MISC., your post-print column for (what the Times Personal Tech section calls) the post-television age, was amused by the double standards and double dribbles in that front-page P-I headline on 12/22/98: “Reign star Enis judges basketball, parenthood.” Y’ever see a headline like that about, say, Shawn Kemp?

Alas, that P-I story was one of the last written in the local dailies about the Seattle Reign before the team’s parent American Basketball League announced its sudden, permanent shutdown, leaving fans as bereft of pro women’s b-ball as it is of the men’s game. One could lay the blame for the ABL’s demise on the rival WNBA, with its megabucks backing, its marketable-superstar orientation, and its stranglehold on sponsors and TV outlets. But a less-discussed factor was the league’s management structure. While it claimed to be a grassroots, fan-level outfit, it was really a centralized company which owned all its teams, hired and assigned all its players, and otherwise tightly ran all operations and marketing–just like the Roller Derby, Arena Football, and other assorted marginal team-sports ventures of the past three decades.

The graveyard of new team-sports organizations in North America is full of four decades’ worth of great and less-great visions, from the American Basketball Association to the World Football League and the U.S. Football League, to World Team Tennis and several attempts at indoor soccer. Aside from the American Football League (which got all its teams merged into the NFL in the late ’60s), none were long-term successes. (The only current such ventures with a chance at making it are Major League Soccer and the aforementioned WNBA.) None of those attempts found the formula for nationwide popularity and profits; though some tried to find such a formula thru centralized management. A single-ownership league structure (like that of the ABL) can present a unified public image and prevent a single well-heeled team owner from attaining an uncompetitive dynasty situation (like that which ruined the old North American Soccer League). But it also means local team managers can’t build their own squads, around personalities or playing styles popular in their own towns. And when league HQ runs out of cash and/or ideas, there aren’t local team owners (or buyers) to come up with individual solutions other teams can copy.

But for now, the WNBA (with its emphasis on megabucks and celebrity-driven advertising, and its neglect (or worse) of any lesbian fan base) is the remaining structure for women’s pro hoops, at least until the parent NBA can no longer afford to subsidize it (which, if there’s not even a mini-NBA season, might be more likely and sooner). Wish I had more encouraging news for stranded Reign fans, but a pro league of any sort, especially one with teams scattered across the continent, is an undertaking requiring immense logistics, savvy, and long-term backing. The ABL way didn’t work, and neither has just about any other way.

THE HOLIDAY TRADITION CONTINUES: For the 13th consecutive year, here’s your fantastical Misc. In/Out List. Thanks to all who contributed suggestions via private email and the public Misc. Talk discussion boards; and apologies to those whose board postings I accidentally erased last week. (I think I’ve gotten the hang of the discussion-board software scripts by now.) As always, this list predicts what will become hot or not-so-hot over the course of ’99; not necessarily what’s hot or not-so-hot now. If you think every person, place, thing, or trend that’s big now will just keep getting bigger, I’ve got some Tickle Me Elmo dolls to sell you.

UNTIL NEXT WE MEET in the year so great there’s a Washington highway named after it, pace yourself by toasting the New Year once for each North American time zone (starting with Newfoundland at 7:30 p.m. PST), and ponder these thoughts attributed to Lillian Helman: “If I had to give young writers advice, I’d say don’t listen to writers talking about writing.”

‘I Was A Teenage Hacker’

Book review roundup, 12/23/98

EXTRA LIFE:

Coming of Age in Cyberspace

by David S. Bennahum

Basic Books ($23)

Bennahum’s is merely one of many stories that could be told about the teen and young-adult males who played a huge, under-documented role in the 1974-84 dawn of personal computers and online communication, back when the word “hacker” still meant a guy who got kicks from high-intensity programming, not from crime.

Bennahum (a Manhattan rich kid who got to learn programming in a prestigious private high school with its own DEC PDP mini-mainframe computer) isn’t the most typical early-’80s compu-teen. But his story’s close enough to the subculture’s norm for his memoir to reveal its era. As he sees it, it was an era marked by specific phases in technology, after the very first personal computers but before the Mac and Windows stuck the guts of computing behind user-friendly (but programmer-hostile) interfaces.

True hackers (of the old definition), like true auto mechanics, didn’t just want to make their machines go–they wanted to know every aspect of how they ran, from the hexadecimal codes to the 8-bit processor chips. Popular sentiment derides guys of such obsessions as geeks. But, as Bennahum’s tale shows, it’s just this kind of obsession that can change the world (or at least one’s own life).

REDHOOK, BEER PIONEER

by Peter J. Krebs

Four Walls Eight Windows ($22)

What’s a nice ultra-highbrow house like Four Walls Eight Windows doing with a lightweight business “success” story like this? (The Redhook book’s existence isn’t mentioned at its publisher’s website; often an omen.)

Not that the book’s a total puff piece. You will learn a lot about the ’80s-’90s microbrew phenomenon if you can get past the fawning portrayals of Redhook founders Gordon Bowker and Paul Shipman. Peter Krebs (author of Microsoft Press’s Building Microsoft Exchange Applications; not to be confused with the beloved singer-songwriter Pete Krebs) pours out every cliché from hokey business-magazine profile articles (the kind usually titled “The Rise and Rise Of…”).

Read how Shipman (previously an up-n’-coming exec at Chateau Ste. Michelle) and Bowker (also involved in the launches of Starbucks and Seattle Weekly), armed with the dream to do for American beer what Starbucks had done with American coffee, hit up all the available moneybags in town, barely collecting enough loot to install some used brewing equipment in a former Ballard transmission shop.

Share the pain as the original Redhook Ale’s released in 1982, to near-unanimous cries of “This tastes funny.”

Feel the struggle as the founders, abetted by original brewmaster Charles McElevey, kept fiddling with the original Redhook, only to abandon it as better-selling flavors (Blackhook, Ballard Bitter, Redhood ESB, Winterhook, Blonde Ale) come along.

Sense the pride as the Little Brewery That Could starts getting its wares out to such exotic outposts as Denver and Spokane; then shudder the dreaded word “Sellout” as Shipman abandons the “craft brewing” mystique in favor of state-of-the-art plants (one later chapter’s entitled “You Can’t Taste the Automation”) and distribution deals with Anheuser-Busch.

Cringe as the great microbeer glut of 1996-97 leaves Redhook badly overextended, causing the closing of the brew part of its Fremont brewpub.

If, after all this, you still think of Redhook as the quaint little upstart, just read Shipman’s closing words of encouragement, insisting his outfit will survive because of its “combination of distribution, quality control, brewery efficiency, and resources deep enough to survive the current shakeout.”

(For a different, slightly more craft-devoted, take on the dawn of microbeer, Redhook’s Yakima archrival Bert Grant’s got his own memoir just out, The Ale Master (Sasquatch, $19.95). Of course, Grant’s own company’s now owned by the snuff-tobacco people who also own Ste. Michelle.)

CIRCUS OF THE SCARS

illustrated and designed by Ashleigh Talbot

Brennan Dalsgard Publishers ($26)

First thing anyone will notice is what a beautiful, elegant tome this is; easily the best-looking thing to come from a Northwest indie publisher this year. It’s not just a document about high-profile show people, it is a work of showmanship.

Second thing you’ll find is how utterly long it is. It takes over 500 pages to tell about a little over two years in the lives of the first Jim Rose Circus Sideshow. At the risk of boring the supposed short-attention-span audience the sideshow lived for, ex-Rose roadie Gregor has tried to recreate the pace of life on the road, hour after hypnotic hour of driving somewhere punctuated by moments of onstage thrills and the occasional round of groupie sex and/or tourism. So far, it might seem like a rock band’s tale; appropriately, since the sideshow essentially toured as a rock n’ roll attraction that performed stunts instead of songs.

But venues notwithstanding, these particular freaks were and are very serious about seeing themselves as a revival of the old-time carny tradition. Long interludes compare the Rose troupe’s travels to the apparently fictional (but thoroughly research-based) life story of a turn-of-the-century carny performer.

Rose himself is depicted not so much as the bad-boy persona he offered in his own book Freak Like Me (cowritten by Melissa “Babs Babylon” Rossi) and more like a clever, energetic entrepreneur who put the show on the map, staged near-perfect publicity coups, then let go of performers like Tim Cridland (“Zamora the Torture King”) and Matt Crowley (“The Tube”) when he chose to move the act into a more mainstream direction.

Whatever lingering personal rancor Rose and his ex-troupers might have, they did and do follow in an honorable tradition of showmanship. They may see themselves as rebels, but they’ve eschewed the now-30-year-old “generation gap” schtick. We’ve always had freaks, geeks, and outrageous stage people. If the current and former Rose troupers have their way, we always will.

MISC., the pre-Xmas relief-from-shopping column of choice, has been trying all weekend to come up with something to say about the topic you’re probably expecting something about today. There will surely be more to say about it in the weeks and months to come, but for now let’s just say it’s no exaggeration to call it a coup attempt, a kill-or-be-killed attempt by the Rabid Right to destroy the two-party system in favor of a quasi-Iranian theocracy. It’s because the GOP Sleaze Machine’s seen what Clinton and the Pro-Business Democrats have been up to (and largely succeeding at)–turning the Demos into the Lite Right party, the new “party of business,” thereby marginalizing the Republicans into the party of demagogues and hatemongers. It’s worked so well, all the Republicans can do anymore is to become even more extreme demagogues and hatemongers. I don’t believe Clinton will be forced out of office, but it’ll be interesting (as in the old curse, “May you live in interesting times”) to see just how much damage to the national discourse is made, and how many careers on both sides are destroyed, along the way.

AS FOR THAT OTHER TOPIC you might expect a comment on: No, I don’t believe Clinton bombed Iraq as a desperate impeachment-prevention tactic. Clinton can be dumb as doodoo about his private lusts, but he’s way too smart about his professional image to think a too-obvious mini-war at a too-obvious time would help it. No, I sincerely believe he sincerely believed the air strikes would serve a tactical purpose, no matter how many Iraqi civilians were killed or hurt by ’em, and no matter how little they’d do to topple the dictator we helped install over there.

