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latimes.com
So much has been written already about the beloved film critic, TV host, author, Russ Meyer screenwriter, champion of obscure good films, vilifier of stinkeroos, and stoic survivor of one of the worst cancers anybody ever had.
I can only repeat what’s already been said—that Ebert was admirably both a film-lore geek and a populist, a man of aesthetic standards who wasn’t above enjoying (and helping make) down-n’-dirty exploitation, and a great wit.
Here are two pieces of his that have been rediscovered of late.
In the first piece from 2010, he looks back at his post-adolescence, in an era when college administrations still actively attempted to prevent students from having sex.
Then in his 2011 memoir Life Itself, he discusses his completely grody cancer and says, “I do not fear death.” And he explains his political stance:
“Kindness†covers all of my political beliefs. No need to spell them out. I believe that if, at the end, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world.
Here are reminiscences of Ebert by two Seattleite members of his longtime blogging team, Jeff Shannon and my ol’ UW Daily staffmate Jim Emerson.
8tracks.com
As I’ve written here before (see category tag “books”), the book industry is not, repeat NOT, dying.
(That’s the newspaper industry, the music industry, and the non-cable TV industry.)
Book sales have held their own in this one-two punch era of economic blecch and Internet “disruption” better than most any other “old media” business, with the possible exception of movie theaters.
And the percentage of book sales held by indie bookstores has also held about even. Online and e-book sales ate disproportionately into the revenues of big chain bookstores, leading directly to Borders’ collapse.
For a more thorough look at the book biz—past, present, and future—check out “What Is the Business of Literature?,” an essay by Richard Nash for the Virginia Quarterly Review.
Nash believes, as do I, that the literary biz has been a hidebound, inefficient beast, and that the sooner it gets dragged kicken’-n’-screamin’ into the modern age, the better:
Book culture is in far less peril than many choose to assume, for the notion of an imperiled book culture assumes that book culture is a beast far more refined, rarified, and fragile than it actually is. By defining books as against technology, we deny our true selves, we deny the power of the book. Let’s restore to publishing its true reputation—not as a hedge against the future, not as a bulwark against radical change, not as a citadel amidst the barbarians, but rather as the future at hand, as the radical agent of change, as the barbarian. The business of literature is blowing shit up.
I’ve known, and occasionally worked with, Gillian G. Gaar for as long as I’ve been writing these MISC ventures.
You know her from her contributions to the Rocket, the Stranger, ArtsFocus, Tablet, the Belltown Messenger, and other local and national periodicals; as well as her books about Elvis Presley, Nirvana, the Beatles, and women in rock.
She needs some expensive surgery to restore the vision in her left eye.
Like so many in and on the periphery of the music scene, she has no insurance.
She’s started one of those online fundraising drives.
She’s a quarter of the way to her goal already, and could use your help getting the rest of the way there.
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Dennis White, who runs the Dadastic! record label, has been making T-shirts commemorating Belltown’s still-mourned Dog House diner and piano bar.
For a limited time you can get one for $17 (with a free CD thrown in), and have $5 of the proceeds go to Gaar’s medical fund.
(The hereby-linked page says the deal is over, but White says you can just mention it when you order and he’ll still do it.)
architizer.com
scarfolk.blogspot.co.uk
No, today’s princess is not about romance: it’s more about entitlement. I call it “girlz power†because when you see that “z†(as in Bratz, Moxie Girlz, Ty Girlz, Disney Girlz) you know you’ve got trouble. Girlz power sells self-absorption as the equivalent of self confidence and tells girls that female empowerment, identity, independence should be expressed through narcissism and commercialism.
via messynesychic.com
gawker.com
webclipart.about.com
As the many unattached among us face with dread the day devoted, by Hallmark and other marketers, toward luvvey-duvvey cutesy-poo, comes a new study on “the old man-woman thing.”
Authors Bobbi J. Carothers and Harry T. Reis claim, among other things, that:
Imagine the possible implications!
ap via nwcn.com
beth dorenkamp via grindhouse theater tacoma
igor keller at hideousbelltown.blogspot.com
via kip w on flickr