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boingboing.net
alex nabaum’s 'the evolution of china'
via imcdb.org
kentaro lemoto @tokyo, via daily kos
via jim linderman on tumblr
via nutshell movies
For the 27th consecutive year (really!), we proudly present the MISCmedia In/Out List, the most venerable and only accurate list of its kind in the known English-speaking world.
As always, this is a prediction of what will become hot and not-so-hot in the coming year, not necessarily what’s hot and not-so-hot now. If you believe everything hot now will just keep getting hotter, I’ve got some Hostess Brands stock to sell you.
chris pirillo via google plus
In sociology, the controversial and oft-disputed “broken windows theory” claims that crime in an urban neighborhood can go up or down depending on how the locals perceive the place as a “nice” (orderly, civil) place or a “scary” (anything-goes) place.
This post is about an entirely different “broken Windows” theory.
It’s the perception, in some of the tech and business press, that Microsoft Windows is “broken.”
They’re not talking about the software itself being broken (as in inoperable), but the business model behind it.
Especially in regards to “upgrade” sales of the new Windows 8 for multi-desktop businesses.
The naysayers say Windows 8 does so many things so differently than previous versions that there’s a steep “learning curve,” and that businesses may not want that sort of disruption in their day to day operations if they don’t have to take it.
Another alleged issue: Windows 8 is supposed to provide one seamless operating environment among PCs, tablets, and smartphones. Only the tablets and the smartphones still aren’t selling all that well, compared with Apple and Android products.
What’s worse, PCs themselves (almost all of which still come with Windows preloaded) themselves aren’t selling like they used to, and might not ever do so again.
You sure don’t need me to tell you how important MS has become to the Wash. state economy, and that no number of XBox 360 Live subscriptions can make up for the value of all the new and upgraded Windows installations out there.
Oh well. There’s always the Plan B strategy of suing Android phone makers.
priscilla long, via the american scholar
amidst-the-everyday.com
“Amidst the Everyday,” a project by photographers-artists Aaron Asis and Dan Hawkins, aims to reveal “elements of the unseen urban environment.” You go to places around town, scan QR codes (etched in wood!) at various buildings, and receive images of their hidden treasures. (Above, one of the unoccupied-for-decades upper floors of the Eitel Building at Second and Pike.)
shewalkssoftly.com
via kathrynrathke.blogspot.com
All good tidings and shout-outs to my fellow Stranger refugee and prominent commercial illustrator Kathryn Rathke. She’s created the new official logo for Wendy’s restaurants. The deceptively simple mascot caricature took three years of client approval and market testing.
seanmichaelhurley.blogspot.com
via upworthy.com
As promised, here are my observations of Bumbershoot 2012, Seattle’s annual big culture buffet.
As others have noted, it was a sunny but not unbearably hot three-day weekend, bringing out strong-sized crowd despite the steeper than ever ticket prices. (It was either charge $50 a day, or go back to having no musical stars bigger than Hall & Oates.)
Behold, my first ever deep fried candy bar (a Snickers). Gooey. Messy. Yummy.
How are curly fries made? With good old American industrial knowhow, that’s how.
They may call it the Seattle Center Armory now, but to me it will always be the Center House and/or Food Circus.
In this post-record-industry age, live gigs are more important than ever to a band’s financial model. So are gig posters, as lovingly seen at the latest Flatstock exhibit.
The historic video games exhibit (still up) shows the young’uns what real entertainment was like, 8-bit style.
But amid all the fun there’s some deadly serious stuff. World Vision International would like you to know AIDS is still devastating much of Africa.
This “House of the Immediate Future” was named after a model home full of futuristic devices at the ’62 World’s Fair. The new one exemplifies affordable-housing designs that could be factory-built, then installed on small real-estate footprints.
A few inflatable rides are no substitute for the late, great Fun Forest.
The Toyota-sponsored “Whac-A Hipster” game. Hipster-bashing has become corporate,and therefore beyond passé.
The heart of the “Put the Needle on the Record” exhibit, a mini-recording studio where you can record your own music and/or voices for a time capsule, is this recording lathe that cuts real phonograph-record masters.
Today’s greatest ETA (“Elvis Tribute Artist”), El Vez, does his massive act with a massive in-house video production (like all the big music stages had this year).
An inflatable icon of the original Elvis stood over two exhibits.
To the right, the Record Store, a display of classic vinyl LPs with DJs and live small combos.
To the left, the Elvistravaganza. Marlow Harris and Jo David applied their kitsch curatorial touch to the World’s Fair’s most enduring celebrity visitor. I contributed my (quite modest) ETA talents at the all-day karaoke stage.
As I departed the Center grounds to the soothing strains of Hey Marseilles, I regretted the many acts I hadn’t seen but felt enlivened and revived by the ones I had seen.
degenerateartstream.blogspot.com