JUST ONE, SLIGHTLY-TOO-LATE, XMAS GIFT SUGGESTION: My very first Misc. column, published in 1986 in the old monthly tabloid ArtsFocus, included a “Junk Food of the Month.” That title was never trademarked, so there was nothing stopping some clever entrepreneurs in NYC from starting their own International Junk Food of the Month Club. Its brochure boasts, “Each month you’ll receive a box stuffed with a new assortment of the best candy, cake, cookies, and chips the planet has to offer.” The first month’s package promises “raisins covered in strawberry chocolate, crunchy pancake-and-maple-syrup flavored snack puffs, chocolate-covered banana creams, toffee-and-crisped-rice chocolate bar, raspberry malt balls, chocolate-covered fruit gummies, plus a whole lot more!” Memberships are available in three levels, ranging from one to four pounds of goodies per shipment. Further info and signups are available by calling 1-888-SNACK-U4EA.

YOU GOTTA LOVE ‘EM, OR IT, OR… The Seattle Reign‘s a great b-ball squad, but that darned name just doesn’t fall trippingly off the tongue. These awkward singular-named sports teams just could be the one and only lasting legacy of the 1974-75 World Football League (whose teams included the Chicago Fire, Southern California Sun, and Portland Storm). What, exactly, do you call one member of the Reign (or the Miami Heat or Orlando Magic or Utah Jazz, for that matter)?

SEAGRAM’S ABSORBS POLYGRAM: Probably some of the 3,000 record-label employees to be sacked after the merger will be absorbing a lot of Seagram’s in the weeks to come…. Not mentioned in most accounts of the acquisition: The Decca trademark will finally be globally reunited. Decca was originally a British record company, which established a formidable U.S. subsidiary during the Big Band era but then sold it off in the ’50s. American Decca became one of the cornerstones of the MCA media empire, acquired by Seagram’s a few years back. British Decca (which used the London name on its U.S. releases) eventually became one of the three main components of PolyGram. The merger also means a company based in lowly Canada, one of those countries with cultural-protection laws to keep some semblance of indigenous entertainment production, now controls the biggest recorded-music conglomerate on the planet (or at least it’s the biggest now; management’s already promising massive roster cuts as well as the aforementioned staff layoffs).

WIRED: Free Seattle Radio, the third attempt in recent years at a freeform pirate station, is now on the air at 87.9 FM. The anonymous collective currently broadcasts evenings only, on a low-power transmitter whose signal mainly reaches Capitol Hill and slightly beyond. I haven’t been able to tune in, but readers who have tell me it’s got freeform DJ music and lotsa talk supporting Mumia Abu-Jamal and denouncing the Iraq bombings.

UNWIRED: Guess what, guys & gals? TCI won’t meet its Jan. 20 cable-upgrade promise to the city after all! You might not get to see South Park at home until maybe next October. By that time, of course, the show will have become soooo ten-minutes-ago.

UNPLUGGED: The end is finally near for RKCNDY, that cavernously run-down garage space that was one of Seattle’s leading rock clubs during those times a few years back when the “Seattle Scene” was in all the media. For the past year or more, it’s been an all-ages showcase while the property’s owners tried to figure out what to do with the building. They’ve decided–to demolish it, for yet another upscale hotel-retail complex. RKCNDY won’t close right away, but will within months eventually. The irony here: Even if activists manage to finally amend or repeal the Teen Dance Ordinance (whose heavy regulations make all-ages rock shows in Seattle even more financially risky than they would otherwise be) in ’99, the staggering pace of real-estate activity (barring any Boeing-influenced slowdown) might effectively eliminate any potential sites for such shows.

SEATTLE OLYMPICS BID (APPARENTLY) FINALLY DIES: Could there possibly be a limit to Seattle’s “world class” ambitions? Could the wishes of the city elite old-boy network (great-grandsons of the pioneers) to build, grow, build more and grow more finally have reached a point-O-no-return conflict with the somewhat more modest dreams of those upper-middle-class swing voters (see below) who want the nice, quiet, city-that’s-more-like-a-small-town they thought they’d moved to?

WELL-HEELED?: The Stranger’s 12/10/98 “TTS” column remarked on a relative lack of female shoe prints along the Walk of Fame outside the new downtown Nordstrom store. There are many regional women of achievement who could’ve made the sidewalk shrine, besides the six who made it (Bill Gates’s late UW Regent mom Mary, KING-TV founder Dorothy Bullitt and her two daughters, and Heart sisters Ann and Nancy Wilson) alongside some 20 notable male Seattleites.

Of course, many of those other historic local women are political activists, socialists, madams, burlesque queens, Prohibitionists, psychiatrically-committed actresses, punk rockers, sometimes-nude modern dancers, and other types the Nordstroms might not consider community role models. (At least one reader’s already noted to me the oft-rumored role, documented in the late Bill Speidel’s Seattle-history books, of Pioneer Square prostitutes in funding the rebuilding of the city after 1889’s Great Seattle Fire and in supporting our first public-school system.) Suggest other enshrinable Seattle female individuals by email or at our new Misc. Talk discussion boards; results will be listed here in two or three weeks.

SEEK AND YE SHALL FIND… WELL, YOU’LL FIND SOMETHING: According to my new hit-tracker service, these are some of the phrases users are entering into search engines that end up sending them to this site:

• “Country music women nude”
• “Shaping breasts”
• “Essays on rap music”
• “woman size evening gown”
• “showering women”
• “loner loser `no friends'”
• “large breast”
• “large breasts”
• “my breasts grew”
• “nude gymnastics”
• “half naked comic book”
• “`thrown into’ near tub”
• “building on the moon”
• “cartoon squirrels picture”
• “Croatian Curses”
• “pretty preteen”
• “essays drinking”
• “mideval europe”
• “world images”
• “fun neon signs”
• “hetero handjob”
• “boggle”
• “women playing volleyball”
• “pageant and topless”
• “describing my dad”
• “Dr. Dreadful”
• “elliot gould naked”
• “Football throwing machine”
• “PHAT BLACKS”
• “naked waterfalls”
• “naked women on bikes”
• “nude women in tanning bed”
• “Masturbation Techniques”
• “anton chekov”
• “leaning (sic) to play guitar”
• “applepig”
• “warez windows 98”
• “Mary Throwing Stones”
• “collage (sic) football bowls”
• “patio furniture safety”

(All this is in addition to the search words that actually relate to topics I’ve written about here (however briefly).)

(The worse gag is that now that I’ve put all these phrases into this column, they’ll all be here waiting for some search engine to find them and mislead still more users here.)

BE BACK HERE NEXT WEEK for the always-splendiforous Misc. In/Out List (always the most entertaining and accurate list of its type done up anywhere). Your suggestions are still being accepted at our lovely Misc. Talk discussion boards, and by email. ‘Til then, enjoy the snow, have a happy Boxing Day, and consider these words from one Dr. John Roget: “Insanity is merely creativity with no outlet.”

WELCOME BELIEVERS AND HESITATORS alike to MISC., the pop-culture column that can’t help but see Xmas as a Season of Wonders….

WONDER #1: Watched HBO’s Walter Winchell biopic last week, which naturally got me into pondering about the fate of a columnist in career decline without the backing of his ex-paper. As you might know, Winchell’s one of my all-time idols (despite the rightward tilt of his later writings and his prediliction for dumb personal feuds). For over 40 years he put fun, passion, and zest into prose. His Broadway gossip columns weren’t merely about entertainment; they were entertainments. But by working exclusively in the perishable commodities of newspapers and radio, Winchell was on what his contemporary, radio comedy legend Fred Allen, called a “Treadmill to Oblivion.” When that golden age of NYC-based entertainment faded, Winchell was left without a milieu to cover or a paper for which to cover it. Makes a scribe think seriously about trying to get more books out (which I pledge to do in ’99 somehow or another).

WONDER #2: It’s sure peculiar how Geore Carlin’s making commercials for a long-distance service. Wasn’t it just a year or two ago Carlin made an HBO special in which the venerable standup comic (who’s reinvented himself more times than Madonna, and at the time was in an angry-old-geezer mode) devoted the first 10 minutes of his monologue to brutally chastizing commercials–not any specific ones, but the whole damn advertising industry–for supposedly dictating consumer tastes and ruining public discourse?

WONDER #3: The Pike Place Market’s embattled management inserted an upscale-as-all-damnation Xmas flyer inside its December Market News tabloid. It’s got purple prose about snob-appeal products (just how many times can one repeat the word “unique” on the same page?), recipes for eggplant cavier and panzanella con calamari, and images of exotic birds, fancy cocktail glasses, and those quintessential icons of today’s Hustler Caste, cigars. and pictures of It makes one wonder whether any further proof’s needed that Market management’s gone totally 100 percent of-the-upscale, by-the-upscale, and for-the-upscale, to the exclusion of the more diverse communities the Market’s supposed to serve according to city mandate.

WONDER #4: After years of generally ignoring non-crime stories in south Seattle, local mainstream media now highly publicize opposition efforts to RDA surface light-rail in the Rainier Valley. Are the papers and TV stations really listening to the neighborhood advocates who’d rather have a subway tunnel in the south end (and under Roosevelt Way in the north end)? If I were a conspiracy theorist, which I’m not, I’d consider whether emphasizing public opposition to surface-level transit tracks was part of a larger strategy to re-discredit Monorail Initiative supporters.

WONDER #5: Why the huge 3-day blitz of “personality profile” publicity for Kalakala Foundation bossguy Peter Bevis in the Times, P-I, and the Times-owned Downtown Voice? If I were a conspiracy theorist (and I’m still not), I’d say the Communtiy Development Round Table elitists might have decided (after ignoring Bevis’s ambitions for a decade) that the ’30s-vintage streamline ferry, once restored, would be a great fulcrum for re-development plans at the Pier 48 dock off Pioneer Square (where the Northwest Bookfest has been held, in a building now scheduled for tourist-oriented replacement). Of course, whether Bevis (who’s spent a ton of cash and two tons of debt on the Kalakala effort) will get his due, or whether the powers-that-be will simply wait for his group to fail and then buy the boat from it at a distress-sale price, remains to be seen.

