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Celebrating 100 years since the first around-the-world flight ended here; Harrell’s budget may have faulty numbers; the possible (grim) real reason fentanyl ODs are down these days; remembering Kris Kristofferson’s Seattle movie.
Ex-UW researcher’s online walkability guide to the whole country; the bad old days of the Teen Dance Ordinance; another Boeing whistleblower speaks out; Cornish College to sell its last Capitol Hill building.
Frank Herbert wrote a gay-coded villain while disowning his gay son; local newspaper chain’s mysterious new owners; traffic deaths set a recent record; MacKenzie Scott gives big (again).
Past, present fans share memories of the doomed U Village Burgermaster; Apple Cup football series lives on; a new city councilmember’s odd rant about a traffic barrier; synagogue gets ‘threatening envelope’ in the mail.
A newly-constructed beach opens off Pioneer Square; it’s been 15 years since the Sonics were taken from us; WA wildfire season’s well underway; can ‘weirdos, not bros’ revive downtown Seattle?
LGBT history noted in Pioneer Square on and Capitol Hill; the ‘tentacles’ of MacKenzie Scott’s charitable giving; a push to make corporate boards less white; 500 days since the first WA (and US) COVID case.
Trashing an RV as a hate-filled ‘statement’; big support for burned-out Ballard businesses; Durkan’s ‘traffic czar’ may be leaving; could the 737 MAX be back by January?
Inside Microsoft’s big cloud-computing control center; rumors of a Showbox deal as two other old nightclubs become threatened; WA’s economic output breaks a half-trillion; ‘surgical tourism’ hits Seattle.
Amazon’s founder finally announces some charitable giving; the sick orca may have died; good and bad fish news; a dream of a better day ahead.
76th and aurora, 1953; seattle municipal archive
Seems every week, something important from this once fair little seaport city is taken away from us in the name of density, development, or “disruption.”
Cool old bars and restaurants and shops, yes. But also a men’s pro basketball team, a daily newspaper, a radio host, a live theater space.
And the new things that replace the old things tend to be costlier, louder, hoity-toity-er. Dive bars get turned into upscale bistros; cheap apartments become luxury condos.
For someone who came of age loving the old Seattle, for all its faults and limitations, today’s city seems more and more like an alien land.
•
The Soul of Seattle is a hard thing to define, and different people have defined it differently. But this is how I define it.
Seattle’s soul is not loud or pushy. It doesn’t scream at you to order you to love it.
It’s quiet and confident; yes, to the point of dangerously smug self-satisfaction.
Yet it’s also funny in a self-deprecating way. Seattle’s sense of quirky humor can be seen in Ivar Haglund, J.P. Patches, John Keister, the Young Fresh Fellows’ songs, the comic art of Jim Woodring and The Oatmeal.
It believes in beauty, in many forms. The delicate curves and perfect proportions of the Space Needle; the slippery warmth of a bag of Dick’s fries; the modest elegance of a Craftsman bungalow.
It believes in old fashioned showmanship. The fringe theaters of the ’70s and ’80s; the burlesque troupes of the ’90s; the alternative circus acts of the 2000s.
It believes in old fashioned fun. Boat races; cream cheese on hot dogs; tiki parties; comics conventions.
Yet it also believes in schmoozing and in deal making. Boeing got on such good terms ith the airlines of the world that Lockheed never sustained. Microsoft made deals to put MS-DOS and Office on almost every desktop computer.
And it believes in civic progress, however it’s defined. It created monuments to its own “arrival” (the Smith Tower, the Olympic Hotel, the Century 21 Exposition). It built public spaces more beautiful than they had to be (the UW campus, the Volunteer Park Conservatory). It leveled hills, filled in tide flats, raised streets, lowered Lake Washington, and put up parks everywhere from freeway airspace to an old naval base.
There are several places around town where this Soul of Seattle still lives and even thrives.
Here are just a few of them:
(Cross posted with City Living Seattle.)
kuow
lostateminor.com
seattlestairwaywalks.com
The rubric atop this entry is not merely the title of the Ventures’ breakout hit, over 50 years old and still an instro-rock classic.
It’s also a potential slogan of the second annual NEPO House 5K Don’t Run, held last Saturday from Beacon Hill to the International District.
This year, the event began at NEPO House, the sometime installation/performance space on Beacon Hill. Last year, that’s where it ended. That meant this year’s event was (mostly) downhill (except at the end).
That still wasn’t easy for the woman pushing the wheelchair seen above (whose occupant also carried a load of bricks in her arms).
