campaign to defame the Florida shooting victim.
• Lynn Parramore at Alternet insists big corps. are not “job creators” but rather instigators of layoffs, offshoring, and massive wage cuts; and will probably continue to be so.
• Rick Ungar at Forbes (yes, Forbes!) offers a simple answer to the health care crisis: Single-payer plans, established at the state level. He says this “dose of socialism” would be a boon to businesses in states that adopt it.
• The Economist has found at least one dead shopping center that’s being put to new use. It’s in San Antonio, and it’s become the HQ of a web hosting company. We already did this in Everett, where Fluke Manufacturing turned an old big-box strip mall into an electronic test-equipment factory. (Too bad they didn’t call the place “Ye Olde Mall.”)
• Neuroscientists claim stories “stimulate the brain and even change how we act in life.” How to intrepret this: not as another excuse for the “eat your broccoli” definition of book reading; but as a lure, a promise that fiction gives you mental/emotional turn-ons of a kind you can’t get from games or movies.

An Eastside developer has bought the whole half block that contains Bauhaus Coffee, Spine and Crown Books, Wall of Sound Records, and five other merchants who help define the soul of the Pike/Pine Corridor.

All except the facades will be demolished, for yet another mixed-use behemoth.

The businesses themselves will be gone, either this June or next June (sources are contradictory about this).

And they probably can’t afford the new spaces when they finally open, at least a year and a half later.

Not voting = voting a straight right-wing ticket. Period.

If you think you’re “too political” to sully your ideological purity, you’re doing just what the Koch Bros., Karl Rove, and Rush Limbaugh would like you to do.

Yes, I know several close friends will adamantly disagree with this.

These friends will agree to support ballot initiatives and referenda.

They’ll make themselves highly visible at protest events.

But they won’t be seen supporting a living breathing politician, except the occasional minor-party candidate like Nader.

Otherwise, they’re content to just protest all the bad things that get done, without doing anything practical to get good things done.

So righteous. So superior. So black-n’-white.

I, however, believe in shades of gray.

The non-theoretical world is a land of deals, hustles, and heartbreaks.

Obama always claimed to be a centrist. You should not feel betrayed when he turned out to really be one.

Yes, he’s compromised, with the defense lobby, the food lobby, the national security lobby, etc.

But the answer to only getting half of the agenda you want is not to throw it all away, to let the whole system be taken over by the guys who want total “freedom” for corporations and the rich, and brutal oppression toward the rest of us.

The only way to make anything happen in that world is to be in it, not to pronounce yourself too perfect to risk being sullied.

And don’t just run a Presidential candidate. Thanks to the Electoral College, there’s no practical way to get elected President without a nationwide, year-round party infrastructure behind you.

You want an American left that’s a real thing? Push for policies AND people, top to bottom, every district, every state.

Run through the Democratic Party structure when you can; through indie campaigns when you must. Markos Moulitsas of the Daily Kos calls this a push for “not just more Democrats but better Democrats.”

Building a national, permanent movement involves a lot of long, hard, boring work. It’s the opposite of the WTO anarchists’ slogan “Live Without Dead Time.”

But it’s the only way to make national, permanent changes.

Protesting, no matter how vigorous and high-profile, is never enough.

(P.S.: There’s been a highly active comment thread about this topic on Facebook lately.)