THEATRICAL UPDATE: Years of uncertainty might finally be over for Seattle’s Seven Gables movie chain. 7G’s parent circuit, Landmark Theaters, was quietly bought up recently by the Dallas-based Silver Cinemas outfit; thus freeing 7G from the clutches of mercurial financier John Kluge.

LOCAL PUBLICATION UPDATES: Some months ago, I complained about the dance-music mag Resonance as the Seattle music publication that never covered any Seattle music. Now, I’m happy to report, that’s no longer true. Issue #18 has local DJs Eva Johnson and Donald Glaude on its cover, a local fashion spread in the middle, and articles about Critters Buggin, film promoter Joel Bachar, and the expanding empire of local entrepreneur Wade Weigel and Alex Calderwood (owners or co-owners of Rudy’s Barber Shops, the Ace Hotel, ARO.Space, and Tasty Shows). Not only that, but the whole mag’s now on slick paper with colors you can eat with a spoon. (Free in local clubs or $15/year from P.O. Box 95628, Seattle 98145.)….

Mansplat, Jeff Gilbert’s occasional tabloid tribute to beer, B-movies, and low living, is out with a fresh issue #14 full of snide buffonery about “the worst cartoon characters of all time” (Scrappy-Doo only made #10), made-up superheroes and wrestlers, a “history of swear words,” silly rock-star stage names, and real and fake ads (one of the fake one’s for “Marty’s Discount Gynecology”). But the strangest parts are the letters and notices referring to issue #13, which is officially “completely out of stock” and which I, for one, never found to have ever been available, but is purported to have featured “the Mansplat staff–naked!.) (Free at select dropoff spots or from 2318 2nd Ave. #591, Seattle 98121; home.earthlink.net/~mansplat/.)

SIGN OF THE WEEK (On a Gourmet Sausage Co. van parked in Pioneer Square): “Enjoy, Just Enjoy.” Runner-up (ad poster at Kinko’s promoting color laser copies of family photos): “There’s only one you. Make copies.”

THAT NEVER STOPPED THE EAST GERMAN OLYMPIC TEAM (P-I correction, 12/12/98): “O’Dea should not have been listed in the Metro League high school girls’ basketball preseason rankings that appeared on Page E4 of Wednesday’s Sports section. O’Dea is an all-boys school.”

HANGING IT UP: The Meyerson & Nowinski Gallery’s closing after three years: The two owners, who currently each live in separate states (neither of which is Washington), got distracted by their primary careers and couldn’t take the time to make a go of what, at its opening three years ago, was to have been Seattle’s premier, world-class commercial modern-art emporium. Instead, the Foster/White gallery’s moving its (be brave, Clark, say the phrase) glass art (see, you could do it!) into the M&N space. With M&N, Donald Young, and Richard Hines all gone, who will attempt another would-be premier viz-art showcase around here and when?

NOT-SO-SOLID GOAD: Life continues to be crazy in the universe of Jim Goad, the Portland writer behind the book The Redneck Manifesto and the almost-banned-in-Bellingham zine Answer Me! His wife and Answer-Me! co-publisher Debbie Goad left him shortly after the Redneck book came out in ’97, then publicly accused him of physical abuse. He denied the allegations. But on May 29, according to Portland prosecutors, Jim “kidnapped” his more recent ex-girlfriend–even though he’d applied for a restraining order against her.

As Goad’s fellow underground-zinester Jim Hogshire claims in a recent mass e-mailing supporting Jim’s side of the dispute:

“It seems the two ex-lovebirds were fighting in Jim’s car as Jim drove for about 20 minutes through populated areas of town, obeying all the traffic rules, stopping at red lights and not doing anything reckless. Goad did not have or use any weapon, use any force, or even make threats to keep his spurned, but very angry ex-girlfriend in the car with him. The car doors were not locked — a fact made clear when the alleged “kidnap” victim, Sky Ryan, tired of her harrowing “kidnap” experience and effected a daring escape by the simple tactic of opening the car door and getting out.”

A version of the case more sympathetic to Goad’s accusers appeared in the Portland paper Willamette Week:

“According to Ryan, she and Goad got into an argument while driving to her apartment around 5:30 that Friday morning. The verbal battle soon got physical, Ryan says. ‘He locked me inside the car and skidded out,’ Ryan told WW. ‘He was laughing, saying he’d kill me. I was pleading for my life. He’s pounding me.’ On Skyline Boulevard, Ryan, ‘screaming and bloody,’ finally convinced Goad to let her out of the car.

“When police interviewed Ryan at St. Vincent’s [hospital], her left eye was swollen shut, she had bite marks on her hand and she was bleeding in several places, according to an affidavit filed by District Attorney Rod Underhill in Multnomah County Circuit Court.

“In June 1997 Debbie Goad learned that she had ovarian cancer. After that, her husband of 10 years began beating her almost daily until October, according to a restraining order filed in Multnomah County Circuit Court. Debbie Goad accused Jim Goad of kicking her, spitting on her, hitting her and threatening to kill her, among other things.”

Goad’s remained in jail (bail’s now up to $760,000) and is set to go on trial on Jan. 18. Hogshire insists it’s all a trumped-up case, pursued by publicity-minded authorities eager to use Goad’s writings as character-assassination ammo. I hope the prosecutors aren’t really planning such tactics. Censorship and free-speech issues needn’t belong in what, to the best I can figure, appears to be a situation involving two self-admittedly excitable people and the murky issues of which one did what to whom.

I don’t personally know the parties in this case, but I have known people living on certain emotional wavelengths, who attract friends who are on corresponding wavelengths. People who can get all too easily caught up in the excitement of vicious relationships, and not know (or not immediately care) when those relationships degrade into a realm (physical violence) where one partner has a decided disadvantage. This isn’t a gender-specific thang: I’ve seen it among gay and les partners, and among non-romantically-involved members of the same rock band. Censors should not get away with using ‘protecting women’ as their excuse; abusers should not get away with crying ‘censorship.’

YOU’VE ANOTHER WEEK OR SO to nominate people, places, and things on the shine or the decline for our annual MISC. World In/Out List, either by email or in our fresh new MISC. Talk discussion boards. ‘Til then, pray for snow, and ponder these words from Denis Dutton, webmaster of Arts and Letters Daily: “At this stage in its evolution the Web resembles a typical Australian goldfield, with vast mountains of low-grade ore.”

Words Against Words

Original book feature, 12/7/98

THE ALPHABET VERSUS THE GODDESS:

The Conflict Between Word and Image

by Leonard Shlain

(Viking) $24.95

THE RISE OF THE IMAGE, THE FALL OF THE WORD

by Mitchell Stevens

(Oxford) $27.50

Between these two tomes, you get two men taking 728 pages to denounce left-brain linear thought and its chief manifestation, the written word.

Surgeon-physicist-author Leonard Shlain, in particular, has few nice things to say (except as afterthoughts) about either his own medium or his own gender. One of those men who loves to claim everything associated with his own kind is intrinsically evil, it takes him until a brief afterword to acknowledge that a few males have done a few good things during this planet’s history. Most of his long, long account involves reiteration after reiteration of one greatly oversimplified premise; an expansion on the new age/radical feminist belief that the whole world was into goddesses and matriarchy but it ended just before recorded history started.

His notion: It was the ability to record history itself that put goddess worship out of business; that as soon as any particular tribe or nation of humans started (or, in the case of the Renaissance, restarted) the widespread use of written language, everything promptly went straight to H-E-double-hockey sticks, particularly regarding women’s civil rights. Shlain sees militaristic Sparta as having been far more gender-equal than literary Athens. Egypt: A supposedly great place for the ladies during the hieroglyphic days, much less so once they got ahold of the Coptic alphabet. China: Despite its whole different writing system it’s still a writing system, blamable for everything from foot-binding to the Cultural Revolution. Wherever writing goes, Shlain posits, narrow-mindedness, drab official clothes, grim military discipline, sexual repression, and male domination, and denunciations of visual art all follow.

In real life (that universe far more complex than even the best-thought-out book), left-brain, literal thinking isn’t just for men; and visual-spatial enjoyment isn’t just for women. Women can certainly create and consume words. Indeed, women buy most of the novels in this country; men buy most of the comic books (and porn videos). Women can be literal-minded too, and self-righteous, and grim and drab. Women can also be very interested in the maintenance of strict social rules and castes (particularly those women who are on the winning side of those rules).

Still, Shlain’s initial premise could, with tweaking and better arguments and more acknowledgement of the diversity and complexity of social existence, turned into a notion with a few intriguing possibilities. I’d suggest a slightly different premise, no more or less supported by Shlain’s package of historical “evidence.” I’d say wherever militaristic nationalism takes hold, with its need to mold humans of all genders into impersonally-assigned roles, that all those glum suppressions follow. Shlain would likely counter-argue that you couldn’t have big, far-flung, Roman-style armies without written commands, so it’s still writing’s fault.

NYU prof Mitchell Stevens can write about the limitations of writing much more effectively than Shlain can. Mitchell’s clearly a professional wordsmith who struggles daily with his art form’s strengths and weaknesses. But his choice of hopeful talismans for a new, neo-iconic age are a bit odd: those ’60s “collage films” that always seemed to stick a mushroom-cloud image into everything; hyperactively edited MTV specials; the image-layered intro to an ABC documentary on religion in America. The use of these particular examples, out of the hundreds of thousands of filmed, videotaped, televised, and/or animated works generated this past century or so, basically reveals Stevens’ own wishes for what he calls “the New Video.” He wants a medium that can do what he feels can’t be done in boring ol’ text narratives. He wants quick juxtapositions of images that can stir viewers’ minds as well as their emotions. He wants works that can combine and compare scenes from different places and times. These tasks have been accomplished in verbal form (from the interludes in John Dos Passos’s USA trilogy to any newspaper front page).

While both Stephens and Shlain see hope for a post-linear mindset from computers and the Net, they forget programming is intensely literal and abstract. Indeed, any post-Word age is going to be at least as word-filled as this one. Movies and videos have scripts and editing lists. Websites have text surrounded by HTML scripts, which are intrepreted by more abstract program code. The daily stuff of commerce and governance will still involve forms, documentation, instructions, memos, etc.