Also giving themselves an added degree of difficulty were Graham Downing and Max Kraushaar, wearing helmets that only gave them tiny tiny peephole views. They had to rely on one another’s limited perspectives all along the way.
Along the way, Nathaniel Russell’s ad posters promoted fictional events, services, and events.
Earthman! (Seanjohn Walsh) read selections from famous poets, selected by a random process that involved a spin toy and a game board.
A little further down 18th Ave. S., poet Sarah Galvin arises from a hidden hole in the ground, from which a wildman (played by Willie Fitzgerald) had arisen, grabbed her, and thrown her down.
With the path having moved onto I-90 Trail, Julia Haack’s arches here aren’t just striped, they’re quilted.
The Ye-Ye Collective’s “Telethon” looked back to the old days of printed phone books, landline phones, and all-knowing “directory assistance.”
Paul Komada shows “How to Fold an American Flag.”
Keeara Rhoades’ dance troupe, stationed under the Jose Rizal Bridge, performs “When They Move They Take Their Fence With Them.” They’re a white picket fence, you see.
“Meadow Starts With P” and her Covert Lemonade Stand were quite popular with the by-now tiring non-runners.
A K Mimi Alin, the “Not So Easy Chair,” is no relation to Chairy from Pee-wee’s Playhouse (I asked).
Eric Eugene Aguilar and friends danced under a freeway overpass. Just out of camera range, official city notices pasted onto the piers ordered people to not sleep here.
The Don’t Run ended at its own version of the Boston Marathon’s “Heartbreak Hill,” the steep climb along S. Maynard St. toward Sixth Ave. S. Those non-runners who survived this last obstacle were treated to a beer garden, food trucks, and the Bavarian Village Band (who’d also performed at the end of last year’s Don’t Run).
The Diapan Butoh took at least half an hour to dance up the one block to Sixth. Even when they got there, things did not go swiftly or smoothly.
What you saw here was fewer than half the Don’t Run’s attractions. When next year’s event arrives, you’d better walk, stride, strut, or shimmy to it.
Just don’t, you know….
Jim Bracher at the Seattle Backpackers Magazine site offers a mostly-positive review of our somewhat-new book Walking Seattle:
The author’s knowledge of Seattle is extensive, comprehensive, and impressive. I didn’t realize part of Perkins Lane is still closed after the mudslides in ’97 (p. 64), and I’d forgotten the horror that dominated the news after the murders at the Wah Mee club in ’83 (p. 79). He also reminded me of The Blob (p. 58), a building I’d forgotten even though I used to walk by it almost daily.… This guy knows architecture. I know bungalows from Queen Anne, but he knows Art Moderne from Beaux Arts.… Architecture helps tell the story of a city. The current downtown Seattle Library is a statement about what we want the city to be, what we want others to see when they look at us, and what sort of buildings we want to see when go out. All the buildings of Seattle’s past were designed for the same purpose. The bungalows, the big homes of Queen Anne Hill’s past, all tell the story of what was going on in Seattle. It’s a cool history. I wish Humphrey had told more of it.… He’s a good writer. The prose flows. Reading through the tour descriptions is easy and clear…. I’d love more story-telling. He’s capable of it and the book shows he knows it.
The author’s knowledge of Seattle is extensive, comprehensive, and impressive. I didn’t realize part of Perkins Lane is still closed after the mudslides in ’97 (p. 64), and I’d forgotten the horror that dominated the news after the murders at the Wah Mee club in ’83 (p. 79). He also reminded me of The Blob (p. 58), a building I’d forgotten even though I used to walk by it almost daily.…
This guy knows architecture. I know bungalows from Queen Anne, but he knows Art Moderne from Beaux Arts.… Architecture helps tell the story of a city. The current downtown Seattle Library is a statement about what we want the city to be, what we want others to see when they look at us, and what sort of buildings we want to see when go out. All the buildings of Seattle’s past were designed for the same purpose. The bungalows, the big homes of Queen Anne Hill’s past, all tell the story of what was going on in Seattle. It’s a cool history. I wish Humphrey had told more of it.…
He’s a good writer. The prose flows. Reading through the tour descriptions is easy and clear…. I’d love more story-telling. He’s capable of it and the book shows he knows it.
Bracher also has some dislikes about the book. Almost all of those relate to the publisher’s series format (page size, layout, etc.).
And he wishes there was a smartphone app for it.
Guess what? There is! It’s an add-on virtual tour guide that works within the iOS/Android app ViewRanger.
But on the whole, he likes Walking Seattle.
And you will too.