Mind you, I’ve got my own problems with The Word and those who purport to be its champions. If any medium, even my own, has stuffy pendants like Jerry Mander, Neil Postman, and George Will as its bigtime defenders, there’s got to be something wrong with it. Besides, words can be so darn clumsy at trying to express what Bette Davis or Salvador Dali or animator Tex Avery could get off in a single, well-planned instant. But words can do many things images can’t do well (witness any number of good novels made into bad movies). Instead of seeing words and pictures as rivals, as Stephens and especially Shlain do, it’d be better to see them as complementary ways of seeing our world and of imagining other ones.

IT’S A COOL, DAMP, MISTY PRE-WINTERTIME MISC., the pop-culture report that always knows the launch of arrival of high shopping season when the regular downtown freaks are pushed aside by the seasonal-specific freaks. (For our own special gift to you, read on.)

HISTORIC PRESERVATION IN OUR TIME: Despite what it seems, not every old, lo-rise building in greater downtown Seattle’s being razed for cheap office buildings and glitzy condos. At least a dozen have been meticulously saved from the wrecking ball, so they can house the offices of the architects designing the cheap office buildings and glitzy condos. I’m reminded of a slide lecture I once saw by Form Follows Fiasco author Peter Blake. Among his examples of bad modern architecture was a mid-size city in central Europe with narrow, winding streets faced by quaint, homey, romantically worn-down buildings. When the socialists came into power, they hated the place. They had a new city built across the river, designed on all the efficient, rational, no-frills principles of Soviet-inspired central planning. The only government workers permitted to still live and work in the old city? You guessed it–the architects who designed the new city.

SUBLIMINAL SEDUCTION IN OUR TIME: Ever notice how the 1-800-CALL-ATT long-distance logo, with a light-blue circular shape gently rising from within a dark-blue square, looks, at first glance, a heck of a lot like a condom wrapper?

AD OF THE WEEK: Future Shop, which publicly stopped selling Macintosh computers back during Apple’s pre-iMac sales doldrums two years ago, now prominently uses the Mac screen-window design in its current CD sale flyer.

HEADLINE OF THE WEEK (Times, 11/29): “Drunk Driving Made Easier.” The story was really about a new state law that’ll make drunk driving arrests and prosecutions easier.

MEN AT WORK: The old truism that men will pay for sex but women will pay only to “look sexy” may be changing, at least among certain affluent women in remote locations. A loyal reader recently told of her recent trip to Jamaica, where she and her adult daughter were regularly propositioned by male locals on the streets and public beaches. But she says the solicitations weren’t expressions of harassment but of commerce. Hetero-male hooking’s apparently become such a big tourist draw on the island in recent years, the Jamaica Rough Guide travel book even lists the best spots for European and American women to rent what the book gingerly calls “Jamaican steel.” Some of the gated seaside resorts are discreetly offering bus tours for the ladies to go partake of a tall, dark toy-boy, then return to the hotel in time for scuba lessons.

This is a different phenomenon from the also-booming business of “swingers’ resorts” across the Caribbean and Mexico, where the sex is just as casual but is restricted to one’s fellow paying tourists. It’s also a phenomenon of potential interest to North America’s own remote, economically depressed regions, regions which tend to have ample supplies of rugged if less-than-gentlemanly men. You’d have to get some anything-for-a-buck politicians to change a few laws, then put the recruited men through some Full Monty-esque makeovers and charm lessons; but from there, the only limit would be one’s ambition and one’s marketing budget. I can easily imagine big layouts in the continental fashion mags, inviting the pampered ladies of Italy and France to really experience the rugged, robust America they’ve only known through movies and ads, by enjoying a real Akron factory worker or a real Detroit homeboy or even a real Aberdeen lumberjack!

SLICKSVILLE: Earlier this year, business analysts were talking about the mergers of the seven Baby Bells into four as presaging a potential reassembly of the Bell System. Now, with Exxon and Mobil combining and BP taking over Amoco, we might be seeing the reassembly of the old Standard Oil! (Exxon, Mobil, Amoco, and BP’s current U.S. division are all descended from pieces of John D. Rockefeller’s old monopoly.) The headline in last Friday’s Times claims the merger would “benefit consumers” somehow–even though it would result in further station closures across the country (neither company has much of a presence left around here) and mass layoffs, and even though today’s low oil prices are the result of the collapse in OPEC’s ability to set prices for its member oil-exporting nations.

The first hints of a possible merger made the news the same day as the fatal explosion at the Anacortes refinery built in the ’50s by Texaco, but now operated by Texaco and Shell under the joint-venture pseudonym “Equilon.” All these spinoffs, mergers, joint ventures, and consolidations in the business have scrambled what had been clear vertically-integrated brand identities. (Could the Anacortes plant’s management change have influenced conditions that led to the freak accident? In all probability, no. The coking tower that blew up was designed and built when Texaco still fully owned the installation.)

Still, doesn’t anyone remember back in the ’70s when TV oilman J.R. Ewing became the world’s image of a slimy businessmen? When oil companies were popularly thought to be the bad guys, and the bigger they got the badder they were presumed to be? The oil giants turned out to have profited then from circumstances beyond their control; they’re now struggling from circumstances equally beyond their control. But these are still global collossi whose only true loyalties are still to (1) the stock price, (2) executive salaries and perks, (3) promoting government policies favorable to the first two priorities, and (4) their public images. Everything else (environmental protection, resource conservation, fair labor practices, preserving neighborhood service stations) the companies either pays attention to when doing so fits priorities 1-4 or when they’re forced to. And as we’ve seen in places like Kuwait (where women still have virtually no civil rights) and Nigeria (where opponents to the Shell-supported dictator are harrassed and shot), these companies are still perfectly willing to associate with less-than-admirable elements as long as it’s lucrative.

SCARY COINCIDENCE #1: In this space last week, I promised this week I’d list things I was thankful for. Little did I know I’d be grateful to the fates for some relatively lucky timing. I was on the southbound Metro #359 bus at 3:15 p.m. Thursday, heading back from the ol’ family dinner–exactly 24 hours prior to the incident in which a presumably deranged passenger shot the driver on a southbound #359 on the northern reaches of the Aurora Bridge, just above the Fremont Troll. (The bus crashed through the guard rail and plunged to the ground below. The driver fell out and died.)

Scary coincidence #2: A KIRO-TV reporter, mentioning cops scouring the wreckage site for evidence, noted how investigators spent months combing the seas off Long Island, NY after the TWA Flight 800 crash several years ago. A friend of mine had been on that plane from Paris to NYC that day; the fatal flight was to have been the plane’s return trip.

Scary coincidence #3: As part of the part-time duties I’m still handling for The Stranger, I’d scheduled to turn in a website review this week about www.busplunge.org, a site collecting every English-language news story containing the words “bus plunge.”

Scary coincidence #4: The driver, Mark McLaughlin, was shot in the arm. Mudhoney singer Mark Arm’s real surname: McLaughlin.

Back in the late ’80s, Metro Transit’s ads tried to discourage citizens from thinking of bus riders as underclass losers and winos, with images of well-scrubbed, pale-skinned models and the slogan, “Metro. Who rides it? People just like you.” Then in the ’90s, as headlines blared of “road rage” and roads became clogged with “out-of-my-way-asshole” SUVs, bus riders got plastered with the PR image of “civil society” do-gooders who did their part to reduce traffic congestion and encourage social mingling, people whose efforts deserved to be furthered by the regional light-rail referendum. Will this tragedy re-ignite the old stereotype of bus people, or be perceived as the wheeled equivalent of a drive-by?

NOW FOR YOUR GIFT: I also promised last week I’d start adding exciting new features to your beloved Misc. World site. With the assistance of the speakeasy.org programming staff, I’m proud to pre-announce the forthcoming, one-‘n’-only Misc.Talk discussion board. In a sense it’s a return to my roots, having first discovered online communication via bulletin board systems back in 1983. Your first question: What’s the ickiest, most inappropriate, or most embarrassing Xmas gift you ever got (or gave)? Have fun, and talk nice.

WELCOME BACK to Standard Time and to MISC., the popcult report that was quite bemused by the coincidental confluence of the fun, fake scares of Halloween and the depressing, real scares of election attack ads. The strangest of this year’s bunch has to be the one for Republican Rep. Rick White with the typical grim music and the typical grim B&W still images telling all sorts of supposedly nasty things about Democratic challenger Jay Inslee–ending with the criticism that “Jay Inslee is running a negative campaign.” (But then again, one can’t expect moral consistency from Republicans these days, can one?)

KROGER TO BUY FRED MEYER AND QFC: The Cincinnatti-based Kroger Co., long one of the big three upper-Midwest grocery chains (with A&P and American Stores/Jewel), was America’s #1 supermarket company for a while in the ’80s, at a time when it, Safeway, and A&P were all in downsizing mode, selling or closing not just individual stores but whole regional divisions. Now that the food-store biz has worked out a formula for profit levels Wall St. speculators find sufficient, the big players are expanding again, building bigger stores and gobbling up smaller chains. By gobbling Fred Meyer, QFC, and the various Calif. and Utah chains Fred Meyer’s absorbed, Kroger again will be #1 (ahead of American Stores, which just took the prize when it announced its big combo with Albertson’s). What’s it mean to you? Not much–what really matters in the biz is local-market dominance, not chainwide strength.

THE FIRST THING I’VE EVER WRITTEN ABOUT CLINTON-HELD-HOSTAGE: Why are followers of Lyndon LaRouche manning card-table protest stations downtown, pleading with passersby to support Clinton against the GOP goon squad? Maybe because the Repo men could quite easily be seen as trying to accomplish what LaRouche (before he was imprisoned on credit-card fraud charges) used to accuse liberals and Jewish bankers of conspiring to establish–a quasi-theocratic “New Dark Ages” where demagougery and raw power would overtake all remainiing semblances of representative democracy.

Another potential interpretation of the whole mess: Clinton’s lite-right political stances were engineered from the start to tear asunder the most important bond of the Reagan coalition, that between corporate Republicans and religious-authoritarian Republicans–not necessarily to improve the political lot of those more liberal than Clinton himself, but more likely to simply improve the playing-field chances of corporate Dems like himself. With the impeachment frenzy being whipped up ever more noisily by the authoritarians (to increasing public disinterest), Clinton may be almost deliberately setting himself up as a potential self-sacrifice to this Quixotic quest, to finally disrupt the Religious Right’s ties not only to its big-biz power brokers but its pseudo-populist voter base.

Of course, an institution at the heart of U.S. political maneuvering for some three decades or more (going back at least to Phyllis Schafly’s major role in Barry Goldwater’s ’64 Presidential bid and the concurrent drive to impeach Supreme Court Chief Justice Earl Warren) won’t go away, and won’t give up its hold on the system without a fight. By driving the theocrats into increasingly shrill, dogmatic, and hypocritical positions, Clinton’s setting up next year to be the year the theocrats either shrink into just another subculture or finally achieve their darkest dreams of quashing the democratic system of governance as we know it. Next Tuesday’s midterm Congressional elections might or might not mean that much in the main scheme-O-things, but the months to follow will be a bumpy ride indeed.

WHAT THIS TOWN NEEDS: Last week, I asked you to email suggestions about things Seattle oughta try to get soon, now that we’re at the potential endgame phase of our recent economic boom. Here are some of your, and some of my, wants:

• A citywide monorail line. It’s being worked on.
• Repeal of the Teen Dance Ordinance. It’s being worked on.
• A sign in the library: “This is not a convenience store.”
• A community radio station. A collective called Free Seattle Radio is currently raising money to start another pirate FM operation. But what I’m talking about is a real station, licensed and above-ground, with just enough resources to cover the issues, arts, and voices that make the city.

  Reader Dave Ritter adds, “Seattle needs a new common ground. Ideally, this would be a radio station owned by a consortium of local entertainment figures. The programming would be market-exclusive and inclusive. The format would rely on tried and true radio (pre-1973) small market rock-radio principles. Kind of a Stranger with sound. It wouldn’t even have to be FM, if done correctly, but it would need to be legal, and competent.”

• A theater festival for the troupes and directors too big for the Seattle Fringe Fest (which is fringier than most other North American fringe festivals).
• A good Scottish pub (not Irish or English).
• Better bus service, particularly between neighborhoods (like Magnolia) and non-downtown workplace districts (like Elliott Avenue).
• Rent control or something like it. A reader named Dee writes, “I’ve heard enough horror stories and I feel Seattle is going in the same direction as San Francisco with the big money moving in, and people of low to moderate incomes becoming further displaced. My one hope is Seattle has strong working class roots with a bit of a socialist heart. I think enough educated people will become pissed off enough to make the noise which will lead to better changes.”
• A local, live hip-hop showcase club. For that, we might need–

• A city attorney who’s not a stooge for gentrification. Sure lotsa people hate the classist, possibly racist policies of Mark Sidran, but nobody even ran against him the last election.
• Saner liquor laws. The Washington Liquor Control Board was born in post-Prohibition times when the more “upstanding” elements of local society were worried at the threat of the wild-west saloon culture coming back. To this day, the liquor bureaucracy believes its mission to be keeping a tight lid on what adults can and cannot do on licensed premises while consuming legal drugs. A healthy urban society needs a strong nightlife industry; while the liquor bureaucrats are less restrictive in some aspects than they used to be, they’ve a ways to go toward abetting this the way other “regulatory” departments help the industries they lord over.
• A movie theater with booze. The truly-vast McMenamin’s brewpub empire in Portland has a couple of these. Up here, General Cinemas is planning to convert its low-profile multiplex at 130th & Aurora to a movie theater with food, but no word yet on a liquor license. Before Paul Allen bought the Cinerama theater downtown, another bidder on the property wanted to turn it into a viewing-‘n’-sipping establishment. The Rendezvous restaurant’s Jewel Box Theater has hosted many film screenings with full booze service. Some think there must be a Washington liquor regulation against booze and movies, but that appears to be not the case. Besides, if you can have sports bars with multiple big-screen TVs, you oughta be able to have a bar with a movie screen.
• A real winter bacchanale, not the tame bar-promotion event Fat Tuesday quickly became. Something with real joie de vivre. For that matter, our all-too-fair city could use a little less prudery overall. Scrap that ten-year “temporary” moratorium on new strip joints, so we could get one of those nice “gentleman’s clubs” your girlfriend’s not ashamed of you going to. Establish at least one public clothing-optional beach in the county. Even legalize (or at least decriminalize) prostitution, and make it a co-ed biz (old widows and middle-aged divorcees need love too, ya know).
• A bowling alley in or near downtown. Maybe one could go in part of the yet-unleased old Nordstrom complex, or in the Convention Center expansion (as a leisure amenity for tourists and locals alike).
• More spirit and less “attitude.”
• More democracy and less demographics.

‘TIL NEXT WE VIRTUALLY MEET, be sure to vote next Tuesday for the library bonds and the minimum-wage hike (and against the abortion ban and affirmative-action ban), and consider these words from Alexander Pope: “Vice is a monster so frightful to mein, that but to be seen is to despise; yet seen too oft familiar with her face, we first endure, then pity, then embrace.”

(Be sure to send in your Halloween party reports, including the number of Monica Lewinskys seen, to clark@speakeasy.org.)

WELCOME BACK TO THE ONE-&-ONLY ONLINE MISC., the pop-culture column that was as startled as you to find a full-color, almost full-page, atatomically-correct (more or less), side-view computer illustration of a male lower torso on the Lifestyles page of the 10/19 P-I. It was there, natch, for a long story encouraging prostate-cancer tests. But hey, if it takes the “educational” justification of a deadly disease to help demystify and de-demonize the Staff of Life, so be it.

STAGES: The Seattle Repertory Theatre now has a managing director named Benjamin Moore. So far, no scheduled productions of Paint Your Wagon.

AD OF THE WEEK (on the Stranger Bulletin Board page): “Lesbian Guitar Teacher.” Hmm, an instructor in the heretofore-underappreciated art of the Lesbian Guitar: I could go for the cheap anatomical-reference jokes every guitar student’s heard or said at one time, but instead will ponder “Lesbian Guitar” as a specific musical form. Could it be the ever-so-earnest acoustic fret-squeakin’ of Holly Near or Ferron? The somewhat more humanistic, yet still stolid, chord-thumpin’ of Phranc? The electrified “Torch and Twang” of early k.d. lang?

It’s the curse-in-disguise of all these women (and others of their various ilks) that they’re known first as statement-makers, second as stage presences, third as singers, and almost not at all as instrument-players. This neglect of the role of music in female-singer-songwriter-ing is at least partly responsible for the near-total lack of female instrumentalists on both Lilith Fair package tours. It dogged Bikini Kill throughout their career; it took that band’s co-leader Kathleen Hanna to start a whole new concept with a whole different instrumentation (Julie Ruin) for some critics to even notice that she’d been a darned-good musician all this time. (Lesbian-led bands that have gotten at least partial critical notice for their actual playing, such as Team Dresch, are exceptions that prove the rule.) Elsewhere in tune-land…

CLOSING TIME?: An NY Times story (10/15) discussed the precipitous decline of commercial rock as a music-biz force, noting sales charts now dominated by rap and rap/R&B hybrid acts. One quoted industry expert said “the Seattle bands” had been rock’s last best hope, but Nirvana ended and Pearl Jam got lost in its politics and the whole Rock Reformation got sidetracked. I’d put the blame on the suckiness of chain-run rock radio and MTV, which have bled the patient (themselves) to near-death with their repitition, selection of awful bland-rock acts, and stupidity. Of course, the suckiness of corporate rock radio (and of corporate rock promotion in general) is one of the things the Seattle bands had been trying to rebel against. Speaking of getting lost in politics…

BUMPER STICKER OF THE WEEK (seen in Belltown): “Chris Cornell for Mayor.” Actually, why not? If business success is the only prerequesite for a political career, Cornell sure counts. He and his Soundgarden bandmates started an enterprise from scratch, which grew steadily into a multimillion-buck operation that helped put Seattle on the music-biz map. (He’s even begun to assert a political worldview, having participated in that joint petition to Al Gore on behalf of old-growth forest preservation.)

LOCAL PUBLICATION OF THE WEEK: Steve Mandich’s Heinous #5 (the first issue in three years) is a professionally-written, DIY-printed mini-size zine, bound with strings of old audio-cassette tape. Topics include the Seattle Pilots (our ill-fated first MLB team), ’70s self-made celebrity The Human Fly, women’s motorcycle-jumping champ Debbie Lawler, rock records about Evel Knievel, and a Bob Newhart career retrospective for a change-O-pace. ($2 from P.O. Box 12065, Seattle 98102, or by email request to smandich@teleport.com.)

EX-LOCAL PUBLICATION OF THE WEEK: Not only is commercial film production in Washington at an even lower ebb this year than last, but even MovieMaker, the slick magazine about indie filmmaking, suddenly moved from Seattle to L.A. over the summer. Does that mean no remaining hope for true indie (i.e., totally non-L.A.) filmmaking?

SCREEN PATTERNS: Actually, the reasons for the repertory program’s move to the Egyptian have little to do with the filmgoing tastes of college students and more with Landmark (née Seven Gables) Theaters’ schemes. 7G started repertory movies in Seattle at the Moore, which was where the Seattle International Film Festival also had started. Then Landmark came to town and bought the Neptune in the U District, driving 7G out of the repertory side of the biz until Landmark bought 7G. From there, Landmark decided to use the Neptune for hi-profile new releases, shunting the rep films to the smaller Varsity. Now it’s repositioning the Egyptian as the “Year Round Film Festival” theater.

(Still no word, by the way, about Landmark’s corporate fate. Last we heard, its current owner, financier John Kluge (who made a fortune selling five TV stations to Rupert Murdoch and promptly lost much of that fortune in Orion Pictures) had put the chain up for sale.) Meanwhile, Seattle’s other ex-locally-owned theater chain, the onetime Sterling Recreation Organization circuit now part of Cineplex Odeon, quietly had a change of management in recent months. CO’s now jointly owned by Sony and Seagram (whose respective studio units, Columbia and Universal, were the only major Golden Age Hollywood studios that hadn’t been connected to theater chains back in the ’40s).

MATERIAL BOY: Last week, I asked for your suggestions on new career moves I, your long-underemployed author, could take. A few of you didn’t quite get the “career” part of it (such as those who thought I should start a cable-access show or other unpaid stuff). Other responses generally fell into a few main categories, among them the following:

• 1. “Just write the same column but not about Seattle.” Easily the most common response. But not as easy as it sounds. Having observed the modest syndication success of Savage Love (one of only a half-dozen successful syndicated columns ever in “alternative” weeklies), I can appreciate the conceptual work required for one. I can’t just offer these papers an unlocal version of my regular commentary work, nor could I hook ’em on something their own staffs can produce (movie reviews, etc.). Besides, part of the whole point of this particular column concept is that it’s from one particular place at one particular time, even when it discusses the products of the far-off entertainment conglomerates. No, the Misc. shtick wouldn’t adapt well to the everywhere/nowhere of the national media universe. I’d have to start from scratch with a whole new column concept. (Which isn’t to say that I can’t or won’t.)
• 2. “Become a national magazine freelance writer.” There are prospects more depressing than the freelance life as lauded in old Writer’s Digest magazines (sitting in one’s home-office, sending the same “sure-fire” article proposals out to everybody from Grit to Cracked while cross-referencing all their rejections on index cards), but I can’t think of many right now.
• 3. “Chuck it all and go live (someplace warm) (in the country) (in NY/LA).” No; this little corner of Canadian-style propriety inside the U.S. (without Canada’s quaint accents or gun control or universal health care) is and will be my home. I could use some more travel, though. Anybody wanna fund my Searchin’-4-America book?
• 4. “Forget writing as a means of income, and take on a real career.” Thought about this one a lot, and still do. I’ve sent out lotsa resumes, attended the last High-Tech Career Expo, and scour the want ads for new exciting opportunities. Some of these pursuits (or at least fantasies about them) might lead to adventures or misadventures I’ll mention in future weeks. Imagine following me along as a taxi driver, meat cutter, stripper at bachelorette parties, legal assistant, or house painter.
• 5. “Go into business for yourself.” I am, to the extent I can afford to. This site may become more commercialized and more elaborate. The long-promised Best of Misc. book could appear as early as Xmas. There might be other assorted ventures as well. I’m already designing the T-shirts and looking at your-own-brand-on-the-box cereal makers. So while the global economy might be iffy, I’ll do everything possible to make Misc. World a more vibrant, economically robust place. Unless, of course, I win at Quinto one of these weeks.

TO CLOSE, some words-O-wisdom from the recently-deceased former TV Guide reviewer Cleveland Amory: “`Action-packed’ means the boys can’t act but the girls are stacked.”

(Our next reader quiz: What does Seattle need? The full essay and invite will appear in next week’s column, but you can send in your ideas now to clark@speakeasy.org.)

AND SO IT HAS COME TO THIS: Seems everything in this once-sleepy town’s Growing! Changing! Morphing!

Even in print.

The powers-that-be at The Stranger have decided they no longer want to publish this here little compendium of factoids and opinionoids.

The concept behind Misc., first in June 1986 at the old ArtsFocus monthly and since November 1991 at The Stranger, was to report aspects of the Seattle popular culture that didn’t fit a standard format of arts reviews, previews, and interviews.

Its schtick of assorted short and long items was never intended, as some have alleged, as a short-attention-span paean to any so-called “MTV generation” but rather a revival of the classic three-dot newspaper column as practiced by such past masters as Walter Winchell, Irv Kupcinet, and the P-I-era Emmett Watson.

The real value of a three-dot column isn’t depth but breadth. At a time when knowledge and careers are increasingly specialized, there’s a need for generalists who can explore the contexts, juxtapositions, and connections among seemingly unrelated phenomena, from something as general as global socioeconomic trends to something as specific as a candy bar.

This column’s treated fashion, food, politics, music, architecture, medicine, painting, porn, magzines, talk radio, etc. etc. as equally important disciplines, each with something to reveal about the larger world.

It’s treated its readers as intelligent humans, not as some target-marketing stereotype. It hasn’t told you what bands, movies, or shows to see; it hasn’t promised to make you wealthier or slimmer or more sociable or more orgasmic; just to inform and entertain. It’s taken a personal point of view, yet hasn’t tried to promote the author as its own biggest topic. It’s been opinionated, but without any in-your-face “Attitude.”

The column’s also tried to reflect and respond to today’s ever factioning, increasingly complex society. Canadians used to say the U.S. was a “melting pot” but Canada was a “mosaic,” where different ethnic and cultural groups got to maintain more of their own identities with less pressure to conform to a “mainstream” norm. Nowadays, the U.S. is getting more mosaic-y than ever (while Canada’s searching for some kind of social grout that’ll keep its tiles from flying apart).

It takes a generalist to detect the patterns among the tiles, the developing harmonies and disharmonies and color schemes–without excessively oversimplifying the patterns, without invoking obsolete stereotypes of one “dominant culture” vs. one “counterculture.”

While having fun with the convoluting minutae of modern urban life, the column’s tried to advocate the idea that this unmelting of the melting pot’s an overall good thing. Much as I enjoy the documentation and ephemera of our cultural past (movies, magazines, postcards, records), I’ve no wish to return to any “good old days” when racism was official national policy, or when book publishing was firmly controlled by a few tweed-suited men in Manhattan.

We need more tribes, more virtual communities, more ways for individuals to find their own voices and form their own affinity groups. But along with that we need ways for these communities to learn about, and from, one another.

Thanx and a hat tip to all my loyal readers, sources, and informants over the years, and to the Stranger staffers who’ve helped to keep it accurate, pretty, and properly-spelled. A special nod goes to Matt Cook and James Sturm, who helped get the column into the paper back in ’91, and to Alice (no relation) Savage, who commissioned its first incarnation at ArtsFocus.

The column existed before The Stranger did, and will continue online at Misc. World, www.miscmedia.com. There’ll continue to be non-columnar material by me elsewhere in the paper (“Cyber Stuff” and the new “Diversions” in the Calendar section, “X-Word,” reviews, one-shot essays and articles). And I’ll be working on new projects, including a long-threatened “Best of Misc.” book and a new edition of my local music-history book Loser.

‘Til then, some closing words from the last broadcast by ex-Seattleite and pioneer network newscaster Chet Huntley: “Keep the faith; there will be better and happier news, one day, if we work at it.”

The Microsoft File

Book reviews for The Stranger, 9/15/98

The Microsoft File:

The Secret Case Against Bill Gates

by Wendy Goldman Rohm

(Times Books/Random House) $25

Bill Gates’ Personal Super Secret Private Laptop

by Henry Beard, John Boswell, and Ron Barrett

(Simon & Schuster) $13.95

If you don’t know much about the federal, state, and competitors’ accusations against the Redmond Software Behemoth, this might be a relatively painless place to start.

Over the course of some 300 pages spanning some 10 years, Rohm slowly conveys the various, wide-ranging complaints made against MS (that it’s hustled and bullied people around in order to maintain its lock on PC operating systems and to leverage that monopoly into full market control of applications software, Internet browsers, and electronic commerce).

But if you’re already familiar with the basics of the story, Rohm’s slow-yet-hurried pace and her convoluted attempts to stick it all into a “human interest” linear narrative may leave you almost as frustrated as, say, trying to remove the Internet Explorer icons from a Win98 desktop. She seems less interested in the case of U.S. v. Microsoft than in her soap-opera sagas of its players.

That’s the only obvious reason for her frequent side allegations concerning the premarital Gates’ sex life (concerning one alleged tryst: “She was beautiful. It didn’t matter that she was paid”).

Like Ken Starr, Rohm apparently believes an unrepressed libido’s a telltale sign of an unworthy character. Also like Starr, she apparently wants to sway public opinion against her target more than to gather and disseminate factual matter. Despite Rohm’s obsessions, Gates’ character isn’t the real issue; it’s his company’s actions and their legality.

Besides, much of the world already sees Gates as a near-mythical figure of limitless ambition and limited conscience. It’s enough of a premise for National Lampoon vet Henry Beard and his partners to create a whole picture book purportedly consisting of screen shots from Gates’ own PC.

Some typical gags involve a proposed Star Trek script with himself as the hero, a hype-generation program that “changes comparative adjectives to superlatives,” a Perrier-filled wading pool for baby daughter Jennifer, proposed “on-screen error messages so users will blame themselves for foul-ups and glitches,” and in-house acronyms such as “OGITWEP (Our goal is the whole enchilada, period).”

Nothing in it’s actually funny, but it’s a telling document about exploitable public sentiments toward the fifth-richest American in history.

STORE #1: I love lists, so I love how the silly Random House/ Modern Library “Top 100 Novels of the 20th Century” list has inspired so many folks to attempt better (more ambitious, more diverse, funnier) lit-guides. One such effort’s being compiled at the Twice Sold Tales used-book chain. Get your recommendations (up to 20) to Twice Sold’s Broadway & John store by Sunday. They’ve gotta be originally written in English and originally published since 1900; any list including Richard Bach or Bridges of Madison County will be thrown out.

STORE #2: The huge new Safeway at 15th & John opened a week before the region’s long-dominant food chain (begun by Boise’s prominent Skaggs family; now owned by leveraged-buyout kings Kohlberg Kravis Roberts; but never owned (despite the rumors) by the Mormon Church), lost its spot as America’s #1 food vendor to the merged Albertson’s and American Stores (both with Skaggs family members in their origins). The new Safeway outlet easily matches the new Broadway QFC (now owned by Fred Meyer, which was formerly owned by KKR) in size, opulence, and ready-to-eat goodies.

Why has supermarket square footage on the hill more than doubled in the past ten years (including Central Co-op’s big new branch soon coming to 16th & Madison), when its population’s increased by much less? There’s relatively fewer kids in the area, for one thing (big folks eat more; big folks without dependents can often spend more). Big stores bring more customers past the lucrative side departments (pharmacy, video, photo, floral). And, as we mentioned when the new QFC opened, supermarkets are trying to take back business from restaurants with delis, salad bars, and convenience foods.

There’s also a semi-intentional side effect: Monstrous stores, with wide aisles and gargantuan shopping carts, bring back some of the wonder that grocery-shopping trips meant when you were a kid, mesmerized by the bounty of goodies and the old Safeway yin/yang-esque logo. Just don’t do wheelies with the carts, OK?

STORE #3, OR JUST WHAT’S A BRASS PLUM, ANYWAY?: To me, the new Nordstrom store’s opening will be the final true end of Frederick & Nelson; I’ve been able to half-pretend the grande dame of Seattle retailing was still around, I just hadn’t shopped in it for six years. It’s also (as of yesterday) the end for the old downtown Nordstrom. I’ll miss that awkward amalgam of three buildings, with the front-and-back-doored elevators, the unpretentiously-pretentious all-lower-case signage, the cramped awkward floor spaces (which suited Nordy’s then-novel “collection of boutiques” concept better than any open-plan mall space could)–a place where, no matter what year’s fashions were on the hangers, the style year was always 1974.

The Stranger’s previously criticized Nordy’s sweetheart deals with the city over the new store, its parking garage, and its reopening of Pine. But let’s remember what else this company’s wrought, for good and/or ill. The downtown Nordy’s as we’ve known it opened when lots of downtown office towers were going up. Instead of the affluent-yet-careerless women F&N targeted, Nordy’s targeted office people (particularly women) who’d begun seeing themselves not as sedate corporate drones but energetic corporate warriors. (Not exactly a feminist ideologue’s vision of empowerment, but still a change.) It told the country our far corner indeed had a fashion sense (an early Forbes article mockingly called the store “Bloomie’s in the Boonies”)–and an entrepreneurial sense. Nordy’s helped perfect the workforce-as-cult model of employee relations now associated with the likes of Microsoft. Like its dressing-for-success clientele, its staffers were encouraged (or hounded or pressured) to give their all to the company and then some.

Even as its catalogs and its out-of-state stores spread an image of the Northwest as a land of carefree outdoor leisure, its practices instilled a vigorous (or obsessive or oppressive) work ethic now common at “growth oriented companies” here and elsewhere.

A piece on Microsoft’s Slate last year suggested companies like MS and Starbucks had to have copied N.Y. or L.A. styles of institutional aggression; such drive couldn’t possibly be indigenous to our countrified region. Nordy’s proved it could be and is.

The Girl in the Flammable Skirt

Book feature for The Stranger, 8/20/98

THE GIRL IN THE FLAMMABLE SKIRT

by Aimee Bender

(Doubleday) $21.95

The 16 stories in Bender’s first fiction collection are dark yet never morbid, funny yet never goofy. They’re constantly going just off the side of your expectations, yet their own twisted worlds function perfectly. They have just the right details in just the right places.

Bender deconstructs the Everywoman motif common among so many contemporary female authors. Bender’s women do, by more or less their own free will, things other women may find selfish, inconsiderate, or just plain icky. These heroines and antiheroines aren’t virtuous victims or scheming sirens but more-or-less ordinary folks who get caught up in (or find themselves creating) extraordinary events. Even when these women do not-too-nice things, Bender lets us fully understand why they would.

Example: The long-suffering wife in “What You Left in the Ditch,” who remains steadfastly loyal to her soldier husband until he comes home without lips. Bender doesn’t excuse the woman’s superficiality or abandonment of her beloved in his hour of need, but she lets us see how the character had been dependent upon an idealized fantasy of her faraway man, a fantasy ultimately severed from the scarred, real husband.

Another example: The mild-mannered librarian in “Quiet Please,” who learns her estranged (and possibly abusive) father has died, and who spends the rest of the day soliticing sexual favors from every adult male on the library premises–not to fulfill any of their (or her) lusts, but to engage in the act of life as atonement for the belief she’d psycically caused dad’s death by having wished him dead for years. A male reader might first imagine the thrill of encountering such a woman. A female reader might first feel mildly appalled at her actions. But by the end of Bender’s tightly-written, well-paced little tale, all readers will likely feel a tinge of pity, perhaps mixed with a sort of admiration for a character who does what she must to righten herself.

THE 1998 MISC. MIDSUMMER READING LIST: For the second year, we’ve a pile of old and new bound verbiage (in no particular order) to recommend as mental companions while you sit in airports, on ferry docks, in the breakfast nooks of RVs, in rain-pelted tents, and wherever else you’re spending your summer leisure hours.

The Ruins, Trace Farrell. In the ’80s I was involved in “Invisible Seattle,” a group of writers who (among other exercises) fantasized about an alternate-universe Seatown with Old World traditions and grit. This is what local author Farrell’s accomplished in her hilarous parable of working-class discipline vs. New Money hedonism; set in an Old World seaport town but based on a real Seattle supper club and on Seattle’s current caste-and-culture wars.

The Incomparable Atuk, Mordecai Richler. From the Great Canadian Novelist, a 1963 fable still relevant amid today’s Paul Simonized nobel-savage stereotypes. Atuk’s a supposedly innocent native boy from the Northwest Territories who’s brought to Toronto as part of a mining company’s publicity stunt, and who quickly falls right in with the city folk’s hustling and corruption.

Machine Beauty, David Gelernter. One of these skinny essay-books everybody’s putting out today; only this one’s in hardcover. The premise is admirable (advocating simplicity and elegance in the design of industrial products and computer software), but it’d have been better if it were longer, with more examples and illustrations.

Consilience, Edward O. Wilson. Giant essay-book by biologist Wilson, who proposes all human behavior (and indeed all knowledge) can be ultimately traced to biology and physics. He puts up a solid defense, but I still disagree. To me, the world isn’t a tree with a single trunk but a forest of interdependent influences. Life is complexity; deal with it.

The Taste of a Man, Slavenka Drakulic. For “erotic horror” fans, a novel of psychosexual madness by the Croatian author of How We Survived Communism and Even Laughed. Not much laughing here; just a heroine who takes the female sex-metaphors of absorption and consumption to their logical extreme.

Self Help, Lonnie Moore. Short stories by the author of Who Will Run the Frog Hospital? and Anagrams, reworking women’s-magazine clichés into a far less “motivational” but more realistic worldview.

Coyote v. Acme, Ian Frazier. Light yet biting li’l funny stories like the old-old New Yorker used to run. The cast includes a cartoon lawyer, a Satanist college president, Bob Hope, Stalin, Mary Tyler Moore, and “the bank with your money on its mind.”

Eastern Standard Time, Jeff Yang, Dina Gan, and Terry Hong. Asia’s economies are on the ropes but Asia’s pop cultures are going strong, as shown in this breezy coffee-table intro to everything from pachinko and sumo to Jackie Chan and Akira Kurosawa.

Sex, Stupidity, and Greed, Ian Grey. For all haters of expensive bad movies, essays and interviews depicting Hollywood as irrepairably corrupt and inane (and offering the porn biz as an example of a slightly more honest alternative).

Behind Closed Doors, Alina Reyes. An ’80s teen-romance series, 2 Sides of Love, told its stories from the girl’s point of view on one side of the book and the boy’s on the other. Reyes (author of The Butcher and Other Erotica) applies this gimmick to more explicit sex-fantasies, putting her two protagonists through separate assorted sexcapades in assorted dreamlike settings with assorted opposite- and same-sex partners before they finally come together at the middle.

Soap Opera, Alecia Swasy. Intrigued by Richard Powers’ corporate-greed novel Gain (based on Procter & Gamble, and named for one of its detergents)? This real, unauthorized P&G history (named for the broadcast genre P&G helped invent) is even stranger.

Underworld, Don DeLillo. Mega-novel spanning four decades and about many things, principally the U.S. power shift from the northeast (symbolized by NYC’s old baseball dominance) toward the inland west (symbolized by chain-owned landfills). But with the Yankees back in dynasty mode, and financiers now overwhelmingly more influential than industry (particularly resource-based western industry), DeLillo’s march-of-history premise seems like reverse nostalgia.

The Frequency of Souls, Mary Kay Zuravleff. The best short comic novel ever written about refrigerator designers with psychic powers.

AND A READER SELECTION of sorts:

Subject: Northwest Lit
Sent: 7/26/98 5:29 PM
Received: 7/26/98 5:36 PM
From: LSchnei781@aol.com
To: clark@speakeasy.org

Clark:

Your review of the above subject completely ignored the best of the lot–Ivan Doig. Here in Fort Wayne IN where more books are read per capita than in any other city in America (there just isn’t much else to do), Mr Doig’s books enjoy a wide readership, and he is considered by many of us to be in the first rank of contemporary American writers.
Lynn Schneider (LSchnei781@aol.com)

The Ruin of Many a Poor Boy

Original online book feature, 7/6/98

The Ruins

by Trace Farrell

NYU Press

In the ’80s I was involved with a writers’ collective called Invisible Seattle (inspired partly by Italo Calvino’s Invisible Cities and partly by the French Oulipo writers’ group). Through group writing experiments, an early computer bulletin board system, and public performance events, we imagined alternate universes where the Queen City of the Northwest had different properties, populations, and institutions. Sometimes, we posited a Seattle with a Latin Quarter; sometimes, a Seattle with open-air butcher stands and lovemaking in the streets; sometimes, a Seattle with mysterious spies investigating a case of people disappearing into thin air at the whim of a creature known only as “The Author.”

Trace Farrell might never have known of the Invisible Seattle group, but her novella The Ruins lies completely within the spirit of the group’s doings. Her concept: Take a real, oh-so-darn eccentric private Seattle supper club (name unchanged) and imagine if it wasn’t the creation of its founders’ fantasies as much as an organic part of its community. To make this clearer: Farrell took the real Ruins (with its ambience of fake Euro-decadence) and made up a fictional city to put it in.

This city, called merely “Q__” and situated in an unnamed European country, substitutes old-world outrageousness and earthiness for Seattle’s cold “niceness,” but surrealistically represents a lot about our real city’s increasing bifurcation of the new rich vs. the old poor, hip vs. square, bombast vs. thrift.

“Our hero, Tom” is the old Seattle–hardworking, unassuming, disciplined, sincere, repressed as hell. He’s a down-on-his-luck shoe-shine-stand operator who shows up at the Ruins in search of more gainful employment, and (being the first even half-sane person to ever enter the building) gets immediately hired as its maitre d’.

The other characters represent various aspects of the new Seattle. The owner’s a gregarious, loud, gladhanding big-idea man who can’t be bothered with such boring trivialities as health inspectors and rent payments. The employees are knockabouts, actors, and airheads who know everything about maintaining a festive Bacchanalian spirit but nothing about running a restaurant. The regular customers (most notably a voluptuous dowager lounge singer) are New Money hedonists and hustlers whose lives of worry-free abundance couldn’t be further from Tom’s pitiful existence and what New Agers would call his “poverty consciousness.” Tom is repeatedly hounded, harrassed, and made the butt of cruel jokes by all the others–who, through it all, insist they love him and need his continued presence to keep the Ruins from total operational collapse.

On one level, Tom is a classic archetypal patsy–an Elmer trapped in a world of scwewy wabbits, a hapless Hardy in a roomful of Laurels. On another level, Tom’s a stand-in (or stunt double) for The Forgotten Man, the hard-working schmoe exploited as “Joe Sixpack” by politicians, labeled a “fascist redneck” by self-styled radicals and hipsters, and treated as a blight in need of removal by urban redevelopers. His misadventures in The Ruins are sometimes hilarious, but don’t laugh too hard. His fate could soon become yours.

(PS: For those who’ve asked me to state more clearly if I liked a book, I liked this one. Farrell’s a deft humorist. Her fantastical concoctions, and her descriptions of them, are outrageous without ever crossing the line into safe parody. She’s sympathetic toward her antihero even while she puts him through humiliation after humiliation. And she writes up a more amazing meal than any nonfiction food writer you’ve ever read.)

It’s a 4th-O-July Misc., the column old enough to remember back when many Americans were all worried sick that Japan and those other Pacific Rim powerhouses were gonna economically bury the U.S. under a tide of “principle-centered leadership,” “total quality management,” “work-team networking,” and hi-mileage compact cars. Could still happen one o’ these decades, I suppose.

JUNK FOOD OF THE WEEK: Dick’s frozen concentrated chocolate shakes are now at QFC. Frozen, they’re like that Darigold Frosted Malt. When thawed, diluted with a couple tablespoons of milk, and whipped up in an open-air blender, they’re just like what you get at Seattle’s favorite drive-ins. Even when whipped in a lidded blender (or even just stirred vigorously), they’re mighty tasty.

@ LAST!: By the time you read this, US West was supposed to have finally started advertising (and maybe even installing) its “MegaBit” high-speed Internet-access service, using the ADSL technology written about here nearly three years ago. It’s been delayed by state regulators, who complained the phone company hasn’t done enough to welcome independent Internet Service Providers into its ADSL connectivity. So maybe MegaBit will start taking installation orders next week, maybe not. Scrappy li’l Summit Cable, meanwhile, sez it’ll start offering cable-modem service in its neighborhoods (chiefly downtown, Belltown, the Central District, and Beacon Hill) perhaps as early as September; big TCI still promises to do the same sometime within the next year or so. While the hi-bandwidth revolution (enabling decent-quality live video, audio, and telephony thru the Net to home users) has been and will continue to be slow-emerging, at least it’s now underway. Maybe by this time next year, the whole media landscape will have begun to change, further away from the big boys and towards more decentralized structures. Speaking of revolutions…

REVOLUTION ONE-OF-THESE-DAYS-MAYBE!: I’ve talked to four people in recent weeks, who’ve mentioned either their desire or fears of a new American revolution. I have a hard time imagining a violent overthrow of the US of A, especially in these times of relative prosperity for So what would such a revolution be? (I mean a real sociopolitical revolution, not some advertised “fitness revolution” or “style revolution.”)

• The revolution will be televised. It just won’t be made possible by a grant from Archer Daniels Midland.
• It probably wouldn’t be led by the English-department radicals. As Achieving Our Country author Richard Rorty notes, the tenured left’s too obsessed with poststructuralist theory to actively care about economic injustice; too focused on folks a few rungs beneath the top of America’s caste ladder (such as professional-class women and gays) to seriously bother with those closer to the bottom.
• It also wouldn’t be led by today’s Religious Right, though it wishes it could. The Pat Robertson gang’s “reconstructionist” dream, of a palace coup that’d smash constitutional democracy but leave corporate power intact, won’t sell to enough would-be troops in a time when the real threats to mass well-being come from the consolidation of wealth and power by the business elite Robertson’s gang really serves.

  (To be more precise, Robertson’s relationship with the “reconstructionist” faction of the religious right’s a bit more complicted than I have space (in the print version of the column) to explain. He’s supported many ideological points similar to theirs, but at least for now he’s still a registered Republican. And Robertson’s former right-hand man Ralph Reed’s publicly come out against the reconstructionist agenda; Reed believes the religious-right platform (an authoritarian culture, under the twin thumbs of Fundamentalists and corporations) can be realized without dismantling the nation’s political foundations.

• The militia cults might have a part in it, but only if they give up their romanticism of conquest and their ethno-religious exclusivity. They’d have to join efforts with all those facing diminished opportunities, whether from the ghettos, the barrios, the abandoned factory towns, or the depleted mining lands.
• To succeed, it wouldn’t be about the Good People vs. The Bad People (as defined by such inaccurate criteria as race, gender, language, sex-preference, religion, diet, etc.). It’d be about changing an unjust system, while recognizing such a system has innocent beneficiaries as well as innocent victims.
• It wouldn’t promise an instant Golden Age. Most folks are too cynicized from decades of misleading advertising to believe anything as abstract as a new governmental organization could bring eternal peace & prosperity. What it could claim would be to build a healthier, more just society. One where all our races and subcultures don’t just learn to get along but to work together. One where money and power counted a little less and wisdom and love a little more.

(Think you know how to accomplish any of this? Share your fervor at clark@speakeasy.org.)

Subject: Revolution

Sent: 7/4/98 1:59 AM

Received: 7/4/98 8:07 AM

From: Jason Foster, loosenut@scn.org

To: ‘clark@speakeasy.org’, clark@speakeasy.org

It’s about time. Didn’t Thomas Jefferson say that there should be a revolution every 50 years? Aren’t we long overdue?

The statement that the revolution will not be led by the Religious Right made me think of something I read in Hakim Bey’s Millennium. He suggests that the religious right will have to band together with the anarchists and everybody else that thinks our current system is bullshit. They should be able to see the effect that greed has had on our government as much as anyone else.

I don’t think the revolution will be something to accomplish. I think it will just happen as result of social conditions. The destruction of the environment, dumbed-down mainstream media, super-greedy corporations, fucked-up politicians, grassroots politics, and real access to real information raising awareness (like through the internet) will be all be catalysts. Hopefully it will be bloodless.

And as for the revolution being televised: Do you think they will know what it is they are televising?

Misc. is a great column. Thanks for keeping me entertained and informed. (And thanks for reinforcing a lot of my belief system 😉 In an age severely lacking in heroes, you are one of mine.

Peace,

Jason Foster

————-

Subject: Re: revolution bullets

Sent: 7/9/98 8:29 PM

Received: 7/10/98 7:52 AM

From: JJAXX@aol.com

To: clark@speakeasy.org

It has seemed that at one time or another most everyone either anticipates some coming revolution or hopes for one. At the most personal level this is just wanting to get revenge on ones “boss” or parent.

The singular item that stopped my casual disrgard for another jeremiad was the phrase “unjust system.” Now that is something to think about! What exactly IS an unjust system? And, gosh!, relative to what other system did you have in mind?

At this point in history, about every culture I know of favors the powerful and wealthy (redundant?). There is good reason for this. And to various extents the less so are battered by the inequity. This does not mean there is a pending revolution. Most people are well aware of their own vices and shortcomings, regardless of their anger. And the consequences of poor impulse control are seldom long term positive for anyone. What comes after any revolution, any overthrowing impulse? These concepts are weighty to most people who have good memories or education. History is not kind to successful revolutions.

The establishment of a constitutional united states that has endured 200+ years is startlingly freaky when one compiles all of the governmental, corporate, and traditional upheavals the planet has supported in the last couple millenia. As it is, far too many people in this country have a huge economic and health incentive to suppress any so called revolution. The portion of the population that sees itself as the recipient of unjust treatment, I suspect, if gathered together, would never be able to agree on their own manifesto.

The result of this is scattered, small clubs of “revolutionaries” whose main goal is to “overthrow” their unworthy oppressors. Unfortunately, the number of “oppressors” in the US in something like 1 to 2 orders of magnitude larger than any of these groups. Focusing only on the superelite misses the size of the benficiaries numbers. In a country as armed to the teeth as the US, if the superelite were really threatening peoples well being their tenure would be so risky that their identities would be eyes only secrets. And that is a situation that the system itself could not support.

Conclusion: for all intents and purposes, people in the west, and surprisingly, even third world countries, are living in a time that, viewed over a millennium, is a golden age. To posit a successful revolution one must have some vision of a future that betters all 5 billion plus the ecosystem. The only people with that kind of vision are already creating that future. They tend not to be tearing down the current institutions (which have the current reins of power, and tons of money), they are building new institutions, creating new pathways of power and vast arrays of wealth. Individuals that are incapable of participating in this generation…first must look to themselves. If I elect to not pick up a book on HTML and front a web page, it isn’t BIll Gates to blame. If I cannot read to learn HTML it isn’t my teachers to blame.

Revolution is already happening. Show me someone on top in the US who was there 10 years ago. The better future is more like a river than a rock. It requires more in the sense of ability to navigate it than to stand on it.

JJ

————-

Date: Tue, 14 Jul 1998 11:02:42 -0700

From: hbarron

MIME-Version: 1.0

To: clark@thestranger.com

Subject: vive le revolucion!

im writing in response to a misc of a week or two ago in which the ? was something like ‘how to save the world’

id like to mention an org im active with that i think if succesful will greatly increase the joy and peace in the world.

its the party of non-aggresion and non-intervention -the Libertarian Party!

libertarians know that all human interaction can go one of two ways -either peaceful and mutually beneficial(commerce, charity) or coerced and destructive(drug prohib., slavery). therefore the more we can increase voluntary, peaceful, tolerant living and decrease violent social interaction(of which our government is the worst example) the better off we all will be!!!

please drop me a line if you want or if i can answer any ? re/ Libertarianism for the Stranger!!!